Bibliografias temáticas / Beijing (China). Gong an ju

Literatura científica selecionada sobre o tema "Beijing (China). Gong an ju"

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Publicado: 26 de julho de 2024

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Artigos de revistas sobre o assunto "Beijing (China). Gong an ju"

1

Qiu, Jane. "Higher education and research innovation in China". National Science Review 1, n.º 4 (1 de dezembro de 2014): 623–26. http://dx.doi.org/10.1093/nsr/nwu073.

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Abstract China places a great emphasis on boosting its innovative capability, which it says is key to meeting the challenges in economic development and global competition. At the heart of the matter is how the country could produce its own agent of innovation—creative graduates and postgraduates. In a forum chaired by National Science Review's executive associate editor Mu-ming Poo, five panelists from top universities discuss the problems and challenges of higher education in China and in what ways the system needs to be reformed. Yuanfang Chen Physician and Vice Chair of Peking Union Medical College's Expert Committee on Education in Beijing Song Gao Chemist and Vice President of Peking University in Beijing Ke Gong Electronic Engineer and President of Nankai University in Tianjin Yigong Shi Biologist and Dean of Tsinghua University's School of Life Sciences in Beijing Chia-Wei Woo Physicist and Founding President of Hong Kong University of Science and Technology in Hong Kong Mu-ming Poo (Chair) Neuroscientist and Director of Chinese Academy of Sciences’ Institute of Neuroscience in Shanghai
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Gamso, Jonas. "Is China exporting media censorship? China’s rise, media freedoms, and democracy". European Journal of International Relations 27, n.º 3 (22 de maio de 2021): 858–83. http://dx.doi.org/10.1177/13540661211015722.

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This study explores the relationship between China’s rise and media censorship around the world, in light of recent suggestions in the Western press and among China experts that Beijing is advancing a global censorship agenda. I argue that the Chinese government occasionally promotes censorship in foreign countries, because it wishes to reduce negative media coverage of China or to silence certain groups abroad (e.g. Falun Gong). More often, China’s relative apathy about speech and press freedoms in foreign countries facilitates censorship in countries that can rely on trade with Beijing. Countries that cannot rely on China are less willing to risk alienating Western powers by violating press freedoms at home. Regime type is an important determinant as to whether censorship is facilitated through intensive economic integration with China, as democracies may respond to China’s rise differently than authoritarian countries. Analysis of country-level panel data shows higher rates of media censorship in democratic countries that trade intensively with China.
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Liu, Yu, Hexin Zhao e Hong Guo. "INVOLVING COMMUNITY GOVERNMENTAL ORGANIZATIONS IN THE ESTABLISHMENT OF DEMENTIA-FRIENDLY COMMUNITIES IN BEIJING". Innovation in Aging 3, Supplement_1 (novembro de 2019): S444. http://dx.doi.org/10.1093/geroni/igz038.1666.

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Abstract China has about 20% of the world’s total dementia population. Since most elders with dementia are living at home with care by family members, communities are fundamental support resources for families as well as patients. Dementia-friendly community initiatives aim to empower families with dementia and increase their social inclusion. Within the Chinese political context, the community level governmental organization called Ju-wei-hui has played a key role in community engagement. Within this context, a Community Based Participatory Action Research (CBPAR) process is utilized to increase public awareness on dementia and caring strategies. Our team collaborated with 15 Ju-wei-hui offices across Beijing to design a series of courses and teaching modules together. Five hundred community residents participated and positively evaluated the project. A major finding is that CBPAR could be an effective strategy to develop dementia-friendly communities across China.
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Zhang, Donia. "JUER HUTONG NEW COURTYARD HOUSING IN BEIJING: A REVIEW FROM THE RESIDENTS’ PERSPECTIVE". International Journal of Architectural Research: ArchNet-IJAR 10, n.º 2 (29 de julho de 2016): 166. http://dx.doi.org/10.26687/archnet-ijar.v10i2.963.

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Set within the theoretical framework of cultural sustainability, this in-depth case study examines the Juer Hutong new courtyard housing prototype built in the inner city of Beijing, China, whose phase one was completed in 1990 and phase two in 1994. Juer Hutong (Chrysanthemum Lane) is located in the area of the celebrated Nanluogu Xiang (Gong and Drum Lane South), in proximity to the historic Drum and Bell Towers. It was a typically decayed traditional courtyard house neighborhood that urgently needed remodeling. After a decade of research and design led by Professor Wu Liangyong, and a group of students at the School of Architecture of Tsinghua/ Qinghua University, phase one of the project has won six awards, including the 1992 World Habitat Award. However, its proposed phases three and four were suspended from construction. This study elucidates the residents’ views of the completed two phases and offers four lessons and two new courtyard garden house design models for discussion and future practice.
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Haro Navejas, Francisco Javier. "China y Hong Kong, 2017". Anuario Asia Pacífico el Colegio de México, n.º 17 (1 de janeiro de 2018): 63–95. http://dx.doi.org/10.24201/aap.2018.272.

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El número de actores chinos en escenarios internacionales es cada vez mayor y su abanico de intereses también es creciente. Durante 2017 se fortalecieron dos de sus características esenciales: primero, la mundialización, están en prácticamente todo el planeta, segundo, sus campos de acción que, alentados por sus intereses, son multidimensionales. Durante el año pasado, trataron de posicionarse como una fuerza esencial para resolver problemas. Incluso, hacen todo lo necesario para involucrarse en escenarios de dominio tradicional de los poderes surgidos en la segunda posguerra. El mejor ejemplo de ello es la propuesta de Xi Jinping, presidente de China, compuesta de cuatro puntos¹ para el conflicto entre Palestina e Israel: lograr la existencia de dos Estados basados en las fronteras de 1967 y el este de Jerusalén como capital palestina, finalizar el levantamiento de nuevos asentamientos judíos y terminar con la violencia contra los civiles, alentar la cooperación internacional para promover medidas pacíficas, promover la paz entre Israel y Palestina mediante el desarrollo y la cooperación. La propuesta, una de las primeras en materia de política exterior hechas por Xi a su llegada al poder en 2013, fue presentada el año pasado como algo bienvenido por las partes involucradas; incluso Israel aceptaría una mayor influencia de Beijing, por lo menos en la versión del enviado especial chino para la región, Gong Xiaosheng.²
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PAIK, WOOYEAL. "The Institution of Petition and Authoritarian Social Control in Contemporary China". Issues & Studies 54, n.º 02 (junho de 2018): 1850005. http://dx.doi.org/10.1142/s1013251118500054.

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This paper discusses the Xinfang institution of petitions (letters and visits) and explores the ways in which the Chinese Communist Party regime utilizes social control mechanisms to identify, oversee, and suppress socially discontented people with grievances in the post-Mao market reform era. This public-facing institution for managing participation and rightful resistance, which aims to oversee local officials and redress mass grievances, also plays an unexpected role in social control. Unlike the social control exercised by police patrols in police states, Xinfang functions first as a “fire alarm” in this authoritarian regime; then, if necessary, as a selective “police patrol,” collecting information on discontented people with grievances, monitoring them, quelling and even preempting their protests, and referring dangerous petitioners to higher levels of government to prevent disruption in politically critical regions. This argument is supported with a detailed institutional analysis of the nationwide structure of Xinfang and several case studies of Xinfang’s multi-layered response to petitioners to Beijing, during the Falun Gong incidents in 1999 and 2000 in particular. Several complementary case studies on the behavior of local petition mechanisms and statistical evidence are also analyzed.
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HUANG, Xiu Zhi. "TOUCHSTONE, WIREPULLER AND TRANSITION: SINO-KOREAN BOOK-DIPLOMACY AND POLITICAL FIGHTS IN 1597-1599". International Journal of Korean Humanities and Social Sciences 3 (8 de julho de 2017): 169–85. http://dx.doi.org/10.14746/kr.2017.03.10.

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Embodying an optimistic diplomatic mind in early Joseon Dynasty, haidongzhuguoji written by Shin Suk-ju became a main evidence of Chinese official Ding Yingtai impeaching Joseon in the Jeongyu War occurring in 1597 because of Toyotomi Hideyoshi’s second invasion. Ding Yingtai’s impeachment involved Joseon’s king, Chinese generals in Joseon and officials in Beijing in a political maelstrom, which aroused strong reactions of Joseon king and ministers. In this situation, Joseon’s diplomatic corps were dispatched to Beijing in order to justify and defend. They made preparations and took action zealously, winning the final victory and achieving the goal consequently. However, this book-diplomacy surpassed the problem of justifying a book, thus there were some complicated and subtle meanings in the process. Firstly, This book-diplomacy provided a touchstone of Sino-Korean relationship in Ming Dynasty, explaining the political essence of the relationship. Secondly, This diplomacy resulted from Ming Dynasty’s political fights and calmed down also because of Ming Dynasty’s political fights, intensively showing both Sino-Korean interdependent political fights and each liege fights. Thirdly, The book-diplomacy became an important turning point of the transformation of Joseon’s foreign concept, and Joseon’s “Smaller China” mind began to emphasize excluding barbarians, which made an idealistic preparation for the rising “Smaller China” mind in Qing Dynasty.
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Salter, Denis. "Open Secrets: Mou Sen’s File Zero". Canadian Theatre Review 88 (setembro de 1996): 44–48. http://dx.doi.org/10.3138/ctr.88.009.

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China’s Mou Sen is a survivor in a context under pressure, as are the characters in File Zero, who are robbed of whatever minimal powers they possess. Their civil rights can be violated by the state with impunity, and they are condemned to wander, Kafka-esque, through bureaucratic labyrinths from which there is absolutely no way out. Mou Sen, 32, is the artistic director of the Beijing-based Xi Ju Che Jian ("Garage Theatre” or “Theatre Factory") which he established in 1993. It’s the only fully independent theatre company in mainland China, and Mou guards his independence very carefully, resisting state intervention at all costs. He’s not interested in receiving government subsidies, and stages his productions in abandoned buildings condemned for demolition, or in spaces borrowed for only short periods of time from established organizations in Beijing such as the Zong Zheng Theatre and the Beijing Film Institute. Although Mou has been associated in the past with such venerable state-sanctioned institutions as the People’s Art Theatre in Beijing, he never wants to hold an official position of any kind with a government-controlled or funded organization. Fearing both ideological and aesthetic correctness, Mou even guards his independence from the theatre profession itself. He has no interest in the conventional, naturalistic repertoire of Western classics that dominates China’s stages, and instead concentrates his energies on the development of entirely new pieces. Rather than work with a company of professionally-trained actors, he prefers to collaborate with dissident amateurs and with artists from non-theatre disciplines who don’t have any bad habits to unlearn and who have a healthy disrespect for directorial authority and the patriarchal values it inscribes.
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Cheng, B. P., Y. H. Huang, X. B. Song, A. T. Peng, J. F. Ling e X. Chen. "First Report of Colletotrichum siamense Causing Leaf Drop and Fruit Spot of Citrus reticulata Blanco cv. Shiyue Ju in China". Plant Disease 97, n.º 11 (novembro de 2013): 1508. http://dx.doi.org/10.1094/pdis-04-13-0352-pdn.

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Citrus reticulata Blanco cv. Shiyue Ju, which produces one of China's most popular tropical fruits, is widely planted throughout southern China. In 2008, a new citrus disease was found in Zhaoqing City in Guangdong Province on about 20,000 ha. Yield losses averaged 15% on a wide range of different aged trees of C. reticulata cv. Shiyue Ju. No yield losses were observed on C. reticulata cv. Gong gan. Symptoms first appeared on young leaves as leaf lesions, which were reddish-brown, elliptical, and 2 to 5 mm in diameter. After several weeks, 20 to 70% of leaves dropped and 10 to 50% of fruits on the trees showed brown spots (5 to 40 mm in diameter). Leaves and fruit peels adjacent to and including lesions from different trees were surface disinfested with 1% sodium hypochlorite for 1 min and rinsed three times in sterile water. Then the tissues were plated on potato dextrose agar (PDA) in alternating light and dark at 28°C for 3 days. Twenty-three similar isolates of a fast-growing fungus were recovered from all samples. For identification, single-spore cultures were grown on potato dextrose agar (PDA) at 28°C. Initially, the colonies were white, but after 5 days, they became pale gray with concentric zones and greenish black beneath. No setae, acervuli, or ascocarp were observed in the PDA culture. Conidia formed in pink conidial masses, were hyaline, fusiform, straight, obtuse at the ends, sometimes slightly curved, and 14 to 20 × 4.5 to 6 μm (x¯ = 16.2 ± 1.5 × 4.9 ± 0.5, n = 100). The cultural and morphological characteristics of these isolates matched the description of Colletotrichum siamense (3), but not that of C. gloeosporioides or C. acutatum, which cause anthracnose on citrus plants (1,2). The actin, β-tubulin, CHS I, CAL, GPDH, and ITS regions of four representative isolates (GenBank KC524462, KC524463, KC524464, KC524465, KC524466, and KC524467) were identical and with almost 100% identity to those of the type specimen of C. hymenocallidis isolate CSSN3 (C. hymenocallidis is synonymous with C. siamense) (4), except for two inconsistent nucleotide bases in the GPDH gene. Four potted plants of C. reticulata cv. Shiyue Ju were used for pathogenicity tests. On each plant, 10 randomly selected leaves and four 6-month-old fruits were wound-inoculated with 20 μl of sterile water or conidial suspensions (1 × 105 conidia per ml). Plants were then maintained at 90% relative humidity with a 12-h photoperiod at 28°C. Symptoms resembling those in the field were observed on three inoculated plants after 14 days. In another similar experiment without wounding, three of 20 inoculated plants exhibited the symptoms after 14 days. Controls remained healthy throughout this period. The tests were performed three times. C. siamense was reisolated from all diseased inoculated plants, and the culture and fungus characteristics were the same as the original isolate. Thus, C. siamense was determined to be the pathogen causing leaf drop and fruit spot on C. reticulata cv. Shiyue Ju. To our knowledge, this is the first report of leaf drop and fruit spot on C. reticulata cv. Shiyue Ju caused by C. siamense. References: (1) H. Benyahia et al. Plant Pathol. 52:798, 2003. (2) N. A. Peres et al. Plant Dis. 89:784, 2005. (3) H. Prihastuti, et al. Fungal Diversity 39:89, 2009. (4) B. Weir et al. Stud Mycol. 73:115, 2012.
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Esherick, Joseph W. "The Origins of the Boxer War: A Multinational Study. By Lanxin Xiang. [London: RoutledgeCurzon, 2003. xvii +382 pp. $80.00. ISBN 0-7007-1563-0.]". China Quarterly 176 (dezembro de 2003): 1110–12. http://dx.doi.org/10.1017/s0305741003370638.

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This old-fashioned political and diplomatic history of the conflict between the Qing court and foreign powers in 1900 makes a significant, if not always convincing, contribution to our understanding of the Boxer troubles. Arguing that previous studies have been flawed by an excessive focus on “the so-called ‘Boxer Rebellion’ ” (p. vii), this book focuses on how the Qing court came to declare war on the foreign powers in June of 1900. Its close analysis of court politics and actions of the foreign diplomatic corps in Beijing makes excellent use of archival records from Belgium, China, France, Germany, Great Britain, Italy, and the United States plus published documents from Russia and Japan – an impressive research accomplishment that adds an important new dimension to our understanding this critical moment in modern Chinese history.In four chapters tracing the background to the Boxer incident, Xiang argues that the death of Prince Gong in 1898 deprived the Qing court of a critical balancing figure. When southern reformers overplayed their hand in the 1898 reforms, the Empress Dowager responded in a coup that brought an incompetent group of ultra-conservative Manchu princelings to power. At the same time, a new kind of imperialism representing an “unholy alliance” of nationalist elites, commercial interests and Christian missionaries threatened China with the scramble for concessions. Xiang is particularly effective in describing the catch-up imperialism of Germany, spurred by the erratic Catholic bishop Anzer, and the “theatrical performance” of the Italians, whose rebuff by the Qing court emboldened the conservative princes.
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Teses / dissertações sobre o assunto "Beijing (China). Gong an ju"

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Goldstein, Joshua L. "Theatrical imagi-nations : Peking opera and China's cultural crisis, 1890-1937 /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9961764.

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Wei, Chengsi. "Gong chan dang Zhongguo zhi shi fen zi de gong ju hua Shanghai zhi shi fen zi qun ti de she hui xue yan jiu : 1949-1978 /". online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3025927.

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Yu, Jo-Yu, e 游若妤. "The Application of Beijing Opera's Gong and Drum Set in Chinese Percussion Compositions: A Case Study onYe Shen Chen, Nao Tien Gong and Ju Ji". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/3zyqwe.

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碩士
中國文化大學
音樂學系中國音樂組
102
The most important element in Beijing Opera is music, and the music consists of four closely linked and inseparable parts: music for voice, recitative, tunes (qu-pai) and Beijing opera percussion. The study especially emphasizes on the percussion part for it plays a leading and crucial character in Beijing opera music concerning the development of a plot, the atmosphere of a play and so on. Besides, while studying the Chinese perfusion, the researcher also found out the closed tie between Beijing opera percussion and Chinese percussion. Therefore, this paper focused the main research direction on the application of Beijing opera percussion into Chinese percussion music. Three pieces are discussed in the study: 1, Ye Shen Chen, adapted by Li Min-Xiong from Beijing opera with arrangement of drums by Wang Jian-Hua; 2, Nao Tien Gong, drum set arranged by Li Hui and Beijing opera percussion arranged by Lu Yung-Hui; 3, the Ju Ji ,composed by Chin Kwok-wai, the assistant principal percussionist of Hong Kong Chinese Orchestra. The study took these three pieces as examples to analyze the application of Beijing opera percussion into Chinese percussion, and further probe into the connection between these pieces and Beijing opera percussion to construct personal performing interpretation. The study consists of five chapters: Chapter One, preface, including the research motive, research purpose, scope of study and the research methods. Chapter Two is the introduction of Beijing opera percussion,including its history, development and instrumental characteristics. Chapter Three deals with the analysis of how the Beijing opera percussive is applied into the performance of drum set and Chinese bass drum in Ye Shen Chen, Nao Tien Gong and Ju Ji. Chapter Four concerns the performing practices of the three works and Chapter Five is the conclusion. Through this study, the researcher tries to figure out how to apply Beijing opera percussion in the drum set and Chinese bass drum, and hope it will be helpful for both performers and composers in this field. Keywords：
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Livros sobre o assunto "Beijing (China). Gong an ju"

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(China), Beijing. Beijing Shi gong an ju jing wu gong kai xi ze. 8a ed. Beijing: Qun zhong chu ban she, 1999.

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2

Ouyang, Rihui. Da kai ju: Shi ba da hou Zhongguo gai ge fa zhan qu shi. 8a ed. Beijing: Ren min ri bao chu ban she, 2013.

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3

Li, Yongfeng. Kai chuang xin ju: Zhongguo gong chan dang di shi er ci quan guo dai biao da hui. 8a ed. Shenyang Shi: Wan juan chu ban gong si, 2008.

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4

Li, Yongfeng. Kai chuang xin ju: Zhongguo gong chan dang di shi er ci quan guo dai biao da hui. 8a ed. Shenyang Shi: Wan juan chu ban gong si, 2008.

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5

Liu, Songbin. Gao ju qi zhi: Zhongguo gong chan dang di shi wu ci quan guo dai biao da hui. Di 1 ban: Wan juan chu ban gong si, 2008.

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6

Shi liu da bao gao xin si xiang xin lun duan xin ju cuo zhuan ti du ben. Shi liu da bao gao xin si xiang xin lun duan xin ju cuo zhuan ti du ben. Beijing: Yan jiu chu ban she, 2002.

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7

Liu, Songbin. Gao ju qi zhi: Zhongguo gong chan dang di shi wu ci quan guo dai biao da hui. Di 1 ban: Wan juan chu ban gong si, 2008.

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8

"Beijing tie lu ju zhi" bian zuan wei yuan hui. Beijing tie lu ju zhi, 1988-2004. 8a ed. Beijing Shi: Fang zhi chu ban she, 2006.

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9

Xu, Jiaguo. Wei zai Beijing: Beijing Gu Gong, Yihe Yuan, Wan li chang cheng. 8a ed. Xianggang: Ming chuang chu ban she you xian gong si, 2004.

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10

Ding, Fenghe. A'ershan lin ye ju (sen gong gong si) zhi. [Nei Menggu Zizhiqu: A'ershan lin ye ju], 2006.

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Capítulos de livros sobre o assunto "Beijing (China). Gong an ju"

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Qingyi, Liu. "Interpretation and Reproduction of De Shou Gong Dance Notation from the Song Dynasty". In Dance Studies in China: Selected Writings from the Journal of Beijing Dance Academy, editado por Cai Shuo, 54–70. Intellect Books, 2022. http://dx.doi.org/10.1386/9781789385274_4.

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PORTES, RICHARD, e ANITA SANTORUM. "Money and the Consumption Goods Market in China11R. Portes is Professor of Economics at Birkbeck College, University of London, and Director of the Centre for Economic Policy Research; A. Santorum is a Ph.D. candidate at Birkbeck. The authors thank Chris Martin, Apostolis Philippopoulos, Ron Smith, Aris Spanos, and David Winter for advice and help. R. Portes owes his initial interest in the macroeconomics of China to Gong Zhuming. He gratefully acknowledges the Ford Foundation and Gregory Chow for introducing him to the Chinese economy in July 1985 and students and colleagues at the People's University of Beijing for stimulating his interest further. A. Santorum acknowledges with thanks support for her research and conference participation from the Istituto Bancario San Paolo di Torino. A first version of this paper was presented to the Arden House Conference on Chinese Economic Reform in October 1986, and it has benefited from the comments of participants, in particular the discussant, Gregory Chow." In Chinese Economic Reform, 64–81. Elsevier, 1988. http://dx.doi.org/10.1016/b978-0-12-587045-0.50009-5.

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