Literatura científica selecionada sobre o tema "Auditors in fiction"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Auditors in fiction".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Artigos de revistas sobre o assunto "Auditors in fiction"
Czarniawska, Barbara. "Research Note. A Culture of Costs versus A Culture of Expenses". Valuation Studies 5, n.º 2 (2 de maio de 2018): 131–44. http://dx.doi.org/10.3384/vs.2001-5992.1852131.
Texto completo da fonteRauch, Bernhard, Max Göttsche, Stefan Engel e Gernot Brähler. "Fact and Fiction in EU-Governmental Economic Data". German Economic Review 12, n.º 3 (1 de agosto de 2011): 243–55. http://dx.doi.org/10.1111/j.1468-0475.2011.00542.x.
Texto completo da fonteLeenhardt, Jacques. "Existence et objet de la « sociologie de la littérature », aujourd’hui". Sociologias 20, n.º 48 (agosto de 2018): 30–46. http://dx.doi.org/10.1590/15174522-020004802.
Texto completo da fonteKUZ, Valentyna. "GENRE AND STYLISTIC PECULIARITIES OF YURII KLEN’S FLASH FICTION". Current issues of linguistics and translations studies, n.º 23 (30 de março de 2022): 19–23. http://dx.doi.org/10.31891/2415-7929-2022-23-4.
Texto completo da fonteBrownlee, Shannon. "Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers". Animation 18, n.º 3 (novembro de 2023): 227–39. http://dx.doi.org/10.1177/17468477231206670.
Texto completo da fonteSlote, Ben. "Narrative Jujitsu: Twain's “Studied Fictions” and Their Plot Against Audience". Prospects 20 (outubro de 1995): 87–118. http://dx.doi.org/10.1017/s0361233300006025.
Texto completo da fonteGleeson-White, Sarah. "Auditory Exposures: Faulkner, Eisenstein, and Film Sound". PMLA/Publications of the Modern Language Association of America 128, n.º 1 (janeiro de 2013): 87–100. http://dx.doi.org/10.1632/pmla.2013.128.1.87.
Texto completo da fonteZhang, Rui. "On Auditory Narratology in The Ivory Acrobat". Arts Studies and Criticism 3, n.º 2 (27 de junho de 2022): 115. http://dx.doi.org/10.32629/asc.v3i2.836.
Texto completo da fonteTian, Hua. "The Technological Landscape and Artistic Illusion: A Case Study of Avatar". Journal of Research in Social Science and Humanities 3, n.º 4 (abril de 2024): 18–21. http://dx.doi.org/10.56397/jrssh.2024.04.04.
Texto completo da fonteWaugh, Patricia. "Muriel Spark’s ‘informed air’: the auditory imagination and the voices of fiction". Textual Practice 32, n.º 9 (21 de outubro de 2018): 1633–58. http://dx.doi.org/10.1080/0950236x.2018.1533171.
Texto completo da fonteTeses / dissertações sobre o assunto "Auditors in fiction"
Bünger, Maja. "Janet Cardiff : Portholes into other Worlds". Thesis, Södertörn University College, The School of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2068.
Texto completo da fonteThis essay is about the relationship between the spatial reality and the imaginary reality in the auditory artwork The Missing Voice (case study b) by Janet Cardiff. The analysis is based on a semiotic model that differentiate between two types of signifieds; a denotative signified and a connotative signified. Those terms, with focus on connotation, is used in relation to sound and linguistic signs in the auditory reality of the artwork.
The first chapter “Den okroppsliga rösten” discusses the relationship between the several voices of fiction and the spatial reality in The Missing Voice (case study b). There are four versions of the voice of cardiff and two other masculine voices that reach out, through the auditory reality, to the participant of the artwork. The participant throws therefore between the spatial reality and the reality of fiction.
The second chapter “Den akustiska upplevelsen” discusses what happens when the aucoustic reality is in and out of sync with the spatial reality in The Missing Voice (case study b). When the two soundscapes, the real and the auditory, synchronize it’s difficult for the participant to separate between reality and fiction. Those recorded sounds originate from the spatial reality and therefore connotes this reality. Sometimes Cardiff refers to sounds that are invisible in the spatial reality, the soundscapes are then not in sync with each other, but still the sounds are so close to the spatial reality that they feel real.
The last chapter “Det imaginära rummet” is about the meeting between the real spatiality and the imaginäry. On many occations in the artwork the voice of Cardiff transforms the real room to a room from the past. Then her words connotations reinforces the experience of the presence of the imaginäry room in the real room.
Sinatra, Anne M. "The Impact of Degraded Speech and Stimulus Familiarity in a Dichotic Listening Task". Doctoral diss., University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5502.
Texto completo da fonteID: 031001451; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Adviser: Valerie K. Sims.; Title from PDF title page (viewed July 2, 2013).; Thesis (Ph.D.)--University of Central Florida, 2012.; Includes bibliographical references (p. 168-173).
Ph.D.
Doctorate
Psychology
Sciences
Psychology; Human Factors Psychology
Livros sobre o assunto "Auditors in fiction"
Kilby, Joan. Two against the odds. Toronto: Harlequin Books, 2011.
Encontre o texto completo da fonteKilby, Joan. Two against the odds. Toronto: Harlequin, 2011.
Encontre o texto completo da fonteFesperman, Dan. Layover in Dubai. New York: Alfred A. Knopf, 2010.
Encontre o texto completo da fonteDALTON, MARGOT. Cottonwood creek. Toronto: Harlequin Books, 1998.
Encontre o texto completo da fonteShwartz, Susan. Hostile takeover. New York: Tor, 2004.
Encontre o texto completo da fonteBrowne, Marshall. The eye of the abyss. New York: Thomas Dunne Books, 2003.
Encontre o texto completo da fonteGregg, Stacy. The auditions. London: HarperCollins Children's Books, 2010.
Encontre o texto completo da fonteLoebbecke, James K. The auditor: An instructional novella. Upper Saddle River, N.J: Prentice Hall, 1999.
Encontre o texto completo da fonteSims, Kassandra. Falling upwards. New York: Tom Doherty, 2007.
Encontre o texto completo da fontePhillips, Joanne Fox. Revenge of the cube dweller. Austin, TX: River Grove Books, 2014.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Auditors in fiction"
Al-Adeem, Khalid. "Perspective Chapter: Governing Corporations in Appearance but Not in Fact – A Possible Unintended Consequence of the Corporate Governance Movement". In Corporate Governance - Evolving Practices and Emerging Challenges [Working Title]. IntechOpen, 2024. http://dx.doi.org/10.5772/intechopen.1005075.
Texto completo da fonteCubitt, Sean. "Temporalities of the Glitch: Déjà Vu". In Indefinite Visions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407120.003.0018.
Texto completo da fonteFrattarola, Angela. "Turning Words into Sounds". In Modernist Soundscapes, 141–61. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056074.003.0007.
Texto completo da fonteBernini, Marco. "A Brain Listening to Itself". In Beckett and the Cognitive Method, 45–84. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190664350.003.0002.
Texto completo da fonteEpstein, Hugh. "Introduction". In Hardy, Conrad and the Senses, 1–20. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474449861.003.0001.
Texto completo da fonteFrattarola, Angela. "Inner Speech as a Gramophone Record". In Modernist Soundscapes, 114–40. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056074.003.0006.
Texto completo da fonteWatson, Jay. "The Unsynchable William Faulkner". In William Faulkner and the Faces of Modernity, 148–70. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198849742.003.0005.
Texto completo da fonteK, Yuvaraj, e Ms K. Shanmugapriya. "THE EVOLUTIONARY TRAJECTORY OF INDIAN STORY TELLING". In Research Trends in Language, Literature & Linguistics Volume 3 Book 3, 17–22. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bilt3p3ch1.
Texto completo da fonteMcDonagh, Josephine. "John Galt’s ‘Whole Art of Colonization’". In Literature in a Time of Migration, 70–111. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0003.
Texto completo da fonteAngus, Bill. "The Knight of the Burning Pestle and the Menace of the Audience". In Intelligence and Metadrama in the Early Modern Theatre, 92–109. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474432917.003.0004.
Texto completo da fonte