Bibliografias temáticas / Americn Art

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  1. Artigos de revistas
  2. Teses / dissertações
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Literatura científica selecionada sobre o tema "Americn Art"

Autor: Grafiati
Publicado: 29 de julho de 2024
Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Americn Art"

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Piñero, Gabriela A. "Re-estructurar el proyecto de un arte latinoamericano: el modelo constelar". Intervención Revista Internacional de Conservación Restauración y Museología 1, n.º 1 (1 de maio de 2010): 11–20. http://dx.doi.org/10.30763/intervencion.2013.7.83.

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Caragol, Taína. "Documenting Latin American art at the Museum of Modern Art Library". Art Libraries Journal 30, n.º 3 (2005): 33–36. http://dx.doi.org/10.1017/s0307472200014085.

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This article traces the history of the Latin American holdings of the Museum of Modern Art Library, one of the first institutions outside Latin America to start documenting the art of this geopolitical region, and one of the best research centers on modern Latin American art in the world. This success story dates back to the thirties, when the Museum Library began building a Latin American and Caribbean collection that currently comprises over 15,000 volumes of catalogues and art books. The launch of various research tools and facilities for scholars and the general public in recent years also shows the Museum’s strong commitment not only towards Latin American art history but also to the present and the future of the Latino art community.
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Kempe, Deborah, Deirdre E. Lawrence e Milan R. Hughston. "Latin American art resources north of the border: an overview of the collections of the New York Art Resources Consortium (NYARC)". Art Libraries Journal 37, n.º 4 (2012): 5–14. http://dx.doi.org/10.1017/s0307472200017673.

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The New York Art Resources Consortium (NYARC), consisting of The Frick Art Reference Library and the libraries of the Brooklyn Museum and the Museum of Modern Art (MoMA), houses significant collections of material on Latin American art that document the cultural history of Mexico, Central America, the Caribbean and South America, as well as the foundation of New York City as an epicenter of US Latino and Latin American cultural production since the 19th century. Ranging from historic archeological photographs to contemporary artists’ books, the holdings of the NYARC libraries are varied in their scope and record the contributions of Latin American and Latino artists to the international art scene. With the creation of Arcade, the shared online catalog of the Frick, MoMA and Brooklyn Museum, the ‘collective collection’ of material about and from Latin America has been strengthened in ways both expected and unanticipated. Techniques for integrating Latin American bibliographic information into discovery platforms, strategies for increasing the visibility of these collections, and ideas for providing improved access to the Latin American subset of the NYARC collections are being explored, and many further opportunities exist to engage in co-operative collection development in this area, across the NYARC consortium and with other peer institutions.
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Berehovska, Khrystyna, Yuliya Babunych, Ivanna Pavelchuk, Tetiana Pavlova e Andrii Korniev. "Evolution of S. Hordynsky's views on art practice and theory in the late XX century". Salud, Ciencia y Tecnología - Serie de Conferencias 3 (28 de junho de 2024): 1010. http://dx.doi.org/10.56294/sctconf20241010.

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The purpose of this study is to analyze and elucidate the development, contradictions, and influences of Ukrainian artists in America, focusing on the theoretical and practical contributions of Sviatoslav Hordynsky to both American and Ukrainian art traditions. The methodology employed includes a comprehensive historical analysis of archival materials, a comparative analysis of Ukrainian and American artworks, a thematic analysis of recurring motifs in Hordynsky's writings and works, and an interpretative analysis of critical reviews and scholarly articles on Ukrainian artists in America. The main findings reveal how Ukrainian artists integrated into and influenced the American art scene, adapting their styles while maintaining their cultural identity. The study highlights Hordynsky's role in bridging Ukrainian and American art traditions, showcasing his contributions to the development of a unique Ukrainian-American artistic identity. Furthermore, it uncovers the intellectual and artistic currents that shaped the creative processes of Ukrainian artists in America, emphasizing the significance of national identity and cultural integration. In conclusion, this research provides a nuanced understanding of the complex interactions between Ukrainian and American art traditions in the second half of the twentieth century, underlining the pivotal role of Hordynsky in this cultural exchange. The study contributes to the broader discourse on the evolution of art in diasporic contexts and the preservation of cultural heritage amidst dynamic socio-political landscapes.
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LESENCIUC, Adrian. "AMERICAN ART EDUCATION IN THE LIGHT OF GLOCALIST APPROACH". Review of the Air Force Academy 16, n.º 3 (19 de dezembro de 2018): 99–103. http://dx.doi.org/10.19062/1842-9238.2018.16.3.12.

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Pohl, Frances K. "Framing America: A Social History of American Art". American Art 16, n.º 2 (julho de 2002): 10–12. http://dx.doi.org/10.1086/444663.

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Barberena, Elsa. "Latinoarte: information on Latin American art". Art Libraries Journal 20, n.º 3 (1995): 8–10. http://dx.doi.org/10.1017/s0307472200009433.

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Latin American culture is very rich, yet there is insufficient documentation on Latin American art, and much of the documentation which does exist is not adequately covered by the major art indexes. A number of magazines have set out, especially since the 1940s, to disseminate information about Latin American art, but most have been short-lived. The LATINOARTE project, based in the Facultad de Filosofía y Letras at the Universidad Nacional Autónoma de México (UNAM), aims to develop and to network a database including citations to documentation available in 62 libraries and information centres inside and outside Latin America. Already, some 1,500 records are available on contemporary Latin American art. (The edited text of a paper presented to the IFLA Section of Art Libraries at the IFLA General Conference at Havana, August 1994.)
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Shandler, Jeffrey. "¿Dónde están los Judíos en la “Vida Americana?”: Art, Politics, and Identity on Exhibit". IMAGES 13, n.º 1 (2 de dezembro de 2020): 144–56. http://dx.doi.org/10.1163/18718000-12340138.

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Abstract Vida Americana: Mexican Muralists Remake American Art, 1925–1945, an exhibition that opened at the Whitney Museum of American Art in February, 2020, proposed to remake art history by demonstrating the profound impact Mexican painters had on their counterparts in the United States, inspiring American artists “to use their art to protest economic, social, and racial injustices.” An unexamined part of this chapter of art history concerns the role of radical Jews, who constitute almost one half of the American artists whose work appears in the exhibition. Rooted in a distinct experience, as either immigrants or their American-born children, these Jewish artists had been making politically charged artworks well before the Mexican muralists’ arrival in the United States. Considering the role of left-wing Jews in this period of art-making would complicate the curatorial thesis of Vida Americana. Moreover, the exhibition’s lack of attention to Jews in creating and promoting this body of work raises questions about how the present cultural politics of race may have informed the analysis of this chapter of art history.
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Ipsen, Max. "Danish Sixties Avant-Garde and American Minimal Art". Nordlit 11, n.º 1 (1 de maio de 2007): 169. http://dx.doi.org/10.7557/13.1758.

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Denmark is peripheral in the history of minimalism in the arts. In an international perspective Danish artists made almost no contributions to minimalism, according to art historians. But the fact is that Danish artists made minimalist works of art, and they did it very early.Art historians tend to describe minimal art as an entirely American phenomenon. America is the centre, Europe the periphery that lagged behind the centre, imitating American art. I will try to query this view with examples from Danish minimalism. I will discuss minimalist tendencies in Danish art and literature in the 1960s, and I will examine whether one can claim that Danish artists were influenced by American minimal art.
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Lee, Chaeeun. "Between Abstraction and Materiality: Carlos Villa and the Politics of Asian American Art". Asian Diasporic Visual Cultures and the Americas 8, n.º 1-2 (22 de maio de 2023): 15–42. http://dx.doi.org/10.1163/23523085-08010002.

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Abstract In the 1970s and early 1980s, Filipino American artist Carlos Villa developed a set of experimental methods and idioms—namely, abstraction, abject sensibility, and intense materiality—that would accompany his renewed interest in self-identity and community expression. While these strategies coincided with the broader artistic tendency of the 1960s and ’70s toward unconventional materiality and a deliberately indecorous sensibility, Villa’s far-reaching concern for the racialized condition of Filipinx America compels a reconsideration of his work vis-à-vis the historical and discursive contexts of Filipinx America. This article combines formal analysis with readings from Filipinx/Asian American studies and critical theory to argue that Villa’s experimental methods expose and reroute the multifarious ways in which Filipinx America has been subjected to the violence of the visual regimes of colonialism and modernity. They reorient the predicaments of Filipinx America towards imagining alternative modes of existence and possibilities of freedom, and a rethinking of the politics of Asian American art.
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Teses / dissertações sobre o assunto "Americn Art"

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Gartside, Steven. "Appropriations of 'America' and American art in the 1950s". Thesis, Manchester Metropolitan University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327710.

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Lynch, Sylvio III. "Morality and Aspiration: Some Conditions of Norman Rockwell's Four Freedoms". Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1577554501384163.

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Gittinger, Anne Meredith. "Class Act: Negotiating Art and Market in the Career of Isadora Duncan". W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539626615.

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Bickerstaff, Meghan Triplett. "Okay, Maybe You Are Your Khakis: Consumerism, Art, and Identity in American Culture". Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1092258380.

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Haight, Sarah M. "American Art Lending, 1895-1975". Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.

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This paper documents the range of art lending in the United States to individuals by libraries, museums, and other cultural institutions from roughly 1895-1975. The historical analysis includes the reasons and motivations behind the creation of each kind of lending scheme and what its proponents hoped to accomplish, as well as how these collections fit into the broader goals of each type of institution. Loans of originals and reproductions are discussed.
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Мосіна, Елеонора. "Trends in American Modern Art". Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7340.

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Claxton, Ronald Wayne. "The infusion of African American art from eighteen-eighty to the early nineteen-nineties for middle and high school art education". The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1387379149.

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Buchanan, Mariah Spann. "Educating black youth moral principles through black art". Click here to access dissertation, 2008. http://www.georgiasouthern.edu/etd/archive/spring2008/mariah_s_buchanan/buchanan_mariah_s_200801_edd.pdf.

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Thesis (Ed.D.)--Georgia Southern University, 2008.
"A dissertation submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Doctor of Education." Under the direction of Ming Fang He. ETD. Electronic version approved: May 2008. Includes bibliographical references (p. 203-215) and appendices.
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Perez, Alyssa Cathryn. "“Make America Great Again”: Political Rhetoric of the American Alt-Right Movement". Universität Leipzig, 2018. https://ul.qucosa.de/id/qucosa%3A21128.

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On November 8th, 2016, Republican nominee Donald Trump was elected President of the United States of America. On November 9th, 2016, Twitter was flooded with messages hashtagged #TrumpsAmerica which narrated various ways that marginalized groups were being attacked, verbally or physically, by self-proclaimed Trump supporters whose inappropriate actions had been legitimized by Trump’s election into office. Many Americans were in shock upon receiving the news of the new President Elect. Jon Ronson, journalist and author of The Elephant in the Room: A Journey into the Trump Campaign and the Alt-Right, stated in the closing remarks of his book that “the alt-right’s small gains in popularity will not be enough to win Trump the election […] but if some disaster unfolds […] and Trump gets elected […] that is terrifying” (2016: 793). Ronson’s book was published before the election had concluded, and his closing remarks haunt many Americans who are now just that—terrified. Still others ponder at how the country transitioned from the progressive era of the Obama administration to the election of a man who helped inspire the 2016 word of the year, “post-truth”. What many believed was a joke in the Republican primaries has suddenly evolved into a Presidency that is all too real. Many Americans believed Trump appeared out of nowhere, ran his mouth carelessly during his campaign, and was elected by the racist, xenophobic, anti-Semitic, and homophobic population of America, more specifically known as the Alternative Right Movement. Matthew Lyons, author of “Ctrl, Alt, Delete: The Origins and Ideology of the Alternative Right”, defines the Alt-Right movement as “a loosely organized far-right movement that shares a contempt for both liberal multiculturalism and mainstream conservatism [which] combines White nationalism, misogyny, anti-Semitism, and authoritarianism in various forms and in political styles ranging from intellectual argument to violent invective” (2017: 2). He continues to note the Alt-Right maintains, “a belief that some people are inherently superior to others; a strong internet presence and embrace of specific elements of online culture; and a self-presentation as being new, hip, and irreverent” (Lyons 2017: 2). However, this alt-right rhetoric which Trump stands for has always been a counter-narrative throughout American political history, quietly lingering in the shadows until the moment it could finally reveal itself. My paper will be focusing specifically on this counter-narrative that has pervaded throughout American political history and how the alt-right has evolved and harnessed this rhetorical narrative to create an environment that has lent itself to the election of a man such as Donald Trump. By first establishing the necessity of using a rhetorical lens with which to evaluate the 2016 American Presidential election, I will then trace the rhetorical genealogy in order to show the gradual ascension of alt-right rhetoric through American political history, concluding with the election of Trump.
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Leach, William H. "Droit de Suite in the United States: The American Royalties Too (ART) Act of 2014". Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/927.

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The American Royalties Too (ART) Act of 2014 is the most recent attempt to create a resale royalty, or droit de suite, for visual artists in America. This would entitle visual artists to collect a royalty payment for sales of their work in the secondary market, specifically sales occurring at public auctions. The droit de suite was created in France in 1920, and is now part of the Berne Convention for the Protection of Literary and Artistic Works, which protects copyrights internationally. The purpose of this paper is to examine the history of droit de suite rights in the United States and abroad, and to analyze the currently proposed ART Act, its limitations, and its potential to create financial benefits for artists.
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Livros sobre o assunto "Americn Art"

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Shore, Virginia, Tabitha Brackens e Victoria See. Abuja, Nigeria: Art Collection of the United States Embassy. Editado por United States. Department of State, United States Embassy (Nigeria), Art in Embassies Program (U.S.) e Global Publishing Solutions (U.S.). Washington, D.C: ART in Embassies, U.S. Department of State, 2017.

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David, Fineberg Jonathan, ed. Imagining America: Icons of 20th-century American art. New Haven: Yale University Press, 2005.

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Carlin, John. Imagining America: Icons of 20th-century American art. New Haven, CT: Yale University Press, 2006.

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Margo, Machida, Desai Vishakha N, Tchen John Kuo Wei e Asia Society Galleries, eds. Asia/America: Identities in contemporary Asian American art. New York, N.Y: Asia Society Galleries, 1994.

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1949-, Adams Henry, e Johnson Kathryn C, eds. Made in America: Ten centuries of American art. New York: Hudson Hills Press, 1995.

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George, Gurney, e Smithsonian American Art Museum, eds. Variations on America: Masterworks from American Art Forum Collections. London: Smithsonian American Art Museum, 2007.

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Janice, Lehmberg, ed. American art. Worcester, Mass: Davis Publications, 1998.

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Phillips New York (Auctioneers : 2001). American art. New York: Phillips, de Pury & Luxembourg, 2003.

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Phillips New York (Auctioneers : 2001). American art. New York: Phillips de Pury & Luxembourg, 2002.

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Ursus Books (New York, N.Y.). American art. New York: Ursus Books, 1987.

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Capítulos de livros sobre o assunto "Americn Art"

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Yun Mapplethorpe, Michelle. "America in China: Cross-cultural Confluences in Contemporary American Art". In American Art in Asia, 168–81. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003130284-14.

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Motta, Ana Paula, e Guadalupe Romero Villanueva. "South American Art". In Encyclopedia of Global Archaeology, 1–26. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-51726-1_2914-1.

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Bradley, Patricia. "Outsider Art". In Making American Culture, 27–44. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100473_3.

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Ciornai, Selma, e Maria Cristina Ruiz. "Latin American Art Therapy". In The Wiley Handbook of Art Therapy, 753–64. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118306543.ch74.

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Podestá, María Mercedes, e Matthias Strecker. "South American Rock Art". In Encyclopedia of Global Archaeology, 9965–77. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1623.

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Whitley, David S. "North American Rock Art". In Encyclopedia of Global Archaeology, 7930–41. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2144.

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Podestá, María Mercedes, e Matthias Strecker. "South American Rock Art". In Encyclopedia of Global Archaeology, 6828–41. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1623.

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Whitley, David S. "North American Rock Art". In Encyclopedia of Global Archaeology, 5415–26. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_2144.

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Podestá, María Mercedes, e Matthias Strecker. "South American Rock Art". In Encyclopedia of Global Archaeology, 1–14. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-51726-1_1623-2.

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Birbragher-Rozencwaig, Francine. "Modern Latin American Art". In Essays on 20th Century Latin American Art, 1–34. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-1.

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Trabalhos de conferências sobre o assunto "Americn Art"

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Mariategui, Jose-Carlos. "A Latin America Network for Art and Cybernetics: The Centre for Art and Communication (CAyC)". In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-71-full-mariategui-cayc.

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Towards the end of the 1960s—a period of intense creative, technological and political changes—the Argentinian art critic and entrepreneur Jorge Glusberg founded the CAyC in Buenos Aires. CAyC was an interdisciplinary experimental project that explored the relationship between art, technology and society. It sought to articulate a network of discussions and productions by a new style of Latin American artist, deeply influenced by science, technology and society. Glusberg defined such practice as Systems Art, which appeared in three ways, namely as a system of collective representation; a system of meaning that defied formal categories; and a system of relationships and processes for social inquiry. In doing so, the artist became a researcher who reflected on their social context and the latter’s processes of production. This paper will discuss CAyC’s pioneering work and its global influence through three main initiatives: its exhibitions Art and Cybernetics, Systems Art in Latin America and the International Open Encounters on Video. These events were driven by the revolutionary artistic and experimental promotion of the distinctive ways in which Latin American artists were using technology to respond to local issues at a time when computer systems and cybernetic models for management and organizational practices were being introduced across the region.
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Ibañez Sandoval, Marita. "Nippo-Latin American Land". In SA '22: SIGGRAPH Asia 2022 Art Gallery. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3550470.3558437.

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da Rocha Montanari, Matheus, e Gilbertto Prado. "Techno-bio-diversities in Latin American Art". In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3483529.3483699.

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Weber, D. Brian. "American dream". In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259322.

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Davis, Steve. "American album". In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253637.

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Qiao, Jimin, e Chongli Zhao. "Comparative Study on Sino-American Higher Design Art Education". In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.19.

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Wei, Pang. "American Landscape Art Trend in the Early 19th Century". In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.127.

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Lodo, Gabriela Cristina. "O despertar para a América Latina: a busca de uma identidade para a produção artística do continente na década de 1970". In Encontro da História da Arte. Universidade Estadual de Campinas, 2013. http://dx.doi.org/10.20396/eha.9.2013.4428.

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Esta comunicação está distante de pretender esgotar tema tão abrangente como o é da busca por uma identidade na arte latino-americana, mas almeja comentar alguns pontos que podem elucidar a questão que permeou a produção crítica e teórica na década de 1970. Ao longo dessa década, observa-se um crescente interesse por parte da crítica de arte atuante não apenas na América Latina, mas também nos Estados Unidos, em determinar o “ser” latino-americano e suas consequências imediatas para a arte do continente.
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Gunderson, Jon R. "American with Disabilities Act (ADA)". In Conference companion. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/259963.260515.

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Diaz Herrera, Diana M. "Incorporating Climate Change in Spatiotemporal Species Distribution Models for cattle tick Rhipicephalus (Boophilus) microplus". In LatinX in AI at Neural Information Processing Systems Conference 2019. Journal of LatinX in AI Research, 2019. http://dx.doi.org/10.52591/lxai2019120840.

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During the last couple of decades, cattle ticks have significantly deteriorated the economy of southern cattle industry primarily in South American countries. In this work, we argue that a key variable of the sizable increase in the population of cattle ticks is due to climate change. We analyzed data from South American regions provided by AGROSAVIA (formerly CORPOICA) and analyzed the population growth of cattle ticks with a traditional species distribution model and compared it with a proposed model that incorporates climate change. Here, we present an analysis of the distribution of the Rhipicephalus (Boophilus) microplus in the Cundiboyacense Altiplano using static and dynamic modeling techniques that incorporate time, space, and climate conditions. We conclude that incorporating global temperature variations increases the accuracy of the spatiotemporal model. Our results support prior studies on cattle tick populations in Europe and Central America.
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Relatórios de organizações sobre o assunto "Americn Art"

1

Wansley, William J. American Art: Toward an American Theory of Peace. Fort Belvoir, VA: Defense Technical Information Center, maio de 1992. http://dx.doi.org/10.21236/ada253169.

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2

Fernández-Armesto, Felipe. Amerigo and America? Inter-American Development Bank, abril de 2007. http://dx.doi.org/10.18235/0007957.

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Felipe Fernández-Armesto (1950-), distinguished British scholar of global environmental history, comparative colonial history, topics in Spanish and maritime history and the history of cartography; Principe de Asturias Chair at Tufts University.
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3

Yonemura, Ann. Art in Context: Aesthetics, Environment and Function in the Arts of Japan. Inter-American Development Bank, março de 1995. http://dx.doi.org/10.18235/0007915.

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4

Anastas, Kevin P. The American Way of Operational Art: Attrition or Maneuver. Fort Belvoir, VA: Defense Technical Information Center, maio de 1992. http://dx.doi.org/10.21236/ada254194.

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5

Powell, Andrew. 2016 Latin American and Caribbean Macroeconomic Report: Time to Act: Latin America and the Caribbean Facing Strong Challenges. Inter-American Development Bank, abril de 2016. http://dx.doi.org/10.18235/0005867.

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The commodities boom that once buoyed the regions economies is over, and countries have less fiscal space to undertake counter-cyclical policies than they did during the global financial crisis. This years Latin American and Caribbean Macro Report surveys the challenges facing the region in a new economic era and offers guidance on how policymakers can reduce long-term risks in a period of lower growth.
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6

Hoehler, Matthew S. American Competitiveness Of a More Productive Emerging Tech Economy Act (The American COMPETE Act) – Final Report. Gaithersburg, MD: National Institute of Standards and Technology, 2023. http://dx.doi.org/10.6028/nist.gcr.23-039.

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7

Moreno Mejía, Luis Alberto, e Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, fevereiro de 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The works selected for the exhibition offer a panorama of contemporary Uruguayan creativity. These pieces revisit history, explore memory, examine changes that have transformed culture and the environment, and rethink traditions. It includes painting, print, sculpture, mixed media, and photography, by 13 artists: Santiago Aldabalde, Ana Campanella, Muriel Cardoso, Gerardo Carella, Federico Meneses, Ernesto Rizzo, Jacqueline Lacasa, Gabriel Lema, Daniel Machado, Cecilia Mattos, Diego Velazco, Santiago Velazco, and Diego Villalba.
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8

Edwards, Sebastian. The Economics of Latin American Art: Creativity Patterns and Rates of Return. Cambridge, MA: National Bureau of Economic Research, fevereiro de 2004. http://dx.doi.org/10.3386/w10302.

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Miller, Naomi J., e Scott M. Rosenfeld. Demonstration of LED Retrofit Lamps at the Smithsonian American Art Museum, Washington, DC. Office of Scientific and Technical Information (OSTI), junho de 2012. http://dx.doi.org/10.2172/1044507.

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10

De Paiva Abreu, Marcelo. Which Industrial Policies are Meaningful for Latin America? Inter-American Development Bank, janeiro de 2006. http://dx.doi.org/10.18235/0011093.

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This paper's main concern is to assess which "industrial policies" would be meaningful for Latin America nowadays. The first section introduces the theme while the second section considers definitions of "industrial policies" and their nature in the past. The third section centers on national growth experiences that may serve as paradigms. Section IV is on economies, which are growth paradigms, and on their policies. Section V is on present multilateral constraints on "industrial policies". Section VI explains the institution building, macroeconomics and industrial policies. Section VII analyses industrial policy alternatives. The paper concludes with section VIII that is on policy recommendations seeking to improve criteria to pick winners where market failures are especially costly.
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