Literatura científica selecionada sobre o tema "Aeneas (legendary character) – poetry"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Aeneas (legendary character) – poetry".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Artigos de revistas sobre o assunto "Aeneas (legendary character) – poetry"
Narivska, Valentyna. "“Aeneid” by Anatolii Bazylevych: Picturesque Mythologization of Poem by Ivan Kotliarevskyi". Академічний журнал "Слово і Час", n.º 3 (30 de março de 2019): 92–103. http://dx.doi.org/10.33608/0236-1477.2019.03.92-103.
Texto completo da fontevan der Keur, Michiel. "Opbouw en vernietiging". Lampas 53, n.º 1 (1 de março de 2020): 28–48. http://dx.doi.org/10.5117/lam2020.1.004.keur.
Texto completo da fonteKumala, Aleksandra. "The bodies of Zuzanna Ginczanka". Tekstualia 2, n.º 57 (16 de agosto de 2019): 55–70. http://dx.doi.org/10.5604/01.3001.0013.3541.
Texto completo da fonteMorillo, María Dolores. "“Ya soy mío:” Escarramán y la autonomía del arte en El rufián viudo llamado Trampagos". Cervantes 38, n.º 2 (setembro de 2018): 165–201. http://dx.doi.org/10.3138/cervantes.38.2.165.
Texto completo da fonteCosciug, Tatiana. "The poem "Mărioara, Florioara" by Vasile Alecsandri in the vision of composer Teodor Zgureanu". Akademos, n.º 2(69) (outubro de 2023): 171–76. http://dx.doi.org/10.52673/18570461.23.2-69.20.
Texto completo da fonteGasim, Aseel Abod. "Pre-Islamic Features in the Poetry of Al-Raei Al-Nawmiri". Journal of the College of Education for Women 31, n.º 4 (28 de dezembro de 2020): 26–38. http://dx.doi.org/10.36231/coedw.v31i4.1425.
Texto completo da fonteAimukhambet, Zh A. "Thesaurus Analysis of «Eternal Image» in Abay’s Poetry". Keruen 74, n.º 1 (15 de março de 2022): 85–102. http://dx.doi.org/10.53871/2078-8134.2022.1-06.
Texto completo da fonteShinny Miyolaa, S. R. K., e Suresh Frederick. "A Journey from Encumbrance to Resilience: A Study on Nancy Mckenzie’s Queen of Camelot". Shanlax International Journal of English 12, S1-Feb (12 de fevereiro de 2024): 15–19. http://dx.doi.org/10.34293/english.v12is1-feb.7406.
Texto completo da fonteTrombold, John. "Américo Paredes's Development of a Border Outlaw". Prospects 24 (outubro de 1999): 249–59. http://dx.doi.org/10.1017/s0361233300000363.
Texto completo da fonteKącka, Eliza. "Ciało mitu. Piłsudski Brunona Schulza". Schulz/Forum, n.º 13 (28 de outubro de 2019): 35–46. http://dx.doi.org/10.26881/sf.2019.13.03.
Texto completo da fonteTeses / dissertações sobre o assunto "Aeneas (legendary character) – poetry"
Flint, Angela. "The influence of contemporary events and circumstances on Virgil's characterization of Aeneas". Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019/1540.
Texto completo da fonteBackhouse, George. "References to swords in the death scenes of Dido and Turnus in the Aeneid". Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71764.
Texto completo da fonteENGLISH ABSTRACT: This thesis investigates the references to swords in key scenes in the Aeneid – particularly the scenes of Dido’s and Turnus’ death – in order to add new perspectives on these scenes and on the way in which they impact on the presentation of Aeneas’ Roman mission in the epic. In Chapter Two I attempt to provide an outline of the mission of Aeneas. I also investigate the manner in which Dido and Turnus may be considered to be opponents of Aeneas’ mission. In Chapter Three I investigate references to swords in select scenes in book four of the Aeneid. I highlight an ambiguity in the interpretation of the sword that Dido uses to commit suicide and I also provide a description of the sword as a weapon and its place in the epic. In Chapter Four I provide an analysis of the references to swords in Dido’s and Turnus’ death scenes alongside a number of other important scenes involving mention of swords. I preface my analyses of the references to swords that play a role in interpreting Dido and Turnus’ deaths with an outline of the reasons for the deaths of each of these figures. The additional references to swords that I use in this chapter are the references to the sword in the scene of Deiphobus’ death in book six and to the sword and Priam’s act of arming himself on the night on which Troy is destroyed. At the end of Chapter Four I look at parallels between Dido and Turnus and their relationship to the mission of Aeneas. At the end of this thesis I am able to conclude that an investigation and analysis of the references to swords in select scenes in the Aeneid adds to existing scholarship in Dido’s and Turnus’ death in the following way: a more detailed investigation of the role of swords in the interpretation of Dido’s death from an erotic perspective strengthens the existing notion in scholarship that Dido is an obstacle to the mission of Aeneas.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die verwysings na swaarde in kerntonele in die Aeneïs – hoofsaaklik die sterftonele van Dido en Turnus – met die oog daarop om addisionele perspektiewe te verskaf op hierdie tonele en die impak wat hulle het op die voorstelling van Aeneas se Romeinse missie in die epos. In hoofstuk twee poog ek om ’n oorsig te bied van Aeneas se Romeinse missie. Ek stel ook ondersoek in na die mate waartoe Dido en Turnus as teenstanders van Aeneas se Romeinse missie beskou kan word. In Hoofstuk Drie ondersoek ek die verwysings na swaarde in spesifieke tonele van boek vier van die Aeneïs. Ek verwys na ’n dubbelsinnigheid in die interpretasie van die swaard wat Dido gebruik om selfmoord te pleeg en verskaf ook ’n beskrywing van die swaard as ’n wapen en die gebruik daarvan in die epos. In Hoofstuk Vier verskaf ek ‘n ontleding van die verwysings na swaarde in Dido en Turnus se sterftonele saam met ’n aantal ander belangrike tonele met verwysings na swaarde. Ek lei my ontleding van die beskrywings van die swaarde wat ’n rol speel in die interpretasie van Dido en Turnus se sterftes in met ’n uiteensetting van die redes vir die dood van elk van hierdie figure. Die addisionele verwysings na swaarde wat ek in hierdie hoofstuk ontleed, is die verwysing na die swaard in die toneel van Deiphobus se dood in boek ses en die verwysing na die swaard in die toneel waar Priamus sy wapenrusting aantrek op Troje se laaste aand. Aan die einde van Hoofstuk Vier ondersoek ek die parallele tussen Dido en Turnus en hulle verhouding tot Aeneas se Romeinse missie. Hierdie tesis ondersoek die verwysings na swaarde in kerntonele in die Aeneïs – hoofsaaklik die sterftonele van Dido en Turnus – met die oog daarop om addisionele perspektiewe te verskaf op hierdie tonele en die impak wat hulle het op die voorstelling van Aeneas se Romeinse missie in die epos. In hoofstuk twee poog ek om ’n oorsig te bied van Aeneas se Romeinse missie. Ek stel ook ondersoek in na die mate waartoe Dido en Turnus as teenstanders van Aeneas se Romeinse missie beskou kan word. In Hoofstuk Drie ondersoek ek die verwysings na swaarde in spesifieke tonele van boek vier van die Aeneïs. Ek verwys na ’n dubbelsinnigheid in die interpretasie van die swaard wat Dido gebruik om selfmoord te pleeg en verskaf ook ’n beskrywing van die swaard as ’n wapen en die gebruik daarvan in die epos. In Hoofstuk Vier verskaf ek ‘n ontleding van die verwysings na swaarde in Dido en Turnus se sterftonele saam met ’n aantal ander belangrike tonele met verwysings na swaarde. Ek lei my ontleding van die beskrywings van die swaarde wat ’n rol speel in die interpretasie van Dido en Turnus se sterftes in met ’n uiteensetting van die redes vir die dood van elk van hierdie figure. Die addisionele verwysings na swaarde wat ek in hierdie hoofstuk ontleed, is die verwysing na die swaard in die toneel van Deiphobus se dood in boek ses en die verwysing na die swaard in die toneel waar Priamus sy wapenrusting aantrek op Troje se laaste aand. Aan die einde van Hoofstuk Vier ondersoek ek die parallele tussen Dido en Turnus en hulle verhouding tot Aeneas se Romeinse missie.
Harrison, S. J. "A commentary on Vergil, Aeneid 10". Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670380.
Texto completo da fonteDe, Villiers Gezina Gertruida. "Understanding Gilgamesh his world and his story /". Pretoria : [S.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-03072005-144957/.
Texto completo da fontePolleichtner, Wolfgang Galinsky Karl. "Aeneas' emotions in Vergil's Aeneid and their literary and philosophical foundations : an analysis of select scenes /". 2005. http://www.lib.utexas.edu/etd/d/2005/polleichtnerw52198/polleichtnerw52198.pdf#page=3.
Texto completo da fontePolleichtner, Wolfgang. "Aeneas' emotions in Vergil's Aeneid and their literary and philosophical foundations : an analysis of select scenes". Thesis, 2005. http://hdl.handle.net/2152/3989.
Texto completo da fonte"Byron's Don Juan and nationalism". Thesis, 2010. http://library.cuhk.edu.hk/record=b6074834.
Texto completo da fonteI propose to comprehend the perceptive gap by focusing on Don Juan which best contextualizes Byron in the flow of historicity with the dimension of nationalism. I intend to delve into three structural units of Don Juan---digression, narrative, a lyric song---to argue that Byronic contradictions manifest nationalism in its multiple contingencies.
In conclusion Don Juan reveals that Byron's participation in the modern historicity of nationalism involves three dimensions---residual cosmopolitan ideals, English national consciousness and the independence of the oppressed nations. Don Juan embodies a historical magnetic field where Byron's existence actualizes the potential conflict of the modernity.
Secondly by reading Don Juan as the quest romance of the individual initiation, I bring the narrative into scrutiny and argue that the hero's transformation involves an implicit evolution of the national identification. In terms of subjective consciousness, nationalism embodies the mature vision of masculine selfhood. Don Juan's encounter with both female and male characters, through his repeated border-crossing, illuminates a metaphorical process from rejection to embrace of native roots, from negation to affirmation of national bonds Juan's rite of passage---sexual initiation, surviving shipwreck, the trial of the exotic love and battlefield and diplomacy---transmits a national subjectivity which corresponds to the Byronic existence of mobility.
The dissertation explores the discrepancy between critical reception towards Byron as a Romantic poet in contemporary Romantic scholarship and in Chinese historical evaluation (with certain reference to the European Continent). Byronic contradictions pose a problem to Romantic scholars who are engaged to interpret the interplay between Byron the man and Byron the poet. They share the view that Byron succeeds in manipulating his own personal image to promote his poetical visibility and tend to doubt if his poems could stand alone without the reference to his letters and journals. In China, as in many other countries of European Continent and Asia, Byron is often viewed in a more positive way as the very name has become a byword for liberal nationalism and the rebellion against tyranny
Thirdly 'Isles of Greece' adds an alternative yet prospective dimension to perceive the tension between national anxiety and modernity. In English context its meanings vary as the contextual focus shifts from poetical to socio-biographical and to existential level. The theme of the national independence is complicated by its negative elements such as the identity of the songster. In the Chinese context, 'the Isles of Greece' initiates and embodies a myth-making process as it gives vent to the anxiety of modernity faced by Chinese people in the opening of the twentieth century. The individual shaping of the 'Isles' by three Chinese intellectual pioneers symbolizes the simultaneous awakening of Chinese national consciousness and individual consciousness. The extended reading of Byron by Lu Xun, together with his reworking, voices the existential dilemma of modern enlighteners. His invocation of 'Mara poets' is prophetic of the modern intellectuals who possess both vision and willpower to eradicate ignorance and public apathy.
Gu, Yao.
Adviser: Ching Yuet May.
Source: Dissertation Abstracts International, Volume: 72-01, Section: A, page: .
Thesis (Ph.D.)--Chinese University of Hong Kong, 2010.
Includes bibliographical references (leaves 167-173).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstract also in Chinese.
Genis, Gerhard. "South African Great War poetry 1914-1918 : a literary-historiographical analysis". Diss., 2014. http://hdl.handle.net/10500/13847.
Texto completo da fonteEnglish Studies
Shaw, Rayford Wesley. "A Structural analysis and visual abstraction of the pictorial in the Aeneid, I-VI". Thesis, 2000. http://hdl.handle.net/10500/16021.
Texto completo da fonteArt
D. Litt. et Phil.
Livros sobre o assunto "Aeneas (legendary character) – poetry"
Virgil. The voyage of Aeneas: Virgil , Aeneid books I-VI. Bristol: Bristol Classical, 1986.
Encontre o texto completo da fonteThomas, Weber. Fidus Achates: Der Gefährte des Aeneas in Vergils Aeneis. Frankfurt am Main: P. Lang, 1988.
Encontre o texto completo da fonteHeinrich. Eneasroman: Die Berliner Bilderhandschrift mit Übersetzung und Kommentar. Frankfurt am Main: Deutscher Klassiker Verlag, 1992.
Encontre o texto completo da fonteMackie, C. J. The characterisation of Aeneas. Edinburgh: Scottish Academic Press, 1988.
Encontre o texto completo da fonteVirgil. Aeneas in the world of the dead. [New York]: Kelly/Winterton Press, 1990.
Encontre o texto completo da fonteVirgil. Il libro terzo dell'Eneide. Milano: Vita e pensiero, 1994.
Encontre o texto completo da fonteOvid. P. Ovidii Nasonis Heroidum epistula VII: Dido Aeneae. Grassina (Firenze): Le Monnier, 2007.
Encontre o texto completo da fonteVirgil. Selections from Vergil's Aeneid: Books 1, IV, VI : Dido and Aeneas. White Plains, N.Y: Longman, 1988.
Encontre o texto completo da fonteKofler, Wolfgang. Aeneas und Vergil: Untersuchungen zur poetologischen Dimension der Aeneis. Heidelberg: Winter, 2003.
Encontre o texto completo da fonteG, Binder, e Andrae Janine, eds. Dido und Aeneas: Vergils Dido-Drama und Aspekte seiner Rezeption. Trier: Wissenschaftlicher Verlag Trier, 2000.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Aeneas (legendary character) – poetry"
Jolowicz, Daniel. "Achilles Tatius and Vergil’s Aeneid". In Latin Poetry in the Ancient Greek Novels, 188–220. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894823.003.0006.
Texto completo da fonteVan der Laan, Sarah. "Ariosto’s Fractured Odysseys". In The Choice of Odysseus, 64–104. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198778295.003.0003.
Texto completo da fonte