Literatura científica selecionada sobre o tema "Bahram Beyzaie"
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Artigos de revistas sobre o assunto "Bahram Beyzaie"
Pak-Shiraz, Nacim. "Exploring the City in the Cinema of Bahram Beyzaie". Iranian Studies 46, n.º 5 (setembro de 2013): 811–28. http://dx.doi.org/10.1080/00210862.2013.789745.
Texto completo da fonteGhanoonparvar, M. R. "Collective Identity and Despotism: Lessons in Two Plays by Bahram Beyzaie". Iranian Studies 46, n.º 5 (setembro de 2013): 753–64. http://dx.doi.org/10.1080/00210862.2013.789741.
Texto completo da fonteMahmoodi-Bakhtiari, Behrooz, e Mahsa Manavi. "The Mongol Invasion in Iranian Drama: The Case of Bahram Beyzaie". Iranian Studies 46, n.º 5 (setembro de 2013): 765–89. http://dx.doi.org/10.1080/00210862.2013.789742.
Texto completo da fonteMirmasoomi, Mahshid. "Hamartia and Catharsis in Shakespeare’s King Lear and Bahram Beyzaie’s Death of Yazdgerd". International Letters of Social and Humanistic Sciences 74 (novembro de 2016): 16–25. http://dx.doi.org/10.18052/www.scipress.com/ilshs.74.16.
Texto completo da fonteAmjad, Hamid. "From the Land of the Pure, in Search of the Lost Origin: An Interview with Bahram Beyzaie onSiyavush-Khani(Siyavush Recitation) and its Mythological and Literary Roots". Iranian Studies 46, n.º 5 (setembro de 2013): 721–36. http://dx.doi.org/10.1080/00210862.2013.789739.
Texto completo da fonteTalajooy, Saeed. "Reformulation ofShahnamehLegends in Bahram Beyzaie's Plays". Iranian Studies 46, n.º 5 (setembro de 2013): 695–719. http://dx.doi.org/10.1080/00210862.2013.789735.
Texto completo da fonteFarhadi, Ramin, e Mohammad Amin Mozaheb. "History, Aporia and Politics in Bahram Beyzaie’s Death of Yazdgerd". Annals of Language and Literature 2, n.º 2 (2018): 19–25. http://dx.doi.org/10.22259/2637-5869.0202004.
Texto completo da fonteRutherford, Anne. "Film, trauma és az enunciatív jelen". Apertura 15, n.º 3 (2020): 1–24. http://dx.doi.org/10.31176/apertura.2019.15.3.1.
Texto completo da fonteForouzani, Farzaneh, Narges Mohammadi Badr, Mostafa Gorji e Shahin Haghighi. "The Role of Language in Processing Various Characters in Bahram Beyzai’s Play: One Thousand and First Night". Journal of History Culture and Art Research 6, n.º 1 (28 de fevereiro de 2017): 8. http://dx.doi.org/10.7596/taksad.v6i1.698.
Texto completo da fonteKhalili Kolahian, Shiva. "An analytical study of the ritual ceremonies in Iranian performing arts, a case study of Travellers". CINEJ Cinema Journal 8, n.º 2 (3 de dezembro de 2020): 217–46. http://dx.doi.org/10.5195/cinej.2020.260.
Texto completo da fonteTeses / dissertações sobre o assunto "Bahram Beyzaie"
Emad, Mona. "Les oeuvres théâtrales de Bahram Beyzaie : la forme traditionnelle du théâtre et sa modernisation". Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30073.
Texto completo da fonteBorn in 1938 in Iran, Bahram Beyzaie is considered as a great filmmaker and playwright of his generation. While some of his films are well known, his theater is less famous abroad because it has been little translated or performed. For him theater is the place where to keep in touch with tradition, not to just preserve it, but to reach today’s public and fight against amnesia. He thus feeds his plays, his films, his tales and his narrations of the forgotten dramatic legacy of his country. This thesis proposes to examine the influence, in his dramatic work, of traditional Iranian performances such as Ta'zieh, Naghali or the Art of Storytelling, Puppet Theater and Siyâh Bâzi or Farce, as well as the traces of the myths and history of Iran. In everything he writes, a prominent place is dedicated to the Persian language used with utmost virtuosity. Many excerpts of texts on the theater and plays are here translated for the first time into French. A very rich iconography, mainly of his own staging of his plays, illustrates the study. Beyzaie continues his artistic work in California where he is presently an author in exile
Talajooy, Saeed Reza. "Mythologizing the transition : a comparative study of Bahram Beyzaee and Wolfe Soyinka". Thesis, University of Leeds, 2008. http://etheses.whiterose.ac.uk/406/.
Texto completo da fonteSheikhi, Shoustari Masoud. "An investigation into representations of women in Iranian New Wave cinema". Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10150.
Texto completo da fonteNajmi, Fahimeh. "L'identite nationale et le théâtre en Iran (sous le règne des Pahlavi)". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030053.
Texto completo da fonteWhile the traditional Iranian performances have been, in the late years, an object for theatre studies, notably outside of Iran, research on « Theatre in Iran » is still to be developed.This study zooms on a crucial period in contemporary Iranian history, when in a verycomplex context the earnest endeavours of three specialists, Mir Seyfeddin Kermanshahi, Abdolhossein Noushin and Shahin Sarkissian, succeeded in launching a theatre that, claiming the status of art, out passed the boundaries of plain entertainment or pure propaganda and wasable to consider the fundamental questionings of the Iranian people and notably the question of identity.The determining factor to be considered in their enterprise is doubtlessly their Occidental formation, in Russia and in France, and their confrontation with the European movement of Art Theatre
Livros sobre o assunto "Bahram Beyzaie"
Gholipour, Farshid, ed. Divan-e dialogue-e Bahram Beyzaie. Tehran, Iran: dayere-ye sefid, 2021.
Encontre o texto completo da fonteAfshārī, Maryam. Taḥlīlī bar bāztāb-i usṭūrah dar sīnamā-yi Bahram Beyzaie. Tihrān: Intishārāti Rawshangarān va Muṭālaʻāt-i Zanān, 2015.
Encontre o texto completo da fonteKāvah, ʻAlī Riz̤ā. Bahrām Bayz̤āʼī va "Vaqtī hamah khvābīm": Bahram Beyzaie and When we are all asleep. 8a ed. Tihrān: Intishārāt-i Nīlā, 2019.
Encontre o texto completo da fonteHūshang, Allāhʹvardī Amīr, ed. Khīrah bih fānūs-i khayāl: Justārī dar namādʹhā va usṭūrahʹhā-yi chahār fīlm-i Bahram Beyzaie (Ragbār, Gharībah va mih, Kulāgh, Marg-i Yazdagird). Iṣfahān: Naqsh-i Khvurshīd, 2001.
Encontre o texto completo da fonteTalajooy, Saeed, ed. The Plays and Films of Bahram Beyzaie. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755652723.
Texto completo da fonteGharībah-yi buzurg: Zindagī va ās̲ār-i Bahrām Bayz̤āʼī. Tehran, Iran: Nashr-i S̲ālis̲, 2004.
Encontre o texto completo da fonteGoft-o-Goo ba Bahram Beyzai. Tehran, Iran: Agah, 1993.
Encontre o texto completo da fonteTalajooy, Saeed. Iranian Culture in Bahram Beyzaie's Cinema and Theatre: Paradigms of Being and Belonging. Bloomsbury Publishing Plc, 2023.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Bahram Beyzaie"
"Bahram Beyzaie". In Iranian Cinema Uncensored. I.B.Tauris, 2016. http://dx.doi.org/10.5040/9780755609185.ch-002.
Texto completo da fonteBeyzaie, Bahram, e Amir Roshan. "‘At the END of A Century’ (1996)". In Counter-Memories in Iranian Cinema, 229–46. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474479752.003.0013.
Texto completo da fonteTalajooy, Saeed. "History and Iranian drama: The case of Bahram Beyzaie". In Preceptions of Iran. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755611621.ch-011.
Texto completo da fonte"Bahram Beyzaie’s contour in time". In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0005.
Texto completo da fonte"The Journey (1972)". In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0009.
Texto completo da fonte"Uncle Moustache (1970)". In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0007.
Texto completo da fonte"The Puppet Trilogy (1962–3)". In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0006.
Texto completo da fonte"Conclusion". In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0012.
Texto completo da fonte"Notes". In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0013.
Texto completo da fonte"Downpour (1971–2)". In Iranian Culture in Bahram Beyzaie’s Cinema and Theatre. I.B. Tauris, 2023. http://dx.doi.org/10.5040/9780755648696.0008.
Texto completo da fonte