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Artigos de revistas sobre o tema "And the Alkazi Collection of Photography"

Autor: Grafiati

Publicado: 26 de julho de 2024

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1

Choudhury, Deep Kanta Lahiri. "Rosie Llewellyn-Jones, ed., The Alkazi Collection of Photography: The Uprising of 1857." History and Sociology of South Asia 12, no. 2 (2018): 178–82. http://dx.doi.org/10.1177/2230807518767712.

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Wagner, Kim. "Rosie Llewellyn-Jones (ed). The Uprising of 1857: The Alkazi Collection of Photography." Asian Affairs 50, no. 1 (2019): 157–59. http://dx.doi.org/10.1080/03068374.2019.1567134.

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Mukherji, Saradindu. "Book Review: Rosie Llewellyn-Jones, The Uprising of 1857: The Alkazi Collection of Photography." Indian Historical Review 45, no. 2 (2018): 307–10. http://dx.doi.org/10.1177/0376983618804054.

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Robinson, Francis. "ROSIE LLEWELLYN-JONES (ed.): Lucknow – City of Illusion: The Alkazi Collection of Photography. 295 pp. Munich and London: Prestel, 2006. £50. 3 7913 3130 2." Bulletin of the School of Oriental and African Studies 70, no. 1 (2007): 177–79. http://dx.doi.org/10.1017/s0041977x07000213.

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Branfoot, Crispin. "George Michell (ed.): Vijayanagara: Splendour in Ruins. 250 pp. Ahmedabad: Mapin Publishing and The Alkazi Collection of Photography, 2008. ISBN 978 81 89995 03 4." Bulletin of the School of Oriental and African Studies 72, no. 1 (2009): 189–91. http://dx.doi.org/10.1017/s0041977x09000263.

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Robinson, Andrew. "Sudeshna Guha (ed.). The Marshall Albums: photography and archaeology. 288 pages, 130 b&w & colour illustrations. 2010. Delhi: The Alkazi Collection of Photography in association with Mapin & Ocean Township (NJ): Grantha Corporation; 978-81-89995-32-4 (Mapin); 978-1-890206-45-1 (Grantha) hardback £45." Antiquity 85, no. 329 (2011): 1093–94. http://dx.doi.org/10.1017/s0003598x00068617.

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Knight, Lionel. "The Marshall Albums: Photography and Archaeology. Edited by Sudeshna Guha with contributions by Sudeshna Guha, Michael S. Dodson, Tapati Guha-Thakurta, Christopher Pinney, Robert Harding. pp. 288. The Alkazi Collection of Photography in association with Mapin Publishing with support from Archaeological Survey of India. Simultaneously published, Ocean Township, New Jersey and London, 2010." Journal of the Royal Asiatic Society 21, no. 3 (2011): 386–88. http://dx.doi.org/10.1017/s135618631100037x.

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Lugon, Olivier. "Photography and Scale: Projection, Exhibition, Collection." Art History 38, no. 2 (2015): 386–403. http://dx.doi.org/10.1111/1467-8365.12155.

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Panzer, Mary. "The George Kendall Warren photography collection." History of Photography 24, no. 1 (2000): 24–30. http://dx.doi.org/10.1080/03087298.2000.10443357.

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Šejbl, Jan. "The Náprstek Museum Photography Collection – An Assessment Based on Collection Records." Annals of the Náprstek Museum 40, no. 2 (2019): 69–94. http://dx.doi.org/10.2478/anpm-2019-0016.

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The study deals with the Náprstek Museum ethnographic photo collection. In order to obtain detailed knowledge of the composition of this collection, an analysis was performed using digital data records obtained through an export from the collection database. The data was then edited using MS Excel with the Contingency Table and Contingency Graph tools. The analysis focusd on the perspective of geography and chronology, originator and the type of photographic material in question. Obtained data clearly shows the percentage of each pursued characteristics and allows to combine them and compare t

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Jonge, Ingrid Fischer. "The National Museum of Photography at the Royal Library, Copenhagen." Art Libraries Journal 23, no. 1 (1998): 8–12. http://dx.doi.org/10.1017/s0307472200010750.

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The Royal Library, Copenhagen has made many attempts over the years to organise the huge collection of photographs held in its Department of Maps, Prints and Photographs into a formal museum of photography. Finally in 1996 the Royal Library created such a museum, and named it ‘The National Museum of Photography’. This museum within a library will be located in the new building at the City’s harbour front called The Black Diamond. The displays will show new as well as older photography from the collection, which is important both artistically and historically. Digitisation and cataloguing of th

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Thomas, Ritchie. "The Charles C. Lewis collection; Photography of aviation." History of Photography 12, no. 1 (1988): 37–40. http://dx.doi.org/10.1080/03087298.1988.10442095.

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Vârtejanu-Joubert, Mădălina. "The Beginnings of Photography, the Beginnings of the Photography Archive: Bonfils at the Harvard Semitic Museum." Martor. The Museum of the Romanian Peasant Anthropology Review 24 (November 15, 2019): 13–26. http://dx.doi.org/10.57225/martor.2019.24.02.

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The article highlights the creation of the Maison Bonfils photographic collection and its transformation into a museum archive by the Harvard Semitic Museum. On the one hand, it examines the archiving of reality through photographic practice and analyses the epistemological premises of documentary photogra¬phy applied to the object “The Holy Land.” On the other hand, it describes the transformation of the Bonfils collection into a corpus and its reception by the scientific community of the Ancient Near East. In both cases, we observe the im¬plementation of a literal conception: on the one hand

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14

Thomas, Nancy. "The Blackburn Collection of Photography from Polynesia at LACMA." Journal of New Zealand & Pacific Studies 8, no. 1 (2020): 81–86. http://dx.doi.org/10.1386/nzps_00016_7.

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15

Wagner, Kurt W. "Dorn-Severini Historic Photography Collection Donated to Monmouth University." New Jersey Studies: An Interdisciplinary Journal 6, no. 2 (2020): 121–27. http://dx.doi.org/10.14713/njs.v6i2.215.

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In December 2019, Kathy Dorn Severini and George Severini, residents of Fair Haven, NJ, donated a collection of photographic images to Monmouth University, a private, comprehensive 4-year institution in West Long Branch, NJ, located about a mile from the Atlantic Ocean. With a 2019 enrollment of 6,167, the University offers undergraduate and graduate programs across all traditional disciplines, as well as a Doctorate in Nursing Practice and an Ed. D. program. Monmouth University is a Grammy Museum affiliate, offers a Peace Corps Prep program that is unique in New Jersey, and is the home to the

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Lee, Anton. "The Order of Things: Photography from the Walther Collection." History of Photography 42, no. 3 (2018): 306–8. http://dx.doi.org/10.1080/03087298.2018.1531600.

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Gaafar, Rania. "Migrating Forms: Contemporary African Photography at The Walther Collection." Third Text 25, no. 2 (2011): 241–47. http://dx.doi.org/10.1080/09528822.2011.560643.

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Jäger, Gottfried. "Concrete Photography: (In-Between) Light Image and Data Image." Leonardo 51, no. 2 (2018): 146–54. http://dx.doi.org/10.1162/leon_a_01350.

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The author discusses his works of concrete photography contributed to the Peter C. Ruppert Collection, Concrete Art in Europe after 1945, in the Museum im Kulturspeicher Würzburg. He discusses Concrete Photography as a form of nonrepresentational photography in which the medium itself moves away from its classical role of representing the external world to take on a strict self-referential role, in between both traditional light-images and images of the digital world.

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Abu Hassan, Nazrul Azha, Adzrool Idzwan Ismail, Siti Salmi Jamali, and Jati Widagdo. "Digital Documentation through Underwater Photography Method." Environment-Behaviour Proceedings Journal 8, SI16 (2023): 243–50. http://dx.doi.org/10.21834/e-bpj.v8isi16.5248.

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This study focuses on the educational value of photographs and investigates discursive methods for employing underwater photography in environmental education. This research will examine the effectiveness of the relationship between photography and the environment using a qualitative methodology. The results indicate that data collection and photographic documentation might be very valuable, and understanding the fundamentals and techniques will greatly enhance the use of underwater photography. To sum up, research has shown that underwater photography can generate a distinctive dynamic and co

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Graves, Steven. "Landscape Love Letters: An Appreciation of the Larry Ford Photographic Library." Yearbook of the Association of Pacific Coast Geographers 85, no. 1 (2023): 17–26. http://dx.doi.org/10.1353/pcg.2023.a913568.

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ABSTRACT: This essay, adapted from the APCG Presidential address delivered at the eighty-fourth annual APCG conference in Bellingham, Washington, explores the substantial legacy of Larry Ford as an author and photographer. Ford's extensive research publications profoundly influenced the thinking, and indeed the career trajectory, of numerous geographers, including the author. Ford's corpus of landscape geography photography is perhaps the equal of his text-based works and is the most important photographic collection housed in the Geography Department at California State University, Northridge

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Skotniczna, Ewa. "Zbiór fotografii Karola Lanckorońskiego jako źródło do badań nad sztuką religijną renesansu włoskiego. Zarys problematyki w ujęciu historycznym i współczesnym." Artifex Novus, no. 3 (October 1, 2019): 144–56. http://dx.doi.org/10.21697/an.7070.

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ABSTRAKT Celem artykułu jest omówienie zbioru fotografii naukowych Karola Lanckorońskiego (1848-1933) w kontekście jego znaczenia do badań z zakresu sztuki sakralnej renesansu włoskiego. Zbiór ów obecnie przechowywany w Fototece Lanckorńskich Polskiej Akademii Umiejętności (PAU) stanowi przykład światowej klasy kolekcji fotografii. Przyrównywany bywa do najsłynniejszych tego typu zbiorów, w tym fototeki Bernarda Berensona weFlorencji. Mimo to dopiero od niedawna rozpoczęto systematyczne prace nad inwentaryzacją oraz opracowaniem naukowym całej kolekcji. Hrabia Karol Lanckoroński-znany mi

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22

Michaud, Pauline. "Pratiques et usages de la photographie au sein de la manufacture et du musée de Sèvres au 20e siècle." Sèvres. Revue de la Société des Amis du musée national de Céramique 31, no. 1 (2022): 98–110. http://dx.doi.org/10.3406/sevre.2022.1604.

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The importance of photography both in the collections of the Sèvres Manufactory and of the Museum of Ceramics has never been well known. This article highlights three years of research on the use of photography at Sèvres and the study of the collection of pictures gathered throughout the 19th and 20th centuries.

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Syafriyandi, Syafriyandi, Irpan Riana, and Nova Darmanto. "PEMBUATAN PORTOFOLIO DIGITAL REPRESENTATIF PADA MAHASISWA/I PROGRAM STUDI FOTOGRAFI POLITEKTIK NEGERI MEDIA KREATIF." Jurnal Ilmiah Publipreneur 9, no. 1 (2021): 1–9. http://dx.doi.org/10.46961/jip.v9i1.180.

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ABSTRACT Photography needs are now a part of daily activities, because the images that are produced can be used directly in expressing buying and selling activities and activities on new media. This phenomenon is a great opportunity for Creative Media State Polytechnic Photography Students. But the problem is that not many Photography students know the procedures for making a good or representative digital portfolio to be displayed in the online media for promotion of Photography Services. For this reason, this research has produced a representative digital portfolio for every photography stud

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Bubniak, Ihor, Mariia Oliinyk, Serhiy Tsikhon, Yuriy Golubinka, and Taras Marko. "GEODESY, CARTOGRAPHY, AND AERIAL PHOTOGRAPHY." GEODESY, CARTOGRAPHY, AND AERIAL PHOTOGRAPHY 98,2023, no. 98 (2023): 32–41. http://dx.doi.org/10.23939/istcgcap2023.98.032.

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The purpose of this article is to present and provide a detailed analysis of the 3D model of the Medova Cave in Lviv, created using laser scanning technology. The main objectives include revealing the accuracy and detailing the obtained model, as well as determining its potential applications in various fields such as geological research, scientific exploration, cultural heritage, and tourism. Additionally, the article aims to emphasize the importance and advantages of using laser scanning for creating precise and realistic 3D cave models, opening new possibilities for the study and preservati

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Birkbeck, A. E., and G. F. Tomlins. "Aerial Photography for the Detection of Leachate Migration from Landfills." Water Quality Research Journal 20, no. 3 (1985): 92–102. http://dx.doi.org/10.2166/wqrj.1985.030.

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Abstract Aerial photography of the perimeters of two landfilled areas in British Columbia was acquired in colour and infrared emulsions. The photography was examined for evidence of leakage, or flooding of the leachate collection ditches surrounding the landfill and vegetation stress caused by the landfilling. At. one site the photography was acquired using a miniature experimental remotely piloted aircraft. This aircraft carries two gimbal-mounted 35 mm cameras which allow simultaneous vertical photography using two different film emulsions, different lenses, and/or filter combinations. At th

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Colner, Miha, and Ivan Petrović. "Ivan Petrović, Photographer, Archivist and Artist: Interview with Ivan Petrović." Cabinet, Vol. 2, no. 2 (2017): 4–9. http://dx.doi.org/10.47659/m3.004.int.

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Ivan Petrović (1973) has been working in the fields of photography and art for twenty years as a researcher, creator and collector. Since 1997, he has been creating and publishing photographic projects that reflect the spirit of space and time in which they are created, while in his works he uses both documentary approaches as well as research principles. In 2011, together with photographer Mihail Vasiljević, he founded a para-institution, the Centre for Photography (CEF). Despite lacking its own premises, infrastructure or funds for performing its activities, the institution deals with the se

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Sheehan, T. "African American Vernacular Photography: Selections from the Daniel Cowin Collection." Journal of American History 93, no. 3 (2006): 815–19. http://dx.doi.org/10.2307/4486420.

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28

Salu, Luc. "A library and a bibliography to cope with the torrent of pictures? A glimpse into the Antwerp FotoMuseum." Art Libraries Journal 33, no. 3 (2008): 25–29. http://dx.doi.org/10.1017/s0307472200015443.

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Between 1965 and 1985, the library of the FotoMuseum Provincie Antwerpen acquired three large collections: that of the library of the Association Belge de Photographie, the collection of magazines from Fritz L. Gruber and the company library of the photographic firm Agfa-Gevaert. The bibliographic activities associated with the history of photography were started in 1978 at the European Society for the History of Photography and resulted in a four-part History of photography: a bibliography of books, published 1989 to 1999. The FotoMuseum Provincie Antwerpen produced an augmented version of th

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Putra, Kamal Mushthafa, and Kankan Kasmana. "Photography as A Media for Promotion of Area Tourism in Brebes District." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 3 (December 1, 2022): 594–600. http://dx.doi.org/10.34010/icobest.v3i.190.

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The purpose of this research is to introduce photography media as a means to promote tourism in Brebes Regency because photography looks simpler, modern, real and easy to understand and attracts the human sense of sight and can increase regional tourism visitors in Brebes Regency. This research is a qualitative research using observation methods and data collection techniques using interviews. The results showed that photography as a promotional medium can increase the interest of visitors, especially teenagers, in visiting tours in Brebes Regency. This is evidenced by the results of interview

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Ferreira, Carlos Miguel, and Sandro Serpa. "Photography in Social Science Research." Journal of Educational and Social Research 10, no. 4 (2020): 62. http://dx.doi.org/10.36941/jesr-2020-0065.

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Visual communication is critical in contemporary societies. Research in social sciences increasingly tends to mobilize the image, for example, in the form of photography, in its processes (in the collection and interpretation of information) and products (in the communication of research results), which leads to the need to reflect critically on its specificities. This paper aims to add to the analysis of the potentialities, limitations and challenges of the use of photography in social sciences research. For this purpose, the paper presents and discusses empirically collected documentary expr

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Anderson, Kathy J. "DECADE BY DECADE: TWENTIETH-CENTURY AMERICAN PHOTOGRAPHY FROM THE COLLECTION OF THE CENTER FOR CREATIVE PHOTOGRAPHY. James Enyeart." Art Documentation: Journal of the Art Libraries Society of North America 8, no. 3 (1989): 161. http://dx.doi.org/10.1086/adx.8.3.27948111.

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Šejbl, Jan. "Photographic Estate of Václav Šolc in the Ethnographic Photographic Collection of the Náprstek Museum." Annals of the Náprstek Museum 44, no. 2 (2023): 3–40. http://dx.doi.org/10.37520/anpm.2023.007.

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Ethnographer and writer Václav Šolc (1919–1995) utilised photography as an important tool for his research. Presently, he is the second most featured contributor in the Náprstek Museum Ethnographic Photographic Collection. This study employs digitized documentation as well as the images in the collection themselves to conduct a comprehensive survey to obtain information about this collection from the technical, geographic, and thematic perspectives.

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Häsler, Leonie. "Stereo Imaging In Fashion Photography." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 11, no. 1 (2018): 38–55. http://dx.doi.org/10.31165/nk.2018.111.528.

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Fashion photographs are generally two-dimensional images showing one side of a three-dimensional model. This paper, however, deals with far less well-known stereoscopic fashion photographs. Stereoscopy is a technique that creates the illusion of a 3-D image. Based on the image collection of Swiss textile and clothes company HANRO, the article analyzes the composition of 3-D pictures by putting them in a broader media-historical context. The archived stereoscopic photographs date back to the 1950s and show a series of women’s fashion. In the same period, Hollywood experienced a 3-D-boom that ma

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Stănescu, Mihai. "From Daguerreotype to Autochrome: An Incursion in European, Colonial and Romanian Pharmaceutical and Medical Photography." Studia Universitatis Babeș-Bolyai Historia 66, no. 1 (2022): 159–70. http://dx.doi.org/10.24193/subbhist.2021.1.08.

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"Pharmacists have the ability to be chemists and that is the reason they possess the knowledge to make photographs. For that purpose, especially in the 19th century, some pharmacists were photographers, so the two professions are related to a certain extent. The daguerreotype was an invention that was brought to the attention of the public in the summer of 1839 in Paris by Louis Daguerre. Although it was a French invention, it enjoyed a huge success in the United States, and for that purpose the most numerous daguerreotypes derive from the American continent. Some daguerreotypes from the pharm

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Nisak, Khoirun, and Didik Hariyanto. "Food Photography dan Eating Out di Media Sosial Instagram." KANAL: Jurnal Ilmu Komunikasi 6, no. 1 (2017): 31. http://dx.doi.org/10.21070/kanal.v6i1.1422.

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This study aimed to analyze influence of food photography towards eating out Sidoarjo community in instagram media. Data collection was done by using questionnaire to the respondents who visited the cafe/restaurant Mie akhirat, Kedai Kopi Medan, Wong Solo, dan Dapur M’riah that was located on Jalan Raya Ponti Gelanggang Olahraga Sidoarjo. Samples were taken through random sampling technique with total sample of 100 respondents. The result of this quantitative research showed that there was influence between food photography variable in social media instagram turns out to have an effect to the

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Aina, Salma Qurrotu. "FASHION PHOTOGRAPHY ON INSTAGRAM: A STUDY OF VISUAL ATTRACTION AND MESSAGES DELIVERED." Arty: Jurnal Seni Rupa 11, no. 2 (2022): 41–55. http://dx.doi.org/10.15294/arty.v11i2.53871.

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Fashion photography that was previously distributed through printed media such as magazines, is now also distributed online through social media such as Instagram. Seeing these developments, this study aims to examine the form, visual appeal, and messages conveyed by fashion photography in Instagram’s content. This study uses a descriptive qualitative research approach with analysis of visual methods. Observations and interviews were used for data collection, sourced from fashion marketing accounts on Instagram, and from other Instagram users with photography and fashion education backgrounds.

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Schroer, Carla, and Mark Mudge. "A Context Metadata Collection and Management Tool for Computational Photography Projects." Archiving Conference 2017, no. 1 (2017): 99–104. http://dx.doi.org/10.2352/issn.2168-3204.2017.1.0.99.

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Hambourg, Maria Morris. "Photography between the Wars: Selections from the Ford Motor Company Collection." Metropolitan Museum of Art Bulletin 45, no. 4 (1988): 1. http://dx.doi.org/10.2307/3258720.

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Wilce, Hannah. "The Dr. Ikkaku Ochi Collection: Medical Photography from Japan around 1900." Journal of Visual Communication in Medicine 39, no. 3-4 (2016): 147–48. http://dx.doi.org/10.1080/17453054.2016.1240585.

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Brittain, David. "Found in the UK's National Collection of the Art of Photography." Afterimage 35, no. 3 (2007): 17–19. http://dx.doi.org/10.1525/aft.2007.35.3.17.

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Persohn, Lindsay. "Exploring time-lapse photography as a means for qualitative data collection." International Journal of Qualitative Studies in Education 28, no. 5 (2014): 501–13. http://dx.doi.org/10.1080/09518398.2014.915999.

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Peeler, David P. ""Ansel Adams, a Legacy: Masterworks from the Friends of Photography Collection"." Journal of American History 85, no. 3 (1998): 1029. http://dx.doi.org/10.2307/2567223.

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Britten, Bob, and C. Zoe Smith. "Acquiring Taste: Graham Nash and the Evolution of the Photography Collection." Visual Communication Quarterly 17, no. 3 (2010): 175–89. http://dx.doi.org/10.1080/15551393.2010.502477.

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Ilham, Yanuar, Nugraha Sugiarta, and Oky Mauludya Sudradjat. "PHOTOGRAPHY SERVICES MARKETING COMMUNICATION STRATEGY." ArtComm : Jurnal Komunikasi dan Desain 4, no. 2 (2021): 67–78. http://dx.doi.org/10.37278/artcomm.v4i2.431.

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This research is titled Marketing Communication Strategy Photography services (case study of Personal Selling communication Model in maintaining the Wedding photography product line in Pixto Creative Studio in Bandung). This research explains the personal selling communication strategy and the competing strategy of photography services at Pixto Creative as part of the Integrated marketing communication mix and the service marketing mix that will be used as a reference for Pixto Creative to enhance communication tools to promote potential customers. The purpose of this research is to know the s

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West, Caroline. "The Lean In Collection: Women, Work, and the Will to Represent." Open Cultural Studies 2, no. 1 (2018): 430–39. http://dx.doi.org/10.1515/culture-2018-0039.

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Abstract In February 2014, Getty Images, the largest international stock photography agency, and LeanIn. org, Facebook COO Sheryl Sandberg’s women’s empowerment foundation, announced a new partnership that aimed to change the way women are portrayed in stock photography. The “Lean In Collection” with Getty seeks to challenge visual gendered stereotypes ascribed to both sexes in the daily life of work, home, and family life in advertising imagery. While the overarching ambition of gender empowerment implicit in the mission of Lean In is a worthwhile goal, I look to the problematic relationship

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Proksell, Michelle, and Gabriele de Seta. "A Cabinet of Moments: Collecting and Displaying Visual Content from WeChat." Cabinet, Vol. 2, no. 2 (2017): 88–94. http://dx.doi.org/10.47659/m3.088.art.

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The Chinternet Archive is a collection of tens of thousands of digital images that artist Michelle Proksell has been collecting over years of everyday use of Chinese social messaging app WeChat. These images all come from public WeChat accounts that Michelle finds through a location-based function of the app called “People Nearby”. By regularly exploring the social media profiles of individuals in a one-kilometer radius from her geographical position, Michelle has been able to collect visual content shared by WeChat users in several Chinese cities as well as ten countries around the world. Fro

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Záveská, Daniela, and Helena Medřická. "Doklady fotografické činnosti Františka Řehoře ve sbírkách Národního muzea." Acta Musei Nationalis Pragae – Historia 74, no. 1-2 (2022): 23–32. http://dx.doi.org/10.37520/amnph.2020.003.

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This text examines the photography collection of František Řehoř, created in the last quarter of the 19th century. The archives consisting of photographs and negatives are just one of the many components of the extensive research and collection activities carried out by the researcher. The collection constitutes a valuable insight into the everyday life of the inhabitants of rural settlements in eastern Galicia. The informative value of the collection is greatly enhanced by the detailed descriptions with which the author has accompanied his photographs.

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Zuhdah, Daumi Rahmatika, and Aprillia Firmonasari. "English Language Variation on Indonesian Register of Photography to Characterize the Community Identity." Lire Journal (Journal of Linguistics and Literature) 8, no. 1 (2024): 103–15. http://dx.doi.org/10.33019/lire.v8i1.272.

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This research aims to describe the linguistics form, meaning, and functions under the phenomenon of English language variation used by Indonesian photography enthusiasts. The influence of the English register in lexical categories mostly has undergone a shift in meaning. So, the analysis of English register in the photography context is fascinating to be examined. The method of this research is qualitative descriptive with a sociolinguistics approach. The data are restricted to words and phrases taken from the daily posting of the Facebook community group. The procedure of data collection was

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Lechowicz, Lech. "URSZULA CZARTORYSKA: A WRITER AND MUSEUM CURATOR." Muzealnictwo 63 (August 30, 2022): 120–27. http://dx.doi.org/10.5604/01.3001.0015.9754.

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In the first period of her career Urszula Czartoryska (1934–1998) dealt mainly with criticism. She predominantly focused on photography and its relations with other artistic phenomena, particularly from the borderline territory where artistic genres meet, covering also film and video. Two books summed up that stage in her writing career: Przygody plastyczne fotografii (1965) and Od pop-artu do sztuki konceptualnej (1973). Czartoryska’s professional domains extended in 1977 when she began work as the Head and Curator of the newly-established Department of Photography and Visual Techniques at th

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Green, Hilary N. "Teaching Black Educational Philanthropy Through Photography, 1863–1920s." Public Historian 46, no. 2 (2024): 62–78. http://dx.doi.org/10.1525/tph.2024.46.2.62.

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This article explores the use of photography as a strategy for teaching Black educational philanthropy. Ordinary consumer-philanthropists, white and Black, saw value in the production, sale, and circulation of photography for the support of African American schools in the former Confederate states. In reading these historic photographs, students bear witness to the curated photographic collection of liberated children, traveling choirs, and Historically Black College and University (HBCU) campus communities who left little-to-no written records. The materiality and content of the historic phot

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