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Bibliografias temáticas / Ancestor portrait

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Artigos de revistas

Literatura científica selecionada sobre o tema "Ancestor portrait"

Autor: Grafiati

Publicado: 29 de março de 2025

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Artigos de revistas sobre o assunto "Ancestor portrait"

1

Carrier, David. "Meditations on a Chinese Ancestor Portrait." Artus 2011 - 2012: The Collector's Edition 32, no. 1 (2013): 200–207. http://dx.doi.org/10.1386/artus.32.1.200_3.

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2

Stamm, Laura. "Delphinium’s portrait of queer history." Alphaville: Journal of Film and Screen Media, no. 16 (January 30, 2019): 38–52. http://dx.doi.org/10.33178/alpha.16.03.

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Delphinium: A Childhood Portrait of Derek Jarman (2009) portrays filmmaker Matthew Mishory’s interpretation of the childhood of Derek Jarman described in interviews and autobiographical writing such as At Your Own Risk. The portrait of Jarman honours his memory with a Super 8 inscription that repeats the queer sensibility of Jarman’s cinematic and painterly work. Mishory’s film positions Jarman as his filmmaking predecessor; even more so, it positions Jarman as a sort of queer ancestor. Delphinium’s sense of ancestry demands a reappraisal of Jarman’s work that foregrounds its creation of queer

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3

Chikhladze, Nino. "House of Vardanisdze and the Painting of Jumati Church of Archangels of the First Half of the Fourteenth Century." Caucasus Journal of Social Sciences 17, no. 1 (2024): 11–28. https://doi.org/10.62343/cjss.2024.237.

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The article looks at the issues of establishing a powerful medieval Georgian feudal clan – the Vardanisdze – in Guria and, consequently, those of adopting the hereditary title of Gurieli seen through the portraits identified in the murals of Jumati Monastery. Based on the analysis of artistic style, the painting of the Church dates from the first half of the fourteenth century. The memorial portrait of the prideworthy ancestor of the Vardanisdze family was identified during the 2022 expedition of Tamaz Beradze Institute of Georgian Studies of the University of Georgia. Indeed, in the first hal

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4

Mezhzherina, H. "THE ANNALISTIC PORTRAITS OF THE XI–XIII CENTURIES AND THE HIERARCHY OF MEANINGS IN THE LEXEMS ПЛЕМЯ AND РОДЪ SEMANTIC STRUCTURE". Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, № 35 (2019): 78–91. http://dx.doi.org/10.17721/2075-437x.2019.35.08.

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The research focuses on the fragment «socio-ethical assessment of person» of the early East Slavic world view. The conceptual domain of the fragment has been illuminated in the substantive-adjectival discours. It is the first time that the hierarchy of lexicalsemantic variants in the structure of the meaning of the terms племя and родъ (descendant → family → tribe → genus, clan → social strata → people) coincides with the hierarchy of individualized and generalized socio-ethical portraits (an individualized portrait of a person → a portrait of a clan, a genus; a generalized portrait of a tribe

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5

Popko, V. M. "The cult of the field marshal prince Piotr Wittgenstein in families of his descendants: portraits of glorious ancestor and family relics." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 64, no. 1 (2019): 81–92. http://dx.doi.org/10.29235/2524-2369-2019-64-1-81-92.

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The author analyzed the collections of descendants of the marshal prince Piotr Wittgenstein in which the artifacts connected with this historic figure are stored. Special attention is paid to lifetime portraits of the prince and also their copies. Some of works are attributed and dated, historical circumstances of their creation are specified. In 1834 the marshal has last time visited St. Petersburg. The author connects with this event the emergence of several works of art which weren’t earlier known to experts. The most interesting ones among them are works of the French artist A. Ladurner. T

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Salavessa, Eunice, José Aranha, Rafael Moreira, and David M. Freire-Lista. "Proto-Early Renaissance Depictions, Iconographic Analysis and Computerised Facial Similarity Assessment Connections: The 16th Century Mural Paintings of St. Leocadia Church (Chaves, North of Portugal)." Heritage 7, no. 4 (2024): 2031–54. http://dx.doi.org/10.3390/heritage7040096.

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The aim of this paper is to analyse facial similarity and apply it to identify the individuals depicted in the mural paintings of the apse of St. Leocadia Church, located in Chaves Municipality (North of Portugal), which were painted during the first quarter of the 16th century. This study also compares the portraits of this mural paintings with the oil paintings by the Proto-Renaissance Portuguese painter Nuno Gonçalves. Through this research, the feasibility of face recognition technology is explored to answer many ambiguities about Manueline stylistic identity and iconography. Additionally,

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7

Lomi, Benedetta. "Withered Wood and Dead Ashes—Making Sense of the Sacred Bodies of Kamatari at Tōnomine." Religions 13, no. 5 (2022): 439. http://dx.doi.org/10.3390/rel13050439.

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The portrait statue of Fujiwara Kamatari (614–669) enshrined at Tōnomine is well known for its agency and mantic powers. Known to crack whenever the stability of the clan was under threat, the icon was carefully observed and cared for. However, not one but two portrait statues of the Fujiwara ancestor existed at Tōnomine in the Heian period, until one was destroyed in the infamous 1208 attack by armed supporters of Kinpusen. This article proposes first to investigate the relationship between these two icons, to show how their dynamic interaction is at the source of the cracking episodes that c

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8

Robinson, Francis. "Anniversary General Meeting of the Royal Asiatic Society, Thursday 12 May 2005." Journal of the Royal Asiatic Society 15, no. 3 (2005): 395–97. http://dx.doi.org/10.1017/s1356186305005328.

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AbstractI begin by thanking the Honorary Treasurer for his report for 2004. You will note that, sadly, this will be his last report to the Society's anniversary general meeting. During the coming year Kit Naylor will step down as Honorary Treasurer. He would like to do so now, but has very kindly agreed to see the Society through its move. This has the added benefit of permitting his intended successor, Brampton Mundy, to shadow him. Kit, the Society is hugely in your debt for the time, the judgement and the goodwill you have, over the past eight years, brought to its affairs. This meeting sho

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9

Baidhawy, Zakiyuddin. "DINAMIKA RADIKALISME DAN KONFLIK BERSENTIMEN KEAGAMAAN DI SURAKARTA." Ri'ayah: Jurnal Sosial dan Keagamaan 3, no. 02 (2019): 43. http://dx.doi.org/10.32332/riayah.v3i02.1319.

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This paper tries to search for religious portrait that supports the process of radicalization which is potential in rising social fragmentation; and to study process and dynamics of conflicts, and ethnic, social-economic, political, and intra and inter-religious based radicalism. This study finds out that: Firstly, Surakarta has been known as burning city in political and SARA issues in Central Java and national level. Facts has shown that since 1910 this city witnessed mass riots and amok which are nuanced by ethnic, religious, and political issues. Indeed, some riots outspread their excess a

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10

Donde, Dipanwita. "Selfhood and Subjectivity in Sufi Thought: Image of a Mole on Emperor Akbar’s Nose." Teosofi: Jurnal Tasawuf dan Pemikiran Islam 11, no. 2 (2021): 216–39. http://dx.doi.org/10.15642/teosofi.2021.11.2.216-239.

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This paper addresses the making of portrait-images of Mughal emperors, in which distinctness and particularity in individual features distinguished portraits of emperor Akbar from his ancestors and successors. Scholars have argued that the technique of ‘accurate’ portraits or mimesis was introduced to Mughal artists with the arrival of renaissance paintings and prints from Europe, brought by Jesuit priests to the Mughal court. However, the question of why Mughal emperors saw a need to arrive at portraiture in the likeness of individuals remains to be addressed. This paper argues that the desir

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