Bibliografias temáticas / Boswell Collection for the History of Cartography

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Literatura científica selecionada sobre o tema "Boswell Collection for the History of Cartography"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 30 de julho de 2024

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Artigos de revistas sobre o assunto "Boswell Collection for the History of Cartography"

Stooke, Philip J. "Lunar and planetary cartographic research at the university of western ontario". CISM journal 45, n.º 1 (abril de 1991): 23–31. http://dx.doi.org/10.1139/geomat-1991-0003.

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Two research projects are in progress at the University of Western Ontario in the area of lunar and planetary cartography. The first addresses a problem unique to space exploration, the mapping of bodies with extremely irregular shapes. Shapes are determined by modifying a triaxial ellipsoid until its limb and terminator reproduce those seen in all available images, given appropriate orientation and lighting. Morphographic map projections are used for maps of such bodies. The second project involves documenting the history of lunar and planetary cartography, supported by bibliographic research and collection of contemporary maps. Part of this work involves identifying very old lunar maps. Possible examples include rock carvings 4500 years old from Knowth, Ireland and sections of medieval mappaemundi.

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Ferretti, Federico. "Pioneers in the history of cartography: the Geneva map collection of Élisée Reclus and Charles Perron". Journal of Historical Geography 43 (janeiro de 2014): 85–95. http://dx.doi.org/10.1016/j.jhg.2013.10.025.

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Marković, Nevena. "How to read ʽEmotional Cartographiesʼ: Rethinking (Carto)graphic Representation and Semantics". Abstracts of the ICA 1 (15 de julho de 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-239-2019.

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Abstract. The emotions, in its broadest sense, have been the subject of anthropological, sociological, and cultural studies among geographers. The “mapping impulse” has been also an essential element and a major force in many disciplines and fields.Historically, the mapping has imposed not only physical but also imagined boundaries, imposing “the power-knowledge” relations on the landscape and its communities. At the same time, looking at the history of cartography, the visual vocabulary of conventional maps has been used to interpret various facets of the human psyche, for instance in the case of the late Renaissance “sentimental cartography”.The concept of 'Emotional Geographies' has been adopted by geographers as 'a concern with the spatiality and temporality of emotions' (Davidson J, 2007). Hence, emotions have been acknowledged not as individualized, but as intersubjective – social and cultural.Although the geospatial technologies have acquired more humanized characteristics since the mid 1990‘s (Pickles, 1995), such as mapping feelings (Pocock, D. 1984) and emotional responses to space (Gartner, 2012), the cartography has been facing challenges regarding of data collection and representation of emotions (Griffin & McQuoid, 2012). Therefore, little cartographic efforts have been made in that direction due to the challenges in data collection and representation of emotions. (Griffin &amp; McQuoid, 2012).As such, “turned” not only by the affective topographic or non-spatial elements, but also the critical theory, “Emotional Mapping”, as an additional concept in cartography, goes beyond the georeferenced emotional states in a certain geographic area. This reflexive methodology combines technology, science and art, theory and practice, and, as Nold argues, enables “Reflection-In-Action”, and new social relations. But, the way in which it creates a tangible vision of places as a dense multiplicity of personal sensations, which we are not normally aware of, is its most significant aspect (Nold, 2009). Further to new psychology-based approaches to affect and emotion, and how maps make us feel (Griffin &amp; McQuoid, 2012), alternative approaches from cartography, social theory and art, demonstrate how maps are meaningful. In such scholarship environment, the co-creation of “Emotional Mapping” has a potential by drawing on “Emotional Cartography” techniques, and exploring the ways in which emotional responses might be sensed, captured, represented, analysed, and used in various cross-disciplinary projects.

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Batarseh, Amanda. "Raja Shehadeh’s “Cartography of Refusal”: The Enduring Land Narrative Practice of Palestinian Walks". Cambridge Journal of Postcolonial Literary Inquiry 8, n.º 2 (abril de 2021): 232–52. http://dx.doi.org/10.1017/pli.2020.38.

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In the 1920s, the Palestinian ethnographer Tawfiq Kan‘an examined the physical and narrative construction of Palestinian space by cataloguing the living archive of Palestinian sanctuaries. His collection of narratives, imbued in the sacred space of the “shrine, tomb, tree, shrub, cave, spring, well, rock [or] stone” is suggestive of cultural anthropologist Keith Basso’s elaboration of “place-making” as learned from the Western Apache. Articulating two modes of disruption, place-making narratives preserve indigenous culture in the face of colonial conquest and unsettle colonial paradigms of spatial belonging and exclusion. Despite the efforts of settler colonial erasure, this interpolative practice has been carried through Palestinian narrative traditions into the present. Raja Shehadeh’s Palestinian Walks: Notes on a Vanishing Landscape (2007) illustrates an indigenous mode of seeing, creating, and contesting spatial narratives, disclosing the role of place-making in contemporary Palestinian literature.

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Jovanović, Dina, Daniela Oreni, Stefano Della Torre e Rossella Moioli. "Analysis of historical cartography and data presentation for an educational purpose: The case of the historical centre of Vimercate". Proceedings of the ICA 4 (3 de dezembro de 2021): 1–8. http://dx.doi.org/10.5194/ica-proc-4-53-2021.

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Abstract. Founded by Romans, Vimercate had an important geographical position in Lombardy. Layers of history are visible throughout the town, yet there is the inconsistency of historical data and neglect of the historical centre in the past decades. Only recently researchers and professors from Politecnico di Milano pointed out the importance of studying layers of history in the built environment. In the past years, Vimercate was used as an example for students from masters and bachelor courses in preservation studios. This is where the idea for the master’s thesis was developed which focuses on the collection, digitalisation and investigation of primary historical cartography and then other historical documents. Historical cartography can offer extensive knowledge about the past of this town and it is one of the main sources of information. For the creation of the project was selected free and open-source software QGIS where the selected historical maps were vectorised, compared and investigated. A new understanding of the development of the city was studied and some discoveries appeared. Effective application of the thesis project started in the courses of Architectural preservation studio at Politecnico di Milano. This was followed by the interest of citizens in the project who were actively participated in the creation of the same. Other stakeholders showed interest in involving in future developments. The thesis found its application in didactic activities of students and pupils.

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Sapozhnykov, І. V. "THE KURGANS OF BUDZHAK EXPLORED BY F. I. KNAUER: HISTORY OF EXCAVATION, CARTOGRAPHY AND MODERN STATE". Archaeology and Early History of Ukraine 33, n.º 4 (25 de dezembro de 2019): 396–422. http://dx.doi.org/10.37445/adiu.2019.04.32.

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The article is observed the archeological activity of the native of German colony of Sarata in Budzhak and the author of first excavations of the barrows of this region, Professor F. I. Knauer. Fedor (Friedrich) Ivan Knauer (1849—1917) graduated the Sarata Teachers College (1865). He studied linguistics, Sanskrit and German at the Universities of Jena and Tubingen, graduated the University of Derpt (1882) where he defended his doctoral thesis (1884). After that he worked at St. Vladimir University in Kiev as Professor of the Department of Comparative Linguistics and Sanskrit (from 1886 to 1915). He participated the XI Archaeological Congress in Kiev (1899), XIII (1902, Hamburg) and XVI (1912, Athens) international congresses of orientalists. The scholar engaged in archaeology under the influence of members of the Historical Society of Nestor the Chronist, in particular Professor V. B. Antonovich. One of his tasks was to gather the collection for the creation of the archaeological museum at St. Vladimir’s University. The fieldwork of the scholar in 1888—1889, 1891, and 1899 are described in the paper. During these works he examined 11 barrows on the banks of the rivers Sarat and Kogylnik and found 75—77 graves which were compiled to the chrono-stratigraphic column of burials from the Eneolithic to the Middle Ages. In the special annex to the paper the materials of research of the author of 2018 were revealed, during which the state of the majority of thebarrows of F. I. Knauer was discovered and some of which are proposed to be excavated

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Gomes, Michele de Almeida, e Ana Luce Girão Soares de Lima. "A dispersão de arquivos de pessoas como estratégias de preservação e acesso: o arquivo de Rubim Santos Leão de Aquino". Páginas a&b Arquivos & Bibliotecas, n.º 21 (2024): 138–61. http://dx.doi.org/10.21747/21836671/pag21a8.

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This article is part of the research developed in 2022 in the Cultural Heritage Preservation and Management Program of Casa de Oswaldo Cruz/Fiocruz. It aimed to investigate the phenomenon of dispersion in people’sarchives deposited in memory spaces. To analyse, we had as object of study Rubim Santos Leão de Aquino’s archives(1929-2013), history professor, whose collection was fragmented into parcels and destined todifferent entities, such as the Study Program, Documents Education and Society –Proedes, from the Federal University of Rio de Janeiro. To achieve this purpose, we carried out an exploratory study on the dispersion in people's archives, collected the biographical data of the producer and the archives, identified the actors involved and listed the destination criteria. The result achieved was the mapping of the places that received the documentation with the elaboration of the collection's dispersion cartography.

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Sijia, Liu. "The Scholar’s study in Painting and the History of Collection in Dutch XVII century". Scientific and analytical journal Burganov House. The space of culture 17, n.º 1 (10 de março de 2021): 83–94. http://dx.doi.org/10.36340/2071-6818-2021-17-1-83-94.

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his article is devoted to analysis the theme of the “scholar’s study” in Netherland XVII century painting. The reason for the rise of this theme is closely related to the great development of science and navigation in the XVII century in Netherland. Under the economic development, the tradition of collecting prevails among scholars. People admire knowledge and work on scientific inquiry. The author analyzes Gerrit Dou’s self-portrait The Artist’s studio and the symbolic meanings of objects in the painting. The author states that his self-portrait portrays himself as a scholar, reflecting the social ethos of worshiping knowledge. The specificity of his work, the themes of the scholar’s study, the influence of science, religion, philosophy on the painting of Gerrit Dou, the symbolic meanings of objects surrounding the scientist are considered. Jan van der Hayden’s paintings Still Life with a Globe, Books, Sculpture and Other Objects reflect the wide-ranging style of the collection at that time, reflecting both the worship of religion and the abundance of Netherland foreign products under the background of the great geographical discovery in the XVII century. During this period, establishment of Netherland universities and advent of the maritime age encouraged a thriving cartography producing. A large number of globes and scientific tools appeared in the paintings. They not only have religious meaning, but also show the progress of the new era. Audience can get a glimpse of the characteristics of a typical Netherland scholar’s collection from his paintings. The purpose of this article is to analyze the scientific progress, social development of the Netherlands. This allows you to take a fresh look at the assessment of creativity on the theme of the scholar’s study. To fulfill that purpose, need to complete following tasks: to characterize the specifics of paintings in the themes of the scholar’s study, to reveal the symbolism in the paintings The Artist’s studio by Gerrit Dou, Still Life with a Globe, Books, Sculpture and Other Objects and A Corner of a Room with Curiosities by Jan van der Hayden, to show the close connection between the development of science in the 17th century and the topic of the scientist’s office. The author concludes that the theme of the “scholar’s study” in Netherland XVII century paintings reflect the collection characteristics and aesthetics in the XVII century.

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Proctor, Travis. "Environmental Change, the Acts of John, and Shifting Cultic Landscapes in Late Antique Ephesus". Studies in Late Antiquity 5, n.º 2 (2021): 176–215. http://dx.doi.org/10.1525/sla.2021.5.2.176.

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The city of Ephesus experienced a marked civic transformation in Late Antiquity. After having centered its settlements and economic fortunes on its proximity to a deep-water harbor for over a millenium, late antique Ephesus gradually shifted to an inland, fortified settlement on Ayasoluk Hill. While several factors undoubtedly informed this civic reorientation, the most commonly cited impetus for Ephesus’s late antique reorientation was the infilling of its deep-water harbor. This article argues that, in addition to this environmental cause, an important cultural shift correspondingly informed Ephesus’s late antique reconfigurations. Namely, the emergence and development of the tomb of John on Ayasoluk Hill, informed by an array of literary legends associating the apostle with the city, increasingly positioned this site as a cultic and economic focal point in Late Antiquity. This article argues that an important early strand in this cultural fabric was the Acts of John, a collection of apocryphal tales that narrate John’s exploits in Ephesus. Significantly, the Acts of John articulates a “counter-cartography” that disassociates Christian identity from prominent Ephesian cultic sites and accentuates the importance of spaces “outside the city” of Ephesus, including and especially the tomb of John. Through its own circulation as well as its influence on later Johannine narratives, the early Acts of John helped inform a shift in the cultural cartographies of Ephesus, where Greco-Roman polytheistic spaces were gradually devalued in favor of Christian sites, the tomb of John on Ayasoluk chief among them.

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Dai Prà, Elena, Valentina De Santi e Giannantonio Scaglione. "Representing the War. Early Twentieth Century Maps and Models in the Fonds of the Italian War History Museum in Rovereto". Proceedings of the ICA 4 (3 de dezembro de 2021): 1–8. http://dx.doi.org/10.5194/ica-proc-4-23-2021.

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Abstract. The representation of the areas in which some of the most significant events of the First World War took place has produced a wide range of materials, such as cartography, aerial and terrestrial photos, textual descriptions and field surveys. In addition, war events were also represented through three-dimensional models. Topographic maps and models constitute composite figurations, which are rich in informative data useful for the preservation of the memory of places and for increasing the knowledge of cultural heritage. Hence, these sources need to be studied, described, interpreted and used for future enhancement. The focus of this paper are archival materials from the collections kept at the Italian War History Museum of Rovereto (Museo Storico Italiano della Guerra), in the Trentino-Alto Adige region. Firstly, we will investigate the cartographic fond in order to assess the composition and origin of its materials. Secondly, we will present the Museum’s collection of Early-Twentieth Century models. Such precious heritage is not yet part of an exhibition, and is kept in the Museum’s warehouses. The paper constitutes the occasion to present the initial results of a still ongoing project by the Geo-Cartographic Centre for Study and Documentation (GeCo) of the University of Trento on the study and analysis of two archival complexes preserved in the abovementioned Museum. In particular, the paper focuses on the heuristic value of such representational devices, which enable an analysis of the different methods and languages through which space is planned and designed, emphasizing the complementarity between different types of visualization.

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Teses / dissertações sobre o assunto "Boswell Collection for the History of Cartography"

Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place". Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.

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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing diagram and colour-wheel reveals subtle ecological and biographical narratives.

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Meyerhöfer, Dietrich. "Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler". Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-13B0-E.

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Livros sobre o assunto "Boswell Collection for the History of Cartography"

Roy V. Boswell Collection for the History of Cartography. Worlds that never were: Early maps of the world and the Western Hemisphere, 1513-1676 : an exhibition, April 18, 1988. Fullerton [Calif.]: University Library, California State University, 1988.

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Barbara, Farrell, Desbarats Aileen e Association of Canadian Map Libraries and Archives., eds. Explorations in the history ofCanadian mapping: A collection of essays. Ottawa: Association of Canadian Map Libraries and Archives, 1988.

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Barbara, Farrell, Desbarats Aileen 1929- e Association of Canadian Map Libraries and Archives., eds. Explorations in the history of Canadian mapping: A collection of essays. Ottawa: Association of Canadian Map Libraries and Archives, 1988.

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Leonora, Navari, Samourka M. (Margarita) e Kentro Neoellēnikōn Ereunōn (Ethnikon Hidryma Ereunōn), eds. Mapping Greece, 1420-1800: A history : maps in the Margarita Samourkas Collection. [New Castle, DE]: Oak Knoll Press, 2011.

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Paranavitana, K. D. Maps and plans of Dutch ceylon: A representative collection of cartography from Dutch period. Colombo: Central Cultural Fund, 2002.

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Nicolaïdès, Andreas. Ptolemy & European cartographers of Eastern Mediterranean 1477-1777: From the collection of Professor Andreas Nicolaides. Nicosia: The Leventis Municipal Museum of Nicosia, 2011.

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Manners, Ian. European cartographers and the Ottoman world, 1500-1750: Maps from the collection of O.J. Sopranos. Chicago, Ill: Oriental Institute Museum of the University of Chicago, 2007.

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Manners, Ian. European cartographers and the Ottoman world, 1500-1750: Maps from the collection of O.J. Sopranos. Chicago, Ill: Oriental Institute Museum of the University of Chicago, 2007.

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Manners, Ian. European cartographers and the Ottoman world, 1500-1750: Maps from the collection of O.J. Sopranos. Chicago, Ill: Oriental Institute Museum of the University of Chicago, 2007.

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Museum, David M. Stewart. La découverte du monde: Cartographes et cosmographes : collection David M. Stewart. Montréal: Le Musée, 1985.

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Capítulos de livros sobre o assunto "Boswell Collection for the History of Cartography"

Herbert, Francis. "Military and Civilian Mapping (ca 1912–1930) of the Great War: A Selective Private Collection (Including Postcards)". In History of Military Cartography, 131–56. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25244-5_6.

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