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Bibliografias temáticas / Appreciation

Literatura científica selecionada sobre o tema "Appreciation"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 22 de junho de 2024

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Índice

Artigos de revistas
Teses / dissertações
Livros
Capítulos de livros
Trabalhos de conferências
Relatórios de organizações

Artigos de revistas sobre o assunto "Appreciation":

1

Ghosh, R., e C. F. Altieri. "Appreciating Appreciation". SubStance 42, n.º 2 (1 de janeiro de 2013): 80–98. http://dx.doi.org/10.1353/sub.2013.0016.

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2

Stecker, Robert. "The Interactions of Function and Aesthetic Value in Artifacts". Grazer Philosophische Studien 96, n.º 1 (14 de março de 2019): 19–36. http://dx.doi.org/10.1163/18756735-000059.

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In this paper, I ask: what is the role of function in appreciating artifacts? I will argue that several distinguishable functions are relevant to the aesthetic appreciation of artifacts, and sometimes more than one of these must be taken into account to adequately appreciate these objects. Second, I will claim that, while we can identify something we might call functional aesthetic value or functional beauty, the aesthetic properties that contribute to this value neither need to enhance the object’s performance of its primary function nor manifest that function. There are broader criteria for what properties are relevant to functional beauty. Finally, I suggest that the aesthetic appreciation of artifacts may contribute to a larger appreciative project: the understanding and evaluation of a way of life, or social or cultural practices in which the artifact plays a role.

3

Lawal-Arogundade, Samod. "THE ROLE ASYMMETRIES IN EXCHANGE RATE REGIMES AND MACROECONOMIC PERFORMANCE: THE CASE OF NIGERIA". Oradea Journal of Business and Economics 7, Special (junho de 2022): 8–18. http://dx.doi.org/10.47535/1991ojbe142.

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The role of exchange rate in the macroeconomic fundamentals of a country cannot be underestimated but the nonlinear (asymmetric) feature of the exchange rate movements becomes of importance when analyzing its role in macroeconomic performance. Thus, this study, using historical annual time series data from 1970 and 2020, and a nonlinear ARDL model investigated the nexus between exchange rate regimes and the macroeconomic performance in Nigeria. This model allows us to capture that the partial sum of positive exchange rate movements (exchange rate depreciations) and negative exchange rate movements (exchange appreciations). We found the potential exchange rate regime to cause declining inflationary pressure sensitive to whether the exchange rate regime is responding to depreciation or appreciation in its movement. But then, irrespective of whether the exchange rate is depreciating or appreciation, the exchange rate regimes exhibit little or no significant impact on output growth in Nigeria. Specifically, we find that an intermediate exchange rate regime based on exchange rate depreciations is viable for promoting trade surpluses, whereas intermediate exchange rate regime that is due to appreciation of exchange rate tends to cause to trade deficit. More importantly, we found that the magnitude of the role of the nonlinear feature of exchange rate on trade balance is relatively higher when the exchange rate is appreciating.

4

Shanahan, Patrick. "Dreams to Delivery: An Appreciation of the Appreciative". AI Practitioner 21, n.º 1 (1 de fevereiro de 2019): 7–10. http://dx.doi.org/10.12781/978-1-907549-38-0-2.

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5

Bisschop, Wouter T. C. "Interpretation and Aesthetic Appreciation". Journal of Literary Theory 14, n.º 1 (1 de março de 2020): 1–9. http://dx.doi.org/10.1515/jlt-2020-0001.

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AbstractIn order to talk and think sensibly about the various ways of engaging with texts, we need to distinguish them by reference to relevant differences and commonalities between them. This paper focusses on the conceptual relations between three ways of engaging with texts that figure prominently in literary scholarship: textual interpretation, literary interpretation, and aesthetic appreciation. Rather than giving a full analysis of these three terms, this paper has two specific concerns. First, it is argued that literary interpretation is best understood as a species of textual interpretation. Second, and relatedly, some theorists argue that the discriminating feature of literary interpretation is its aim of aesthetic appreciation. Aesthetic appreciation may refer to either (i) a judgement about or (ii) an experience of or (iii) an attempt to identify and evaluate the aesthetic properties of something. The idea that appreciative judgements or experiences are the main aims of literary interpretation should not lead to a conceptual confusion of literary interpretation with aesthetic evaluation (or appreciative acts), even if there is a sense in which the idea is correct. Aesthetic appreciation is, at most, a secondary aim of literary interpretation and may function as a motivation to engage in literary interpretation. This aligns well with the idea that aesthetic appreciation has a significance independent from interpretation. Their conceptual distinction notwithstanding, it is argued that there are interesting evidential relations between (literary) interpretation and aesthetic appreciation. These relations of support, evidence, or justification may go either way.

6

Ishizaki, Kazuhiro, e Wenchun Wang. "Visualizing and deepening thoughts through art appreciation". Visual Inquiry 10, n.º 3 (1 de dezembro de 2021): 371–83. http://dx.doi.org/10.1386/vi_00062_1.

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We studied methods to help people visualize and deepen their thoughts through art appreciation and how to apply these methods. First, we present the concept of appreciation skills as a scheme to promote thought visualization during the art appreciation process. Then, we propose a model of metacognition using appreciation skills as a theoretical framework for monitoring and controlling thoughts during art appreciation, and we offer tools to help viewers metacognize their thoughts. Additionally, we present and analyse creative approaches for appreciating art physically through multiple senses (sight, touch, sound, smell) as well as practices for visualizing and deepening thoughts through collaborative visual representations. We found that supporting metacognition during the art appreciation process from the perspective of appreciation skills can be particularly effective for novice viewers. In addition, the collaborative creation of short videos may encourage non-art major students to visualize their thoughts and have more varied interpretations of artwork.

7

Xu, Xi, e Zhenhua He. "Cultivation of Students’ Painting Appreciation Ability Based on Virtual Reality". Journal of Sensors 2021 (27 de novembro de 2021): 1–14. http://dx.doi.org/10.1155/2021/9115994.

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The advent of the digital age has had a profound impact on people’s lives, and therefore began to add virtual reality content to the art classes of school students, aiming to continuously adapt to the needs of the times for art classes and aesthetics. In order to explore the status quo of the virtual reality technology based on the modern boom in the students’ appreciation of painting ability, In this paper, literature analysis, collect data from the old model model reconstruction method and questionnaire, analyze the effect of virtual reality technology for students to appreciate the impact of, simplifies the algorithm. And create appreciation for the culture of virtual experiment platform. In studying the impact of virtual reality technology on appreciating ability, 25% of boys are selected and 75% of girls are selected. 85% of the people who own personal computers conducted experiments, and the results showed that 60% of students log in for 1.5-4 hours, 19% of students log in for 4-9 hours, and 15% of students log in for 9-14 hours. The number of students who log in for more than 14 hours only accounts for 6%. Frequent participation in the appreciation ability through the network model is significantly different from the general painting course appreciation ability, and the performance is extremely significant. In addition, the students’ overall affirmation level of information ability is 4.0, which is significantly higher than the even value of the 5.0 scale, which shows that the improvement of college students’ painting appreciation ability through the network virtual platform is huge. It is basically realized that starting from the acquisition and processing of virtual platform information, a virtual platform model that has a substantial improvement in students’ appreciative ability is designed.

8

Jackson. "Appreciation". Journal of Folklore Research 51, n.º 1 (2014): 1. http://dx.doi.org/10.2979/jfolkrese.51.1.1.

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9

Young, Michael. "Appreciation". Journal of Education and Work 14, n.º 3 (outubro de 2001): 277. http://dx.doi.org/10.1080/13639080120086094.

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10

Moores, Donald F. "Appreciation". American Annals of the Deaf 155, n.º 5 (2011): 619. http://dx.doi.org/10.1353/aad.2011.0005.

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Teses / dissertações sobre o assunto "Appreciation":

1

Axelsson, Östen. "Aesthetic Appreciation Explicated". Doctoral thesis, Stockholms universitet, Psykologiska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-53385.

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The present doctoral thesis outlines a new model in psychological aesthetics, named the Information-Load Model. This model asserts that aesthetic appreciation is grounded in the relationship between the amount of information of stimuli and people’s capacity to process this information. This relationship results in information load, which in turn creates emotional responses to stimuli. Aesthetic appreciation corresponds to an optimal degree of information load. Initially, the optimal degree is relatively low. As an individual learns to master information in a domain (e.g., photography), the degree of information load, which corresponds to aesthetic appreciation, increases. The present doctoral thesis is based on three empirical papers that explored what factors determine aesthetic appreciation of photographs and soundscapes. Experiment 1 of Paper I involved 34 psychology undergraduates and 564 photographs of various motifs. It resulted in a set of 189 adjectives related to the degree of aesthetic appreciation of photographs. The subsequent experiments employed attribute scales that were derived from this set of adjectives. In Experiment 2 of Paper I, 100 university students scaled 50 photographs on 141 attribute scales. Similarly, in Paper II, 100 university students scaled 50 soundscapes on 116 attribute scales. In Paper III, 10 psychology undergraduates and 5 photo professionals scaled 32 photographs on 27 attribute scales. To explore the underlying structure of the data sets, they were subjected to Multidimensional Scaling and Principal Components Analyses. Four general components, related to aesthetic appreciation, were found: Familiarity, Hedonic Tone, Expressiveness, and Uncertainty. These components result from the higher-order latent factor Information Load that underlies aesthetic appreciation.

2

Stinski, Brent Fitzgerald. "Appreciation and naturalism". Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614100.

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3

Nzegwu, Nkiru. "Encounters in aesthetic appreciation". Thesis, University of Ottawa (Canada), 1989. http://hdl.handle.net/10393/5553.

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4

Armstrong, John Anthony. "The appreciation of painting". Thesis, University College London (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309058.

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5

Gurbuzbalaban, Melis. "Autonomy: Re-appreciation Of Architecture". Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605555/index.pdf.

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The contradiction between architecture&rsquo
s &ldquo
autonomy&rdquo
, its existence as an entity with its own &ldquo
disciplinary specificity&rdquo
- and its social &ldquo
engagement&rdquo
, its involvement in culture, ideology and economy, has been the subject of numerous discussions in architectural discourse, initially in Europe and later in North America. It is argued in this thesis that although &ldquo
autonomy&rdquo
and &ldquo
engagement&rdquo
seem contradictory to each other, architecture&rsquo
s &ldquo
critical status&rdquo
is rooted in this contradiction. Autonomy is regarded as one of the essential sides of architecture&rsquo
s dual position. This suggests that the in-between, or in Stanford Anderson&rsquo
s terms, &ldquo
quasi-autonomous&rdquo
status of architecture can only be sustained through its existence as an entity that has a certain degree of autonomy. Autonomy is an agent for architectural discourse to isolate architecture from its involvement in the external reality and increase awareness within the discipline by concentrating on its specific knowledge. Autonomy aids architecture to pretend to be &ldquo
detached&rdquo
while in reality it is &ldquo
engaged&rdquo
. To focus on the autonomous dimension of architecture, to search for architecture&rsquo
s own intrinsic qualities, helps to produce knowledge within the discipline and provides a &ldquo
critical distance&rdquo
for architecture to resist any &ldquo
external authority&rdquo
. Thus this thesis intends to explore the potentials of the conceptualization and problematization of &ldquo
autonomy&rdquo
in architecture and its employment as a critical tool by architectural discourse to re-assess architectural practice. The private house projects designed by Boran Ekinci in Turkey are exemplified and utilized for the re-conceptualization of the term and enable the transfer of the discourse related with autonomy to the local context where the issue hardly gained a popularity. By doing so, both the appreciation of autonomy in general and reappreciation of architecture in Turkey are aimed.

6

Barry, Marie Porterfield. "Art Appreciation Open Educational Resource". Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-oer/1.

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The Art Appreciation course explores the world’s visual arts, focusing on the development of visual awareness, assessment, and appreciation by examining a variety of styles from various periods and cultures while emphasizing the development of a common visual language. The materials are meant to foster a broader understanding of the role of visual art in human culture and experience from the prehistoric through the contemporary. This is an Open Educational Resource (OER), an openly licensed educational material designed to replace a traditional textbook. The course materials consist of 24 lessons each with a presentation, reading list, and/or sample assignment. For ease of adapting, materials are available as PDFs and Microsoft PowerPoint or Word documents.
https://dc.etsu.edu/etsu-oer/1000/thumbnail.jpg

7

Staley, Rosemary Evans. "Structural Incongruity and Humor Appreciation". W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539625847.

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8

Larsson, Erika. "Margin of Appreciation : en kulturrelativistisk doktrin?" Thesis, Uppsala universitet, Tros- och livsåskådningsvetenskap, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-254369.

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With the collapse of the Soviet Union and the 9/11 attacks, the landscape of the freedom of religion has changed. The issues now facing freedom of religion varies greatly from the issues that the drafters of the universal declaration of human rights faced after World War II. In the light of the new issues that States face in the intersection of religion and societal interest, scholars have criticized the European Court of Human Rights to give too much leeway to the States in determining how the human rights should be implemented, by using the doctrine of margin of appreciation. Critics of the margin of appreciation claim that it is based on culture relativism and that the doctrine undermines the universality of the human rights. In order to decide if the margin of appreciation has indeed led to a relativization of the human rights I compared it to the jurisprudence of the UN Human Rights Committee and its use of the Syracusa principles. My conclusion is that the jurisprudence of the European Court of Human Rights cannot be considered to be based on culture relativism. The jurisprudence of the UN Human Rights Committee is not entirely universal given that the contracting states can make reservation to articles in the ICCPR, which excludes the UN Committee’s jurisdiction of that specific provision in the treaty. Both the European Court and the UN Comittee has to balance their jurisdiction with sovereignty of the its member states and therefore it is inevitable that some leeway must be given to the member states, First of all, to decide whether the margin of appreciation is a sympton of culture relativity in a specific case, the Europan Court has to improve their way of describing and justifying how the margin of appreciation is used. Secondly, I will discuss the necessity to review the relationship between universalism and culture relativism in order to better understand international human rights law.

9

劉浩然 e Ho-yin Lau. "Tea vale: a tea appreciation resort". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31983960.

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10

Watson, Victoria Frances. "Adult learning in art appreciation classes". Thesis, University of Nottingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411545.

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Livros sobre o assunto "Appreciation":

1

Kamien, Roger. Music: Appreciation. 5^a ed. Maidenhead: McGraw-Hill, 1992.

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2

Durkan, Andrew. Wine appreciation. London: Hodder Headline, 1995.

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3

Andrew, Riley, Gilbert R, POSTRAD e WIGAN Foundation for Technical Education., eds. Computer appreciation. Lancaster: POSTRAD in association with W.I.G.A.N. Foundation For Technical Education, 1987.

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4

Monmonier, Mark S. Map appreciation. Englewood Cliffs, N.J: Prentice-Hall, 1988.

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5

Williams, David. Wine appreciation. New York, N.Y: DK, 2013.

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6

Vine, Richard P. Wine appreciation. 2^a ed. New York: John Wiley, 1997.

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7

Pappas, Theoni. Mathematics appreciation. San Carlos, CA: Math Aids, 1986.

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8

Bennett, B. A. Design appreciation. Hinckley: Hinckley College of Further Education, 1985.

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9

Skloot, Floyd. Music appreciation. Gainesville, Fla: University Press of Florida, 1994.

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10

Dingle, Bob. Computer appreciation. London: Hodder and Stoughton, 1986.

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Mais fontes

Capítulos de livros sobre o assunto "Appreciation":

1

Altieri, Charles. "Appreciating Appreciation". In Criticism after Critique, 45–65. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137428776_4.

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2

Wallbank, Rebecca, e Jon Robson. "Over-Appreciating Appreciation". In Perspectives on Taste, 40–57. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003184225-4.

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3

Evans, D. Ellis. "Appreciation". In Celtic Linguistics / Ieithyddiaeth Geltaidd, 1. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/cilt.68.04eva.

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4

Davis, Philip W. "Appreciation". In Typological Studies in Language, xi. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/tsl.48.02dav.

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5

Skutch, Alexander F. "Appreciation". In The Golden Core of Religion, 17–34. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032698670-2.

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6

Legrand, Pierre. "Appreciation". In Comparative Law and the Task of Negative Critique, 286–87. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003161899-6.

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7

Parekh, Bhikhu. "Critical Appreciation". In Gandhi’s Political Philosophy, 195–225. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-09248-2_9.

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8

Bujalski, Andrew. "Mutual Appreciation". In 100 American Independent Films, 150–51. London: British Film Institute, 2009. http://dx.doi.org/10.1007/978-1-349-92349-6_58.

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9

Okoro, Dike. "An appreciation". In Mazisi Kunene, 67–69. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003297840-11.

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10

"Chapter 7. Appreciating Appreciation". In Reckoning with the Imagination, 194–214. Ithaca, NY: Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501700552-009.

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Trabalhos de conferências sobre o assunto "Appreciation":

1

Höök, Kristina, Martin P. Jonsson, Anna Ståhl e Johanna Mercurio. "Somaesthetic Appreciation Design". In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2858036.2858583.

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2

"Certificate of appreciation". In 1986 IEEE International Solid-State Circuits Conference. IEEE, 1986. http://dx.doi.org/10.1109/isscc.1986.1156961.

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3

"Expressions of appreciation". In 2008 IEEE Antennas and Propagation Society International Symposium and USNC/URSI National Radio Science Meeting. IEEE, 2008. http://dx.doi.org/10.1109/aps.2008.4618901.

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4

Natowitz, Joseph B. "Giuseppe Viesti - An appreciation". In THERMOPHYSICS 2016: 21st International Meeting. Author(s), 2016. http://dx.doi.org/10.1063/1.4955341.

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5

Carbon, Claus-Christian. "Dynamics of aesthetic appreciation". In IS&T/SPIE Electronic Imaging. SPIE, 2012. http://dx.doi.org/10.1117/12.916468.

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6

Yan, Li, e Du Xiao-rong. "Market Expectations and RMB Appreciation". In 2010 International Conference on Information Management, Innovation Management and Industrial Engineering (ICIII). IEEE, 2010. http://dx.doi.org/10.1109/iciii.2010.527.

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7

Febrianty, Fenny. "Literary Appreciation in Digital Literation". In Proceedings of the International Conference on Business, Economic, Social Science, and Humanities – Humanities and Social Sciences Track (ICOBEST-HSS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200108.034.

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8

Howard, Ronald A. "An Appreciation of Ed Jaynes". In BAYESIAN INFERENCE AND MAXIMUM ENTROPY METHODS IN SCIENCE AND ENGINEERING: 25th International Workshop on Bayesian Inference and Maximum Entropy Methods in Science and Engineering. AIP, 2005. http://dx.doi.org/10.1063/1.2149779.

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9

Graham Hoover, William. "An Appreciation: Berni Julian Alder". In Symposium in Honor of Dr Berni Alder's 90th Birthday. WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813209428_0002.

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10

"MIKON-2002 Certificates of Appreciation". In 15th International Conference on Microwaves, Radar and Wireless Communications. IEEE, 2004. http://dx.doi.org/10.1109/mikon.2004.1356836.

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Relatórios de organizações sobre o assunto "Appreciation":

1

Goldring, P. A short appreciation of "Scotch". Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1998. http://dx.doi.org/10.4095/298575.

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2

Stephens, M. A. An Appreciation of Kolmogorov's 1933 Paper. Fort Belvoir, VA: Defense Technical Information Center, junho de 1992. http://dx.doi.org/10.21236/ada253575.

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3

Tatom, John A. Currency Appreciation and 'Deindustrialization': A European Perspective. Federal Reserve Bank of St. Louis, 1992. http://dx.doi.org/10.20955/wp.1992.006.

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4

Goetzmann, William, Liang Peng e Jacqueline Yen. The Subprime Crisis and House Price Appreciation. Cambridge, MA: National Bureau of Economic Research, setembro de 2009. http://dx.doi.org/10.3386/w15334.

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5

Branson, William, e James Love. Dollar Appreciation and Manufacturing Employment and Output. Cambridge, MA: National Bureau of Economic Research, julho de 1986. http://dx.doi.org/10.3386/w1972.

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6

Bergin, Paul, Kyunghun Kim e Ju Pyun. Fear of Appreciation and Current Account Adjustment. Cambridge, MA: National Bureau of Economic Research, julho de 2022. http://dx.doi.org/10.3386/w30281.

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7

Buiter, Willem. James Tobin: An Appreciation of his Contribution to Economics. Cambridge, MA: National Bureau of Economic Research, junho de 2003. http://dx.doi.org/10.3386/w9753.

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8

Dominguez, Kathryn M. E., Rasmus Fatum e Pavel Vacek. Does Foreign Exchange Reserve Decumulation Lead to Currency Appreciation? Cambridge, MA: National Bureau of Economic Research, junho de 2010. http://dx.doi.org/10.3386/w16044.

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9

Zund, J. D. A Mathematical Appreciation of Antonio Marussi's Contributions to Geodesy. Fort Belvoir, VA: Defense Technical Information Center, novembro de 1989. http://dx.doi.org/10.21236/ada219977.

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10

Rayburn, A. Jean-Paul Drolet: an appreciation of the CPCGN Chairman, 1964-1988. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/298279.

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