Literatura científica selecionada sobre o tema "Analyse de structures musicales"
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Artigos de revistas sobre o assunto "Analyse de structures musicales"
Nattiez, Jean-Jacques. "Modèles linguistiques et analyse des structures musicales". Canadian University Music Review 23, n.º 1-2 (6 de março de 2013): 10–61. http://dx.doi.org/10.7202/1014517ar.
Texto completo da fonteAndreatta, Moreno. "Une introduction musicologique à la recherche « mathémusicale » : aspects théoriques et enjeux épistémologiques". Circuit 24, n.º 2 (13 de agosto de 2014): 51–66. http://dx.doi.org/10.7202/1026184ar.
Texto completo da fonteTack, Lieven, e Stephan Weytjens. "Tensions, parallèles et interférences entre texte et musique. Le cas de Pierrot lunaire d’Arnold Schoenberg." Hors dossier 29, n.º 2 (12 de abril de 2005): 115–23. http://dx.doi.org/10.7202/030631ar.
Texto completo da fonteFréchette, Charles-Antoine. "L’Écomimétisme ou les reflets des manifestations sonores de l’environnement". Circuit 25, n.º 2 (9 de setembro de 2015): 19–37. http://dx.doi.org/10.7202/1032933ar.
Texto completo da fonteMeric, Renaud, e Makis Solomos. "Écosystèmes audibles et structures sonores émergentes dans la musique d'Agostino Di Scipio. Une collaboration entre philosophie de la musique et analyse musicale". Musurgia XVIII, n.º 3 (2011): 39. http://dx.doi.org/10.3917/musur.113.0039.
Texto completo da fonteManiez, François. "Traitement de l’ambiguïté syntaxique et sémantique en TA neuronale : analyse de la traduction de l’anglais vers le français, l’espagnol et l’italien". Traduction et Langues 21, n.º 1 (31 de agosto de 2022): 10–27. http://dx.doi.org/10.52919/translang.v21i1.872.
Texto completo da fonteRusu, Mihaela, e Ciprian Costin. "Discovering music cryptograms in the works of Viorel Munteanu through computer aided methods". Artes. Journal of Musicology 23, n.º 1 (1 de abril de 2021): 165–73. http://dx.doi.org/10.2478/ajm-2021-0008.
Texto completo da fonteLeicester, H. Marshall. "Discourse and the film text: Four readings of Carmen". Cambridge Opera Journal 6, n.º 3 (novembro de 1994): 245–82. http://dx.doi.org/10.1017/s0954586700004328.
Texto completo da fonteYANG, PEIHONG. "Neo-Folklore Motifs in a Chen Yi’s Piano Work". Revista de etnografie și folclor / Journal of Ethnography and Folklore 2023, n.º 1-2 (2023): 184–97. http://dx.doi.org/10.59277/jef.2023.1-2.11.
Texto completo da fonteNeary, Clara. "‘Please could you stop the noise’: The grammar of multimodal meaning-making in Radiohead’s ‘Paranoid Android’". Language and Literature: International Journal of Stylistics 28, n.º 1 (fevereiro de 2019): 41–60. http://dx.doi.org/10.1177/0963947019827073.
Texto completo da fonteTeses / dissertações sobre o assunto "Analyse de structures musicales"
Martin, Benjamin. "Analyse de structures répétitives dans les séquences musicales". Thesis, Bordeaux 1, 2012. http://www.theses.fr/2012BOR14711/document.
Texto completo da fonteThe work presented in this thesis deals with repetitive structure inference from audio signal using string matching techniques. It aims at proposing and evaluating inference algorithms from a formal study of notions of similarity and repetition in music.We first present a method for representing audio signals by symbolic strings. We introduce alignment tools enabling similarity estimation between such musical strings, and evaluate the application of these tools for automatic cover song identification. We further adapt a bioinformatics indexing technique to allow efficient assessments of music similarity in large-scale datasets. We then introduce several specific repetitive structures and use alignment tools to analyse these repetitions. A first structure, namely the repetition of a chosen segment, is retrieved and evaluated in the context of automatic assignment of missingaudio data. A second structure, namely the major repetition, is defined, retrieved and evaluated regarding expert annotations, and as an alternative indexing method for cover song identification.We finally present the problem of repetitive structure inference as addressed in literature, and propose our own problem statement. We further describe our model and propose an algorithm enabling the identification of a hierarchical music structure. We emphasize the relevance of our method through several examples and by comparing it to the state of the art
Lascabettes, Paul. "Mathematical Models for the Discovery of Musical Patterns, Structures and for Performances Analysis". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUS578.
Texto completo da fonteThe purpose of this thesis is to provide mathematical models for the understanding and analysis of symbolic representations of music. In particular, this thesis is divided into three parts. How to discover musical patterns? How are these patterns organized within the musical structure? And finally, how are these patterns performed during musical performance? First, this thesis focuses on the musical pattern discovery task. Previous work identifies two different approaches: the sequential and geometric approaches. We propose a method for each of these two approaches. We propose a method for developing the multidimensional approach. In particular, we show that the theory of mathematical morphology is well suited to the geometrical approach, making it possible to obtain mathematical results for the discovery of musical patterns. In the second part, we focus on the musical segmentation task. We propose a method based on homogeneity and one based on repetition, which are the two main features to be studied in order to discover the segmentation of a piece. The homogeneity-based method uses morphological filters to detect blocks on the diagonal of the self-similarity matrix. We also develop a method based on almost repetition without overlaps to obtain the hierarchical segmentation of a musical piece. The third part is dedicated to the computational models for music performances. We focus on the MazurkaBL dataset, which contains annotations of over 2000 recorded performances of 46 Chopin Mazurkas. To analyze this dataset, we propose to represent a musical performance in a 2-simplex, allowing us to characterize and interpret the expressivity of a performance. Then, we show how the theory of optimal transport can be used to compare musical performances
Moll, Olga. "Structures de la jouissance musicale : une interprétation psychanalytique". Paris 8, 2003. http://www.theses.fr/2003PA082350.
Texto completo da fonteMusic will be discussed hereunder using psychoanalytical concepts. The ground will be Freud's and Lacan's theories. First, the road from linguistic to psychoanalysis , that places meaning in a new field and lets music be considered a discourse, as well as dreams or symptoms. Musical activity will be confronted to Lacan's intersubjectivity diagram. Applied research studies demonstrated that human development was driven by desire and its realisation. Music will therefore be analysed from the angle of desire. Music's singularity among other forms of sublimation will be obvious. The Orpheus myth, which is of paramount importance for musical activity, will be analysed through its early versions, then through its musical adaptations. The musical discourse will be finally focused on, searching for clues of displacement or condensation
Justel, Elsa. "Les structures formelles dans la musique de production électronique". Paris 8, 2000. http://www.theses.fr/2000PA081902.
Texto completo da fonteBedoya, Ramos Daniel. "Capturing Musical Prosody Through Interactive Audio/Visual Annotations". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUS698.
Texto completo da fonteThe proliferation of citizen science projects has advanced research and knowledge across disciplines in recent years. Citizen scientists contribute to research through volunteer thinking, often by engaging in cognitive tasks using mobile devices, web interfaces, or personal computers, with the added benefit of fostering learning, innovation, and inclusiveness. In music, crowdsourcing has been applied to gather various structural annotations. However, citizen science remains underutilized in musical expressiveness studies. To bridge this gap, we introduce a novel annotation protocol to capture musical prosody, which refers to the acoustic variations performers introduce to make music expressive. Our top-down, human-centered method prioritizes the listener's role in producing annotations of prosodic functions in music. This protocol provides a citizen science framework and experimental approach to carrying out systematic and scalable studies on the functions of musical prosody. We focus on the segmentation and prominence functions, which convey structure and affect. We implement this annotation protocol in CosmoNote, a web-based, interactive, and customizable software conceived to facilitate the annotation of expressive music structures. CosmoNote gives users access to visualization layers, including the audio waveform, the recorded notes, extracted audio attributes (loudness and tempo), and score features (harmonic tension and other markings). The annotation types comprise boundaries of varying strengths, regions, comments, and note groups. We conducted two studies aimed at improving the protocol and the platform. The first study examines the impact of co-occurring auditory and visual stimuli on segmentation boundaries. We compare differences in boundary distributions derived from cross-modal (auditory and visual) vs. unimodal (auditory or visual) information. Distances between unimodal-visual and cross-modal distributions are smaller than between unimodal-auditory and cross-modal distributions. On the one hand, we show that adding visuals accentuates crucial information and provides cognitive scaffolding for accurately marking boundaries at the starts and ends of prosodic cues. However, they sometimes divert the annotator's attention away from specific structures. On the other hand, removing the audio impedes the annotation task by hiding subtle, relied-upon cues. Although visual cues may sometimes overemphasize or mislead, they are essential in guiding boundary annotations of recorded performances, often improving the aggregate results. The second study uses all CosmoNote's annotation types and analyzes how annotators, receiving either minimal or detailed protocol instructions, approach annotating musical prosody in a free-form exercise. We compare the quality of annotations between participants who are musically trained and those who are not. The citizen science component is evaluated in an ecological setting where participants are fully autonomous in a task where time, attention, and patience are valued. We present three methods based on common annotation labels, categories, and properties to analyze and aggregate the data. Results show convergence in annotation types and descriptions used to mark recurring musical elements across experimental conditions and musical abilities. We propose strategies for improving the protocol, data aggregation, and analysis in large-scale applications. This thesis contributes to representing and understanding performed musical structures by introducing an annotation protocol and platform, tailored experiments, and aggregation/analysis methods. The research shows the importance of balancing the collection of easier-to-analyze datasets and having richer content that captures complex musical thinking. Our protocol can be generalized to studies on performance decisions to improve the comprehension of expressive choices in musical performances
Bruschini, Adrien. "Tonalités, motifs et structures d'intervalles dans les mélodies de Claude Debussy (1887-1893)". Thesis, Nice, 2014. http://www.theses.fr/2014NICE2049/document.
Texto completo da fonteIn the late 1880's, Claude Debussy's musical language, influenced by Wagner, symbolism and Baudelaire's poetry, deeply transforms itself.The tonal system, still regarded as the unique horizon of expectations (Jauss) of European musical institutions, is pushed to the background in the composer's melodies by his characteristic associations with poetical themes like memories, humor, and reclusion.This thesis focuses on an analysis of these transformations and on a comparison of this new musical language with Ernest Chausson's Serres chaudes, which still shares the same poetic and musical influences
Tillmann, Barbara. "Perception des structures musicales : apprentissage et modélisation". Dijon, 1999. http://www.theses.fr/1999DIJOL026.
Texto completo da fonteWestern listeners acquire a sensitivity to the regularities of the tonal system of Western music by mere exposure to tonal musical pieces. Once acquired, this knowledge allows the construction of a mental representation of the structure of tonal musical pieces. The present research examines the perception of large musical structures, the contribution of tonal knowledge in this processing and the acquisition of this knowledge. The first part of the research investigates the perception of global and local structures in real musical pieces. Different experimental paradigms (judgments of expressivity and coherence, resolution of “musical puzzles”, target detection and recognition) provide evidence that local structures prevail over global structures. Global structures seem to have relatively little importance for the listener in pieces of 3 min. Or 20 sec in length. The second part examines the contribution of tonal knowledge to the processing of event structures in short sequences (8 to 14 chords). The harmonic priming paradigm reveals an influence of global and local structures on chord processing. Simulations with a connectionist model of tonal knowledge representation (Bharucha, 1987) suggest that the influence of the structures emerges from simple activation of tonal knowledge and its accumulation over time – without hierarchical integration in an overall structure. Connectionist models allow modeling of the capacity of the cognitive system to extract underlying regularities from the environment. In the third part, learning simulations of the tonal system are realized with the help of an unsupervised learning algorithm. The network, combined with a spreading activation mechanism, allows modeling of experimental data on the processing of event structures in terms of information accumulation rather than in terms of a hierarchical integration strictly speaking
Déguernel, Ken. "Apprentissage de structures musicales en contexte d'improvisation". Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0011/document.
Texto completo da fonteCurrent musical improvisation systems are able to generate unidimensional musical sequences by recombining their musical contents. However, considering several dimensions (melody, harmony...) and several temporal levels are difficult issues. In this thesis, we propose to combine probabilistic approaches with formal language theory in order to better assess the complexity of a musical discourse, both from a multidimensional and multi-level point of view in the context of improvisation where the amount of data is limited. First, we present a system able to follow the contextual logic of an improvisation modelled by a factor oracle whilst enriching its musical discourse with multidimensional knowledge represented by interpolated probabilistic models. Then, this work is extended to create another system using a belief propagation algorithm representing the interaction between several musicians, or between several dimensions, in order to generate multidimensional improvisations. Finally, we propose a system able to improvise on a temporal scenario with multi-level information modelled with a hierarchical grammar. We also propose a learning method for the automatic analysis of hierarchical temporal structures. Every system is evaluated by professional musicians and improvisers during listening sessions
Bigand, Emmanuel. "Perception et compréhension des phrases musicales". Paris 10, 1990. http://www.theses.fr/1990PA100034.
Texto completo da fonteTwo levels may be distinguished in any tonal melody : one corresponding to the physionomical organization (rhythms, melodic contours, dynamics, etc. ) Called "superficial structure", the other corresponding to the underlying organization defined by the network of hierarchical relations associating the phrase notes. The purpose of this study is to specify how musician and non-musician listeners manage to proceed from the perception of physionomical characteristics of the musical surface to the understanding of the underlying network of hierarchical relations. In the first volume, the author considers an important number of experimental studies realized in psychology of music. They inform us of the different perceptual and cognitive processes occuring while listening to music. Their interaction is studied in a detailed review of lerdahl and jackendoff's book : a generativ theory of tonal music (1983). In the second volume the author exposes a series of seven experiments aiming to test the central hypothesis of that modal. The first three show the influence of underlying organization on the memorizing of melodies. The following experiments, proceed by identification tests. They confirm the existence of a processing level in which the phrase is no more represented by its physionomical aspects but by its underlying hierarchical relations. Three general aptitudes are required in order to be able to abstract such a network : one concerning the implicit knowledge of pitch hierarchies set up by the tonal system, another concerning the principles of rhythmic grouping and the last concerning memorizing processes. Every occidental adult listener possesses the three enabling him to get a more or less elaborated understanding of a tonal musical piece. In conclusion, the author considers how those aptitudes appear during the child's growth and what they tell about a more general competence for musical structuring
Poulin-Charronnat, Bénédicte. "Effet d'expertise sur le traitement des structures musicales". Dijon, 2003. http://www.theses.fr/2003DIJOL012.
Texto completo da fonteThe purpose of the present thesis is to evaluate how the perception of musical structures changes according to the expertise of the listeners. A first set of four experiments using the harmonic priming paradigm shows that the listeners, musicians and non-musicians, behave in an identical way in response to the factors manipulated, and notably that they are more sensitive to the cognitive than to the acoustic manipulations. This first result demonstrates that the listeners possess knowledge of the Western tonal system, and independently of their degree of expertise. A fifth study has then specifically evaluated the musical expertise effect. Once again, an absence of difference between musicians and non-musicians suggest that not only music is something acquired by implicit learning procedures but in addition that the perception of music implies cognitive processes that are themselves implicit. In a sixth study, the implicit learning of regularities underlying a new musical system was shown in both musicians and non-musicians. It appears that the implicit characteristic of learning and processing of music are similar to those of language. The two last studies have shown interactions between language and music, suggesting that our brain, by parsimony, could have identical cognitive processes to treat information coming from similar systems
Livros sobre o assunto "Analyse de structures musicales"
Collins, Judd Cristle, ed. Tonal structures in early music. New York: Garland Pub., 1998.
Encontre o texto completo da fonteBerry, Wallace. Structural functions in music. New York: Dover, 1987.
Encontre o texto completo da fonteSabine, Bérard, ed. Analyse d'œuvres musicales du XXe siècle. [Bourg-la-Reine]: Zurfluh, 1998.
Encontre o texto completo da fonteHepokoski, James A. Music, structure, thought: Selected essays. Farnham ; Burlington, VT: Ashgate, 2009.
Encontre o texto completo da fonteHepokoski, James A. Music, structure, thought: Selected essays. Farnham ; Burlington, VT: Ashgate, 2009.
Encontre o texto completo da fonteMusic, structure, thought: Selected essays. Farnham ; Burlington, VT: Ashgate, 2009.
Encontre o texto completo da fonteTuttle, Marshall. Musical structures in Wagnerian opera. Lewiston, N.Y: Edwin Mellen Press, 2000.
Encontre o texto completo da fonte1947-, Howell Peter, West Robert e Cross Ian, eds. Representing musical structure. London: Academic Press, 1991.
Encontre o texto completo da fonteBerry, Wallace. Musical structure and performance. New Haven: Yale University Press, 1989.
Encontre o texto completo da fonteSamikian, Aram. Analyse et calcul des structures. Boucherville, Qué: Morin, 1994.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Analyse de structures musicales"
Beach, David. "Schenker’s Conception of Musical Structure". In Schenkerian Analysis, 3–27. Second edition. | New York ; London : Routledge, 2019. | Previous edition published under title: Advanced Schenkerian analysis.: Routledge, 2019. http://dx.doi.org/10.4324/9780429453793-1.
Texto completo da fonteGuyomard, Marc. "Analyse d’algorithmes". In Structures de données et méthodes formelles, 107–28. Paris: Springer Paris, 2011. http://dx.doi.org/10.1007/978-2-8178-0200-8_4.
Texto completo da fonteItagaki, Takebumi, Masayuki Isogai, Shuji Hashimoto e Sadamu Ohteru. "Automatic Recognition of Several Types of Musical Notation". In Structured Document Image Analysis, 466–76. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-77281-8_22.
Texto completo da fonteRizo, David, José Manuel Iñesta e Francisco Moreno-Seco. "Tree-Structured Representation of Musical Information". In Pattern Recognition and Image Analysis, 838–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-540-44871-6_97.
Texto completo da fonteKato, Hirokazu, e Seiji Inokuchi. "A Recognition System for Printed Piano Music Using Musical Knowledge and Constraints". In Structured Document Image Analysis, 435–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-77281-8_20.
Texto completo da fonteMihalcica, Mircea, Alina Maria Nauncef, Maria-Violeta Guiman, Ștefania Bîrsan, Silviu-Marian Nastac e Mariana Domnica Stanciu. "Analysis of Violinist Kinematics During Musical Rehearsals". In Acoustics and Vibration of Mechanical Structures—AVMS-2023, 165–74. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-48087-4_18.
Texto completo da fonteSimion, Adrian, e Ștefan Trăușan-Matu. "Towards Automatic Structure Analysis of Digital Musical Content". In Artificial Intelligence: Methodology, Systems, and Applications, 223–29. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33185-5_25.
Texto completo da fonteCarnovalini, Filippo, Nicholas Harley, Steven T. Homer, Antonio Rodà e Geraint A. Wiggins. "Musical Structure Analysis and Generation Through Abstraction Trees". In Music in the AI Era, 282–300. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-35382-6_22.
Texto completo da fonteLascabettes, Paul, Carlos Agon, Moreno Andreatta e Isabelle Bloch. "Computational Analysis of Musical Structures Based on Morphological Filters". In Mathematics and Computation in Music, 267–78. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07015-0_22.
Texto completo da fonteArranz, Nieves, e J. Carlos Fdez de Arroyabe. "A Model to Analyse Governance Structures in Technological Networks". In Contributions to Management Science, 249–68. Heidelberg: Physica-Verlag HD, 2008. http://dx.doi.org/10.1007/978-3-7908-2058-4_14.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Analyse de structures musicales"
Almada, Carlos, João Penchel, Igor Chagas, Max Kühn, Claudia Usai, Eduardo Cabral, Vinicius Braga e Ana Miccolis. "J-Analyzer: A Software for Computer-Assisted Analysis of Antônio Carlos Jobims Songs". In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10416.
Texto completo da fonteVargas, Emiliano. "Médiatisation et métamorphose dans la culture musicale. Des jams de jazz aux jams de black music à Buenos Aires". In Actes du congrès de l’Association Française de Sémiotique. Limoges: Université de Limoges, 2024. http://dx.doi.org/10.25965/as.8450.
Texto completo da fonte"Measures to analyse sustainability in military workforce structures". In 24th International Congress on Modelling and Simulation. Modelling and Simulation Society of Australia and New Zealand, 2021. http://dx.doi.org/10.36334/modsim.2021.m9.pike.
Texto completo da fonteTsuchiya, Takahiko, e Jason Freeman. "Spectral Parameter Encoding: Towards a Framework for Functional-Aesthetic Sonification". In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.051.
Texto completo da fonteLee, Jong In, Dong-Gyu Yeo, Byeong Man Kim e Hae-Yeoun Lee. "Automatic Music Mood Detection through Musical Structure Analysis". In 2009 2nd International Conference on Computer Science and its Applications (CSA). IEEE, 2009. http://dx.doi.org/10.1109/csa.2009.5404218.
Texto completo da fonteChen, Tsung-Ping, Li Su e Kazuyoshi Yoshii. "Learning Multifaceted Self-Similarity for Musical Structure Analysis". In 2023 Asia Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC). IEEE, 2023. http://dx.doi.org/10.1109/apsipaasc58517.2023.10317473.
Texto completo da fonteSilva, Angelo Cesar Mendes da, Paulo Ricardo Viviurka do Carmo, Ricardo Marcondes Marcacini e Diego Furtado Silva. "Instance Selection for Music Genre Classification using Heterogeneous Networks". In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19419.
Texto completo da fonteShiu, Yu, Hong Jeong e C. C. Jay Kuo. "Musical structure analysis using similarity matrix and dynamic programming". In Optics East 2005, editado por Anthony Vetro, Chang Wen Chen, C. C. J. Kuo, Tong Zhang, Qi Tian e John R. Smith. SPIE, 2005. http://dx.doi.org/10.1117/12.633792.
Texto completo da fonteVirbule, Inese, Dmitrijs Serdjuks e Karina Buka-Vaivade. "Simplified approach for analyse of shear walls for multistorey timber buildings". In The 13th international scientific conference “Modern Building Materials, Structures and Techniques”. Vilnius Gediminas Technical University, 2019. http://dx.doi.org/10.3846/mbmst.2019.114.
Texto completo da fonteBisot, Clémence, e Alexia Gallo. "Analyse statistique de structures moteur pour démontrer la conformité aux exigences de sécurité". In Congrès Lambda Mu 20 de Maîtrise des Risques et de Sûreté de Fonctionnement, 11-13 Octobre 2016, Saint Malo, France. IMdR, 2016. http://dx.doi.org/10.4267/2042/61789.
Texto completo da fonteRelatórios de organizações sobre o assunto "Analyse de structures musicales"
Hagel, Stefan. Understanding early auloi: Instruments from Paestum, Pydna and elsewhere. Verlag der Österreichischen Akademie der Wissenschaften, outubro de 2021. http://dx.doi.org/10.1553/oeai_ambh_3.
Texto completo da fonteMaubert, Camille, Jeremy Allouche, Irene Hamuli, Eustache Kuliumbwa Lulego, Gauthier Marchais, Ferdinand Mushi Mugumo e Sohela Nazneen. Le pouvoir d’action des femmes et la protection humanitaire au Nord et au Sud-Kivu, RDC. Institute of Development Studies, março de 2023. http://dx.doi.org/10.19088/ids.2023.015.
Texto completo da fonteSnyder, D. B., A. Vaillancourt, B. A. Kjarsgaard, G. Savard e E. A. de Kemp. 3-D mantle structure of the Superior Craton. Natural Resources Canada/CMSS/Information Management, 2024. http://dx.doi.org/10.4095/p8zz9che61.
Texto completo da fonteBeaurain, Christophe, Julien Bernard, Iratxe Calvo-Mendieta, Hervé Flanquart, Séverine Frère, Frédéric Gonthier, Anne-Peggy Hellequin e Antoine Le Blanc. Les risques et pollutions industriels sur le territoire dunkerquois: des perceptions à la «concertation». Fondation pour une culture de sécurité industrielle, julho de 2010. http://dx.doi.org/10.57071/255dkr.
Texto completo da fonteHarslett, Philip. The GTAP Data Base Construction Procedure. GTAP Working Paper, setembro de 2013. http://dx.doi.org/10.21642/gtap.wp76.
Texto completo da fonte