Artigos de revistas sobre o tema "Australian Centre for Contemporary Art"
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Stevenson, Ian. "Sonic Residues 02 Australian Centre for Contemporary Art, Melbourne, Australia, 17 November 2 December 2000". Computer Music Journal 25, n.º 3 (setembro de 2001): 82–85. http://dx.doi.org/10.1162/comj.2001.25.3.82.
Texto completo da fonteVett. "Australian Indigenous Art Centres Online: A Multi-Purpose Cultural Tourism Framework". Arts 8, n.º 4 (26 de outubro de 2019): 145. http://dx.doi.org/10.3390/arts8040145.
Texto completo da fonteFosdike, Tahney. "Kader Attia, Australian Centre for Contemporary Art (Melbourne, Australia), 30 September–19 November 2017. Curated by Rachel Kent". Journal of Visual Art Practice 17, n.º 2-3 (29 de maio de 2018): 230–32. http://dx.doi.org/10.1080/14702029.2018.1426760.
Texto completo da fonteAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection". Dance Research 38, n.º 2 (novembro de 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Texto completo da fonteTuohy, Ian R. "A Proposal for an Australian Space Astronomy Data Centre". Publications of the Astronomical Society of Australia 7, n.º 1 (1987): 80–87. http://dx.doi.org/10.1017/s1323358000021901.
Texto completo da fonteMcQuilten, Grace. "Who is afraid of public space? Public art in a contested, secured and surveilled city". Art & the Public Sphere 8, n.º 2 (1 de dezembro de 2019): 235–54. http://dx.doi.org/10.1386/aps_00023_1.
Texto completo da fonteLoaney, Denis. "Australian Indigenous Art Innovation and Culturepreneurship in Practice: Insights for Cultural Tourism". Arts 8, n.º 2 (9 de abril de 2019): 50. http://dx.doi.org/10.3390/arts8020050.
Texto completo da fonteFisher, Laura, e Gay McDonald. "From fluent to Culture Warriors: Curatorial trajectories for Indigenous Australian art overseas". Media International Australia 158, n.º 1 (11 de janeiro de 2016): 69–79. http://dx.doi.org/10.1177/1329878x15622080.
Texto completo da fontePorr, Martin. "Art und rock-art of the Kimberley, Northwest Australia: Narratives, interpretations and imaginations". EAZ – Ethnographisch-Archaeologische Zeitschrift 51, n.º 1/2 (24 de março de 2010): 173–90. http://dx.doi.org/10.54799/bwdk8871.
Texto completo da fonteByrne, Paula Jane. "Tracing a Female Mind in Late Nineteenth Century Australia: Rose Selwyn". Genealogy 7, n.º 2 (27 de abril de 2023): 30. http://dx.doi.org/10.3390/genealogy7020030.
Texto completo da fonteBraginsky, Vladimir I. "Rediscovering the ‘Oriental’ in the Orient and Europe: new books on the East-West cultural interface: a review article". Bulletin of the School of Oriental and African Studies 60, n.º 3 (outubro de 1997): 511–32. http://dx.doi.org/10.1017/s0041977x00032523.
Texto completo da fonteLey, Graham. "Diaspora Space, the Regions, and British Asian Theatre". New Theatre Quarterly 27, n.º 3 (agosto de 2011): 215–28. http://dx.doi.org/10.1017/s0266464x11000431.
Texto completo da fonteRosen, Alan. "Return from the vanishing point: a clinician's perspective on art and mental illness, and particularly schizophrenia". Epidemiologia e Psichiatria Sociale 16, n.º 2 (junho de 2007): 126–32. http://dx.doi.org/10.1017/s1121189x00004747.
Texto completo da fonteLindsey, Kiera. "'Remember Aesi':". Public History Review 28 (22 de junho de 2021): 46–71. http://dx.doi.org/10.5130/phrj.v28i0.7760.
Texto completo da fonteBrueggemeier, Jan. "Nature in the Dark - Public Space for More-than-Human Encounters". Animal Studies Journal 10, n.º 2 (2021): 19–45. http://dx.doi.org/10.14453/asj.v10i2.2.
Texto completo da fonteKuppers, Petra. "Moving Bodily Fantasies: Medical Performances and Modes of Communication". Dance Research Journal 37, n.º 2 (2005): 73–88. http://dx.doi.org/10.1017/s0149767700008573.
Texto completo da fonteMcCann, Andrew. "ROSA PRAED AND THE VAMPIRE-AESTHETE". Victorian Literature and Culture 35, n.º 1 (22 de janeiro de 2007): 175–87. http://dx.doi.org/10.1017/s1060150307051479.
Texto completo da fonteAllatson, Paul, e Andrea Connor. "Ibis and the city: bogan kitsch and the avian revisualization of Sydney". Visual Communication 19, n.º 3 (24 de maio de 2020): 369–90. http://dx.doi.org/10.1177/1470357220912788.
Texto completo da fonteKITLV, Redactie. "Book Reviews". Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 157, n.º 4 (2001): 903–59. http://dx.doi.org/10.1163/22134379-90003797.
Texto completo da fonteShaw, Margaret. "AARTI: Australian Art Index". Art Libraries Journal 11, n.º 1 (1986): 17–20. http://dx.doi.org/10.1017/s0307472200004454.
Texto completo da fonteLéger, Danielle. "Le Centre d’information Artexte: Medi(t)ations autour du catalogue d’exposition et de la francophonie". Art Libraries Journal 21, n.º 3 (1996): 34–39. http://dx.doi.org/10.1017/s0307472200009962.
Texto completo da fonteNakajima, Makiko. "Contemporary Art and Censorship: The Australian Museum Context". International Journal of the Inclusive Museum 3, n.º 4 (2011): 129–46. http://dx.doi.org/10.18848/1835-2014/cgp/v03i04/44346.
Texto completo da fonteGralton, Beatrice, Suhanya Raffel, Aaron Seeto e Stephen H. Whiteman. "Curating Chinese Contemporary Art in an Australian Context". Australian and New Zealand Journal of Art 16, n.º 2 (2 de julho de 2016): 247–63. http://dx.doi.org/10.1080/14434318.2016.1240653.
Texto completo da fontePierce, Imogen Van. "Contemporary Debates: The Hundertwasser Art Centre with Wairau Maori Art Gallery". Back Story Journal of New Zealand Art, Media & Design History, n.º 2 (1 de dezembro de 2017): 5–25. http://dx.doi.org/10.24135/backstory.vi2.16.
Texto completo da fonteBest, Susan. "Repair in Australian Indigenous art". Journal of Visual Culture 21, n.º 1 (abril de 2022): 190–205. http://dx.doi.org/10.1177/14704129221088289.
Texto completo da fonteGayduk, Vladislava L. "THE HISTORY OF THE CENTER FOR CONTEMPORARY ART ON YAKIMANKA. ARCHIVE OPTICS". Articult, n.º 3 (2021): 81–95. http://dx.doi.org/10.28995/2227-6165-2021-3-81-95.
Texto completo da fontePane, J. B., J. Rilatupa e S. Simatupang. "The development of an arts centre with the application of futuristic architecture". IOP Conference Series: Earth and Environmental Science 878, n.º 1 (1 de outubro de 2021): 012029. http://dx.doi.org/10.1088/1755-1315/878/1/012029.
Texto completo da fonteGeissler, Marie. "Contemporary Indigenous Australian Art and Native Title Land Claim". Arts 10, n.º 2 (11 de maio de 2021): 32. http://dx.doi.org/10.3390/arts10020032.
Texto completo da fonteSzulakowska, Urszula. "Electronic Space in Contemporary Australian Art: Practice and Theory". Leonardo 24, n.º 2 (1991): 167. http://dx.doi.org/10.2307/1575289.
Texto completo da fonteStone, Paul. "Gateshead: Susan Hiller at BALTIC Centre for Contemporary Art". Circa, n.º 109 (2004): 74. http://dx.doi.org/10.2307/25564193.
Texto completo da fonteCarruthers, Victoria, e Jaime Tsai. "Surrealism, Counter-Mapping and COVID: Confluences in Contemporary Asian Australian Art". International Journal of Surrealism 1, n.º 2 (março de 2024): 65–86. http://dx.doi.org/10.1353/ijs.2024.a922368.
Texto completo da fonteThomson, John, e Joye Volker. "Australian visual arts: libraries and the new technologies". Art Libraries Journal 21, n.º 1 (1996): 4–7. http://dx.doi.org/10.1017/s0307472200009676.
Texto completo da fonteMačianskaitė, Vilma. "Contemporary Lithuanian Artists: Career Opportunities". Art History & Criticism 13, n.º 1 (1 de dezembro de 2017): 88–110. http://dx.doi.org/10.1515/mik-2017-0007.
Texto completo da fonteSkilbeck, Ruth. "Art journalism and the impact of ‘globalisation’: New fugal modalities of storytelling in Austral-Asian writing". Pacific Journalism Review : Te Koakoa 14, n.º 2 (1 de setembro de 2008): 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.
Texto completo da fonteFreire, Mela Dávila, e Pamela Sepúlveda Arancibia. "Artwork or document? Latin American materials at the Study Centre of the Museum of Contemporary Art of Barcelona (MACBA)". Art Libraries Journal 37, n.º 4 (2012): 15–20. http://dx.doi.org/10.1017/s0307472200017685.
Texto completo da fonteNguyen, Anh. "Photo Essay: “Vietnamese Here Contemporary Art and Refections” Art Exhibition, Melbourne, Australia, May 2017". Migration, Mobility, & Displacement 4, n.º 1 (7 de junho de 2019): 133–39. http://dx.doi.org/10.18357/mmd41201918976.
Texto completo da fonteSzafrański, Wojciech. "‘NATIONAL COLLECTIONS OF CONTEMPORARY ART’: PROGRAMME OF THE MINISTER OF CULTURE AND NATIONAL HERITAGE TO FINANCE PURCHASES OF CONTEMPORARY ART WORKS IN 2011–2019 PART 1. HISTORY: FINANCING". Muzealnictwo 62 (13 de setembro de 2021): 227–35. http://dx.doi.org/10.5604/01.3001.0015.2686.
Texto completo da fonteLam, K., M. Savage, D. Murdoch, C. Raffel, D. Walters, E. Shaw e S. Paitry. "Contemporary Fractional Flow Reserve (FFR) Utilisation in a Large Australian Tertiary Centre". Heart, Lung and Circulation 25 (agosto de 2016): S260. http://dx.doi.org/10.1016/j.hlc.2016.06.605.
Texto completo da fonteGriffin, Lynn, Steven Griffin e Michelle Trudgett. "At the Movies: Contemporary Australian Indigenous Cultural Expressions – Transforming the Australian Story". Australian Journal of Indigenous Education 47, n.º 2 (21 de junho de 2017): 131–38. http://dx.doi.org/10.1017/jie.2017.15.
Texto completo da fonteMarsh, Angela. "Pragmatist Aesthetics and New Visions of the Contemporary Art Museum: The Tate Modern and the Baltic Centre for Contemporary Art". Journal of Aesthetic Education 38, n.º 3 (2004): 91. http://dx.doi.org/10.2307/3527445.
Texto completo da fonteMarsh, Angela. "Pragmatist Aesthetics and New Visions of the Contemporary Art Museum: The Tate Modern and the Baltic Centre for Contemporary Art". Journal of Aesthetic Education 38, n.º 3 (2004): 91–106. http://dx.doi.org/10.1353/jae.2004.0027.
Texto completo da fonteKiss, Gabriella. "Get involved! Krétakör: Crisis, Part III – The Priestess, 2011". Theatron 17, n.º 4 (2023): 94–109. http://dx.doi.org/10.55502/the.2023.4.94.
Texto completo da fonteLloyd, Kirsten. "Art, Life and Capitalist Social Reproduction: Curating Social Practice". Journal of Curatorial Studies 10, n.º 2 (1 de outubro de 2021): 150–76. http://dx.doi.org/10.1386/jcs_00041_1.
Texto completo da fonteShevtsova, Maria. "The Art of Stillness: Brook's ‘Impressions de Pelléas’". New Theatre Quarterly 10, n.º 40 (novembro de 1994): 358–65. http://dx.doi.org/10.1017/s0266464x00000907.
Texto completo da fonteRobertson, Carmen. "Utilising PEARL to Teach Indigenous Art History: A Canadian Example". Australian Journal of Indigenous Education 41, n.º 1 (agosto de 2012): 60–66. http://dx.doi.org/10.1017/jie.2012.9.
Texto completo da fonteTrotter, Robin. "The Australian Stockman's Hall of Fame and the Australian Legend". Queensland Review 5, n.º 1 (maio de 1998): 17–29. http://dx.doi.org/10.1017/s1321816600001677.
Texto completo da fonteBaltaziuk, Iryna. "DEVELOPMENT OF CREATIVITY WITHIN THE CONDITIONS OF CONTEMPORARY ARTMARKET". Research and methodological works of the National Academy of Visual Arts and Architecture, n.º 28 (15 de dezembro de 2019): 83–89. http://dx.doi.org/10.33838/naoma.28.2019.83-89.
Texto completo da fonteBeniakh, Nataliia. "Glass Art Department at Lviv National Academy of Arts: unique centre of contemporary glassmaking". Bulletin of Lviv National Academy of Arts, n.º 41 (26 de dezembro de 2019): 53–56. http://dx.doi.org/10.37131/2524-0943-2019-41-04.
Texto completo da fonteGunn, Robert, e Susan Lowish. "Australian Rock Art in the Expanded Field: History, Meaning, and Contemporary Context". Australian and New Zealand Journal of Art 19, n.º 2 (3 de julho de 2019): 139–41. http://dx.doi.org/10.1080/14434318.2019.1701383.
Texto completo da fonteBlack, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives". Art Libraries Journal 44, n.º 3 (12 de junho de 2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.
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