Artigos de revistas sobre o tema "Art and Music in Britain"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Veja os 50 melhores artigos de revistas para estudos sobre o assunto "Art and Music in Britain".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Veja os artigos de revistas das mais diversas áreas científicas e compile uma bibliografia correta.
Guthrie, Kate. "Democratizing Art: Music Education in Postwar Britain". Musical Quarterly 97, n.º 4 (dezembro de 2014): 575–615. http://dx.doi.org/10.1093/musqtl/gdv001.
Texto completo da fonteBarry, Malcolm. "Improvisation: the State of the Art". British Journal of Music Education 2, n.º 2 (julho de 1985): 171–75. http://dx.doi.org/10.1017/s0265051700004782.
Texto completo da fonteMcGeary, T. "Handel as art collector: art, connoisseurship and taste in Hanoverian Britain". Early Music 37, n.º 4 (1 de novembro de 2009): 533–76. http://dx.doi.org/10.1093/em/cap107.
Texto completo da fonteGuthrie, Kate. "Propaganda Music in Second World War Britain: John Ireland's Epic March". Journal of the Royal Musical Association 139, n.º 1 (2014): 137–75. http://dx.doi.org/10.1080/02690403.2014.886430.
Texto completo da fonteBORN, GEORGINA, e KYLE DEVINE. "Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain". Twentieth-Century Music 12, n.º 2 (26 de agosto de 2015): 135–72. http://dx.doi.org/10.1017/s1478572215000018.
Texto completo da fonteKisby, Fiona. "A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII". Early Music History 16 (outubro de 1997): 203–34. http://dx.doi.org/10.1017/s0261127900001728.
Texto completo da fonteСысолятин, Б. В. "MUSICAL FOLKLORE OF GREAT BRITAIN IN PERCY GRAINGER’S OEUVRE". Music Journal of Northern Europe, n.º 2(22) (8 de maio de 2024): 33–51. http://dx.doi.org/10.61908/2413-0486.2020.22.2.33-51.
Texto completo da fonteCohen, Selma Jeanne. "Music hall ballet in Britain". Dance Chronicle 16, n.º 1 (janeiro de 1993): 129–31. http://dx.doi.org/10.1080/01472529308569118.
Texto completo da fonteGUTHRIE, KATE. "Vera Lynn on Screen: Popular Music and the ‘People's War’". Twentieth-Century Music 14, n.º 2 (junho de 2017): 245–70. http://dx.doi.org/10.1017/s1478572217000226.
Texto completo da fontePorter, Laraine. "OK for Sound? The Reception of the Talkies in Britain, 1928–32". Journal of British Cinema and Television 17, n.º 2 (abril de 2020): 212–32. http://dx.doi.org/10.3366/jbctv.2020.0520.
Texto completo da fonteShelepnytska-Govorun, Natalia. "PERIODIZATION OF VOCAL CULTURE DEVELOPMENT OF MUSIC ART SPECIALISTS IN EUROPE". Academic Notes Series Pedagogical Science 1, n.º 195 (2021): 49–52. http://dx.doi.org/10.36550/2415-7988-2021-1-195-49-52.
Texto completo da fontePostolenko, Iryna. "PRACTICAL IMPLEMENTATION OF EDUCATIONAL PROGRAMS IN MODERN SCHOOLS IN GREAT BRITAIN". Psychological and Pedagogical Problems of Modern School, n.º 2(6) (21 de dezembro de 2021): 13–19. http://dx.doi.org/10.31499/2706-6258.2(6).2021.247507.
Texto completo da fonteMcKinnon, Dugal. "Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art". Leonardo Music Journal 23 (dezembro de 2013): 71–74. http://dx.doi.org/10.1162/lmj_a_00158.
Texto completo da fonteFrantzen, Allen J. "The Handsome Sailor and the Man of Sorrows: Billy Budd and the Modernism of Benjamin Britten". Modernist Cultures 3, n.º 1 (outubro de 2007): 57–70. http://dx.doi.org/10.3366/e2041102209000318.
Texto completo da fonteTusheva, Viktoriya. "STUDY OF SCIENTIFIC RESEARCH CULTURE OF FUTURE MUSIC TEACHERS IN EUROPEAN COUNTRIES". 1 1, n.º 1 (setembro de 2020): 23–29. http://dx.doi.org/10.34142/27091805.2020.1.01.04.
Texto completo da fonteMoore, James Ross. "The Gershwins in Britain". New Theatre Quarterly 10, n.º 37 (fevereiro de 1994): 33–48. http://dx.doi.org/10.1017/s0266464x00000075.
Texto completo da fonteGuzy-Pasiak, Jolanta. "Polish musical life in Great Britain during the Second World War". Muzyka 64, n.º 1 (1 de abril de 2019): 144–53. http://dx.doi.org/10.36744/m.249.
Texto completo da fonteCloonan, Martin. "‘I fought the law’: popular music and British obscenity law". Popular Music 14, n.º 3 (outubro de 1995): 349–63. http://dx.doi.org/10.1017/s0261143000007789.
Texto completo da fonteFargion, Janet Topp. "African Music in the World and Traditional Music Section at the British Library Sound Archive". History in Africa 31 (2004): 447–54. http://dx.doi.org/10.1017/s0361541300003600.
Texto completo da fonteCaston, Emily. "The Pioneers Get Shot: Music Video, Independent Production and Cultural Hierarchy in Britain". Journal of British Cinema and Television 16, n.º 4 (outubro de 2019): 545–70. http://dx.doi.org/10.3366/jbctv.2019.0498.
Texto completo da fonteCollins, Marcus. "‘I say high, you say low’: the Beatles and cultural hierarchies in 1960s and 1970s Britain". Popular Music 39, n.º 3-4 (dezembro de 2020): 401–19. http://dx.doi.org/10.1017/s0261143020000458.
Texto completo da fonteMorris, Carl. "The rise of a Muslim middle class in Britain: Ethnicity, music and the performance of Muslimness". Ethnicities 20, n.º 3 (11 de janeiro de 2019): 628–48. http://dx.doi.org/10.1177/1468796818822541.
Texto completo da fonteTackley, Catherine. "Shanty singing in twenty-first-century Britain". International Journal of Maritime History 29, n.º 2 (maio de 2017): 407–21. http://dx.doi.org/10.1177/0843871417694014.
Texto completo da fonteWILSON, ALEXANDRA. "Killing time: Contemporary representations of opera in British culture". Cambridge Opera Journal 19, n.º 3 (17 de outubro de 2007): 249–70. http://dx.doi.org/10.1017/s0954586707002364.
Texto completo da fonteParker, Lawrence. "Not going 'pop': the aesthetic criticism of early British Maoism". Twentieth Century Communism 22, n.º 22 (12 de setembro de 2022): 141–65. http://dx.doi.org/10.3898/175864322835917900.
Texto completo da fonteSLOAN, RACHEL. "THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN". Art History 32, n.º 3 (junho de 2009): 545–77. http://dx.doi.org/10.1111/j.1467-8365.2009.00681.x.
Texto completo da fonteBerkowitz, Michael. "Out of the Whirlwind Reconsidered". European Judaism 53, n.º 2 (1 de setembro de 2020): 1–12. http://dx.doi.org/10.3167/ej.2020.530202.
Texto completo da fonteScott, Derek. "Music Hall: Regulations and behaviour in a British cultural institution". Muzikologija, n.º 26 (2019): 61–74. http://dx.doi.org/10.2298/muz1926061s.
Texto completo da fonteBailey, Chris. "The history of Live Music in Britain, Volume 1: 1950–1967". Cultural Trends 23, n.º 3 (25 de junho de 2014): 205–7. http://dx.doi.org/10.1080/09548963.2014.925288.
Texto completo da fonteKimber, Marian Wilson. "Victorian Fairies and Felix Mendelssohn's A Midsummer Night's Dream in England". Nineteenth-Century Music Review 4, n.º 1 (junho de 2007): 53–79. http://dx.doi.org/10.1017/s1479409800000069.
Texto completo da fontePettegree, Jane. "Volunteer Bands and Local Identity in Caithness at the Time of the Second Reform Act". Scottish Studies 40 (24 de janeiro de 2024): 83–110. http://dx.doi.org/10.2218/ss.v40.9291.
Texto completo da fonteHeinrich, Anselm. "Theatre in Britain during the Second World War". New Theatre Quarterly 26, n.º 1 (fevereiro de 2010): 61–70. http://dx.doi.org/10.1017/s0266464x10000060.
Texto completo da fonteSomers, Matthias, e Sami Sjöberg. "Reading Ray: Avant-Garde and Transnationalism in Interwar Britain". Modernist Cultures 16, n.º 2 (maio de 2021): 216–41. http://dx.doi.org/10.3366/mod.2021.0329.
Texto completo da fonteJones, Peter Blundell. "Reflections on the competition for National Centre for Popular Music, Sheffield". Architectural Research Quarterly 1, n.º 4 (1996): 16–27. http://dx.doi.org/10.1017/s1359135500003043.
Texto completo da fonteSitumeang, Joel Franky, e Agusti Efi. "KAJIAN PERTUNJUKAN MUSIK IRINGAN TARI JOGI DI SANGGAR WARISAN PANTAI BASRI PULAU PANJANG BATAM KEPULAUAN RIAU". Gorga : Jurnal Seni Rupa 12, n.º 1 (21 de abril de 2023): 11. http://dx.doi.org/10.24114/gr.v12i1.42331.
Texto completo da fonteJohnson-Williams, Erin. "Kate Guthrie. The Art of Appreciation: Music and Middlebrow Culture in Modern Britain. California Studies in 20th-Century Music. Oakland: University of California Press, 2021. Pp. 306. $70.00 (cloth)." Journal of British Studies 62, n.º 2 (abril de 2023): 563–64. http://dx.doi.org/10.1017/jbr.2023.60.
Texto completo da fonteSafitri, Ragil, e Sugirin Sugirin. "Senior high school students’ attitudes towards intercultural insertion into the ELT: Yogyakarta context". EduLite: Journal of English Education, Literature and Culture 4, n.º 2 (4 de setembro de 2019): 261. http://dx.doi.org/10.30659/e.4.2.261-274.
Texto completo da fonteCoombs, David Sweeney. "The Sense and Reference of Sound; or, Walter Pater’s Kinky Literalism". Nineteenth-Century Literature 72, n.º 4 (1 de março de 2018): 487–514. http://dx.doi.org/10.1525/ncl.2018.72.4.487.
Texto completo da fonteBrincker, Benedikte, e Athena S. Leoussi. "Anthony D. Smith and the role of art, architecture and music in the growth of modern nations: a comparative study of national parliaments and classical music in Britain and Denmark". Nations and Nationalism 24, n.º 2 (abril de 2018): 312–26. http://dx.doi.org/10.1111/nana.12409.
Texto completo da fonteWard, W. R. "Art and Science: or Bach as an Expositor of the Bible". Studies in Church History 28 (1992): 343–53. http://dx.doi.org/10.1017/s0424208400012547.
Texto completo da fonteHUGHES, JEFF. "What is British nuclear culture? UnderstandingUranium 235". British Journal for the History of Science 45, n.º 4 (dezembro de 2012): 495–518. http://dx.doi.org/10.1017/s0007087412001021.
Texto completo da fonteLloyd, Sarah. "Pleasing Spectacles and Elegant Dinners: Conviviality, Benevolence, and Charity Anniversaries in Eighteenth-Century London". Journal of British Studies 41, n.º 1 (janeiro de 2002): 23–57. http://dx.doi.org/10.1086/386253.
Texto completo da fonteDale, Catherine. "Britain's ‘Armies of Trained Listeners’: Building a Nation of ‘Intelligent Hearers’". Nineteenth-Century Music Review 2, n.º 1 (junho de 2005): 93–114. http://dx.doi.org/10.1017/s1479409800001579.
Texto completo da fonteFord, Boris. "The Cambridge Guide to the Arts in Britain". Journal of Aesthetics and Art Criticism 49, n.º 1 (1991): 102. http://dx.doi.org/10.2307/431666.
Texto completo da fonteQureshi, Bilal. "Elsewhere". Film Quarterly 73, n.º 2 (2019): 62–65. http://dx.doi.org/10.1525/fq.2019.73.2.62.
Texto completo da fonteSabyrova, Aliya, e Aigerim Baribayeva. "Overview of the documentary film "The first audio recording of Kazakh music. Road of people"". Central Asian Journal of Art Studies 6, n.º 1 (31 de março de 2021): 165–75. http://dx.doi.org/10.47940/cajas.v6i1.347.
Texto completo da fonteMollaghan, Aimee. "An audio-visual Gallivant: Psychogeographical soundscapes in the films of Andrew Ktting". Soundtrack 3, n.º 2 (1 de dezembro de 2010): 125–30. http://dx.doi.org/10.1386/st.3.2.125_1.
Texto completo da fonteCoester, Markus. "Localising African popular music transnationally: ‘Highlife-Travellers’ in Britain in the 1950s and 1960s". Journal of African Cultural Studies 20, n.º 2 (dezembro de 2008): 133–44. http://dx.doi.org/10.1080/13696810802522247.
Texto completo da fonteBoschi, Elena. "‘Where you from, you sexy thing?’ Popular Music, Space and Masculinity inThe Full Monty". Journal of British Cinema and Television 13, n.º 4 (outubro de 2016): 516–35. http://dx.doi.org/10.3366/jbctv.2016.0338.
Texto completo da fonteDovzhyk, Sasha. "Beardsley Men in Early Twentieth-Century Russia: Modernising Decadent Masculinity". Modernist Cultures 16, n.º 2 (maio de 2021): 191–215. http://dx.doi.org/10.3366/mod.2021.0328.
Texto completo da fonte