Siga este link para ver outros tipos de publicações sobre o tema: Australia In motion pictures.

Artigos de revistas sobre o tema "Australia In motion pictures"

Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos

Selecione um tipo de fonte:

Veja os 50 melhores artigos de revistas para estudos sobre o assunto "Australia In motion pictures".

Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.

Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.

Veja os artigos de revistas das mais diversas áreas científicas e compile uma bibliografia correta.

1

Jóźwiak, Marek, Brian Po-Jung Chen, Bartosz Musielak, Jacek Fabiszak e Andrzej Grzegorzewski. "Social Attitudes toward Cerebral Palsy and Potential Uses in Medical Education Based on the Analysis of Motion Pictures". Behavioural Neurology 2015 (2015): 1–8. http://dx.doi.org/10.1155/2015/341023.

Texto completo da fonte
Resumo:
This study presents how motion pictures illustrate a person with cerebral palsy (CP), the social impact from the media, and the possibility of cerebral palsy education by using motion pictures. 937 motion pictures were reviewed in this study. With the criteria of nondocumentary movies, possibility of disability classification, and availability, the total number of motion pictures about CP was reduced to 34. The geographical distribution of movie number ever produced is as follows: North America 12, Europe 11, India 2, East Asia 6, and Australia 3. The CP incidences of different motor types in real world and in movies, respectively, are 78–86%, 65% (Spastic); 1.5–6%, 9% (Dyskinetic); 6.5–9%, 26% (Mixed); 3%, 0% (Ataxic); 3-4%, 0% (Hypotonic). The CP incidences of different Gross Motor Function Classification System (GMFCS) levels in real world and in movies, respectively, are 40–51%, 47% (Level I + II); 14–19%, 12% (Level III); 34–41%, 41% (Level IV + V). Comparisons of incidence between the real world and the movies are surprisingly matching. Motion pictures honestly reflect the general public’s point of view to CP patients in our real world. With precise selection and medical professional explanations, motion pictures can play the suitable role making CP understood more clearly.
Estilos ABNT, Harvard, Vancouver, APA, etc.
2

McKenzie, Jordi. "Revealed word-of-mouth demand and adaptive supply: survival of motion pictures at the Australian box office". Journal of Cultural Economics 33, n.º 4 (25 de junho de 2009): 279–99. http://dx.doi.org/10.1007/s10824-009-9104-4.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
3

Zvegintseva, Irina A. "The Theme of Apocalypse in Australian Cinema". Journal of Flm Arts and Film Studies 7, n.º 4 (15 de dezembro de 2015): 111–20. http://dx.doi.org/10.17816/vgik74111-120.

Texto completo da fonte
Resumo:
The article analyses the Australian apocalypse films. Apocalypse is often used as a synonym to the worlds end or a world scale catastrophe. The world knows hundreds of motion pictures of different talent and artistry, where the set takes place either before, during or after a global catastrophe. Reasons for the apocalypse vary: nuclear war, alien invasion, riot of the machines, a gigantic meteor, a disease unknown to science, etc. Nevertheless, the result always remains the same: humanity ceases to exist. Australian filmmakers, too, have not stood out of their foreign colleagues and made a large amount of films, that tell about the worlds end, out of which many are impressive and significant, indeed.
Estilos ABNT, Harvard, Vancouver, APA, etc.
4

McGowan, John J. "From “Eve in Ebony” to a “Bran Nue Dae”: The Representation of Aboriginal and Torres Strait Islander People in Australian Motion Pictures ‒ A Synopsis". Zeitschrift für Australienstudien / Australian Studies Journal 28 (2014): 8–27. http://dx.doi.org/10.35515/zfa/asj.28/2014.03.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
5

Young, Linda. "Motion Pictures". SMPTE Journal 106, n.º 1 (janeiro de 1997): 9–11. http://dx.doi.org/10.5594/j09530.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
6

Ricotta, Frank J. "Motion Pictures". SMPTE Journal 104, n.º 4 (abril de 1995): 186–88. http://dx.doi.org/10.5594/j09609.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
7

Ricotta, Frank J. "Motion Pictures". SMPTE Journal 103, n.º 4 (abril de 1994): 211–15. http://dx.doi.org/10.5594/j09688.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
8

Young, Linda. "Motion Pictures". SMPTE Journal 105, n.º 4 (abril de 1996): 177–78. http://dx.doi.org/10.5594/j15829.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
9

Masson, Alan J. "Motion Pictures". SMPTE Journal 108, n.º 2 (fevereiro de 1999): 75–78. http://dx.doi.org/10.5594/j17112.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
10

Masson, Alan J. "Motion Pictures". SMPTE Journal 107, n.º 1 (janeiro de 1998): 11–13. http://dx.doi.org/10.5594/j17616.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
11

Burns, Edward J. "Motion Pictures". SMPTE Journal 97, n.º 4 (abril de 1988): 268–74. http://dx.doi.org/10.5594/j00667.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
12

Bonnaud, Irène, Suzanne Doppelt, Christophe Triau e Sacha Zilberfarb. "Motion pictures". Vacarme 15, n.º 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
13

Mitchison, Tim J. "Motion pictures". Nature 357, n.º 6373 (maio de 1992): 32. http://dx.doi.org/10.1038/357032a0.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
14

Antonoff, Michael. "Motion Pictures". Scientific American 296, n.º 5 (maio de 2007): 24–25. http://dx.doi.org/10.1038/scientificamerican0507-24.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
15

Gomery, Douglas. "Motion Pictures". Communication Booknotes 16, n.º 5 (maio de 1985): 49. http://dx.doi.org/10.1080/10948008509488306.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
16

Gomery, Douglas. "Motion Pictures". Communication Booknotes 17, n.º 1 (janeiro de 1986): 7–9. http://dx.doi.org/10.1080/10948008609488219.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
17

Gomery, Douglas. "Motion Pictures". Communication Booknotes 17, n.º 9-10 (setembro de 1986): 98–107. http://dx.doi.org/10.1080/10948008609488269.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
18

Gomery, Douglas. "Motion Pictures". Communication Booknotes 18, n.º 7-8 (julho de 1987): 63–69. http://dx.doi.org/10.1080/10948008709488193.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
19

Gomery, Douglas. "Motion Pictures". Communication Booknotes 18, n.º 9-10 (setembro de 1987): 93–99. http://dx.doi.org/10.1080/10948008709488203.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
20

Gomery, Douglas. "Motion Pictures". Communication Booknotes 19, n.º 5 (setembro de 1988): 95–103. http://dx.doi.org/10.1080/10948008809488155.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
21

Block, Eleanor, James K. Bracken, Eleanor S. Block e Bruce A. Austin. "Motion Pictures". Communication Booknotes Quarterly 29, n.º 1 (janeiro de 1998): 52–60. http://dx.doi.org/10.1080/10948009809361557.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
22

Levine, Niall, John A. Lent e Bruce Austin. "Motion pictures". Communication Booknotes Quarterly 29, n.º 2 (março de 1998): 88–96. http://dx.doi.org/10.1080/10948009809361564.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
23

Austin, Bruce A., Eleanor Block, Chris Sterling, Robert Huesca e Gary R. Edgerton. "Motion pictures". Communication Booknotes Quarterly 29, n.º 4 (setembro de 1998): 196–203. http://dx.doi.org/10.1080/10948009809361586.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
24

Austin, Bruce A., Niall Levine e Chris Sterling. "Motion pictures". Communication Booknotes Quarterly 30, n.º 4 (setembro de 1999): 227–31. http://dx.doi.org/10.1080/10948009909361637.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
25

Blasko, Edward J. "Motion Pictures". SMPTE Journal 95, n.º 4 (abril de 1986): 413–19. http://dx.doi.org/10.5594/j17960.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
26

Baptista, John L. "Motion Pictures". SMPTE Journal 100, n.º 4 (abril de 1991): 225–31. http://dx.doi.org/10.5594/j04767.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
27

Baptista, John L. "Motion Pictures". SMPTE Journal 101, n.º 4 (abril de 1992): 231–34. http://dx.doi.org/10.5594/j02302.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
28

Baptista, John L. "Motion Pictures". SMPTE Journal 102, n.º 4 (abril de 1993): 289–94. http://dx.doi.org/10.5594/j03791.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
29

Iosifian, S. A., e V. A. Petrovskii. "Motion Pictures". Russian Education & Society 37, n.º 10 (outubro de 1995): 11–22. http://dx.doi.org/10.2753/res1060-9393371011.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
30

Helmholz, P., S. Zlatanova, J. Barton e M. Aleksandrov. "GEOINFORMATION FOR DISASTER MANAGEMENT 2020 (Gi4DM2020): PREFACE". ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-3/W1-2020 (18 de novembro de 2020): 1–3. http://dx.doi.org/10.5194/isprs-archives-xliv-3-w1-2020-1-2020.

Texto completo da fonte
Resumo:
Abstract. Across the world, nature-triggered disasters fuelled by climate change are worsening. Some two billion people have been affected by the consequences of natural hazards over the last ten years, 95% of which were weather-related (such as floods and windstorms). Fires swept across large parts of California, and in Australia caused unprecedented destruction to lives, wildlife and bush. This picture is likely to become the new normal, and indeed may worsen if unchecked. The Intergovernmental Panel on Climate Change (IPCC) estimates that in some locations, disaster that once had a once-in-a-century frequency may become annual events by 2050.Disaster management needs to keep up. Good cooperation and coordination of crisis response operations are of critical importance to react rapidly and adequately to any crisis situation, while post-disaster recovery presents opportunities to build resilience towards reducing the scale of the next disaster. Technology to support crisis response has advanced greatly in the last few years. Systems for early warning, command and control and decision-making have been successfully implemented in many countries and regions all over the world. Efforts to improve humanitarian response, in particular in relation to combating disasters in rapidly urbanising cities, have also led to better approaches that grapple with complexity and uncertainty.The challenges however are daunting. Many aspects related to the efficient collection and integration of geo-information, applied semantics and situational awareness for disaster management are still open, while agencies, organisations and governmental authorities need to improve their practices for building better resilience.Gi4DM 2020 marked the 13th edition of the Geoinformation for Disaster Management series of conferences. The first conference was held in 2005 in the aftermath of the 2004 Indian Ocean earthquake and tsunami which claimed the lives of over 220,000 civilians. The 2019-20 Australian Bushfire Season saw some 18.6 million Ha of bushland burn, 5,900 buildings destroyed and nearly three billion vertebrates killed. Gi4DM 2020 then was held during Covid-19 pandemic, which took the lives of more than 1,150,000 people by the time of the conference. The pandemic affected the organisation of the conference, but the situation also provided the opportunity to address important global problems.The fundamental goal of the Gi4DM has always been to provide a forum where emergency responders, disaster managers, urban planners, stakeholders, researchers, data providers and system developers can discuss challenges, share experience, discuss new ideas and demonstrate technology. The 12 previous editions of Gi4DM conferences were held in Delft, the Netherlands (March 2005), Goa, India (September 2006), Toronto, Canada (May 2007), Harbin, China (August 2008), Prague, Czech Republic (January 2009), Torino, Italy (February 2010), Antalya, Turkey (May 2011), Enschede, the Netherlands (December, 2012), Hanoi, Vietnam (December 2013), Montpellier, France (2015), Istanbul, Turkey (2018) and Prague, Czech Republic (2019). Through the years Gi4DM has been organised in cooperation with different international bodies such as ISPRS, UNOOSA, ICA, ISCRAM, FIG, IAG, OGC and WFP and supported by national organisations.Gi4DM 2020 was held as part of Climate Change and Disaster Management: Technology and Resilience for a Troubled World. The event took place through the whole week of 30th of November to 4th of December, Sydney, Australia and included three events: Gi4DM 2020, NSW Surveying and Spatial Sciences Institute (NSW SSSI) annual meeting and Urban Resilience Asia Pacific 2 (URAP2).The event explored two interlinked aspects of disaster management in relation to climate change. The first was geo-information technologies and their application for work in crisis situations, as well as sensor and communication networks and their roles for improving situational awareness. The second aspect was resilience, and its role and purpose across the entire cycle of disaster management, from pre-disaster preparedness to post-disaster recovery including challenges and opportunities in relation to rapid urbanisation and the role of security in improved disaster management practices.This volume consists of 22 scientific papers. These were selected on the basis of double-blind review from among the 40 short papers submitted to the Gi4DM 2020 conference. Each paper was reviewed by two scientific reviewers. The authors of the papers were encouraged to revise, extend and adapt their papers to reflect the comments of the reviewers and fit the goals of this volume. The selected papers concentrate on monitoring and analysis of various aspects related to Covid-19 (4), emergency response (4), earthquakes (3), flood (2), forest fire, landslides, glaciers, drought, land cover change, crop management, surface temperature, address standardisation and education for disaster management. The presented methods range from remote sensing, LiDAR and photogrammetry on different platforms to GIS and Web-based technologies. Figure 1 illustrates the covered topics via wordcount of keywords and titles.The Gi4DM 2020 program consisted of scientific presentations, keynote speeches, panel discussions and tutorials. The four keynotes speakers Prof Suzan Cutter (Hazard and Vulnerability Research Institute, USC, US), Jeremy Fewtrell (NSW Fire and Rescue, Australia), Prof Orhan Altan (Ad-hoc Committee on RISK and Disaster Management, GeoUnions, Turkey) and Prof Philip Gibbins (Fenner School of Environment and Society, ANU, Australia) concentrated on different aspects of disaster and risk management in the context of climate change. Eight tutorials offered exciting workshops and hands-on on: Semantic web tools and technologies within Disaster Management, Structure-from-motion photogrammetry, Radar Remote Sensing, Dam safety: Monitoring subsidence with SAR Interferometry, Location-based Augmented Reality apps with Unity and Mapbox, Visualising bush fires datasets using open source, Making data smarter to manage disasters and emergency situational awareness and Response using HERE Location Services. The scientific sessions were blended with panel discussions to provide more opportunities to exchange ideas and experiences, connect people and researchers from all over the world.The editors of this volume acknowledge all members of the scientific committee for their time, careful review and valuable comments: Abdoulaye Diakité (Australia), Alexander Rudloff (Germany), Alias Abdul Rahman (Malaysia), Alper Yilmaz (USA), Amy Parker (Australia), Ashraf Dewan (Australia), Bapon Shm Fakhruddin (New Zealand), Batuhan Osmanoglu (USA), Ben Gorte (Australia), Bo Huang (Hong Kong), Brendon McAtee (Australia), Brian Lee (Australia), Bruce Forster (Australia), Charity Mundava (Australia), Charles Toth (USA), Chris Bellman (Australia), Chris Pettit (Australia), Clive Fraser (Australia), Craig Glennie (USA), David Belton (Australia), Dev Raj Paudyal (Australia), Dimitri Bulatov (Germany), Dipak Paudyal (Australia), Dorota Iwaszczuk (Germany), Edward Verbree (The Netherlands), Eliseo Clementini (Italy), Fabio Giulio Tonolo (Italy), Fazlay Faruque (USA), Filip Biljecki (Singapore), Petra Helmholz (Australia), Francesco Nex (The Netherlands), Franz Rottensteiner (Germany), George Sithole (South Africa), Graciela Metternicht (Australia), Haigang Sui (China), Hans-Gerd Maas (Germany), Hao Wu (China), Huayi Wu (China), Ivana Ivanova (Australia), Iyyanki Murali Krishna (India), Jack Barton (Australia), Jagannath Aryal (Australia), Jie Jiang (China), Joep Compvoets (Belgium), Jonathan Li (Canada), Kourosh Khoshelham (Australia), Krzysztof Bakuła (Poland), Lars Bodum (Denmark), Lena Halounova (Czech Republic), Madhu Chandra (Germany), Maria Antonia Brovelli (Italy), Martin Breunig (Germany), Martin Tomko (Australia), Mila Koeva (The Netherlands), Mingshu Wang (The Netherlands), Mitko Aleksandrov (Australia), Mulhim Al Doori (UAE), Nancy Glenn (Australia), Negin Nazarian (Australia), Norbert Pfeifer (Austria), Norman Kerle (The Netherlands), Orhan Altan (Turkey), Ori Gudes (Australia), Pawel Boguslawski (Poland), Peter van Oosterom (The Netherlands), Petr Kubíček (Czech Republic), Petros Patias (Greece), Piero Boccardo (Italy), Qiaoli Wu (China), Qing Zhu (China), Riza Yosia Sunindijo (Australia), Roland Billen (Belgium), Rudi Stouffs (Singapore), Scott Hawken (Australia), Serene Coetzee (South Africa), Shawn Laffan (Australia), Shisong Cao (China), Sisi Zlatanova (Australia), Songnian Li (Canada), Stephan Winter (Australia), Tarun Ghawana (Australia), Ümit Işıkdağ (Turkey), Wei Li (Australia), Wolfgang Reinhardt (Germany), Xianlian Liang (Finland) and Yanan Liu (China).The editors would like to express their gratitude to all contributors, who made this volume possible. Many thanks go to all supporting organisations: ISPRS, SSSI, URAP2, Blackash, Mercury and ISPRS Journal of Geoinformation. The editors are grateful to the continued support of the involved Universities: The University of New South Wales, Curtin University, Australian National University and The University of Melbourne.
Estilos ABNT, Harvard, Vancouver, APA, etc.
31

Helmholz, P., S. Zlatanova, J. Barton e M. Aleksandrov. "GEOINFORMATION FOR DISASTER MANAGEMENT 2020 (GI4DM2020): PREFACE". ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences VI-3/W1-2020 (17 de novembro de 2020): 1–2. http://dx.doi.org/10.5194/isprs-annals-vi-3-w1-2020-1-2020.

Texto completo da fonte
Resumo:
Abstract. Across the world, nature-triggered disasters fuelled by climate change are worsening. Some two billion people have been affected by the consequences of natural hazards over the last ten years, 95% of which were weather-related (such as floods and windstorms). Fires swept across large parts of California, and in Australia caused unprecedented destruction to lives, wildlife and bush. This picture is likely to become the new normal, and indeed may worsen if unchecked. The Intergovernmental Panel on Climate Change (IPCC) estimates that in some locations, disaster that once had a once-in-a-century frequency may become annual events by 2050.Disaster management needs to keep up. Good cooperation and coordination of crisis response operations are of critical importance to react rapidly and adequately to any crisis situation, while post-disaster recovery presents opportunities to build resilience towards reducing the scale of the next disaster. Technology to support crisis response has advanced greatly in the last few years. Systems for early warning, command and control and decision-making have been successfully implemented in many countries and regions all over the world. Efforts to improve humanitarian response, in particular in relation to combating disasters in rapidly urbanising cities, have also led to better approaches that grapple with complexity and uncertainty.The challenges however are daunting. Many aspects related to the efficient collection and integration of geo-information, applied semantics and situational awareness for disaster management are still open, while agencies, organisations and governmental authorities need to improve their practices for building better resilience.Gi4DM 2020 marked the 13th edition of the Geoinformation for Disaster Management series of conferences. The first conference was held in 2005 in the aftermath of the 2004 Indian Ocean earthquake and tsunami which claimed the lives of over 220,000 civilians. The 2019-20 Australian Bushfire Season saw some 18.6 million Ha of bushland burn, 5,900 buildings destroyed and nearly three billion vertebrates killed. Gi4DM 2020 then was held during Covid-19 pandemic, which took the lives of more than 1,150,000 people by the time of the conference. The pandemic affected the organisation of the conference, but the situation also provided the opportunity to address important global problems.The fundamental goal of the Gi4DM has always been to provide a forum where emergency responders, disaster managers, urban planners, stakeholders, researchers, data providers and system developers can discuss challenges, share experience, discuss new ideas and demonstrate technology. The 12 previous editions of Gi4DM conferences were held in Delft, the Netherlands (March 2005), Goa, India (September 2006), Toronto, Canada (May 2007), Harbin, China (August 2008), Prague, Czech Republic (January 2009), Torino, Italy (February 2010), Antalya, Turkey (May 2011), Enschede, the Netherlands (December, 2012), Hanoi, Vietnam (December 2013), Montpellier, France (2015), Istanbul, Turkey (2018) and Prague, Czech Republic (2019). Through the years Gi4DM has been organised in cooperation with different international bodies such as ISPRS, UNOOSA, ICA, ISCRAM, FIG, IAG, OGC and WFP and supported by national organisations.Gi4DM 2020 was held as part of Climate Change and Disaster Management: Technology and Resilience for a Troubled World. The event took place through the whole week of 30th of November to 4th of December, Sydney, Australia and included three events: Gi4DM 2020, NSW Surveying and Spatial Sciences Institute (NSW SSSI) annual meeting and Urban Resilience Asia Pacific 2 (URAP2).The event explored two interlinked aspects of disaster management in relation to climate change. The first was geo-information technologies and their application for work in crisis situations, as well as sensor and communication networks and their roles for improving situational awareness. The second aspect was resilience, and its role and purpose across the entire cycle of disaster management, from pre-disaster preparedness to post-disaster recovery including challenges and opportunities in relation to rapid urbanisation and the role of security in improved disaster management practices.This volume consists of 16 peer-reviewed scientific papers. These were selected on the basis of double-blind review from among the 25 full papers submitted to the Gi4DM 2020 conference. Each paper was reviewed by three scientific reviewers. The authors of the papers were encouraged to revise, extend and adapt their papers to reflect the comments of the reviewers and fit the goals of this volume. The selected papers concentrate on monitoring and analysis of forest fire (3), landslides (3), flood (2), earthquake, avalanches, water pollution, heat, evacuation and urban sustainability, applying a variety of remote sensing, GIS and Web-based technologies. Figure 1 illustrates the scope of the covered topics though the word count of keywords and titles.The Gi4DM 2020 program consisted of scientific presentations, keynote speeches, panel discussions and tutorials. The four keynotes speakers Prof Suzan Cutter (Hazard and Vulnerability Research Institute, USC, US), Jeremy Fewtrell (NSW Fire and Rescue, Australia), Prof Orhan Altan (Ad-hoc Committee on RISK and Disaster Management, GeoUnions, Turkey) and Prof Philip Gibbins (Fenner School of Environment and Society, ANU, Australia) concentrated on different aspects of disaster and risk management in the context of climate change. Eight tutorials offered exciting workshops and hands-on on: Semantic web tools and technologies within Disaster Management, Structure-from-motion photogrammetry, Radar Remote Sensing, Dam safety: Monitoring subsidence with SAR Interferometry, Location-based Augmented Reality apps with Unity and Mapbox, Visualising bush fires datasets using open source, Making data smarter to manage disasters and emergency situational awareness and Response using HERE Location Services. The scientific sessions were blended with panel discussions to provide more opportunities to exchange ideas and experiences, connect people and researchers from all over the world.The editors of this volume acknowledge all members of the scientific committee for their time, careful review and valuable comments: Abdoulaye Diakité (Australia), Alexander Rudloff (Germany), Alias Abdul Rahman (Malaysia), Alper Yilmaz (USA), Amy Parker (Australia), Ashraf Dewan (Australia), Bapon Shm Fakhruddin (New Zealand), Batuhan Osmanoglu (USA), Ben Gorte (Australia), Bo Huang (Hong Kong), Brendon McAtee (Australia), Brian Lee (Australia), Bruce Forster (Australia), Charity Mundava (Australia), Charles Toth (USA), Chris Bellman (Australia), Chris Pettit (Australia), Clive Fraser (Australia), Craig Glennie (USA), David Belton (Australia), Dev Raj Paudyal (Australia), Dimitri Bulatov (Germany), Dipak Paudyal (Australia), Dorota Iwaszczuk (Germany), Edward Verbree (The Netherlands), Eliseo Clementini (Italy), Fabio Giulio Tonolo (Italy), Fazlay Faruque (USA), Filip Biljecki (Singapore), Petra Helmholz (Australia), Francesco Nex (The Netherlands), Franz Rottensteiner (Germany), George Sithole (South Africa), Graciela Metternicht (Australia), Haigang Sui (China), Hans-Gerd Maas (Germany), Hao Wu (China), Huayi Wu (China), Ivana Ivanova (Australia), Iyyanki Murali Krishna (India), Jack Barton (Australia), Jagannath Aryal (Australia), Jie Jiang (China), Joep Compvoets (Belgium), Jonathan Li (Canada), Kourosh Khoshelham (Australia), Krzysztof Bakuła (Poland), Lars Bodum (Denmark), Lena Halounova (Czech Republic), Madhu Chandra (Germany), Maria Antonia Brovelli (Italy), Martin Breunig (Germany), Martin Tomko (Australia), Mila Koeva (The Netherlands), Mingshu Wang (The Netherlands), Mitko Aleksandrov (Australia), Mulhim Al Doori (UAE), Nancy Glenn (Australia), Negin Nazarian (Australia), Norbert Pfeifer (Austria), Norman Kerle (The Netherlands), Orhan Altan (Turkey), Ori Gudes (Australia), Pawel Boguslawski (Poland), Peter van Oosterom (The Netherlands), Petr Kubíček (Czech Republic), Petros Patias (Greece), Piero Boccardo (Italy), Qiaoli Wu (China), Qing Zhu (China), Riza Yosia Sunindijo (Australia), Roland Billen (Belgium), Rudi Stouffs (Singapore), Scott Hawken (Australia), Serene Coetzee (South Africa), Shawn Laffan (Australia), Shisong Cao (China), Sisi Zlatanova (Australia), Songnian Li (Canada), Stephan Winter (Australia), Tarun Ghawana (Australia), Ümit Işıkdağ (Turkey), Wei Li (Australia), Wolfgang Reinhardt (Germany), Xianlian Liang (Finland) and Yanan Liu (China).The editors would like to express their gratitude to all contributors, who made this volume possible. Many thanks go to all supporting organisations: ISPRS, SSSI, URAP2, Blackash, Mercury and ISPRS Journal of Geoinformation. The editors are grateful to the continued support of the involved Universities: The University of New South Wales, Curtin University, Australian National University and The University of Melbourne.
Estilos ABNT, Harvard, Vancouver, APA, etc.
32

Jennifer Tebbe-Grossman. "Medicine’s Motion Pictures". Film & History: An Interdisciplinary Journal of Film and Television Studies 39, n.º 1 (2009): 98–99. http://dx.doi.org/10.1353/flm.0.0076.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
33

Cho, Minhaeng. "Molecular motion pictures". Nature 444, n.º 7118 (novembro de 2006): 431–32. http://dx.doi.org/10.1038/444431a.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
34

Hunter, Jefferson. "Pictures and Motion Pictures in the 1940s". Hopkins Review 7, n.º 1 (2014): 93–111. http://dx.doi.org/10.1353/thr.2014.0001.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
35

Nimis, Erika. "“Motion pictures” in Nigeria". Visual Anthropology 14, n.º 3 (setembro de 2001): 293–99. http://dx.doi.org/10.1080/08949468.2001.9966836.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
36

Leach-Murray, Susan. "SWANK Motion Pictures, Inc." Technical Services Quarterly 35, n.º 1 (27 de novembro de 2017): 115–16. http://dx.doi.org/10.1080/07317131.2017.1385299.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
37

Bardell, Eunice Bonow. "Pharmacists in Motion Pictures". American Journal of Health-System Pharmacy 45, n.º 1 (1 de janeiro de 1988): 179–83. http://dx.doi.org/10.1093/ajhp/45.1.179.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
38

Copeland, V. Natasha E. "Pictures in Motion or Motion Pictures: Sembène’s Natural Products Steal the Show". Études littéraires africaines, n.º 30 (17 de novembro de 2014): 58–76. http://dx.doi.org/10.7202/1027347ar.

Texto completo da fonte
Resumo:
Dans ses films Xala (1974) et Ceddo (1977), Sembène redéfinit l’usage des sculptures traditionnelles en bois, tout en demeurant fidèle aux métaphysiques sahéliennes dans ses innovations esthétiques, littéraires ou cinématographiques. Des masques, un bâton ou une canne jouent à l’écran un rôle qui, en raison de leur propre vitalité et de leur étroite association avec divers personnages, capte l’attention du public autant que le font les héros des films. Sembène oppose, dans la trame de ses films, la force vitale de ces objets africains à celle d’artefacts, symboles de l’Occident. Sculptés par l’homme, les objets africains restent en relation avec l’environnement dont leur substance est tirée ; Sembene établit de surcroît, entre lieux et personnages, des liens profonds, notamment entre les arbres, le bois et les hommes.
Estilos ABNT, Harvard, Vancouver, APA, etc.
39

Porée, Marc. "Poets' lives in motion (pictures)". Études anglaises 66, n.º 4 (2013): 511. http://dx.doi.org/10.3917/etan.664.0511.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
40

Baecker, Dirk. "The Reality of Motion Pictures". MLN 111, n.º 3 (1996): 560–77. http://dx.doi.org/10.1353/mln.1996.0032.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
41

Bakker, Gerben. "How Motion Pictures Industrialized Entertainment". Journal of Economic History 72, n.º 4 (14 de dezembro de 2012): 1036–63. http://dx.doi.org/10.1017/s002205071200068x.

Texto completo da fonte
Resumo:
Motion pictures constituted a revolutionary new technology that transformed entertainment—a rival, labor-intensive service—into a non-rival commodity. Combining growth accounting with a new output concept shows productivity growth in entertainment surpassed that in any manufacturing industry between 1900 and 1938. Productivity growth in personal services was not stagnant by definition, as current understanding has it, but instead was unparalleled in some cases. Motion pictures’ contribution to aggregate GDP and TFP growth was much smaller than that of general purpose technologies steam, railways, and electricity, but not insignificant. An observer might have noted that “motion pictures are everywhere except in the productivity statistics.”“So long as the number of persons who can be reached by a human voice is strictly limited, it is not very likely that any singer will make an advance on the £10,000 said to have been earned in a season by Mrs. Billington at the beginning of the last century, nearly as great as that which the business leaders of the present generation have made on the last.”1Alfred Marshall
Estilos ABNT, Harvard, Vancouver, APA, etc.
42

Yeazell, Ruth Bernard. "Sex, Lies, and Motion Pictures". Henry James Review 25, n.º 1 (2004): 87–96. http://dx.doi.org/10.1353/hjr.2004.0012.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
43

Marta Zarzycka and Bettina Papenburg. "Motion Pictures: Politics of Perception". Discourse 35, n.º 2 (2013): 163. http://dx.doi.org/10.13110/discourse.35.2.0163.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
44

DecencièreFerrandière, Étienne. "Restoration of Old Motion Pictures". Microscopy Microanalysis Microstructures 7, n.º 5-6 (1996): 311–16. http://dx.doi.org/10.1051/mmm:1996127.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
45

Wartenberg, T. E. "The Philosophy of Motion Pictures". British Journal of Aesthetics 49, n.º 1 (1 de janeiro de 2009): 83–85. http://dx.doi.org/10.1093/aesthj/ayn053.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
46

Nebeker, F. "Motion pictures [Scanning Our Past]". Proceedings of the IEEE 101, n.º 4 (abril de 2013): 1020–25. http://dx.doi.org/10.1109/jproc.2013.2244752.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
47

Stadler, Jane. "Experiential Realism and Motion Pictures". Studia Phaenomenologica 16 (2016): 439–65. http://dx.doi.org/10.5840/studphaen20161616.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
48

"Motion Pictures". SMPTE Journal 94, n.º 4 (abril de 1985): 369–81. http://dx.doi.org/10.5594/j14054.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
49

"MOTION PICTURES". Communication Booknotes Quarterly 31, n.º 1 (março de 2000): 43–54. http://dx.doi.org/10.1207/s15326896cbq3101_10.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
50

"MOTION PICTURES". Communication Booknotes Quarterly 31, n.º 4 (dezembro de 2000): 258–65. http://dx.doi.org/10.1207/s15326896cbq3104_06.

Texto completo da fonte
Estilos ABNT, Harvard, Vancouver, APA, etc.
Oferecemos descontos em todos os planos premium para autores cujas obras estão incluídas em seleções literárias temáticas. Contate-nos para obter um código promocional único!

Vá para a bibliografia