Teses / dissertações sobre o tema "Austern"
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Diederich, Susanne. "Invasion of Pacific oysters (Crassostrea gigas) in the Wadden Sea competitive advantage over native mussels = Eingeführte Pazifische Austern (Crassostrea gigas) im Wattenmeer : Konkurrenzvorteil gegenüber heimischen Miesmuscheln /". [S.l.] : [s.n.], 2005. http://e-diss.uni-kiel.de/diss_1690/d1690.pdf.
Texto completo da fonteMüller, Luciane Oliveira. "Revisiting Jane Austin : a reading of Karen Joy Fowler's The Jane Austen Book Club". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/102206.
Texto completo da fonteAlmost two hundred years separate Karen Joy Fowler from Jane Austen. The latter is a great English literary icon, author to six of the best treasured novels in English literature, admired for her style, wit and subtlety in the delineation of her characters and their social relations. The former is a contemporary awarded American Sci-fi and Fantasy writer, author to the novel The Jane Austen Book Club, which is the corpus of the present dissertation. In spite of the wide distance in time, subject matter, and even in literary stature that separates them, both authors are deeply involved in the investigation of human nature and human bonds. The Jane Austen Book Club not only pays homage to Jane Austen, it also offers a rich contrast between life as it was, in the 18th Century, in Austen’s rural England, and as it is now, in Fowler’s present-day sunny California. In Fowler’s novel we meet six interesting characters who undergo different kinds of personal crises. They form a book club and meet monthly, during half a year. In each meeting, they discuss one of Jane Austen´s novels. Each of them is in charge of leading the discussion on one of the novels. Fowler’s book is divided in six chapters, respectively: Jocelyn with Emma, Allegra with Sense and Sensibility, Prudie with Mansfield Park, Grigg with Northanger Abbey, Bernadette with Pride and Prejudice, and Sylvia with Persuasion. The way they interact with their assigned novels tells much not only about them and their circumstances, but also about the world in which they live. The more nostalgic and romantic their notion of Austen’s idealized past becomes, the clearer we can identify the circumstances in present-day life that provoke such reactions. The aim of this dissertation is to present a reading of The Jane Austen Book Club through an approximation with Austen’s work, so as to understand what Fowler’s characters are looking for, and why. The premise is that their quest tells about the world we live in nowadays, and about the difficulties we have in dealing with personal relations. To approach the contrast between the solid fictional world of Jane Austen and the liquid fictional world of Karen Joy Fowler, I rely on the theories presented by Zygmunt Bauman, especially on his use of concepts as fluidity, ethics, velocity, disengagement and fear.
Dunn, Catherine. "Adapting Austen /". Title page, contents and introduction only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09ard9231.pdf.
Texto completo da fonteSmith, Grace B. "Austen Girls". Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/925.
Texto completo da fonteNilsson, Jonas. "Hybriditet inom Paul Austers författarskap". Thesis, Malmö högskola, Institutionen för globala politiska studier (GPS), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-24010.
Texto completo da fonteMertens, Sven. "Erweiterung des automatischen Testsystems AUSTERE". [S.l. : s.n.], 2003. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB10952957.
Texto completo da fonteTrunel, Lucile Cachin Marie-Françoise Ogée Frédéric. "Les éditions françaises de l'oeuvre de Jane Austen (1815-2007) : l'apport de l'histoire éditoriale à la compréhension de la réception de l'auteur en France /". [S. l.] : [s. n.], 2008. http://catalogue.bnf.fr/ark:/12148/cb41260867p.
Texto completo da fonteContient un résumé en anglais. Bibliogr. et webliogr. p. 508-538. Chronologie de la vie de Jane Austen p. 539-540. Table des éditions française de Jane Austen p. 541-547. Notes bibliogr. Index.
Lindsmyr, Christina. "Jane Austen - Pride and Prejudice". Thesis, Halmstad University, School of Humanities (HUM), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-827.
Texto completo da fonteEvoy, Karen. "Jane Austen : women and power". Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66161.
Texto completo da fonteHalsey, K. E. "Jane Austen and reading women". Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603600.
Texto completo da fonteByrne, Paula Jayne. "Jane Austen and the theatre". Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343860.
Texto completo da fonteSilva, Egle Pereira da. "A poesia de Paul Auster". Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7262.
Texto completo da fonteThis thesis examines Paul Austers extremely neglected early work: his poetry. Five books were published: Unearth (1974), Wall writing (1976), Effigies (1977), Fragments from cold (1977) and Facing the music (1980), available only at antiquarians and restrective universities libraries in the United States, as well as at the New York Public Library. Studies around Austers poetic oeuvre are restricted to papers, reviews, translators introduction, and a thesis that focus on his poetry to produce new analyses and interpretations of Austers novelistic works. The aim of this thesis is to gather this scattered material and provide new parameters of study around his poetry. Divided into three chapters, the first one maps the literary magazines where Auster published his poems at first, the translations of his poems and critical fortune; the second examines Austers five books according to three specific topics authorship, language, I and other themes related to them; the third analyzes White Spaces, text considered by the author as the bridge that leads him to prose and in this thesis as a singular writing in which Auster consolidates his literary project, since poetry, previous to prose, yet to come. Maurice Blanchot, Karlheinz Stierle and, principally, Auster, lay the foundation of the investigation. Other theorists who contribute to the understanding of the subject will be called to build the sui generis comparativism put into effect here
This thesis examines Paul Austers extremely neglected early work: his poetry. Five books were published: Unearth (1974), Wall writing (1976), Effigies (1977), Fragments from cold (1977) and Facing the music (1980), available only at antiquarians and restrective universities libraries in the United States, as well as at the New York Public Library. Studies around Austers poetic oeuvre are restricted to papers, reviews, translators introduction, and a thesis that focus on his poetry to produce new analyses and interpretations of Austers novelistic works. The aim of this thesis is to gather this scattered material and provide new parameters of study around his poetry. Divided into three chapters, the first one maps the literary magazines where Auster published his poems at first, the translations of his poems and critical fortune; the second examines Austers five books according to three specific topics authorship, language, I and other themes related to them; the third analyzes White Spaces, text considered by the author as the bridge that leads him to prose and in this thesis as a singular writing in which Auster consolidates his literary project, since poetry, previous to prose, yet to come. Maurice Blanchot, Karlheinz Stierle and, principally, Auster, lay the foundation of the investigation. Other theorists who contribute to the understanding of the subject will be called to build the sui generis comparativism put into effect here
Asker, Rebecca. "Money and Love in Jane Austen’s Pride and Prejudice". Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-13040.
Texto completo da fonteKrämer, Kathrin. "Walking in deserts, writing out of wounds : Jewishness and deconstruction in Paul Auster's literary work". Heidelberg Winter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=2991871&prov=M&dokv̲ar=1&doke̲xt=htm.
Texto completo da fonteCano, López Marina. "Finishing off Jane Austen : the evolution of responses to Austen through continuations of The Watsons". Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3972.
Texto completo da fonteQuarré-Roger, Catherine. "Paul Auster, l'enchanteur désenchanté : le monde, le moi et l'autre dans l'oeuvre de Paul Auster /". Paris : Publibook, 2006. http://catalogue.bnf.fr/ark:/12148/cb409630182.
Texto completo da fonteBibliogr. p. 315-323.
Kollmann, Elizabeth. "Jane Austen re-visited a feminist evaluation of the longevity and relevance of the Austen Oeuvre". Thesis, University of Port Elizabeth, 2003. http://hdl.handle.net/10948/299.
Texto completo da fonteMa, Oi-ming Gloria. "The quest for truth : an examination of simulacra and simulations in Paul Auster's the New York trilogy /". Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472832.
Texto completo da fonteSmith, Matthew Morel Michel. "Représentation et instrumentalisation du sujet narratif "character" chez Jane Austen /". Nancy : Université Nancy 2, 2002. http://cyberdoc.univ-nancy2.fr/htdocs/docs_ouvert/doc127/2002NAN21004.pdf.
Texto completo da fonteBath, Randeep Kaur. "Jane Austen as a feminist moralist /". Title page and contents only, 1991. http://web4.library.adelaide.edu.au/theses/09AR/09arb331.pdf.
Texto completo da fonteCollins, Eleanor. "Reading gender, choice and Austen narrative". Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416530.
Texto completo da fonteMartin, B. P. "The post-modernity of Paul Auster". Thesis, Queen's University Belfast, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419455.
Texto completo da fonteSilva, Luís Henrique do Amaral e. "Ficção e trauma em Paul Auster". Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/47/47132/tde-24032015-164243/.
Texto completo da fonteThe present thesis aims to explore how the dimension of the traumatic concurs in contemporary literature, particularly in the one by New Yorker writer Paul Auster. It is supposed that the forms of subjectivity in a certain historical period can be searched into on the basis of particular cultural aesthetic objects. Or, at least, certain pieces of work can render as some sort of witness, as well as historiography of suffering in a particular era. It has been possible to outline some resonances between the general cultural and historical level ground and the one of expressive and specific qualities in a certain work, which opens space for a dialog between these domains. Nevertheless it is not expected neither to grant a privilege to what is external to the piece of work to its detriment, nor to explain literature from the theories and systems of previous comprehension. To the contrary, a close and immanent reading has been made, in order to make an assay, out of three of Paul Austers books: The invention of solitude, The book of illusions and Oracle Night. Such reading has followed some kind of hospitality ethics whereas reading ethics. Accompanying closely these works, and settling down on them as in a habitation regime, points of communication were opened between them, as well as with other dimensions of history, mainly to what concerns traumatic and catastrophic aspects. The assays suggest the hypothesis that these chosen Austers books demonstrate, in their formal aspect, important features of what has become known in Psychoanalysis as compulsion of repeating. Furthermore, the transmission of transgenerational indigestive and traumatic aspects, through psychic crypts, can be observed in Austers autobiography The invention of solitude. The vicissitudes and destinies of trauma on its transgenerational and individual dimensions are articulated with the cultural level ground and with other authors. It is also proposed a modality of repairing reading, in opposition to a paranoid reading, to respond to the complexity and ambiguity of the selected works
Pereira, Bárbara Albuquerque. "Mulheres nas obras de Jane Austen". Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8509.
Texto completo da fonteConsiderando-se o papel representado pela literatura diante da formação de novas subjetividades, esta pesquisa investigou os discursos acerca do feminino presentes em três romances de autoria feminina do século XIX Razão e sensibilidade, Orgulho e Preconceito e Mansfield Park da romancista Jane Austen, uma das escritoras mais aclamadas da Inglaterra. Utilizando-se os personagens femininos desses romances e como eles se posicionam diante das relações afetivas e sociais, buscou-se estabelecer um paralelo entre a literatura e a história das mulheres. Sendo considerada uma das responsáveis pela consolidação do gênero romanesco inglês, Jane Austen insere em seus romances a questão da feminilidade como histórica e socialmente construída, além de ser ela própria também um exemplo da desconstrução dos papéis femininos, já que escreveu num tempo no qual a vida literária não era um espaço que as mulheres deveriam ocupar. No entanto, muitas vezes, tanto a discussão sobre as representações das mulheres nas suas obras, como a própria representatividade da autora para o campo de atuação das mulheres inglesas são negligenciados devido a uma leitura superficial de seus romances. Assim, este trabalho buscou dialogar com a história das mulheres, enriquecendo este campo de estudo, trazendo novos dados e formas de pensar as relações das mulheres na sociedade, através da literatura, além de objetivar dar mais destaque à romancista dentro deste campo de estudo. Não foi intenção fazer uma análise literária das obras, mas uma análise dos discursos existentes por trás dos papéis femininos nos romances escritos por Jane Austen, enquanto possível espelho da visão social da feminilidade, levando-se em consideração o contexto sócio histórico em que foram escritas
Wynne, Julian. "Modeles de l'inconscient chez jane austen". Montpellier 3, 1988. http://www.theses.fr/1988MON30005.
Texto completo da fonteThe thesis begins with a prefatory note on the word 'classic(al)'; this note implicitly defines the aim of the inquiry. For the thesis presents the following argument: up to now, the 'classic(al)' status enjoyed by jane austen has been misunderstood; the invitation of austen's work responds better to an approach drawing on psychanalytical methods. Whilst the introduction presents the theoretical framework according to which this approach is to be applied as being, in general, freudian in character, it underlines the reservations - even of 'freudians' themselves - as to the contribution freud's work makes to the understanding of art and femininity - two co-ordinates, obviously, of 'jane austen', an artist and a woman. The six 'major' novels are treated individually, one after the other, in six chapters; a division of the inquiry into two parts reflects the distinction (which the author consi- ders of capital importance) between the four novels published during the novelist's lifetime - 'intentionally', therefore - and the two published after her death; n. B. That the 'received' chronology is modified only for the situ- ation of 'northanger abbey'. Throughout the first six chapters, the analyses are concerned to bring out the basically metaphorical character which, accor- ding to an interpretation of the latent content, underlies austen's vision - which is seen to adumbrate freud's metapsychology. Amongst the important results of this approach, light is thrown on 'mansfield park' by a new reading of austen's irony. A seventh chapter, devoted to the 'juvenilia' and unfin- ished writings, affords a glimpse of the general direction of the inquiry - from form to the unformed. And the conclusion examines the least formed ele- ments - biographical data - with a view to analysing the terms of artistic intention itself, and to exploring the creative apparatus behind the oeuvre which has been analysed in the main body of the thesis without psychobio- graphical a prioris
Wynne, Julian. "Modèles de l'inconscient chez Jane Austen". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37619265w.
Texto completo da fonteQuinn, Natalie. "The "Crafting" of Austen: Handicraft, Arts and Crafts, and the Reception of Austen during the Victorian Period". BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2942.
Texto completo da fonteNelson, Heather. ""Till this moment, I never knew myself" : developing self, love, and art in Jane Austen's Sense and sensibility, Pride and prejudice, and Emma /". Electronic thesis, 2005. http://etd.wfu.edu/theses/available/etd-06022005-194043/.
Texto completo da fonteKarlsson, Caroline. "Jane Austen : Hennes dialoger och hennes samtid". Thesis, Jönköping University, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-7830.
Texto completo da fonteJane Austen
Her dialogues and the time in which she lived
This essay is about the dialogues in Jane Austen’s novels and what they say about the time she lived in. The interest for Austen comes from the “Austen movies” I’ve seen the latest year.
AIM AND FRAMING OF QUESTIONS My aim has been to compare the contents in the dialogues with the fact in the biographies. The questions are:
What do the dialogues say about the convention, the behaviour, manners and the form of address? What does it say about young men and women and about the marriage? Are the dialogues supported by the content in the biographies? Did Jane Austen really write realistic?
METHOD AND MATERIAL The method was to read the novels and then the biographies. I divided the empiric material in different categories and based it on the fact in the biographies. I have read Sense and sensibility, Pride and prejudice, Mansfield Park and Persuasion. The biographies I have used are for example Valerie Grosvenor Myer’s Obstinate Heart Jane Austen A Biography, Carol Shield’s Jane Austen.
RESULTS I found that the text and the dialogues and contents in Austen’s novels are realistic. She has not made up own rules for convention and behaviour but lets her characters act in a normal way.
Erdogan, Gokcen. "Control Of The Readers In Jane Austen". Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1218098/index.pdf.
Texto completo da fonteSensibility to control the readers when they make judgements about characters and events.The thesis will argue that the point of view used in these two novels to present events and characters has great influence upon readers. In addition, the role of skilful use of irony by Austen, and witholding of information by characters and author in keeping readers alert will be analysed.
Tandon, Bharat. "Jane Austen and the morality of conversation". Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337094.
Texto completo da fonteWu, Yih Dau. "Jane Austen and the poetics of waiting". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610602.
Texto completo da fontePereira, Maria Helena de Queirós. "Da ficção em Leviathan de Paul Auster". Master's thesis, Porto : [Edição do Autor], 1997. http://hdl.handle.net/10216/18124.
Texto completo da fonteHardy, Seguin Mireille. "Paul Auster : tours et détours du fictif". Paris 3, 1996. http://www.theses.fr/1996PA030186.
Texto completo da fonteThis study aims at exploring the different tours and detours that suffuse paul auster's fiction, hinging on the polysemy of the french word "tours" : towers, surrounding walls, tricks, twists. Detours or diversions lead to a final turn of the screw, looping the loop, forcing the text back to its beginning and questioning what has just been asserted. Both key figures - the tower of babel and the labyrinth - build the text on images of confusion and urge it to an impossible logic of (no)-return. The tower, both landmark and origin of disorder, holds a central and ambiguous position, and so does the grid-pattern that fences space in, turning it now into a prison, then into a place of redemption and rebirth (the room). Since they are denied stability, the landmarks that appear successively as new york skyscrapers, a grotesque wall, the statue of liberty, or the moon are alternately being built and unbuilt. Likewise, the quest for pre-babelian language, which is felt as essential, turns out to be impossible. The text constantly winds about, as palimpsestuous detours, labyrinths, diversions, or even perversions of time and space and mirror images drag it out of its tracks, lead it astray, destabilize it. The traditional narrative is repeatedly questioned, weighed down with doubts and double tropisms that condemn it to an impassable ambiguity keep it locked inside itself. Fluctuations, shifts in meaning, absence of the author, secrets and lies all build up to paradoxes that make the reader feelgiddy and deprive him of all certainties. Entropy and the constant obliteration of tracks seem to drag the text towards an inflexible conclusion which never comes: the voice of the text gets lost somewhere between the end and the new beginning
Massei, Marie-Laure. "L'argent dans les romans de Jane Austen". Paris 4, 2005. http://www.theses.fr/2005PA040156.
Texto completo da fonteMoney is a central theme in Jane Austen's novels and letters, through its links to the recurring questions of consumption, marriage and inheritance. At a time when women were denied financial power in the gentry, money was both a subject of anxiety and fascination. Handicapped on the marriage market by her position as a relatively poor member of the urban gentry, Austen uses the money motif as a means of exploration in her novels, in which it generates a complex circulation. Money enables her to represent the social mobility characteristic of a period of transformations, as fortunes of different origins competed for power. The novelist's conservatism stands out in her depiction of the management of the estate, since the assertion of moral values helps her confront the increasing pecuniary deviances at the beginning of the 19th century. However, Jane Austen also denounces the sheer violence of patriarchal practices, such as the entailing of estates, and their effects on the female psyche. A deeper level of analysis reveals that money is at the core of a subversive strategy of unveiling, since its metaphorical and symbolical potential leads to a daring exploration of the taboo of sexuality
Sun, Shuo. "The reception of Jane Austen in China". Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/38499/.
Texto completo da fontePereira, Maria Helena de Queirós. "Da ficção em Leviathan de Paul Auster". Dissertação, Porto : [Edição do Autor], 1997. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000062319.
Texto completo da fonteScharff, Kathleen Clark. "Evil in the Works of Jane Austen". W&M ScholarWorks, 1986. https://scholarworks.wm.edu/etd/1539625357.
Texto completo da fonteChowdhury, Pradip Kumar Roy. "Jane Austen : the novelist as an ironist". Thesis, University of North Bengal, 2007. http://hdl.handle.net/123456789/1169.
Texto completo da fonteEngelmann, Jonas. ""Welches Vergessen erinnere ich?" : Auschwitz im Werk von Paul Auster und Hubert Fichte". Marburg Tectum, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2908511&prov=M&dokv̲ar=1&doke̲xt=htm.
Texto completo da fonteUrrejola, Dobiasch Anouschka. ""Jane only smiles, I laugh" zur Poetik des Lachens in den Romanen Jane Austens". Trier Wiss. Verl. Trier, 2007. http://www.wvttrier.de/top/Beschreibungen/ID602.html.
Texto completo da fonteJakubzik, Heiko. "Paul Auster und die Klassiker der American Renaissance". [S.l. : s.n.], 1999. http://nbn-resolving.de/urn:nbn:de:bsz:16-opus-72598.
Texto completo da fonteUpfal, Annette. "Jane Austen's hidden portrait gallery : a study of the images and text of the juvenilia's History of England /". [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19059.pdf.
Texto completo da fonteWerker, Anke. "By a lady : Jane Austen's female archetypes in fiction and film /". Le Tilburg (the Netherlands) : Tilburg university press, 1998. http://catalogue.bnf.fr/ark:/12148/cb37560646d.
Texto completo da fonteCoquet-Cardinal, Dominique Burner Sylviane. "Identité de l'écriture et écriture de l'identité dans the New York trilogy de Paul Auster". Metz : Université Metz, 2008. ftp://ftp.scd.univ-metz.fr/pub/Theses/2005/Coquet_Cardinal.Dominique.LMZ0509_1.pdf.
Texto completo da fonteFigueroa, Pereira Lidia. "Paul Auster: hitos biográficos en su obra literaria". Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/110409.
Texto completo da fonteGeng, Li-ping. "Dialectical elements in the novels of Jane Austen". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/NQ45698.pdf.
Texto completo da fonteBergeron, Gino. "Le dépouillement dans Moon palace de Paul Auster". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ57897.pdf.
Texto completo da fonteGrayson, Richard S. "Austen Chamberlain and British foreign policy, 1924-9". Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260642.
Texto completo da fonteSmith, Erin Jamie. "Bodies in motion : social dance in Jane Austen". Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406703.
Texto completo da fonte