Bibliografias temáticas / Anarchism – Italy

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Literatura científica selecionada sobre o tema "Anarchism – Italy"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Anarchism – Italy"

Minuto, Emanuela. "Pietro Gori’s Anarchism: Politics and Spectacle (1895–1900)". International Review of Social History 62, n.º 3 (dezembro de 2017): 425–50. http://dx.doi.org/10.1017/s0020859017000359.

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AbstractThis paper discusses Pietro Gori’s charismatic leadership of the Italian anarchist movement at the turn of the nineteenth century and, in particular, the characteristics of his political communication. After a discussion of the literature on the topic, the first section examines Gramsci’s derogatory observations on the characteristics and success of the communicative style adopted by anarchist activists such as Gori. The second investigates the political project underpinning the kind of “organized anarchism” that Gori championed together with Malatesta. The third section unveils Gori’s communication strategy when promoting this project through those platforms considered by Gramsci as being primary schools of political alphabetization in liberal Italy: trials, funerals, commemorations, and celebrations. Particular attention is devoted to the trials, which effectively demonstrated Gori’s modern political skills. The analysis of Gori’s performance at the trials demonstrates Gramsci’s mistake in identifying Gori simply as one of the champions of political sentimentalism.

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Burolo, Franko. "Brains on the asphalt: Three punk expressions of crisis". Punk & Post-Punk 00, n.º 00 (16 de julho de 2021): 1–15. http://dx.doi.org/10.1386/punk_00105_1.

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Since its crisis-marked beginnings, punk’s relationship with anarchism could be described as ‘complicated’. In spite of the wide use of the word and the circled ‘A’ symbol, not every artist considered anarchy in its political meaning of radical egalitarianism and libertarian socialism. This article explores the ‘impulse of anarchy’ in punk, as considered by Edoardo Sanguineti, as a more-than-political aesthetic phenomenon present in all avant-garde poetry (and arts in general) in modern history, consciously or not, whose ultimate goal is to change life and modify the world. Through this perspective, the article presents a comparative analysis of three expressions of crisis by three different punk groups from three different European countries, in three different languages: ‘Možgani na asfaltu’ (‘Brains on the Asphalt’) in Slovene by Berlinski zid from (then) Yugoslavia, ‘Lasciateci sentire ora’ (‘Let Us Hear Now’) in Italian by Franti from Italy and ‘Crisis’ in English by Poison Girls from the United Kingdom. The article will thus try to contribute to the understanding of anarchist and anarchic influences in coping with crisis under international capitalism and bourgeois hegemony.

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Levy, Carl. "Charisma and social movements: Errico Malatesta and Italian anarchism". Modern Italy 3, n.º 02 (novembro de 1998): 205–17. http://dx.doi.org/10.1080/13532949808454804.

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SummaryThis article examines the role of charismatic leadership in the Italian anarchist and socialist movements in the period up to the biennio rosso. It focuses on the activities of Errico Malatesta (1853–1932) in 1920 after his return from exile in London. Italian anarchism may have relied upon the informal prestige of leaders such as Malatesta to keep the sinews of its organizations together, however even if Malatesta drew enormous crowds on his return, his oratory was far less demagogic than his maximalist socialist competitors. Malatesta's charisma was a product of the supercharged atmosphere of 1920 and his reputation as the ‘socialist Garibaldi’ or the ‘Lenin of Italy’. In fact his Socratic approach, demonstrated in his written and spoken interventions, was rather closer to the educationalism of Mazzini.

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Ferretti, Federico. "Reading Reclus between Italy and South America: translations of geography and anarchism in the work of Luce and Luigi Fabbri". Journal of Historical Geography 53 (julho de 2016): 75–85. http://dx.doi.org/10.1016/j.jhg.2016.05.017.

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Ferrari, Giovannipaolo. "The question of education in the thought of Carlo Pisacane". Rivista di Storia dell’Educazione 9, n.º 2 (11 de novembro de 2022): 75–86. http://dx.doi.org/10.36253/rse-13393.

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The Italian Risorgimento left behind a series of figures and personalities that have become part of the mythopoiesis of a modern nation. An important role was played by the figure of Carlo Pisacane, who on many occasions was stripped of his philosophical-political stance to make way for the figure of the Risorgimento martyr or romantic passionate. We want here to follow in the footsteps of those who have paid particular attention to Pisacane’s political, philosophical and social thought, describing him as a precursor of socialism, anarchism and the idea of a republican Italy united in an assembly of communes. The purpose of this paper is to offer reflections on the problem of education in Pisacane, a subject that very few historians and biographers of Pisacane have addressed and that he himself treated only in passing, but to which he gave an important place in his work. Although he was not an educator or pedagogue, Pisacane attempted to sketch a model of national education because he felt it necessary to complete his description of the social order that would emerge from the new social pact and to emphasize the importance that would be given to education and the pedagogical function in the future organization of the masses.

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Davis, R. G. "Plays from a Marxist Perspective: Interpretations and Misinterpretations of Dario Fo". New Theatre Quarterly 33, n.º 2 (12 de abril de 2017): 188–93. http://dx.doi.org/10.1017/s0266464x17000094.

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R. G. Davis directed the first commercial productions of Dario Fo's Accidental Death of an Anarchist and We Won't Pay We Won't Pay!, both in Canada and the USA. In the context of the original close relevance of the plays to the political situation in Italy, he looks at how in the USA especially their force has been diluted if not extinguished by the imperative to conform to the inherent anti-communsm of American culture. R. G.Davis founded and directed the San Francisco Mime Troupe in the 1960s, and the Epic West Center for the Study of Bertolt Brecht and Epic Theatre at Berkeley in 1975. Later he returned to academia to study science and ecology, and visited Cuba to examine the culture of organic farming. He has contributed previously to New Theatre Quarterly and its predecessor, specifically on Fo in two articles for the original Theatre Quarterly: ‘Seven Anarchists I Have Known: American Approaches to Dario Fo’, in TQ 8 (1986), and ‘Dario Fo Off-Broadway: the Making of Left Culture under Adverse Conditions’, in TQ 40 (1981).

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Pejić, Luka. "Revolutionary Migrants of the Early Labor Movement in Croatia-Slavonia, Dalmatia, and Istria in the Late Nineteenth and the Early Twentieth Century". History in flux 3, n.º 3 (22 de dezembro de 2021): 79–102. http://dx.doi.org/10.32728/flux.2021.3.4.

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In the late nineteenth century, prompted by uneven industrial development, the predominantly agrarian regions of Croatia-Slavonia, Dalmatia, and Istria were slowly undergoing processes of urbanization and economic transformation. As part of the Austro-Hungarian Empire, these regions were subject to dynamic migrations of the labor force from several regions and neighboring countries. Industrialization was the crucial impetus behind the formation of the first working-class organizations and syndicates, but their development, their socio-political goals, and the strategies they employed were heavily influenced by socialist theoreticians and agitators from Austria-Hungary, Serbia, and Italy. This ideologically heterogeneous labor movement depended on cross-border cooperation with different individuals and collectives, ranging from Hungarian Marxists and Austrian social democrats to Italian anarchists. Even though unions and subversive pamphlets were illegal and closely monitored, migratory activists continued to agitate and collaborate with local workers through various underground channels. This paper will analyze various ideological inputs of migratory workers within the area that is now present-day Croatia during the late nineteenth and the early twentieth century. It will also examine the perception of their presence and activism articulated by political authorities and mainstream newspapers. Due to a lack of similar research, emphasis will be placed, to some extent, on anarchist activities in this area.

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Marone, Francesco. "The rise of insurrectionary anarchist terrorism in Italy". Dynamics of Asymmetric Conflict 8, n.º 3 (29 de junho de 2015): 194–214. http://dx.doi.org/10.1080/17467586.2015.1038288.

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Jensen, Richard Bach. "Criminal Anthropology and Anarchist Terrorism in Spain and Italy". Mediterranean Historical Review 16, n.º 2 (dezembro de 2001): 31–44. http://dx.doi.org/10.1080/714004581.

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Poma e Gravante. "Beyond the State and Capitalism: The Current Anarchist Movement in Italy". Journal for the Study of Radicalism 11, n.º 1 (2017): 1. http://dx.doi.org/10.14321/jstudradi.11.1.0001.

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Teses / dissertações sobre o assunto "Anarchism – Italy"

Jolliffe, Michael Douglas. "'Life lawlessly poetic' : Italy, anarchism and American modernism". Thesis, University of Leicester, 2018. http://hdl.handle.net/2381/42844.

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In a letter of 1908, William Carlos Williams accused Ezra Pound of preaching 'poetic anarchy'. Seeking clarification, Pound questioned whether by using this term Williams referred to a ‘life lawlessly poetic and poetically lawless mirrored in the verse' or to 'a lawlessness in the materia poetica and metrica'. This project addresses both elements of the dualism to which Pound refers. It is intended as both a biographically-rooted intellectual history and a semiological analysis of 'poetic anarchy' as it pertains to American literary modernism. Unlike previous works on the subject of anarchist modernism, however, it is set in a transatlantic context, using Italy as an intellectual staging post for investigating the long evolution of classical European anarchism, across the fields of politics, philosophy and economics, into enclaves of American modernist production. Significantly expanding on current scholarship, this project investigates a little-known trio of immigrant Italian anarchists in America: Arturo Giovannitti, Francesca Vinciguerra and Emanuel Carnevali. Through an analysis of poetry, experimental theatre, essays, speeches, economic writings, manifestos, magazines and archival documents, their contributions to modernism are theorised as a twinned labour of social action and revolutionary literary craft. Yet, this concept also shares a reciprocal arrangement with the economic activism that Pound took up in support of Italian fascism. In the case of all four writers, the historical influence of anarchism manifests as a struggle of labour and literature coupled together, pressing advocacy into the centre of their modernist aesthetics, while protest itself becomes staged as an aesthetic practice. This modernism is assessed here as a field of artisan activism indebted to a spectrum of nineteenth century anarchist theories.

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Broder, David. "Bandiera Rossa : communists in occupied Rome, 1943-44". Thesis, London School of Economics and Political Science (University of London), 2017. http://etheses.lse.ac.uk/3688/.

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This study is a social history of communists in wartime Rome. It examines a decisive change in Italian communist politics, as the Partito Comunista Italiano (PCI) rose from a hounded fraternity of prisoners and exiles to a party of government. Joining with other Resistance forces in the Comitato di Liberazione Nazionale (CLN), this ‘new party’ recast itself as a mass, patriotic force, committed to building a new democracy. This study explains how such a party came into being. It argues that a PCI machine could establish itself only by subduing other strands of communist thought and organistion that had emerged independently of exiled Party leaders. This was particularly true in Rome, where dissident communists created the largest single Resistance formation, the Movimento Comunista d’Italia (MCd’I). This movement was the product of the underground that survived across the Mussolini period, expressing a ‘subversive’ politics that took on a popular following through the disintegration of the Fascist regime. Standing outside the CLN alliance and the postwar democratic governments, it reflected the maximalism and eclecticism of a communist milieu that had persisted on the margins of Fascist society. In the Occupation period this dissident movement galvanised a social revolt in the borgate slums, which would also trouble the new authorities even after the Allies’ arrival. Studying the political writing of these dissidents, their autodidact Marxism and the social conditions in which it emerged, this study reconstructs a far-reaching battle to redefine communist politics. Highlighting the erasure of the dissidents’ history in mainstream narration of the Resistance, it argues that the repressed radicalism of this period represented a lasting danger to the postwar PCI and the new Republic.

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Leitch, Alison. "The killing mountain : work, gender and politics in an Italian marble quarrying community". Thesis, The University of Sydney, 1993. https://hdl.handle.net/2123/27317.

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The first two chapters focus on the claims quarry workers make about the independence and unique status o f their work. The first chapter historically contextualizes and describes the organization of the production o f marble in Carrara. One of my main aims here is to illuminate the idiosyncratic features o f marble quarrying within a cross cultural perspective. The first half concentrates on the quarries, the history of the technology of marble production and the contemporary work process. In the second section I look more closely at the organization o f the marble industry and patterns o f ownership. The second chapter turns to a closer examination o f the labour force where I look at the processes o f recruitment, the division o f labour and work conditions. I conclude this chapter with a discussion o f the hierarchy o f skill and the continuing importance of notions of craft and skill to work identities, despite recent transformations in the work process. The third chapter deepens this discussion by further analysing workers’ perceptions o f their work and their cultural constructions o f work identity. In particular, I explore the ways in which quarry workers contrast practical knowledge and skills embodied through the work experience with the more technical and scientific knowledge o f outside experts. This leads to an examination o f quarry language as an expression o f work and gender identity, and an argument that the experience o f work itself is an important and often neglected arena o f social analysis in contemporary debates about work. The history o f occupational injury in the quarries is the focus o f chapter four. In detailing the risks of work and the high rate o f injury, I suggest that injury is a normal consequence o f the work process in an inherently dangerous work environment, but through an analysis o f labour rhetoric and the close examination o f an event known as the “ Bettogli Disaster” , I argue that the conditions o f risk are as much socially and culturally constructed ideas as material realities. In opposition to current sociological and psychological models o f occupational health and safety, I argue that the risks o f injury and body mutilation constitute an important arena for the construction o f work identities which in turn, contribute to apparently contradictory responses to questions of safety in the quarries. The chapter concludes with a discussion o f the experience o f death as an expression o f class and gender identity. This last theme is further explored in chapter five, which is broadly concerned with the relationship between home and work. Here I coin the term “ the economy of fear” to describe to the ways in which women emotionally manage fear, in a community where death and body mutilation is a frequent and catastrophic event. This chapter also analyses the roles of women within the household and the political culture of the village and examines the processes of female exclusion and domestic containment through constructions of femininity in a gendered work culture. The concluding chapter uses historical and literary texts to discuss the association of Carrara in the national imagination of Italy with a long tradition of anarchism. In these texts a causal relationship is often drawn between work in the marble quarries and the survival of anarchism as a political tradition. While not wanting to negate the empirical and historical reality of anarchism in Carrara, I conclude that some writers, Italian labour historians in particular, have misinterpreted the connections between the organization of marble production and anarchism.

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Perfetti, Guglielmo. "Absolute beginners of the 'Belpaese' : Italian youth culture and the Communist Party in the years of the economic boom". Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9132/.

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This study has the aim of exploring aspects of youth culture in Italy during the economic boom of the late 1950s and early 1960s. Its theoretical framework lies between the studies around Italian youth culture and those around the Italian Communist Party (PCI), investigating the relationship between young people and contemporary society and examining, for the first time, the relationship of the former with the PCI, its institutions and media organs. The arrival of an Anglo-American influenced pop culture (culture transmitted by the media and targeted at young people) and of its market, shaped the individualities of part of the pre-baby boomers that, finally, were able to create bespoke identities somewhat disconnected from the traditional party-related narrative while remaining on the left of the political spectrum. Pop symbols that blossomed in the late 1950s, such as the striped t-shirt, would characterise the style of young protesters who included them in their collective imagination from the early 1960s onwards. Simultaneously, a flourishing pop market gave space to other cultural experiences including Cantacronache, a group of young musicians based in Turin who vividly depicted Italy of the boom through their lyrics. Their efforts can be read as belonging to a pop market that finally starts to open up towards new musical stimuli. They aimed to make their music available beyond the circle of left-wing activism as well and they were produced by a label linked to the PCI that in those years was reshaping its approach towards society, getting rid of its radical fringes and opening to a dialogue with diverse strata of the public, including young people, women and non-members. The thesis investigates how the Communists and its Youth Federation (FGCI), reacted to the development of youth culture as an aspect of modernisation in general. Through an examination of the party’s approach to the youth revolts of the early 1960s and of its formal documents targeted at young people in general, we analyse how – and how successfully – the Communists tried to engage with young people while often, internal strands, the monolithic nature of the party and other elements, posed severe obstacles in meeting their demands, creating a fracture that would grow in the following years. The thesis also investigates how the party’s attempt to address young people was translated into the promotion of magazines in which serious political topics were discussed alongside other themes such as investigations into society and into the “questione giovanile.” In this respect, we will see how the FGCI journal Nuova generazione tried, in the late 1950s, to take account of youth inclinations paying attention to other important topics such as the emancipation of young women. The generation we look at is the first to claim the right to build its individual identities by drawing on pop culture and modernisation, developing codes and behaviours that pulled away from those set by the institutions.

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Lapolla, Luca. "Anarchist heterotopias : post-1968 libertarian communities in Britain and Italy". Thesis, Birkbeck (University of London), 2018. http://bbktheses.da.ulcc.ac.uk/310/.

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This thesis explores libertarian and anarchist communities – such as social centres, squats, and communes – in the UK and Italy since 1968. It shows how they relate and contribute to wider Left and social movements, despite being often overlooked by historians. Such places functioned as gateways into activism for ‘ordinary people’ and as catalysts to action for existing activists. They have provided a space to experiment and implement radical social alternatives to the status quo. These communities also facilitated the transmission of intergenerational radical memories and traditions. Like Foucauldian heterotopias, such ‘counter-sites’ simultaneously ‘represented, contested, and inverted’ the expressions of the dominant cultures. To explore the effects of this simultaneous replication and inversion of the status quo, this dissertation draws on interviews I have conducted with libertarians involved in these communities. They enable a critical appraisal of the tension between theoretical and actual communities, and of the persistence of mainstream ideas and power relations within these spaces. In particular, this work investigates the variations in the attitude of libertarian activists towards key facets in the life of their communities. I focus especially on the influence space/place and activists have on each other; the perception of time and preservation of collective memory; and the construction of identities and emergence of power relations. The period covered allows for an analysis of experiences of a new type of libertarianism – influenced by (and influencing) countercultures and new social movements. By comparing British and Italian communities within this time and with precedent cases, the dissertation illustrates how different historical and spatial contexts inflect experiences of community living and participation. It thus challenges widespread assumptions inside both the mainstream and the libertarian movement (as well as the cohesiveness of such constructs) and sheds light on the changes and continuities in the life of libertarians within and beyond such communities.

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Lundström, Sofia. "Jakten på anarkister : En undersökning utifrån Stockholmspolisens förbrytarporträtt under sekelskiftet 1900". Thesis, Södertörn University College, Lärarutbildningen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-3692.

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This essay is called ”The hunt for anarchists- a study about the police in Stockholm's collection of bandit portrait during the turn of the century 1900” and it is about the criminal category ”Anarchists” who the police in Stockholm used at the turn of the century 1900. In the archive from the police in Stockholm during the essays time perspective, 1899-1909, there are about one hundred photographs in the category ”Anarchists”, about half of these pictures have no information besides the names of the people, but the other half, 48 persons, have some information about age, work title and where the person come from. The information showed that the people in the pictures where not from Sweden, and after controlling them in all different kinds of archives I found only ten of them have left any traces in Stockholm. What I realized then was that the people on the pictures are anarchists from different countries in Europe, mostly from Italy, and that the police in Stockholm had these pictures because different police stations around Europe had sent them to the police in Stockholm. The police in Stockholm where on the lookout for fugitive anarchists.

The literature about the anarchist movement in Italy during this time describe the hard situation for Italian anarchists. The police had persecuted, arrested and executed manyof them so many anarchists had fled abroad. The same was for Russian anarchists after the unsuccessful revolution in 1905. Eight of the ten anarchists of the police photographs who had been in Stockholm where Russians. They were a group who was accused of trying to kill the Russian czar visiting Stockholm in 1909.

None of the anarchists on the pictures have ever in Stockholm committed a political crime so to find out what a anarchist crime is have not been possible. But the general picture of the anarchists in the photographs is of a man in his 30’s with a working class job, in short: an everyday man.

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Francescangeli, Eros. "La sinistra rivoluzionaria in Italia. Politica e organizzazione (1943-1978)". Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3425284.

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This dissertation analyzes that peculiar political front that in the 1970s called itself, and was generally called «revolutionary left», in alternative to the «official», «traditional», or «historical» left represented by the Italian Communist Party (Pci) and the Italian Socialist Party (Psi). The research, however, embraces a longer time span of Italian socio-political history and the international labor movement, starting with the anarchist movement and the dissident organizations that in 1943-44 appeared within the socialist-communist traditions (Trotskyites, Bordigists, socialist left, etc.), and ending with the Marxist-Leninist and operaista (“workerist”) organizations of the sixties and seventies. The cross-sectional analysis of the sources has revealed both continuities and discontinuities in the political activism of the revolutionary left before and after 1968. In any case, the former seem to outnumber the latter
Questa ricerca analizza quella peculiare area politica che negli anni settanta si rappresentò, e in genere venne rappresentata, come «sinistra rivoluzionaria», alternativa a quella definita «ufficiale», «tradizionale» o «storica» (Partito comunista italiano e Partito socialista italiano). La ricerca, tuttavia, abbraccia un arco temporale relativamente ampio della storia politico-sociale italiana e del movimento operaio italiano e internazionale. Partendo dal dissidentismo anarchico e social-comunista (trockisti, bordighisti, sinistra socialista, ecc.), che si manifesta a partire dal 1943-1944, si arriva alle organizzazioni rivoluzionarie degli anni sessanta e settanta: marxisti-leninisti e operaisti. Dallo studio incrociato delle fonti è emerso come il rapporto tra il Sessantotto e la militanza politica nei gruppi della sinistra rivoluzionaria pre e post-sessantottina fosse caratterizzato sia da elementi di continuità-omogeneità sia da elementi di rottura-eterogeneità. In ogni caso, i primi sembrano sopravanzare i secondi

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Faber, David. "FG Fantin: the life & times of an Italo-Australian anarchist 1901-42". 2008. http://hdl.handle.net/2440/49028.

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This thesis is inspired by the historical principles of RG Collingwood, an historiographer whose precepts are recurrently cited herein. It is the life and times style biography of Francesco Giovanni Fantin, born San Vito de Leguzzano in the Schio district of the Province of Vicenza in the Veneto region of Italy 20 January 1901, died Loveday Internment Camp Compound 14A, South Australia 16 November 1942. SA police at the time found that Fantin was assassinated by fascist conspirators who contrived to intimidate witnesses and interfere with material evidence, (findings here confirmed) frustrating the laying of a charge of murder and leading in March 1943 to the sentencing of Giovanni Casotti to two years hard labour for manslaughter in the Supreme Court of South Australia. (Casotti was subsequently deported.) This thesis begins with the reconstruction of Fantin’s origins in one of the rural crucibles of Italian capitalism and industrialism. The presence of anarchist traditions in the Province and in Fantin’s immediate circle in the late nineteenth and early twentieth centuries is documented. The history of the Great War, the Red Biennium and the Rise of Fascism in the Schio district is then reconstructed in connection with Fantin’s formative years, with particular reference to the role of the textile strike of 1921 as the precursor to the political and mass emigration from the district to Australia of which Fantin was a humble protagonist. Fantin’s years as an antifascist activist in exile in Australia are then rehearsed as an essential prerequisite for understanding why he was selected for assassination. The thesis closes with a detailed reconstruction of how his death was encompassed and its political implications managed by Dr HV Evatt. An Iconographic Appendix and Bibliography follow.
http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1331596
Thesis (Ph.D.) -- University of Adelaide, School of Economics, 2008

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Livros sobre o assunto "Anarchism – Italy"

Finzi, Paolo. Emilio Canzi: An Anarchist Partisan in Italy and Spain. London: Kate Sharpley Library, 2006.

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Pernicone, Nunzio. Italian anarchism, 1864-1892. Princeton, N.J: Princeton University Press, 1993.

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Paul Avrich Collection (Library of Congress). Cinquant'anni di Volontà: Indici 1946-1996. Milano: Editrice A, 1999.

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Whitaker, Stephen B. The anarchist-individualist origins of Italian fascism. New York: Peter Lang, 2002.

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Levy, Carl. Gramsci and the anarchists. Oxford, UK: Berg, 1999.

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International Congress of Anarchist Federations (1968 Carrara, Italy). Alla prova del Sessantotto: L'anarchismo internazionale al congresso di Carrara : Congrès international de federations anarchistes ... Carrara, Teatro degli Animosi, 31 agosto-3 settembre 1968. Milano: Zero in condotta, 2008.

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Roberto, Zani, ed. Alla prova del Sessantotto: L'anarchismo internazionale al congresso di Carrara : Congrès international de federations anarchistes ... Carrara, Teatro degli Animosi, 31 agosto-3 settembre 1968. Milano: Zero in condotta, 2008.

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Giornata di studi su L'antifascismo rivoluzionario (1992 Pisa, Italy). Atti della Giornata di studi su L'antifascismo rivoluzionario: Tra passato e presente : Pisa 25 aprile 1992. Pisa: BFS, 1993.

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Tiqqun. Esto no es un programa. 2^a ed. Madrid, España: Errata Naturae Editores, 2014.

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Capítulos de livros sobre o assunto "Anarchism – Italy"

Weisskopf, Michael. "Украина в наследии Жаботинского". In Biblioteca di Studi Slavistici, 95–108. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.09.

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The Ukrainian Theme in the Legacy of Vladimir (Ze’ev) Jabotinsky. Vladimir (Ze’ev) Jabotinsky (1880-1940) combined the characteristics of a convinced individualist, a nationalist-statist, and an equally convinced liberal with a tendency toward anarchism. He respected every people’s struggle for independence and called nationalism “the individualism of nations”. In his prose, essays and journalism, Jabotinsky was able to synthesize rational analysis with fearless intuition. This combination enabled him to predict both World Wars I and II and the Holocaust, long before Hitler invaded Poland. As a young man he lived for several years in Italy, which he considered his spiritual homeland. His views were formed, on the one hand, under the influence of Italian socialists, Garibaldi and Italian culture in general, and, on the other hand, under the influence of Ukrainian socialists, champions of independence. He maintained friendly contacts with some of them because he combined his Zionism with Ukrainianophilia, which survived despite the monstrous Jewish pogroms organized by the Petlyura troops in 1919-20. A special theme touched upon in the report is the supposed echoes of Ukrainian spontaneous individualism in Jabotinsky’s anarchist tendencies.

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Renga, Dana. "Failed Anarchists and Anti-Heroes in Lina Wertmüller’s Amore e anarchia". In Assassinations and Murder in Modern Italy, 223–34. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230606913_18.

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Marone, Francesco. "Left-Wing and Anarchist Extremism in Italy". In The Palgrave Handbook of Left-Wing Extremism, Volume 1, 261–79. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-30897-0_15.

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Levy, Carl. "The Anarchist Assassin and Italian History, 1870s to 1930s". In Assassinations and Murder in Modern Italy, 207–21. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230606913_17.

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Gaston, Bruce. "The Background". In Saki (H.H. Munro), 33–36. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0365.05.

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Henri Deplis, a commercial traveller from Luxembourg, is working in Italy when he unexpectedly inherits some money from a distant relative. Prompted by his new wealth, he has his back tattooed by a renowned tattoo artist. Unfortunately, he has already squandered most of his inheritance and cannot pay the bill. The artist dies and his widow presents the artwork to the municipality of Bergamo. In consequence, Deplis suffers a number of interferences from the Italian authorities, who consider the tattoo an important artwork. Deplis finds himself prevented from leaving Italy, as he neither owns the picture nor possesses an export license for it. These experiences lead him into radical politics and the tattoo is damaged in a fight with another anarchist, after which he is expelled from the country as a politically undesirable person. He ends his days in Paris suffering under the delusion that he is one of the lost arms of the Venus de Milo.

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Capancioni, Claudia. "Sherlock Holmes, Italian Anarchists and Torpedoes: The Case of a Manuscript Recovered in Italy1". In Sherlock Holmes and Conan Doyle, 80–92. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137291561_6.

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"11. Anarchism in Italy". In Anarchism, 275–98. University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442602359-012.

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Levy, Carl. "Malatesta and the war interventionist debate 1914–17: from the ‘Red Week’ to the Russian revolutions". In Anarchism, 1914-18. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784993412.003.0004.

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This chapter will examine Errico Malatesta’s (1853-1932) position on intervention in the First World War. This will include polemics within the Italian anarchist communities in Italy, London and the diaspora, and with the international anarchist movement, most notably with Kropotkin. The organising theme is the concept of the lesser evil in choosing war or peace. This chapter concludes with a discussion of the unintended consequences of the First World War, which posed challenges and crises for anarchism.

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Laursen, Ole Birk. "‘The bomb plot of Zurich’: Indian nationalism, Italian anarchism and the First World War1". In Anarchism, 1914-18. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784993412.003.0007.

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This essay explores the so-called ‘Bomb Plot of Zürich’, in which the Indian nationalists Virendranath Chattopadhyaya and Abdul Hafiz of the Indian Independence Committee collaborated with the German Foreign Office and a band of Swiss-based Italian anarchists led by Arcangelo Cavadini and Luigi Bertoni to smuggle German-manufactured bombs, weapons and poison into Switzerland and Italy in the summer of 1915. This was a prime example of the solidarities and overlaps between, in principle, conflicting ideologies of Indian nationalism, German imperialism and Italian anarchism. The essay draws primarily on proceedings from the Swiss Federal Court and aims to situate the event within both the histories of the Indian nationalist movement abroad as well as the Italian anarchist movement. It argues that, during the geo-political context of the First World War, the Indian nationalists forged strategic alliances with strange bedfellows to overthrow the British Empire.

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Levy, Carl. "Anarchism and Syndicalism in Italy". In The Cambridge History of Socialism, 411–43. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108611022.018.

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