Literatura científica selecionada sobre o tema "Artist’s writing"
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Artigos de revistas sobre o assunto "Artist’s writing"
Mocherniuk, Nataliia. "To apprehend and to retain a considerable length of time: the memoirs of Sviatoslav Hordynsky". LITERARY PROCESS: methodology, names, trends, n.º 16 (2020): 90–96. http://dx.doi.org/10.28925/2412-2475.2020.16.13.
Texto completo da fonteMUZYCHENKO, Anna S. "Thomas Wolfe as a writer and citizen in “Hungry Gulliver” by P.H. Johnson". CULTURE AND SAFETY 1 (2024): 14–24. http://dx.doi.org/10.25257/kb.2024.1.14-24.
Texto completo da fonteStewart-Kroeker, Sarah. "‘What Do We Do with the Art of Monstrous Men?’ Betrayal and the Feminist Ethics of Aesthetic Involvement". De Ethica 6, n.º 1 (30 de junho de 2020): 51–74. http://dx.doi.org/10.3384/de-ethica.2001-8819.19062502.
Texto completo da fonteNozanin, Yusupova. "Comments On The Art Of Utkir Hashimov’s “Inscriptions In The Notebook Frame”". American Journal of Social Science and Education Innovations 03, n.º 04 (30 de abril de 2021): 375–79. http://dx.doi.org/10.37547/tajssei/volume03issue04-57.
Texto completo da fonteCardoso, Catarina Figueiredo. "Past’s Present: Artist’s Books by José Oliveira". Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 2, n.º 1 (8 de novembro de 2014): 135–56. http://dx.doi.org/10.14195/2182-8830_2-1_7.
Texto completo da fonteSilva, Manuel Gutiérrez. "José Juan Tablada’s Creative Art Writing". Mexican Studies/Estudios Mexicanos 34, n.º 3 (2018): 305–46. http://dx.doi.org/10.1525/msem.2018.34.3.305.
Texto completo da fonteDorsey, Charlie Hope. "In the Dark". Art/Research International: A Transdisciplinary Journal 3, n.º 1 (1 de março de 2018): 247–57. http://dx.doi.org/10.18432/ari29335.
Texto completo da fonteSuminto, RA Sekartaji, e Donna Carollina. "Graffiti Artist’s Historiographical Writing Model “Bansky” The Man Behind The Wall” in The Perspective of Johan Joachim Wincklemann". IJVCDC (Indonesian Journal of Visual Culture, Design, and Cinema) 2, n.º 1 (30 de abril de 2023): 134–37. http://dx.doi.org/10.21512/ijvcdc.v2i1.9933.
Texto completo da fonteKosiński, Dariusz. "Literatura jako wehikuł tajemnicy. O pisarstwie Jerzego Grotowskiego". Przestrzenie Teorii, n.º 38 (11 de julho de 2023): 59–74. http://dx.doi.org/10.14746/pt.2022.38.4.
Texto completo da fonteBădulescu, Dana. "Autobiography as Fiction in “A Portrait of the Artist as a Young Man”". Linguaculture 2, n.º 1 (30 de junho de 2011): 29–36. http://dx.doi.org/10.47743/lincu-2011-2-1-253.
Texto completo da fonteTeses / dissertações sobre o assunto "Artist’s writing"
Gasper, Kahlil Almustafa. "Writing Ourselves Into Existence: A Spoken Word Artist’s Autoethnography of a Liberatory Hip-Hop Pedagogy". Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/529.
Texto completo da fontePicarel, Gilles. "Photographie & extériorité : une épreuve de l'autre". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080003.
Texto completo da fonteThis mixed research-creation thesis questions the relationship of photography and exteriority as a trial of the other, from my own artistical practice and the work of contemporary artists. This subject invites us to deal with a complex relationship insofar as photography is in the wake of exteriority and is embarked in the pursuit of the impossible. Therefore, the questioning of the photography/externality couple is based on a trial. It does not go in search of a given, but focuses on experimentation, attempt, and testing. This is also the guiding problem of this thesis, the possibility of an exteriority at work in photography, that is, the possibility of a movement of the same towards the other. This reflection makes it possible to consider the gap between photography and its object not only as a necessary condition for the object’s phenomenality, but as a possibility of the emergence of the other. Since the exteriority is aporetic, in its consubstantiality to the photographic medium, any attempt to define it is illusory. However, to respond methodologically to this problem, this work implements an aesthetic based on a generalized poietic. The photographic works interviewed as well as my personal practice focus on the prism of the work being done and the relationship that the artist maintains with his creation during its development, rather than focusing on the result. Moreover, the problem of exteriority has led research and creation to work from the philosophical concepts of articulatory, dialogue and gap, which in my artistic practice are translated into a collaborative and redoing design
Junod, Karen. "Writing the lives of artists : biography and the construction of artistic identity in Britain (ca. 1760-1810)". Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419032.
Texto completo da fonteWarr, Tracey Karen. "Creative acts : curating and writing with artists". Thesis, University of Plymouth, 2006. http://hdl.handle.net/10026.1/1150.
Texto completo da fonteGodoi, Vagner. "Funcionamento da obra de pesquisa". Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-20032019-111504/.
Texto completo da fonteFrom the years 2000 to 2010, discussions on artistic productions that are related to knowledge, university, research, theory, reflection, education and other fields of knowledge are intensified and renovated. One of the angles of this multifaceted phenomenon, and a reason for the rising interest in it by artists and other art professionals, can be summarized by the expression artistic research. One of the contributions of this thesis is correlating the pioneering creation of postgraduate programs in Visual Arts in Brazil, consistently established and defined since the 1970s, to this recent phenomenon, that took place specially in Europe, initiated by the transformation of art academies into universities, followed by an intense debate on the meanings of artist research. Moreover, this study examines artistic, discursive, pedagogical and theoretical productions by Brazilian artists Jorge Menna Barreto and Ricardo Basbaum in order to find the poetic line of research, contextualizing both as heirs of research in art in Brazil and affiliates of these international shifts on artistic research. The starting point is the uncertainty regarding the multiplicity of meanings and nomenclatures that artist research provokes, not as an ontological enquiry, but with the purpose of understanding their place, an institutional matter of art inserted in the university environment, and, particularly, a problem found in the work of art itself, now considered research.
Junqueira, Lilian Maus. "Escritos de artistas nos arquivos em transformação". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/28622.
Texto completo da fonteThis research explores the modes of existence of artists' writings in the documentation and dissemination process of the ephemeral artwork, as well as the practice of filing done by the artists. After all, in documenting their ephemeral experiences through writing and photography, they would be contributing in that way to the historiography of art? During the development of this issue, case studies will be conducted on the artworks "Parangoles" and "Conglomerado" by Helio Oiticica, and "Documento Areal" Series, performed by artists Andre Severo, Maria Helena Bernardes, Elaine Tedesco, Helio Fervenza, Lambrecht and Marcelo Coutinho.
Albertoni, Fernanda Bernardes. "Narrativas verbais : construto ficcional nas artes visuais e em sua documentação". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/10744.
Texto completo da fonteThis research analyses the use of verbal narratives as fictional constructs by artists from the visual field, through the work of these artists and their documentation, particularly focusing in three aspects of these artist’s writings: as autobiographical, as biographical in relation to the historical world, and when the artist becomes the author of a particular art history. For investigating the subject it was selected a group of artists and artworks that could be considered representatives of these occurrences – as seen in writings from Sophie Calle, Lucas Samaras, Ad Reinhardt, Joseph Beuys, Robert Morris and Jannis Kounellis. The analysis explore questions as what would classifies a work of fiction within from the visual arts field instead of literary; why these artists chose this form of expression as medium for their significations; and how the verbal field influences the fictional in visual art.
Lam, Yung, e 林勇. "Writing in the shadow, or writing the present in the past and writing the past for the present". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950620.
Texto completo da fonteLam, Yung. "Writing in the shadow, or writing the present in the past and writing the past for the present". [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13762084.
Texto completo da fonteJacobson, Malcolm. "Getting paid writing graffiti : How graffiti artists produce value within marketing". Thesis, Stockholms universitet, Sociologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-114878.
Texto completo da fonteLivros sobre o assunto "Artist’s writing"
Davids, Betsy. Artists writing. Los Angeles: Alliance for Contemporary Book Arts, 1994.
Encontre o texto completo da fonteDavid, Levithan, ed. Best Young Writers And Artists In America. New York: Scholastic, 2002.
Encontre o texto completo da fonteFusco, Maria. What am I? London: Book Works, 2010.
Encontre o texto completo da fonteSeed, John. Artist's statements of the old masters. [Place of publication not identified]: PoetsArtists., 2015.
Encontre o texto completo da fonteMirea, Maria. Cenaclul literar-artistic "Pasăre de nea". Târgoviște: Editura Bibliotheca, 2017.
Encontre o texto completo da fonteLiese, Jennifer. Social medium: Artists writing, 2000-2015. Brooklyn, New York: Paper Monument, 2016.
Encontre o texto completo da fonteGrande, John K. Art allsorts: Writing on art & artists. [Montréal]: Random Tree Editions - Go If Press, 2008.
Encontre o texto completo da fonteRothko, Mark. Writings on art. New Haven: Yale University Press, 2006.
Encontre o texto completo da fonteCorazón, Alberto. Damasco Suite, somos imágenes. Boadilla del Monte (Madrid): A. Machado Libros, 2011.
Encontre o texto completo da fonteEllmann, Maud. The hunger artists: Starving, writing, and imprisonment. Cambridge, Mass: Harvard University Press, 1993.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Artist’s writing"
Renk, Kathleen. "“The Female Artist’s Erotic Gaze in Neo-Victorian Fiction”". In Women Writing the Neo-Victorian Novel, 23–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48287-9_2.
Texto completo da fonteSheridan, Bridget. "Following Footprints: Photography, Writing, and the Artist’s Book in Art Walking". In Walking and the Aesthetics of Modernity, 99–114. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-60364-7_7.
Texto completo da fonteSarti, Lisa. "Annie Vivanti’s Multicultural Identity and the Shaping of the Artist’s Body". In The Palgrave Handbook of Transnational Women’s Writing in the Long Nineteenth Century, 503–20. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-40494-8_27.
Texto completo da fonteFerreira-Meyers, Karen, e Bontle Tau. "Visual Autofiction: A Strategy for Cultural Inclusion". In Palgrave Studies in Life Writing, 161–83. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_9.
Texto completo da fonteFunch, Bjarne Sode. "Solitude is writing". In The Psychology of Artistic Creativity, 13–27. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003248576-3.
Texto completo da fontePannewick, Friederike. "The Year 1979 as a Turning Point in Syrian Theatre: From Politicization to Critical Humanism". In Re-Configurations, 277–87. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-31160-5_18.
Texto completo da fonteKnights, Ben. "The Portrait of the Artist as a Man". In Writing Masculinities, 49–72. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230389250_3.
Texto completo da fonteSmith, Andy W. "Writing Catastrophe: Howard Barker’s Theatre". In Researching and Writing on Contemporary Art and Artists, 151–72. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39233-8_7.
Texto completo da fonteJones, Suzanne W. "Introduction". In Writing the Woman Artist, editado por Suzanne W. Jones, 1–20. Philadelphia: University of Pennsylvania Press, 1991. http://dx.doi.org/10.9783/9781512809596-002.
Texto completo da fonteLaurent, Anna. "Artist’s Statement". In Life Writing in the Anthropocene, 267–68. Routledge, 2021. http://dx.doi.org/10.4324/9781003146315-17.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Artist’s writing"
Nascimento, Suely. "Marlene's house". In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.106.
Texto completo da fonteДини (Куприева), Ирина Анатольевна, e Расул Халимович Батчаев. "EXPERIMENTAL LANGUAGE OF ANDREI BELY: KOSNOYAZYCHIE AND WORD-FORMATION". In Проблемы управления качеством образования: сборник статей XLVI Международной научной конференции (Вологда, Май 2023). Crossref, 2023. http://dx.doi.org/10.37539/230529.2023.82.81.003.
Texto completo da fonteGorbunova, Natalia. "Time out for Scriabin (the composer’s image in the soviet music journal of the stalinist era)". In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.10.
Texto completo da fonteHtaw, Mi Chan, Daria Pipa, Namkang Sriwattanarothai, Chailerd Pichitpornchai, Reto Gubelmann, Sabine Seufert, Christina Niklaus e Siegfried Handschuh. "Argumentative Writing Software: Perceptions of Undergraduate Students toward Artist Prototype". In 2024 IEEE 7th Eurasian Conference on Educational Innovation (ECEI). IEEE, 2024. http://dx.doi.org/10.1109/ecei60433.2024.10510808.
Texto completo da fonteMercean-Țârc, Mirela. "The genre of symphony in the transylvanian school of composition – the last seven decades". In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.04.
Texto completo da fonteRingendahl, Elisa. "Lied versus Oper – Pole musikalischer Gattungen bei Oscar Bie". In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.70.
Texto completo da fonteBandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING". In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.
Texto completo da fonteYandim Aydin, Sercan. "„RENAISSANCE“ BEFORE THE RENAISSANCE: HUMANLY ASPECTS OF LATE BYZANTINE PAINTING. CASE: “THE ANASTASIS: AN IMAGE OF LIBERATION AND RESURRECTION”, STUDENICA MONASTERY". In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.629ya.
Texto completo da fonteRufova, Elena. "ARTISTIC IDENTITY OF RUSSIAN-WRITING ETHNIC WRITERS WRITERS (IN A CASE OF P. CHERNYKH-YAKUTSKY�S WORKS)". In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.052.
Texto completo da fonteCosciug, Svetlana, e Victoria Melnic. "Excentric dances by Vitaly Verhola: a young composer in search of his own style". In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.06.
Texto completo da fonteRelatórios de organizações sobre o assunto "Artist’s writing"
Gratzke, Michael. ‘Confessions of a MILF (I chose being an artist over being a wife)’. Love and relationships in Viv Albertine’s memoirs. University of Dundee, fevereiro de 2022. http://dx.doi.org/10.20933/100001240.
Texto completo da fonteCox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, agosto de 2018. http://dx.doi.org/10.22501/nmh-ar.621671.
Texto completo da fonteBabenko, Oksana. Ідеї екуменізму в публіцистиці митрополита Андрея Шептицького: сучасне прочитання. Ivan Franko National University of Lviv, março de 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11717.
Texto completo da fonte