Literatura científica selecionada sobre o tema "Austria Sculpture"
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Artigos de revistas sobre o assunto "Austria Sculpture"
Trotsenko, Аnna. "Plein Air Sculpture as an Element of Landscape Design in the Vinnytsia Region of the Late Twentieth and Early Twentyfirst Centuries". Demiurge: Ideas, Technologies, Perspectives of Design 6, n.º 2 (1 de dezembro de 2023): 311–26. http://dx.doi.org/10.31866/2617-7951.6.2.2023.292155.
Texto completo da fonteWardzyński, Michał. "From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia". Ikonotheka 27 (10 de julho de 2018): 211–40. http://dx.doi.org/10.5604/01.3001.0012.2334.
Texto completo da fonteKaryakina, Tatyana Dmitrievna. "Portrait in Western European porcelain of the XVIII century". Исторический журнал: научные исследования, n.º 5 (maio de 2021): 9–20. http://dx.doi.org/10.7256/2454-0609.2021.5.36215.
Texto completo da fontePiwowarczyk, Renata. "Seed micromorphology of central European Orobanche and Phelipanche (Orobanchaceae) in relation to preferred hosts and systematic implications". Australian Systematic Botany 28, n.º 3 (2015): 124. http://dx.doi.org/10.1071/sb15007.
Texto completo da fonteVan Bussel, Gerard W. "The Visualization of Native-American Peoples in a Late-Nineteenth-Century Sculpture Program in Vienna, Austria". American Indian Culture and Research Journal 31, n.º 3 (1 de janeiro de 2007): 99–119. http://dx.doi.org/10.17953/aicr.31.3.03787x3q88214611.
Texto completo da fonteStoner, Joyce Hill. "Connecting to the World's Collections: Making the Case for the Conservation and Preservation of Our Cultural Heritage". International Journal of Cultural Property 17, n.º 4 (novembro de 2010): 653–54. http://dx.doi.org/10.1017/s0940739110000378.
Texto completo da fontePiwowarczyk, R., A. T. Halamski e E. Durska. "Seed and pollen morphology in the Orobanche alsatica complex (Orobanchaceae) from central Europe and its taxonomic significance". Australian Systematic Botany 27, n.º 2 (2014): 145. http://dx.doi.org/10.1071/sb14013.
Texto completo da fonteBondar, Pavlo. "Lviv sculptor Hartmann Witwer and his artistic family from Imst. New archive find and studies." Bulletin of Lviv National Academy of Arts 50, n.º 50 (30 de junho de 2023): 23–29. http://dx.doi.org/10.37131/2524-0943-2023-50-1-5.
Texto completo da fonteThøfner, Margit. "Of Elephants and Harmony: Memory, Knowledge and Pleasure in the Joyous Entry of Albert of Austria and Isabella of Spain into Antwerp". CHEIRON, n.º 1 (fevereiro de 2022): 39–67. http://dx.doi.org/10.3280/che2021-001003.
Texto completo da fonteZenz, Katharina, Herbert Zettel, Michael Kuhlmann e Harald W. Krenn. "Morphology, pollen preferences and DNA-barcoding of five Austrian species in the Colletes succinctus group (Hymenoptera, Apidae)". Deutsche Entomologische Zeitschrift 68, n.º 1 (2 de fevereiro de 2021): 101–38. http://dx.doi.org/10.3897/dez.68.55732.
Texto completo da fonteTeses / dissertações sobre o assunto "Austria Sculpture"
Robb, Charles. "The Self as Subject and Sculpture". Thesis, Monash University, 2008. https://eprints.qut.edu.au/16903/1/16903.pdf.
Texto completo da fonteChen, Albert Yi Fu 1967. "Art and social dislocation : a Chinese diasporic condition". Monash University, Dept. of Fine Arts, 2004. http://arrow.monash.edu.au/hdl/1959.1/5203.
Texto completo da fonteNasifoglu, Yelda. "Walter Pichler : the modern Prometheus". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32821.
Texto completo da fonteIndirectly guided by Pichler's work, this thesis is an exploration of the contemporary status of the work of art. An investigation into the myth of Prometheus reveals that art and ritual share the same origin. Further inquiries into early Greek sculpture, as well as the concepts of techne and mimesis, expand this origin into the relationship between the art object and the viewer, shifting the customary focus away from the resemblance between the model and the copy. In this space of looking , art no longer presents itself as an aestheticized object---presence and absence, the visible and the invisible, recognition and anamnesis come into play as possible ways of participation in the work of art.
Regan, Clarissa. "Transforming tales : fairy stories in a contemporary world". Thesis, The University of Sydney, 2009. https://hdl.handle.net/2123/21678.
Texto completo da fonteStewart, Sally. "Contemporary Kitsch: An examination through creative practice". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1717.
Texto completo da fonteMurphy, Kate M. "Report from Sculpture Workshop". Master's thesis, 2000. http://hdl.handle.net/1885/155514.
Texto completo da fonteTodo, Kensuke. "Report". Master's thesis, 2002. http://hdl.handle.net/1885/156397.
Texto completo da fonteHanson, Tricia. "Soft Options : Home and Memory". Master's thesis, 2000. http://hdl.handle.net/1885/155730.
Texto completo da fonteHanson, Tricia. "Trove of Trinkets". Thesis, 2000. http://hdl.handle.net/1885/155732.
Texto completo da fonteSanders, Anne Elizabeth. "The Mildura Sculpture Triennials 1961 - 1978 : an interpretative history". Phd thesis, 2009. http://hdl.handle.net/1885/7452.
Texto completo da fonteLivros sobre o assunto "Austria Sculpture"
Ecker, Berthold, Alison Donaldson, Sonja Gruber, Roswitha Ennemoser e Jonathan Uhlaner. Roswitha Ennemoser: Konkretisierung = Concretisation. Wien: Ambra, 2014.
Encontre o texto completo da fonteGironcoli, Bruno. Bruno Gironcoli: Skulpturen und Arbeiten auf Papier. Völkermarkt [Austria]: Galerie Magnet, 2003.
Encontre o texto completo da fonteHäfliger, Heiri. Heiri Häfliger: Paper lapap. Wien: Schlebrügge.Editor, 2012.
Encontre o texto completo da fonte1954-, Aigner Carl, ed. Paul Zwietnig-Rotterdam: Worklist : painting sculpture projects, 1953-2004. München: Prestel, 2004.
Encontre o texto completo da fonteKrone-Balcke, Ulrike. Der Kefermarkter Altar: Sein Meister und seine Werkstatt. München: Deutscher Kunstverlag, 1999.
Encontre o texto completo da fonteSchedler, Uta. Die Statuenzyklen in den Schlossgärten von Schönbrunn und Nymphenburg: Antikenrezeption nach Stichvorlagen. Hildesheim: G. Olms, 1985.
Encontre o texto completo da fonteAustria) Akten des Internationalen Kolloquiums zum Provinzialrömischen Kunstschaffen (15th 2017 Graz. Akten des 15. Internationalen Kolloquiums zum Provinzialrömischen Kunstschaffen: Der Stifter und sein Monument : Gesellschaft, Ikonographie, Chronologie : 14. bis 20. Juni 2017, Graz/Austria. Graz: Universalmuseum Joanneum, 2019.
Encontre o texto completo da fonteWurm, Erwin. Erwin Wurm. Cologne: DuMont, 2009.
Encontre o texto completo da fonteHaidacher, Christoph. Maximilian I.: Der Kenotaph in der Hofkirche zu Innsbruck. Innsbruck: Haymon, 2004.
Encontre o texto completo da fonte(Austria), Heeresgeschichtliches Museum. Die Bildwerke im Heeresgeschichtlichen Museum. Wien: Heeresgeschichtliches Museum, 2004.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Austria Sculpture"
Tobin, Claudia. "Still Life in Motion". In Modernism and Still Life, 76–123. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474455138.003.0003.
Texto completo da fonteJovanovic-Kruspel, Stefanie. "“Show Meets Science:” How Hagenbeck’s “Human Zoos” Inspired Ethnographic Science and Its Museum Presentation". In Ephemeral Spectacles, Exhibition Spaces and Museums. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463720908_ch08.
Texto completo da fonteCouey, Anna. "Cultures in Cyberspace: Communications System Design as Social Sculpture". In Social Media Archeology and Poetics. The MIT Press, 2016. http://dx.doi.org/10.7551/mitpress/9780262034654.003.0021.
Texto completo da fonteSondel-Cedarmas, Joanna. "Multicultural Krakow: The Role of International Heritage in Creating the Narrative of the City". In European Cities in the Process of Constructing and Transmitting European Cultural Heritage, 87–109. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381386708.04.
Texto completo da fonteAgazzi, Michela. "Il mercato antiquariale nella Venezia di Ruskin: l’arte medievale in Germania". In John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5/012.
Texto completo da fonteBerghaus, Günter. "Fortunato Depero ‘S Theatrical Experiments Of The 1910s". In Italian Futurist Theatre 1909-1944, 291–326. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198158981.003.0012.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Austria Sculpture"
Zhu, Jie. "Integrating Urban Sculptures into the Urban Planning System in China: Origin, Transition and Breakthrough, 1982-2003". In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5051pspxz.
Texto completo da fonteMcCord, Glenn, Beryl Plimmer e Burkhard Wuensche. "Surface manipulation using a paper sculpture metaphor". In the 2007 conference of the computer-human interaction special interest group (CHISIG) of Australia. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1324892.1324942.
Texto completo da fonteLu, Duanfang. "A Conceptual Framework for Architectural Historiography". In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4005p6e3c.
Texto completo da fonteRoland, Stephanie, e Quentin Stevens. "North Korean Aesthetics within a Colonial Urban Form: Monuments to Independence and Democracy in Windhoek, Namibia". In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5038pxdax.
Texto completo da fonteRelatórios de organizações sobre o assunto "Austria Sculpture"
Reserve Bank of Australia - Head Office - New Building - Watercolour sketch of front entrance, featuring sculpture by Margel Hinder - c.1964. Reserve Bank of Australia, março de 2023. http://dx.doi.org/10.47688/rba_archives_pa-000269.
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