Artigos de revistas sobre o tema "Arts, american – 20th century – exhibitions"
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Linden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings". Prospects 30 (outubro de 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Texto completo da fonteBenetti, Alessandro. "GAIA CARAMELINO; STÉPHANIE DADOUR (a cura di): THE HOUSING PROJECT: DISCOURSES, IDEALS, MODELS, AND POLITICS IN 20TH-CENTURY EXHIBITIONS". Proyecto, Progreso, Arquitectura, n.º 27 (2022): 206–7. http://dx.doi.org/10.12795/ppa.2022.i27.12.
Texto completo da fontePuerto, Cecilia. "Twentieth century Latin American women artists, discovery and record - a work in progress". Art Libraries Journal 20, n.º 3 (1995): 15–18. http://dx.doi.org/10.1017/s0307472200009457.
Texto completo da fonteAllen, Nancy S. "History of Western sources on Japanese art". Art Libraries Journal 11, n.º 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.
Texto completo da fonteWagner, Keith B., e Michael A. Unger. "Photographic and cinematic appropriation of atrocity images from Cambodia: auto-genocide in Western museum culture and The Missing Picture". Visual Communication 18, n.º 1 (3 de janeiro de 2018): 83–106. http://dx.doi.org/10.1177/1470357217742333.
Texto completo da fonteSenuliene, Jurgita. "Searching for Identity in the 20th-Century Lithuanian-American Food Exhibitions". Loci Communes 1, n.º 2 (28 de junho de 2022): 1–19. http://dx.doi.org/10.31261/lc.2022.02.04.
Texto completo da fonteBurganova, Maria A. "LETTER FROM THE EDITOR". Scientific and analytical journal Burganov House. The space of culture 17, n.º 5 (10 de dezembro de 2021): 8–9. http://dx.doi.org/10.36340/2071-6818-2021-17-5-8-9.
Texto completo da fonteREDMAN, SAMUEL. "Remembering Exhibitions on Race in the 20th-century United States". American Anthropologist 111, n.º 4 (17 de novembro de 2009): 517–18. http://dx.doi.org/10.1111/j.1548-1433.2009.01160_1.x.
Texto completo da fonteIan Shin, K. "The Chinese Art “Arms Race”". Journal of American-East Asian Relations 23, n.º 3 (27 de outubro de 2016): 229–56. http://dx.doi.org/10.1163/18765610-02303009.
Texto completo da fonteBuchli, Victor. "The Destruction of Gemütlichkeit? Programmatic Exhibitions on Domestic Living in the 20th Century". Home Cultures 4, n.º 2 (julho de 2007): 201–6. http://dx.doi.org/10.2752/174063107x209028.
Texto completo da fonteWESSELING, H. L. "Editorial: the American Century in Europe". European Review 12, n.º 2 (maio de 2004): 123–26. http://dx.doi.org/10.1017/s1062798704000122.
Texto completo da fonteBarris, Roann. "Exhibiting Russia". Experiment 23, n.º 1 (11 de outubro de 2017): 142–57. http://dx.doi.org/10.1163/2211730x-12341307.
Texto completo da fonteCalo, Mary Ann. "A Community Art Center for Harlem: The Cultural Politics of “Negro Art” Initiatives in the Early 20th Century". Prospects 29 (outubro de 2005): 155–83. http://dx.doi.org/10.1017/s0361233300001721.
Texto completo da fonteAchten, Anastasiia R. "Imitation of Ottoman ornaments the Italian ceramics of the 14th – 20th centuries". Vestnik of Saint Petersburg State University of Culture, n.º 1 (58) (2024): 108–13. http://dx.doi.org/10.30725/2619-0303-2024-1-108-113.
Texto completo da fontePark, Hyesung. "Rethinking the 20th-Century Korean Embroidery from Gender Perspectives". Korean Journal of Art History 320 (31 de dezembro de 2023): 65–98. http://dx.doi.org/10.31065/kjah.320.202312.003.
Texto completo da fonteAlbano, Caterina. "The Exhibition as an Experiment: An Analogy and Its Implications". Journal of Visual Culture 17, n.º 1 (abril de 2018): 97–116. http://dx.doi.org/10.1177/1470412918763446.
Texto completo da fonteGlinternik, Eleonora M. "Exhibitions of the First Third of the 20th Century in the Imperial Academy Arts — Leningrad VHUTEIN". Actual Problems of Theory and History of Art 10 (2020): 436–47. http://dx.doi.org/10.18688/aa200-3-38.
Texto completo da fonteZabalueva, Olga. "Multimedia Historical Parks and the Heritage-based “Regime of Truth” in Russia". Culture Unbound 14, n.º 2 (7 de julho de 2022): 83–106. http://dx.doi.org/10.3384/cu.3975.
Texto completo da fonteSalmi, Hannu. "Gregory Nava's On the American Dream in the 20th Century: The American Tapestry". Film & History: An Interdisciplinary Journal of Film and Television Studies 30, n.º 1 (março de 2000): 70–71. http://dx.doi.org/10.1353/flm.2000.a400202.
Texto completo da fonteLaRossa, Ralph, Betty Anne Gordon, Ronald Jay Wilson, Annette Bairan e Charles Jaret. "The Fluctuating Image of the 20th Century American Father". Journal of Marriage and the Family 53, n.º 4 (novembro de 1991): 987. http://dx.doi.org/10.2307/353002.
Texto completo da fonteCummings, Paul. "20th Century Drawings from the Whitney Museum of American Art". Leonardo 22, n.º 2 (1989): 274. http://dx.doi.org/10.2307/1575256.
Texto completo da fonteGulyamova, Intizor T. "AMERICAN WRITERS PAY A VISIT TO THE USSR. “SPACE” AND “TIME” AS THE CORE CATEGORIES IN THE AMERICAN TRAVEL LITERATURE IN THE 1920-1940S". RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, n.º 7 (2023): 188–206. http://dx.doi.org/10.28995/2686-7249-2023-7-188-206.
Texto completo da fonteBornmann, John. "Homefront: A Military City and the American 20th Century (review)". Anthropological Quarterly 76, n.º 4 (2003): 823–25. http://dx.doi.org/10.1353/anq.2003.0052.
Texto completo da fonteMatějová, Judita. "Muzejní časopis Mittheilugen des Mährischen Gewerbe-Museums in Brünn (1883–1918) v kontextu časopisů uměleckoprůmyslových muzeí v českých zemích". Acta Musei Nationalis Pragae – Historia litterarum 67, n.º 3-4 (2023): 131–37. http://dx.doi.org/10.37520/amnpsc.2022.031.
Texto completo da fonteSimour, Lhoussain. "Blurring the Boundaries of Gendered Encounters: Moorish Dancing Girls in Nineteenth and Early Twentieth-Century American Fair Exhibitions". Hawwa 11, n.º 2-3 (9 de junho de 2014): 133–59. http://dx.doi.org/10.1163/15692086-12341250.
Texto completo da fonteWebb, Barbara L. "The Black Dandyism of George Walker: A Case Study in Genealogical Method". TDR/The Drama Review 45, n.º 4 (dezembro de 2001): 7–24. http://dx.doi.org/10.1162/105420401772990306.
Texto completo da fonteФедорук, Олександр. "The Kyiv artistic life in the late 19th and early 20th centuries. Polish discourse". CONTEMPORARY ART, n.º 18 (29 de novembro de 2022): 307–20. http://dx.doi.org/10.31500/2309-8813.18.2022.273817.
Texto completo da fonteShelach-Lavi, Gideon. "Archaeology and politics in China: Historical paradigm and identity construction in museum exhibitions". China Information 33, n.º 1 (11 de maio de 2018): 23–45. http://dx.doi.org/10.1177/0920203x18774029.
Texto completo da fonteRusakov, Serhii. "Establishment of the Art Market in the Context of Ukrainian Historical and Cultural Tradition". Studia Warmińskie 59 (31 de dezembro de 2022): 111–24. http://dx.doi.org/10.31648/sw.8330.
Texto completo da fonteMAMONTOVA, O. S. "ETHNOGRAPHIC SUBJECT IN EXHIBITION ACTIVITIES ALTAI STATE MUSEUM OF LOCAL LORE IN 2023". Field studies in the Upper Ob, Irtysh and Altai (archeology, ethnography, oral history and museology) 18, n.º 1 (2023): 254–63. http://dx.doi.org/10.37386/2687-0584-2023-18-254-263.
Texto completo da fonteGreenwold, Diana. "“The Great Palace of American Civilization”: Allen Eaton’s Arts and Crafts of the Homelands, 1919-1932". Contemporaneity: Historical Presence in Visual Culture 3 (5 de junho de 2014): 98–116. http://dx.doi.org/10.5195/contemp.2014.56.
Texto completo da fonteCho, Hyojung. "The Decentralization of American Art Diplomacy in the Early and Mid-20th Century". Journal of Arts Management, Law, and Society 50, n.º 6 (1 de novembro de 2020): 291–304. http://dx.doi.org/10.1080/10632921.2020.1845891.
Texto completo da fonteFedotova, E. D. "Серия акварелей «Campi Phlegraei» английского мецената и итальянского художника века Просвещения". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(20) (31 de março de 2021): 260–69. http://dx.doi.org/10.46748/arteuras.2021.01.018.
Texto completo da fonteYartseva, O. A. "Коллекция Пегги Гуггенхайм". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(20) (31 de março de 2021): 270–79. http://dx.doi.org/10.46748/arteuras.2021.01.019.
Texto completo da fonteDrosos, Nikolas. "Modernism and World Art, 1950–72". ARTMargins 8, n.º 2 (junho de 2019): 55–76. http://dx.doi.org/10.1162/artm_a_00235.
Texto completo da fonteKrampen, Günter, e Hans-Werner Wahl. "Geropsychology and Psychology in the Last Quarter of the 20th Century". European Psychologist 8, n.º 2 (janeiro de 2003): 87–91. http://dx.doi.org/10.1027//1016-9040.8.2.87.
Texto completo da fonteTsoumas, Johannis. "Traditional Japanese pottery and its influence on the American mid 20th century ceramic art". Matèria. Revista internacional d'Art, n.º 18-19 (16 de setembro de 2021): 139–53. http://dx.doi.org/10.1344/materia2021.18-19.6.
Texto completo da fonteŞtefănescu, Mircea. "The Beginnings of The Modern Art". Review of Artistic Education 18, n.º 1 (1 de março de 2019): 255–61. http://dx.doi.org/10.2478/rae-2019-0028.
Texto completo da fonteLanzarini, Orietta, e Emanuela Ferretti. "Una nuova idea di museo tra passato e futuro". Opus Incertum 9 (13 de dezembro de 2023): 8–15. http://dx.doi.org/10.36253/opus-14836.
Texto completo da fonteBlue, Ethan. "National Vitality, Migrant Abjection, and Coercive Mobility: The Biopolitical History of American Deportation". Leonardo 48, n.º 3 (junho de 2015): 268–69. http://dx.doi.org/10.1162/leon_a_01027.
Texto completo da fonteGordon, John Stuart. "Modernism in American Silver: 20th-century Design. Jewel Stern , Kevin W. Tucker , Charles L. Venable". Studies in the Decorative Arts 14, n.º 1 (outubro de 2006): 121–23. http://dx.doi.org/10.1086/studdecoarts.14.1.40663293.
Texto completo da fonteRozalski, Maciej. "Utopia of the Other". Conexión, n.º 17 (27 de julho de 2022): 19–59. http://dx.doi.org/10.18800/conexion.202201.001.
Texto completo da fonteGable, Eric. "Celebrating Ethnicity and Nation: American Festive Culture from the Revolution to the Early 20th Century.:Celebrating Ethnicity and Nation: American Festive Culture from the Revolution to the Early 20th Century." American Anthropologist 105, n.º 2 (junho de 2003): 423–25. http://dx.doi.org/10.1525/aa.2003.105.2.423.
Texto completo da fonteUrgola, Stephen, e Maissan Hassan. "Women's Collections in Egypt: Insights into the American University in Cairo's Rare Books and Special Collections Library and the Women and Memory Forum's Archives". Collections: A Journal for Museum and Archives Professionals 14, n.º 3 (setembro de 2018): 315–29. http://dx.doi.org/10.1177/155019061801400308.
Texto completo da fonteKharitonova, Natalya Stepanovna. "Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries". Journal of Flm Arts and Film Studies 7, n.º 2 (15 de junho de 2015): 97–104. http://dx.doi.org/10.17816/vgik7297-104.
Texto completo da fonteAdamska, Katarzyna. "An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908". Ikonotheka 26 (26 de junho de 2017): 7–29. http://dx.doi.org/10.5604/01.3001.0010.1671.
Texto completo da fonteVignioli, Marcela. "Lola Mora in Tucumán: Personal Costs and Benefits of Creating Public Art, 1890-1904". Ameryka Łacińska Kwartalnik analityczno-informacyjny, n.º 116 (30 de junho de 2022): 89–104. http://dx.doi.org/10.7311/20811152.2022.116.06.
Texto completo da fonteStepovaya, Valeriya I. "Nikolai Gogol’s Comedy The Government Inspector in American Translations of the First Third of the 20th Century". Imagologiya i komparativistika, n.º 16 (2021): 84–102. http://dx.doi.org/10.17223/24099554/16/6.
Texto completo da fonteAnderson, C. W. "Social survey reportage: Context, narrative, and information visualization in early 20th century American journalism". Journalism 18, n.º 1 (20 de agosto de 2016): 81–100. http://dx.doi.org/10.1177/1464884916657527.
Texto completo da fonteMou, Leping. "The Liberal Arts Curriculum in China’s Former Christian Universities". International Journal of Chinese Education 9, n.º 1 (17 de junho de 2020): 25–46. http://dx.doi.org/10.1163/22125868-12340118.
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