Livros sobre o tema "Aesthetic attention"
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Cronin, Catherine Anne. Are contemporary visual artists exchanging aesthetic values and meaningful content for shock tactics and sensation to gain instant acclaim and public attention. London: LCP, 2001.
Encontre o texto completo da fonteSdegno, Emma, Martina Frank, Pierre-Henry Frangne e Myriam Pilutti Namer. John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5.
Texto completo da fonteVolodina, Elena. Materials science: Design, architecture: in 2 t. Volume 1. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1039908.
Texto completo da fonteVolodina, Elena. Materials Science: Design, architecture. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1046078.
Texto completo da fonteSerafimova, Vera, Ivan Pankeev e L. G. Tyurina. History of Russian literature of the XX-XXI centuries. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1866868.
Texto completo da fonteSerafimova, Vera. History of Russian literature of XX-XXI centuries. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1138897.
Texto completo da fontePrice, Lew Paxton. The oldest magic: The prehistory, ancient history, nature of, and early influence of music, with special attention to the role of the flute. Garden Valley, CA: L.P. Price, 1995.
Encontre o texto completo da fonteStewart, Garrett. Attention Spans. Editado por David LaRocca. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765102268.
Texto completo da fonteLanzendörfer, Anselma. Designated Attention. Editado por Christian Thorau e Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.11.
Texto completo da fonteBender, John W. Aesthetic Realism 2. Editado por Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0004.
Texto completo da fonteLevine, George, ed. The Question of the Aesthetic. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192844859.001.0001.
Texto completo da fonteAndrew, Bowie. Aesthetic Dimensions of Modern Philosophy. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192847737.001.0001.
Texto completo da fonteHuschka, Sabine. Pina Bausch, Mary Wigman, and the Aesthetic of “Being Moved”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0012.
Texto completo da fonteSaito, Yuriko. The Aesthetics of Laundry. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199672103.003.0005.
Texto completo da fonteStecker, Robert. Intersections of Value. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198789956.001.0001.
Texto completo da fonteParsons, Glenn. Aesthetics and Nature. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350121621.
Texto completo da fonteMoore, Ronald, ed. Natural Beauty. Broadview Press, 2008. http://dx.doi.org/10.5040/9781350928534.
Texto completo da fonteTremblay, Jean-Thomas. Breathing Aesthetics. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023494.
Texto completo da fonteSaito, Yuriko. The Aesthetics of Emptiness. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199672103.003.0003.
Texto completo da fonteLloyd, David. Under Representation. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823282388.001.0001.
Texto completo da fonteHuhn, Tom, e Lambert Zuidervaart, eds. The Semblance of Subjectivity. The MIT Press, 1997. http://dx.doi.org/10.7551/mitpress/6172.001.0001.
Texto completo da fonteFearn, David. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746379.003.0006.
Texto completo da fonteNovitz, David. Aesthetics of Popular Art. Editado por Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0044.
Texto completo da fonteBhushan, Nalini, e Jay L. Garfield. The Question of Subjectivity. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190457594.003.0012.
Texto completo da fonteJones, Sharon L. Rereading the Harlem Renaissance. Praeger, 2002. http://dx.doi.org/10.5040/9798216007784.
Texto completo da fonteKlein, Gabriele. Urban Choreographies. Editado por Rebekah J. Kowal, Gerald Siegmund e Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.48.
Texto completo da fonteDyer, Richard. Stars. British Film Institute, 1998. http://dx.doi.org/10.5040/9781838710934.
Texto completo da fonteUbiquitous Listening Affect Attention And Distributed Subjectivity. University of California Press, 2013.
Encontre o texto completo da fonteMaher, Ashley. Reconstructing Modernism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198816485.001.0001.
Texto completo da fonteShiner, Larry. Art Scents. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089818.001.0001.
Texto completo da fonteWinner, Ellen. Can This Be Art? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863357.003.0002.
Texto completo da fonteDeFrantz, Thomas F. Switch. Editado por Rebekah J. Kowal, Gerald Siegmund e Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.44.
Texto completo da fonteUbiquitous Listening Affect Attention And Distributed Subjectivity. University of California Press, 2013.
Encontre o texto completo da fonteKassabian, Anahid. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. University of California Press, 2013.
Encontre o texto completo da fonteKassabian, Anahid. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. University of California Press, 2013.
Encontre o texto completo da fonteHedberg Olenina, Ana. Psychomotor Aesthetics. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051259.001.0001.
Texto completo da fonteEgan, Ronald. The Relationship of Calligraphy and Painting to Literature. Editado por Wiebke Denecke, Wai-Yee Li e Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.6.
Texto completo da fonteLamarque, Peter. Belief, Thought, and Literature. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805403.003.0006.
Texto completo da fonteSchlapbach, Karin. Elusive Dancers and the Limits of Art in Nonnus’ Dionysiaka. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807728.003.0007.
Texto completo da fonteAuyoung, Elaine. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190845476.003.0007.
Texto completo da fonteEldridge, Sarah V., e Allen Speight, eds. Goethe's Wilhelm Meister's Apprenticeship and Philosophy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190859268.001.0001.
Texto completo da fonteStraus, Joseph N. Stravinsky’s Aesthetics of Disability. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190871208.003.0003.
Texto completo da fonteEigler, Ulrich. Between Voß and Schröder. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810810.003.0025.
Texto completo da fonteNoland, Carrie. Bound and Unbound. Editado por Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.14.
Texto completo da fonteLewis, Hannah. Imagining Sound Film. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0002.
Texto completo da fonteAloisi, Alessandra. The Power of Distraction. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350342972.
Texto completo da fonteKahn, Andrew, Mark Lipovetsky, Irina Reyfman e Stephanie Sandler. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0031.
Texto completo da fonteFoltz, Jonathan. The Novel after Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190676490.001.0001.
Texto completo da fonteHearsum, Paula, e Ian Inglis. The Emancipation of Music Video. Editado por John Richardson, Claudia Gorbman e Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.031.
Texto completo da fonteHeal, Bridget. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198737575.003.0011.
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