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Artigos de revistas sobre o tema "Antisemitic literature"

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Autor: Grafiati

Publicado: 26 de julho de 2024

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1

González-Pizarro, Felipe, e Savvas Zannettou. "Understanding and Detecting Hateful Content Using Contrastive Learning". Proceedings of the International AAAI Conference on Web and Social Media 17 (2 de junho de 2023): 257–68. http://dx.doi.org/10.1609/icwsm.v17i1.22143.

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The spread of hate speech and hateful imagery on the Web is a significant problem that needs to be mitigated to improve our Web experience. This work contributes to research efforts to detect and understand hateful content on the Web by undertaking a multimodal analysis of Antisemitism and Islamophobia on 4chan’s /pol/ using OpenAI’s CLIP. This large pre-trained model uses the Contrastive Learning paradigm. We devise a methodology to identify a set of Antisemitic and Islamophobic hateful textual phrases using Google’s Perspective API and manual annotations. Then, we use OpenAI’s CLIP to identify images that are highly similar to our Antisemitic/Islamophobic textual phrases. By running our methodology on a dataset that includes 66M posts and 5.8M images shared on 4chan’s /pol/ for 18 months, we detect 173K posts containing 21K Antisemitic/Islamophobic images and 246K posts that include 420 hateful phrases. Among other things, we find that we can use OpenAI’s CLIP model to detect hateful content with an accuracy score of 0.81 (F1 score = 0.54). By comparing CLIP with two baselines proposed by the literature, we find that CLIP outperforms them, in terms of accuracy, precision, and F1 score, in detecting Antisemitic/Islamophobic images. Also, we find that Antisemitic/Islamophobic imagery is shared in a similar number of posts on 4chan’s /pol/ compared to Antisemitic/Islamophobic textual phrases, highlighting the need to design more tools for detecting hateful imagery. Finally, we make available (upon request) a dataset of 246K posts containing 420 Antisemitic/Islamophobic phrases and 21K likely Antisemitic/Islamophobic images (automatically detected by CLIP) that can assist researchers in further understanding Antisemitism and Islamophobia.

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Macklin, Graham. "‘Jewry ueber Alles’". Nordisk judaistik/Scandinavian Jewish Studies 35, n.º 1 (28 de junho de 2024): 112–28. http://dx.doi.org/10.30752/nj.142225.

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This article explores the role of the Britons Society, a small racial nationalist sect founded in 1919, in the propagation of conspiracist antisemitism in the United Kingdom in the aftermath of the First World War. It focuses on its ideological output, aimed at cultivating an antisemitic ‘Jewwise’ mindset that viewed the fight against ‘the Jew’ as an eternal eschatological struggle. During its comparatively long life, the Britons published a voluminous quantity of antisemitic literature, including over eighty editions of The Protocols of the Elders of Zion, two during the Second World War, beforeit finally closed its doors in 1983. The article explores some of the Britons’ trans-national networking and concludes with several thematic case studies (anti-Bolshevism, imperial decline, antisemitic anti-Zionism) to highlight how conspiracist antisemitism formed an analytical lens through which readers could be made to understand the supposed role of the ‘Jewish conspiracy’ in world affairs.

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Hersh, Eitan, e Laura Royden. "Antisemitic Attitudes among Young Black and Hispanic Americans". Journal of Race, Ethnicity, and Politics 8, n.º 1 (março de 2023): 105–23. http://dx.doi.org/10.1017/rep.2023.3.

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AbstractPrior research has shown that racial minority groups are more likely than Whites to hold negative views of Jews. We discuss several theories that may explain this phenomenon, including group competition, anti-White attitudes manifesting as antisemitism, spillover from anti-Israel attitudes, and more. Some theories, especially those developed in the mid-20th century, may be less applicable today, particularly to young adults. Through an original survey of 3,500 Americans, including an oversample of 18–30 year olds, we discover that antisemitic views remain far more common among minorities than Whites, especially among young people. However, the racial differences do not seem to be explained by common theories cited and explored in prior literature. But with Black and Hispanic Americans agreeing with antisemitic statements at similar levels as White alt-right identifiers in our sample, our findings call for renewed interest in the topic of race and antisemitism.

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Eilbart, Natalia V. "Antisemitism in the Polish-Lithuanian Commonwealth in the 16th - 18th centuries and its reflection in old Polish literature". Rusin, n.º 67 (2022): 103–12. http://dx.doi.org/10.17223/18572685/67/7.

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The article focuses on the manifestation of Antisemitic sentiments in Polish literature in the 16th - 18th centuries, as well as the economic, political, and religious roots of this phenomenon. Drawing on the works by S. Klonowic, J. Kmita, P. Skarga, and P. Mojecki, the author analyses the degree of negative public opinion regarding Jews among the gentry, burghers, and clergy to conclude about the economically and morally oppressed state of Polish Jewish communities and the economic dependence of the gentry on Jewish usury. In many ways, the Antisemitism of that time took place only on paper; in fact, the slogans to evict Jews from the Polish-Lithuanian Commonwealth or to baptize them into the Catholic faith were never implemented. By the end of the 18th centurythe Antisemitic slogans in Polish journalism were disappearing, yielding to the ideas of reforming Jewish communities in the spirit of Enlightenment.

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Teubert, Wolfgang. "A mural that helped to bring down Jeremy Corbyn". Language and Dialogue 11, n.º 2 (18 de junho de 2021): 300–331. http://dx.doi.org/10.1075/ld.00097.teu.

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Abstract In the 2017 elections, the Labour party under Jeremy Corbyn did much better than expected, in spite of being denounced by the established British media for its radical anti-capitalist agenda. To turn the tables, the media then shifted their attack from this political programme to Corbyn’s alleged blindness towards antisemitic manifestations. The resulting loss of sympathy with voters cost Labour dearly in the 2019 elections and brought his leadership to an end. As key evidence for his moral failure to tackle the antisemitism issue, the media cited, in a barrage of pieces, his 2012 comments on a short lived London mural. Was it anti-capitalist or antisemitic? In the absence of any serious dialogue between contrary views, the judgment passed reasserted the underlying media agenda.

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Andrushchenko, Elena A. "About two episodes of a debate between “Rech” and “Novoye Vremya”: Literature between ethics and religion". Philological Sciences. Scientific Essays of Higher Education 1, n.º 2 (março de 2024): 25–29. http://dx.doi.org/10.20339/phs.2.1-24.025.

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The article considers the letters of V.P. Burenin, A.S. Suvorin and newspaper articles to investigate two episodes of a debate between the newspapers “Rech” and “Novoye vremya” in 1906 and 1911 regarding antisemitism. It is shown that the literary section of “Rech” was, at first, only discovering its own voice and attitude to “Novoye vremya”’s publications. In his response to S.I. Smirnova’s feuilleton “Black Hundred” (1906), A.S. Izgoev attributed her justification of the pogromists to her deceitfulness and loyalty to the authorities. When A.S. Suvorin’s newspaper published an antisemitic piece in 1911, signed by A. St-n [A.A. Stolypin], it caused a public protest by P.S. Solovyova, Z.N. Gippius, D.V. Filosofov and D.S. Merezhkovsky, who described antisemitism as offensive to the dignity of the Russian people. The protest resulted in an exchange of articles, where M.O. Menshikov asserted the futility of the intelligentsia’s struggle against public outrage, while Merezhkovsky claimed the anti-Christian nature of antisemitism. His article “Nationalism and religion” presented the articles of “Novoye vremya” as an example of belligerent nihilism and atheism. The literary section of “Rech” refined its stance on the publications of “Novoye vremya” over time: initially it had a general political nature, assuming a humanistic aspect by the beginning of the 1910s. The writers participating in “Rech” stood up for a discriminated social group and publicly admitted responsibility for its persecution.

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Pelloni, Gabriella. "Die Rhetorik der Degeneration in der antisemitischen Literatur Das Bild des ,,entarteten“ jüdischen Künstlers". Zeitschrift für Religions- und Geistesgeschichte 61, n.º 3 (2009): 257–72. http://dx.doi.org/10.1163/157007309788620665.

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AbstractThis essay analyses the specific rhetoric of degeneration which was observable in the antisemitic polemic discourse of the last decades of 19th century. It provides an overview of the representation of Jewish art und artists as it took shape in the antisemitic literature of the Wilhelminian epoch. The growing emphasis placed by psychiatrists and racial theorists on the pathologies of the ,,Jewish race“, such as hysteria or degeneration, resulted in the tendency to pathologize Jewish art and artists, which were deemed responsible for the alleged decline of German culture. Mere aesthetic categories underwent a process of reduction and ideologization and were finally used for defamatory purposes, as shown in the case of the antisemitic denigration of Heinrich Heine. In order to demonstrate this, the analysis outlines the strict dichotomic logic of these argumentations, as the definition and consolidation of an ideal German essence was usually based on the construction of a degenerated Jewish identity.

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Wilson, Anna. "Whiteness, Innocence, and Childhood in the Prioress’s Tale and Its Devotional Milieu". Chaucer Review 59, n.º 3 (julho de 2024): 387–408. http://dx.doi.org/10.5325/chaucerrev.59.3.0387.

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ABSTRACT This article draws on recent scholarship in premodern critical race theory and the history of childhood to argue that in the Prioress’s Tale, whiteness signifies innocence and describes innocent bodies. In the tale, the color white gains its meaning from its contexts in devotional and antisemitic literature in which it evokes milk and breastfeeding, which in turn evokes a complex set of ideas about heredity and learned culture. By referencing this tangle of meanings around whiteness, the Prioress’s Tale resituates Christian anxieties about the nature and value of childish innocence into the genre of the antisemitic miracle, whose primary anxieties are focused on the coherence of the Christian body and the Christian community. When the “white metaphors” of devotional literature move into an explicitly racial and racializing genre, they become part of race-making discourses of white Christianity or Christian whiteness.

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Horowitz, Cyma. "Judaica Library Collection Policies: Arab-American and Muslim-American Literature". Judaica Librarianship 8, n.º 1 (1 de setembro de 1994): 127–28. http://dx.doi.org/10.14263/2330-2976.1253.

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An overview of the inclusion and treatment of Arab-American literature in a special library primarily concerned with contemporary American Jewish issues, the Blaustein Library of the American Jewish Committee. Mainstream Arab-American literature is interfiled with the regular collection, using a modified Dewey Decimal classification scheme. Extremist material, although housed separately, is classified in the same manner as the regular collection, preceded by a designation signifying literature of an antisemitic nature.

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Wittler, Kathrin. "Orientalistische Namenspolitik im 19. Jahrhundert". Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, n.º 2 (8 de novembro de 2019): 255–75. http://dx.doi.org/10.1515/iasl-2019-0013.

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Abstract While the antisemitic impact of Sessa’s popular farce Unser Verkehr (1813) is well-known to historians of nineteenth-century literature and theatre, a careful contextualization of the notorious name of one of its characters – Isidorus Morgenländer – within the orientalist discourses of the time reveals that this play has not only anti-Jewish, but also anti-romantic tendencies. The reactions to Sessa’s play confirm this bidirectionality and the enhancing effects it had.

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Domagalska, Małgorzata. "I rozpięła na szpilce jak motyla… Żydówki-rewolucjonistki w polskiej prozie antysemickiej w pierwszej połowie XX wieku". Studia Judaica, n.º 1 (51) (30 de junho de 2023): 95–115. http://dx.doi.org/10.4467/24500100stj.23.005.18222.

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“And She Stretched Him on a Pin Like a Butterfly...”: Revolutionary Jewish Women in Polish Antisemitic Prose of the First Half of the Twentieth Century After the revolution of 1905, revolutionary Jewish women began to appear among the heroines typical of the antisemitic novels of the nineteenth century. This type of female protagonist can be found in the novels written by Józef Weyssenhoff (Hetmani [The Hetmans]), Rev. Jan Gnatowski (Zły czar [Bad Spell]), and then in the 1930s in the novels by Roman Dmowski (Dziedzictwo [The Heritage]) and Jędrzej Giertych (Zamach [The Coup]). In these narratives, Poland is presented as a victim of manipulation by Jews, Germans, and in the case of the Bad Spell by Jewish Bolsheviks. In these stories, female Jewish revolutionaries implement their secret policies using their strong erotic influence to seduce Polish activists. Demonism and evil, as well as the misogynistic attitude of the fin de siècle era were employed to create their portraits. In these female protagonists, one can detect echoes of features associated with such Jewish heroines as Salome, Judith, and Herodias whose portraits were typical of the art and literature of the epoch.

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Fioravanti, Vitória Ávila. "Poetics and Politics The Use of Poetry as War Propaganda during the World Wars". Via Panoramica: Revista de Estudos Anglo-Americanos 11, n.º 2 (2022): 21–39. http://dx.doi.org/10.21747/2182-9934/via11_2a2.

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This paper aims to critically analyseand discuss the use of poetry as war propaganda during World War I and World War IIconsideringthe distinct cases of Rupert Brooke’s “The Soldier”, Thomas Hardy’s “Men who March Away”, and Ezra Pound’s “Canto 46”, which was read by the author himself during one of his Radio Rome broadcasts in 1942. While Brooke, similarly to other young soldiers who saw in the war a chance of fulfilling their patriotic duty and achieving glory, wrote verses clearly marked by his personal idealism, ThomasHardy had manyof his war poems commissioned by the British government in the context of a national propaganda effort in which he might have agreed to participate moved by his initial optimism regarding the war. Decades later, Ezra Pound, a fierce supporter of the fascist regime of Benito Mussolini, would dedicate a great part of his works The Cantos to the spreading of fascist, antisemitic, and pro-Axis ideas during World War II, the most notorious case within this effort being the readingof “Canto 46”, which contains explicit antisemitic and anti-American references, during a broadcast for Radio Rome. These propagandistic campaigns, first during World War I then later during World War II, would contribute to the spreading and reinforcing of nationalist tendencies on bothsides, with poetics (not for the first time in the history of Literature) turning into an ally of politics.

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Shapiro, Marc B. "Suicide and the World-to-Come". AJS Review 18, n.º 2 (novembro de 1993): 245–63. http://dx.doi.org/10.1017/s0364009400004918.

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In 1880 the Jewish community of Iraq was forced to confront a sharp increase in antisemitic persecution. Not all of the country's Jews were prepared for this new phenomenon and the result was a number of suicides. The Iraqi rabbinate, both shocked and determined to put an end to the needless taking of life, declared from all the synagogue pulpits that those who commit suicide have no share in the world-to-come. This idea was certainly not unknown to either the masses or the rabbis, who probably believed it to be found somewhere in talmudic literature. However, although it does not appear there, the rabbinic maxim is very well known. Since this notion has played a central role in many rabbinic discussions about the status of suicides, it is worthwhile to trace its origin.

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Larsen, Svein-Erik. "Noreg og dei polskjødiske flyktningane, 1968–1970". Nordisk judaistik/Scandinavian Jewish Studies 32, n.º 1 (31 de maio de 2021): 66–82. http://dx.doi.org/10.30752/nj.101743.

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In 1968, an antisemitic campaign, launched by the Polish government, caused around 13,000 Jews to leave Poland. About 2500 of these refugees came to Denmark, while only about 25 ended up in Norway. The migration to Norway could potentially have reached low hundreds, but as oral-history sources indicate, the Jewish congregation in Oslo turned down a government initiative in 1969. Based on written and oral sources, and secondary literature, I argue that there was an equally important factor differentiating the two countries. Comparing the Danish and Norwegian refugee reception policies, the article finds that Danish authorities and their NGO partners at decisive stages in the process were more proactive than their Norwegian counterparts in their efforts to persuade Polish Jews to come. The most critical point was in June 1969, when Denmark’s embassy in Warsaw started issuing Jews with automatic visas, while Norway retained its existing application process.

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Vasile, Cristian. "Albatros – a Publishing House for the Romanian Communist Youth, 1970-1989". History of Communism in Europe 12 (2021): 143–64. http://dx.doi.org/10.5840/hce2021-202212-139.

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This paper examines the profile of the Albatros Publishing House in Bucharest (specialising in youth literature) and the activity of its director, writer Mircea Sântimbreanu. He held this position for almost two decades and recounted his experience in a volume of memoirs. I tried to explore these memoirs mainly in parallel with accounts from archival documents and secondary literature. The Albatros Publishing House was a micro-universe for assessing the impact of successive ideological offensives by the Romanian Communist Party on book production and on the youth in general (mainly the July 1971 Theses and the other party directives of the 1970s, as well as the Mangalia Theses of 1983). By the 1980s, the regime’s propaganda had acquired ultra-nationalistic nuances. This paper will also exemplify such developments by discussing the scandal generated by the 1983 publication of Saturnalii by Corneliu Vadim Tudor, a volume of poems with strong antisemitic tenor. Using mainly diaries, journals, secondary literature and archival documents, this article also analyses the strategies deployed by the communist regime in order to coerce the young generation – through the agency of publishing houses – to assume the new literary-political ideology of revolutionary humanism (the Socialist Realism of the Ceaușescu era).

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Schraub, David. "White Jews: An Intersectional Approach". AJS Review 43, n.º 2 (5 de agosto de 2019): 379–407. http://dx.doi.org/10.1017/s0364009419000461.

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“Intersectionality,” a concept coined and developed by legal scholar Kimberlé Crenshaw, examines how our various identities change in meaning and valence when placed in dynamic relation with one another. Instead of exploring identity traits like “race,” “gender,” “religion,” and so on in isolation, an intersectional approach asks what these various characteristics “do” to one another in combination. I suggest that an intersectional approach—asking “what does Whiteness do to Jewishness?”—can help illuminate elements of the Jewish experience that would otherwise remain obscure. The core claim is that Whiteness and Jewishness in combination function in ways that are not necessarily grasped if one atomizes the identities and holds them apart. What Whiteness “does” to Jewishness is act as an accelerant for certain forms of antisemitic marginalization even as it ratifies a racialized hierarchy within the Jewish community. Absent an intersectional vantage, many political projects and controversies surrounding Jewish equality will be systematically misunderstood.

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Hake, Sabine. "August Winnig: From Proletariat to Workerdom, in the Name of the People". New German Critique 48, n.º 1 (1 de fevereiro de 2021): 125–52. http://dx.doi.org/10.1215/0094033x-8732173.

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Abstract In the social imaginaries that sustained Nazi ideology from the 1920s through the 1930s, Arbeitertum, translated here as “workerdom,” played a key role in integrating socialist positions into the discourse of the Volksgemeinschaft. Workerdom proved essential for translating the class-based identifications associated with the proletariat into the race-based categories that redefined the people, and hence the workers, in line with antisemitic thought. The writings of the prolific but largely forgotten August Winnig (1878–1956) can be used to reconstruct how workerdom came to provide an emotional blueprint, an identificatory model, and a compensatory fantasy in the reimagining of class, folk, and nation. The influential Vom Proletariat zum Arbeitertum (1930), as well as select autobiographical and fictional works by Winnig, are used to uncover these continuities through the political emotions, dispositions, and identifications that can properly be called populist. In the larger context of worker’s literature, conservative revolution, and völkisch thought, the Nazi discourse of workerdom not only confirms the close connection between political emotion and populist (un)reason but also opens up new ways to understand the continued attractions of populism as a particular kind of politics of emotion based on the dream of the people.

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Kieval, Hillel J. "Magda Teter. Blood Libel: On the Trail of an Antisemitic Myth. Cambridge, MA: Harvard University Press, 2020. xiii + 539 pp." AJS Review 45, n.º 2 (novembro de 2021): 459–61. http://dx.doi.org/10.1017/s0364009421000246.

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Creech, Joe. "THE TOLERANT POPULISTS AND THE LEGACY OF WALTER NUGENT". Journal of the Gilded Age and Progressive Era 14, n.º 2 (abril de 2015): 141–59. http://dx.doi.org/10.1017/s1537781414000760.

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AbstractPublished in 1963 and with a second edition in 2013, Walter Nugent's The Tolerant Populists challenged and overturned an interpretation of the American Populist movement, largely associated with Richard Hofstadter's The Age of Reform, which portrayed the People's Party as backward looking, reactionary, irrational, antisemitic, and nativist. The Tolerant Populists demonstrated the Populist movement to be forward looking in its advocacy of statist economic reforms later adopted by progressives. In addition to this particular intervention in the literature, The Tolerant Populists, as it marked a turn in the 1960s to writing history from the bottom up, also more generally shaped the historiography of Populism by emphasizing the local social, cultural, and political roots of the movement; the movement's appeal to marginalized Americans in the 1890s; and the reasonableness of its policy measures to ease economic suffering. Moreover, the new edition critiques the continued use in popular media of lower-case “populism” to describe modern anti-statist movements that bear no resemblance to the movement of the 1890s. Finally, Walter Nugent forwarded the historiographical emphases in The Tolerant Populists to influence, in his later scholarship, the wider history of monetary policy, American demographic and social history, immigration, the American West, and American empire building.

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Jordan, William Chester. "Blood Libel: On the Trail of an Antisemitic Myth. Magda Teter. Cambridge, MA: Harvard University Press, 2020. xii + 540 pp. $39.95." Renaissance Quarterly 75, n.º 2 (2022): 634–35. http://dx.doi.org/10.1017/rqx.2022.139.

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Stuczynski, Claude B. "François Soyer. Antisemitic Conspiracy Theories in the Early Modern Iberian World: Narratives of Fear and Hatred. Leiden: Brill, 2019. xvi + 315 pp." AJS Review 45, n.º 2 (novembro de 2021): 464–68. http://dx.doi.org/10.1017/s036400942100026x.

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Pătru, Marian. "The 'Poporală' Paper, Libertatea , and the Shaping of the Antisemitic and Extreme Right Peasant Mind in Greater Romania (1919–1925)". Slavonic and East European Review 101, n.º 1 (janeiro de 2023): 91–113. http://dx.doi.org/10.1353/see.2023.a897286.

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Roth, Norman. "Antisemitic Conspiracy Theories in the Early Modern Iberian World: Narratives of Fear and Hatred. François Soyer. The Iberian Religious World 5. Leiden: Brill, 2019. xvi + 316 pp. €198." Renaissance Quarterly 74, n.º 2 (2021): 651–53. http://dx.doi.org/10.1017/rqx.2021.55.

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Gordan, Rachel. "The 1940s as the Decade of the Anti-Antisemitism Novel". Religion and American Culture 31, n.º 1 (2021): 33–81. http://dx.doi.org/10.1017/rac.2021.6.

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ABSTRACTThis article examines the anti-antisemitism novels of the 1940s as an indication of the decade's changing attitudes toward Jews, antisemitism, and religious pluralism, and so contributes to scholarly research on both social protest literature and mid-twentieth-century American religious culture. Recent scholarship has shown that American Jews responded to the Holocaust earlier than had previously been assumed. The anti-antisemitism novels of the 1940s were one of the popular culture arenas in which this response to the horrors of Nazi Germany occurred, as fiction proved an ideal genre for imagining and presenting possible solutions to the problem of antisemitism. These solutions often involved a change from a racial to a religious conception of Jews. Laura Z. Hobson's Gentleman's Agreement (1947) was the most culturally significant of this 1940s genre of anti-antisemitism novels (a subgenre of social protest literature), in part because of its foregrounding of non-Jewish responses to antisemitism. Archival research into the roots of Hobson's novel reveals that news of other female authors writing popular anti-antisemitism fiction encouraged Hobson, allowing Hobson to feel part of a movement of anti-antisemitism writers that would eventually extend to her readers, as demonstrated by readers’ letters. Although Will Herberg's Protestant, Catholic, Jew (1955) is frequently cited as the midcentury book that heralded a postwar shift toward religious pluralism, the anti-antisemitism novels of the 1940s reveal signs of this shift a decade earlier.

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Love, Jeff, e Michael Meng. "Heidegger’s Radical Antisemitism". Philosophy & Social Criticism 44, n.º 1 (26 de junho de 2017): 3–23. http://dx.doi.org/10.1177/0191453717713809.

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With the publication of Martin Heidegger’s Black Notebooks, it has become impossible to avoid Heidegger’s anti-Semitism. There has been the expected controversy with Heideggerians on the defensive and the philosopher’s detractors condemning his work outright. But there has been little serious exploration of the matter aside from several recent works. This article builds on this literature on Heidegger’s anti-Semitism and concludes that an anti-Semitic narrative lies at the heart of Heidegger’s history of the oblivion of Being as nihilism. Moreover, Heidegger adopts the narrative framework set up by Friedrich Nietzsche in On the Genealogy of Morality. In the end, we assert that Heidegger advocates a kind of war against Judaism that seeks to eradicate the Jewish influence in the western tradition. Heidegger’s ‘metaphysical’ anti-Semitism aims to overcome the nihilism of the ‘Jewish Christian’ revenge [ Rache] against death, a nihilism that has evolved into the technological effort to make everything secure.

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Wolf, Benedikt. "Homophobia and Antisemitism in Otto Julius Bierbaum’s Prinz Kuckuck (1907/08)". Seminar: A Journal of Germanic Studies 57, n.º 2 (1 de maio de 2021): 97–113. http://dx.doi.org/10.3138/seminar.57.2.1.

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Starting from existing scholarship on the relationship among masculinity, sexuality, and Jewishness in the German-language cultural sphere, this article analyzes the connection between antisemitism and homophobia in Otto Julius Bierbaum’s fin-de-siècle novel Prinz Kuckuck. By tracing the respective paths of the Jewish protagonist and his male homosexual counterpart, the article elaborates on the specific versions of Jewishness and male homosexuality that Bierbaum’s novel creates. It can be shown that the novel exposes both the Jewish and the homosexual character as deficient and harmful. The novel, however, does not restrict itself to mere parallelization but establishes an intrinsic connection between the Jewish and the male homosexual character by integrating homosexual codes into the Jew’s “parasitic” repertoire. The article concludes by offering an explanation of this connection that draws on Moishe Postone’s critique of modern antisemitism. Antisemitism and homophobia are shown as two complementary and intrinsically connected ways of dealing with two dimensions of the experience of modernity: capitalism and social contingency.

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Clavey, Charles H. "“The Stereotype Takes Care of Everything”: Labor Antisemitism and Critical Theory During World War II". Journal of the History of Ideas 84, n.º 4 (outubro de 2023): 711–42. http://dx.doi.org/10.1353/jhi.2023.a909536.

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Abstract: During World War II, the Institute for Social Research conducted an innovative study of American working-class antisemitism. This article goes beyond existing literature by reconstructing the project’s evolving understanding of labor antisemitism—from ideology to psychopathology. This change, it argues, arose from the project’s methods, findings, and analytical concepts—especially the long-overlooked concept of the stereotype. The article documents this concept’s role in two better-known Institute works from the period: Dialectic of Enlightenment and Authoritarian Personality . Throughout, it traces continuities in the Institute’s research program and reconsiders the balance between its empirical studies and its critical theory in the 1940s.

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ROKÉAH, D. "Tacitus and Ancient Antisemitism". Revue des Études Juives 154, n.º 3 (1 de dezembro de 1995): 281–94. http://dx.doi.org/10.2143/rej.154.3.519413.

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Kaufman, Paladino, Porter e Thurston. "Psychological Research Examining Antisemitism in the United States: A Literature Review". Antisemitism Studies 4, n.º 2 (2020): 237. http://dx.doi.org/10.2979/antistud.4.2.03.

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Epstein, Marc Michael. "Miri Rubin. Gentile Tales: The Narrative Assault on Late Medieval Jews. New Haven: Yale University Press, 1999. xiii, 266 pp; Sara Lipton. Images of Intolerance: The Representation of Jews and Judaism in the Bible moralisée. Berkeley: University of California Press, 1999. xvi, 241 pp; Ruth Mellinkoff. Antisemitic Hate Signs in Hebrew Illuminated Manuscripts. Jerusalem: Center for Jewish Art, 1999. 158 pp." AJS Review 26, n.º 02 (outubro de 2002): 327–40. http://dx.doi.org/10.1017/s0364009402000090.

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Price, Merrall Llewelyn. "Sadism and Sentimentality: Absorbing Antisemitism in Chaucer's Prioress". Chaucer Review 43, n.º 2 (1 de janeiro de 2008): 197–214. http://dx.doi.org/10.2307/25094427.

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Gossman, Lionel, e Vassilis Lambropoulos. "Philhellenism and Antisemitism II: The Rise of Eurocentrism". Comparative Literature 46, n.º 4 (1994): 372. http://dx.doi.org/10.2307/1771378.

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Merrall Llewelyn Price. "Sadism And Sentimentality: Absorbing Antisemitism in Chaucer's Prioress". Chaucer Review 43, n.º 2 (2008): 197–214. http://dx.doi.org/10.1353/cr.0.0012.

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Meyer, Susan. "ANTISEMITISM AND SOCIAL CRITIQUE IN DICKENS'SOLIVER TWIST". Victorian Literature and Culture 33, n.º 1 (março de 2005): 239–52. http://dx.doi.org/10.1017/s1060150305000823.

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WHEN SIKES AND NANCY RECAPTURE OLIVER, in Dickens'sOliver Twist, intending to return him to the gang of thieves, Sikes warns Oliver against crying out to passersby, announcing that his dog will go for Oliver's throat if he so much as speaks one word. Looking at the dog, who is eyeing Oliver and growling and licking his lips, “with a kind of grim and ferocious approval,” Sikes tells Oliver, “He's as willing as a Christian, strike me blind if he isn't!” (109; ch. 16). Sikes of course simply intends to say that his dog is as good as human, but Dickens's joke, in the context of the novel, is a chilling one. Sikes's bloodthirsty dogisas willing as the novel has shown many a professed Christian to be to exercise brute power over the weak and helpless, to drive Oliver into a life of crime, and to commit physical violence against him. In the course of the novel, Dickens shows what professed Christians have been willing to do to the poor and invites his readers to contemplate what they as Christians should instead be willing to do.Oliver Twistis of course deeply concerned with the condition of England's poor, and Dickens invokes the idea of Christianity as a rhetorical tool through which to make the social commentary that is at the novel's moral center.

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Balling, J. Rafael. "Intimate Associations: Reading Community in Sasha Marianna Salzmann's Außer sich (2017) and Else Lasker-Schüler's Der Malik (1919)". Feminist German Studies 39, n.º 1 (março de 2023): 99–124. http://dx.doi.org/10.1353/fgs.2023.a899994.

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Abstract: This article places Sasha Marianna Salzmann's novel Außer sich (2017; Beside Myself , 2019) in dialogue with Else Lasker-Schüler's experimental prose work Der Malik: Eine Kaisergeschichte (1919; The Malik: An emperor's story) to highlight the shared investments of these two Jewish and gender-variant writers. While situated a century apart, both respond in their work and lives to societal discrimination in similar ways: they make themselves visible as an Other and use the knowledge of their vulnerability as a starting point to build communities that defy antisemitism and gendered oppression. In this context, Lasker-Schüler's rejection of ethnic, religious, gendered, and sexual boundaries and her envisioning of new forms of kinship appear as a precursor of Salzmann's call for inclusive queer-feminist alliances. Reading these works alongside each other invites us to understand the vision of political-personal associations based on the experiences of antisemitism and gendered oppression as an abiding concern of German-Jewish literature.

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Morgan, Peter. "The Ethics of Narration in Helen Demidenko's The Hand That Signed the Paper, 1994 and 2017". AJS Review 44, n.º 2 (21 de outubro de 2020): 368–83. http://dx.doi.org/10.1017/s0364009420000033.

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During the mid-1990s the Australian literary scene was shaken by controversy over issues of antisemitism and Holocaust representation in Helen Demidenko's debut novel, The Hand That Signed the Paper. In 2017, Darville reissued the novel. At a time when debate is raging over the nature and limits of freedom of expression and the status of words and facts, this was a provocative move. This article revisits The Hand in order to resolve the issues of literary antisemitism and freedom of speech that it raised in 1994 and continues to raise today. I apply Avishai Margalit's notion of an “ethics of memory” to the autofictional text in order to develop a theory of an “ethics of narration” in literary fiction. This narrative ethics enables distinctions to be made in relation to truth claims and fictionality, which were opaque in Demidenko's original autofiction and remain unresolved in the reissued version.

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Gossman, Lionel. "Philhellenism and Antisemitism: Matthew Arnold and His German Models". Comparative Literature 46, n.º 1 (1994): 1. http://dx.doi.org/10.2307/1771612.

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Hofman, Miriam Ben Zeev. "Can Antisemitism Be Traced Back to Ancient Rome?" Antisemitism Studies 7, n.º 2 (setembro de 2023): 302–37. http://dx.doi.org/10.2979/antistud.7.2.03.

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Abstract: The political context and the comments about Jews found in Latin literature indicate that no discrimination against them is attested to in Rome in the period between the second century BCE and the second century CE. The expulsions from the city applied also to other foreign groups, and the occasional negative comments made by Roman politicians, historians, and poets are not intrinsically different from those regarding other foreign population groups. Although Jewish separatism and cases of alleged attraction to Judaism aroused some hostility, this hostility never led to open conflict of the kind that transpired in other centers of the Mediterranean. However, some disparaging comments about the Jews did not disappear with time, as with other peoples slandered by the Romans, and were later redeployed forming the basis upon which anti-Judaism and antisemitism developed.

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Hofman, Miriam Ben Zeev. "Can Antisemitism Be Traced Back to Ancient Rome?" Antisemitism Studies 7, n.º 2 (setembro de 2023): 302–37. http://dx.doi.org/10.2979/ast.2023.a910234.

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Abstract: The political context and the comments about Jews found in Latin literature indicate that no discrimination against them is attested to in Rome in the period between the second century BCE and the second century CE. The expulsions from the city applied also to other foreign groups, and the occasional negative comments made by Roman politicians, historians, and poets are not intrinsically different from those regarding other foreign population groups. Although Jewish separatism and cases of alleged attraction to Judaism aroused some hostility, this hostility never led to open conflict of the kind that transpired in other centers of the Mediterranean. However, some disparaging comments about the Jews did not disappear with time, as with other peoples slandered by the Romans, and were later redeployed forming the basis upon which anti-Judaism and antisemitism developed.

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Øveraas, Morten. "Den konservative revolusjonen – i Thorleif Schirmer sitt forfattarskap". European Journal of Scandinavian Studies 53, n.º 2 (1 de outubro de 2023): 217–28. http://dx.doi.org/10.1515/ejss-2023-2014.

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Abstract This article asks if the phenomenon of the Conservative Revolution had exponents in rural western Norway in early 20th century. It sheds light on Thorleif Schirmer (1877–1941), a teacher and writer. Schirmer elaborated his ideology with radical and conservative rhetoric, influenced by German literature and politics. He presented a cyclical understanding of culture. To secure its existence, nations should revolutionize its mythical origins. Antisemitism fuelled his theories. The positive reception of Schirmer’s writings, indicates conceptual resemblance between the Scandinavian folk and the German Volk.

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Cooper, Gabriel. "Facing East: Orientalism and Antisemitism in Heine’s Hebräische Melodien". Seminar: A Journal of Germanic Studies 56, n.º 1 (1 de fevereiro de 2020): 55–74. http://dx.doi.org/10.3138/seminar.56.1.4.

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Wogenstein, Sebastian. "Jewish Tragedy and Caliban: Arnold Zweig, Zionism and Antisemitism". Germanic Review: Literature, Culture, Theory 83, n.º 4 (setembro de 2008): 365–89. http://dx.doi.org/10.3200/gerr.83.4.365-389.

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Lavezzo, Kathy. "Antisemitism and female power in the medieval city". postmedieval 10, n.º 3 (setembro de 2019): 279–92. http://dx.doi.org/10.1057/s41280-019-00137-9.

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Bajer, Michał. "Le cosmopolitisme et l’étrangéisation : Anna Nakwaska (1781-1851) et les géographies de la littérature polonaise d’expression francophone". Studia Romanica Posnaniensia 50, n.º 1 (28 de abril de 2023): 107–18. http://dx.doi.org/10.14746/strop.2023.50.1.8.

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The studies on Polish francophone literature put an emphasis on a selected group of authors (Potocki, Mickiewicz, Krasiński) and on some literary genres (diary and travelogue). The aim of this paper is to study the work of a lesser-known feminine writer, Anna Nakwaska, member of cosmopolitan literary milieu and author of several short stories and novels, written in French. Applying selected concepts of spatial literary studies, the first part of the article proposes to perceive the publishing strategies of Nakwaska as a tool for introducing Polish feminine literature in a broader European context. In the second place, the study of some Nakwaska’s short stories show her interest for a literary presentation of several geographical problems, including demography (put in the context of antisemitism) and regional ecology. The use of Polish toponymy brings a foreignization of the francophone fiction.

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Kasimow, Harold. "Robert A. Everett. Christianity without Antisemitism: James Parkes and the Jewish-Christian Encounter. Studies in Antisemitism. Oxford: Pergamon Press, 1993. xiv, 346 pp." AJS Review 21, n.º 1 (abril de 1996): 210–12. http://dx.doi.org/10.1017/s0364009400007959.

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GARLOFF, KATJA. "Figures of Love in Romantic Antisemitism: Achim von Arnim1". German Quarterly 80, n.º 4 (19 de maio de 2008): 427–48. http://dx.doi.org/10.1111/j.1756-1183.2007.tb00084.x.

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Anténe, Petr. "“The most famous Jew outside the Old Testament”: Recontextualizing Shakespeare in Clive Sinclair’s Shylock Must Die". Iudaica Russica, n.º 1(8) (21 de junho de 2022): 1–13. http://dx.doi.org/10.31261/ir.2022.08.09.

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The posthumously published short story collection Shylock Must Die (2018) by the British Jewish writer Clive Sinclair works with Shakespeare’s play The Merchant of Venice in a variety of creative ways. The short stories borrow from The Merchant of Venice especially the theme of antisemitism and Shylock as the main Jewish character but are usually set in the 20th or 21st century rather than in the Renaissance. Some stories react to notable productions of the play across the globe, e.g. in Stockholm in 1944, London in 2012 or in Venice in 2016, the year of the quincentennial commemorations of the foundation of the Venetian ghetto. The stories also include tragicomic elements as typical features of Jewish literature.

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Petracca, Eugene Anthony. "Ethics, Antisemitism and The Prioress’s Tale: A Reparative Approach". Exemplaria 31, n.º 4 (2 de outubro de 2019): 293–314. http://dx.doi.org/10.1080/10412573.2019.1696058.

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Lalande, J. Guy. "Review of Brendan McGeever. Antisemitism and the Russian Revolution." East/West: Journal of Ukrainian Studies 9, n.º 2 (26 de outubro de 2022): 237–38. http://dx.doi.org/10.21226/ewjus759.

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Bharat, Adi S. "Next year in Jerusalem? ‘La nouvelle judéophobie’, neo-crypto-Judaism and the future of French Jews in Éliette Abécassis’s Alyah". French Cultural Studies 29, n.º 3 (5 de julho de 2018): 228–43. http://dx.doi.org/10.1177/0957155818773977.

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Éliette Abécassis, one of the principal flagbearers of a nascent contemporary Jewish-French literature, has written a novel entitled Alyah, which engages in a series of reflections on the future of Jewish life in France. Among other themes, Abécassis tackles the memory of Jewish life in North Africa, especially in Morocco, the relationship between antisemitism and anti-Zionism, the affective value of the Israeli–Palestinian conflict for Jews and Muslims in France, and ‘la nouvelle judéophobie’. In this article, I read Alyah in its socio-political context in order to suggest that, while Abécassis highlights at times the potential for Jewish-Muslim solidarity, the novel ends up reproducing an oppositional, conflictual binary of Jews versus Muslims – something that Maud Mandel has termed a ‘narrative of polarisation’.

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