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Artigos de revistas sobre o tema "Adaptation (Motion picture)"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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1

Luiz, Tiago Marques. "Romeo and Juliet’s Rewriting in the Walt Disney Animated Movie Pocahontas: Adaptation Studies, Comparative Literature and Theory of Intertextuality." Cadernos de Tradução 43, no. 1 (2023): 1–23. http://dx.doi.org/10.5007/2175-7968.2023.e87714.

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Intertextuality has been a driving force for Adaptation Studies, but few scholars have highlighted its relevance, rather prioritizing issues such as audience reception, cinematographic technique or aesthetics and, occasionally, fidelity. However, the starting point for any audiovisual production (be it film, television or theater) is the written matter, the text. Inserted within the field of Adaptation Studies in dialogue with Comparative Literature and Theory of Intertextuality, the present papers assesses the extent to which there are points of contact between William Shakespeare’s tragedy R

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Cartmell, D. "Now A Major Motion Picture: Film Adaptations of Literature and Drama * Authorship in Film Adaptation." Screen 50, no. 4 (2009): 462–65. http://dx.doi.org/10.1093/screen/hjp034.

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Shulman, Gordon L. "Attentional Effects on Adaptation of Rotary Motion in the Plane." Perception 22, no. 8 (1993): 947–61. http://dx.doi.org/10.1068/p220947.

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The effect of attention on the adaptation effects produced by stimuli rotating in the picture plane was examined in five experiments. In experiment 1, subjects performed a task either on a rotating adapting stimulus or on an irrelevant distractor stimulus. Adaptation of a subsequent ambiguous test stimulus was greater when the adapting stimulus was attended than when the irrelevant stimulus was attended. In experiments 2, 3, and 5, two adapting stimuli were presented, rotating in opposite directions, and subjects attended to one or the other. The direction of rotation of the ambiguous test sti

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Ochonicky, Adam. "Memory patterns." Science Fiction Film & Television 17, no. 1 (2024): 1–27. http://dx.doi.org/10.3828/sfftv.2024.1.

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This article asserts that the original Star Trek films (1979–91) have importance for the study of memory and media in the digital era. I advance several interrelated arguments, with a special emphasis on Star Trek: The Motion Picture . First, I address how Star Trek: The Motion Picture ’s treatment of memory corresponds to scientific models of human recollection and theories of archives and databases. Notably, the first Star Trek film expresses anxiety about the mutability of memory and potential ramifications of digitalization. Such elements anticipate major strands of scholarship on memory,

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Neri, Peter, and Dennis M. Levi. "Evidence for Joint Encoding of Motion and Disparity in Human Visual Perception." Journal of Neurophysiology 100, no. 6 (2008): 3117–33. http://dx.doi.org/10.1152/jn.90271.2008.

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Electrophysiological recordings have established that motion and disparity signals are jointly encoded by subpopulations of neurons in visual cortex. However, the question of whether these neurons play a perceptual role has proven challenging and remains open. To answer this question we combined two powerful psychophysical techniques: perceptual adaptation and reverse correlation. Our results provide a detailed picture of how visual information about motion and disparity is processed by human observers, and how this processing is modified by prolonged sensory stimulation. We were able to isola

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Schreiber, Christoph, Behnam Amiri, Johannes C. J. Heyn, Joachim O. Rädler, and Martin Falcke. "On the adhesion–velocity relation and length adaptation of motile cells on stepped fibronectin lanes." Proceedings of the National Academy of Sciences 118, no. 4 (2021): e2009959118. http://dx.doi.org/10.1073/pnas.2009959118.

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The biphasic adhesion–velocity relation is a universal observation in mesenchymal cell motility. It has been explained by adhesion-promoted forces pushing the front and resisting motion at the rear. Yet, there is little quantitative understanding of how these forces control cell velocity. We study motion of MDA-MB-231 cells on microlanes with fields of alternating Fibronectin densities to address this topic and derive a mathematical model from the leading-edge force balance and the force-dependent polymerization rate. It reproduces quantitatively our measured adhesion–velocity relation and res

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Musser, Charles. "The Hidden and the Unspeakable: On Theatrical Culture, Oscar Wilde and Ernst Lubitsch‘s Lady Windermeres Fan." Film Studies 4, no. 1 (2004): 12–47. http://dx.doi.org/10.7227/fs.4.2.

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The cinema is as much a theatrical form of entertainment as performance on the stage, a fact that is crucial to a full appreciation of Ernst Lubitsch‘s Lady Windermere‘s Fan (Warner Brothers, 1925). Particularly in the cinemas silent era (1895-1925), when motion picture exhibition relied on numerous performance elements, theatrical performance and film exhibition interpenetrated. This underscores a basic conundrum: cinema has been integral to, and an extension of, theatrical culture, even though it has also been something quite different - a new art form. Indeed, the unity of stage and screen

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Finke, Laurie A. "The Medieval Motion Picture: The Politics of Adaptation ed. by Andrew James Johnston, Margitta Rouse, and Philipp Hinz." Arthuriana 24, no. 4 (2014): 143–45. http://dx.doi.org/10.1353/art.2014.0050.

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Fauser, Annegret. "Sounding the Tricolore: France and the United States during World War ii." Les musiques franco-européennes en Amérique du Nord (1900-1950) : études des transferts culturels 16, no. 1-2 (2017): 9–21. http://dx.doi.org/10.7202/1039609ar.

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During World War ii, French music found itself in a unique position in the United States. As the sonic embodiment of an Allied nation, it was nonetheless subjected to musical identity politics that drew on stereotypes of France as an elegant, cosmopolitan, and even effeminate culture whose products needed the transformation of US reception to toughen themselves up for the global war, fought both on the battlefield and through propaganda. I focus on three aspects of this complex story of cultural mediation: the reception and adaptation of Claude Debussy’s music, especially Pelléas et Mélisande;

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Mik, Anna. "Disability, Race, and the Black Satyr of the United States of America: The Case of Grover Underwood from Rick Riordan’s The Lightning Thief and its Film Adaptation by Chris Columbus." Dzieciństwo. Literatura i Kultura 1, no. 1 (2019): 130–46. http://dx.doi.org/10.32798/dlk.20.

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This article aims to present the book-to-film metamorphosis of Grover Underwood from Rick Riordan’s novel The Lightning Thief (2005), adapted in 2010 by Chris Columbus for the screen. This character in both works is presented as an excluded member of the society: in the empirical world, as a disabled person, in the mythological one, as a satyr. What is more, in the motion picture, Grover, played by a Black actor, poses as an even more marginalised character, as a representative of a community discriminated in the USA. Therefore, the images of this character reflect the various levels of exclus

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Breeze, Andrew. "Andrew James Johnston, Beowulf Global: Konstruktionen historisch-kultureller Verflechtungen im altenglischen Epos. Zürich: Chronos Verlag. 2022, 70 pp." Mediaevistik 35, no. 1 (2022): 428–29. http://dx.doi.org/10.3726/med.2022.01.83.

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Abstract An instructor at Berlin’s Free University, who has analyzed “Robin auf der Leinwand” in his Robin Hood: Geschichte einer Legende (Munich 2013) and co-edited The Medieval Motion Picture: The Politics of Adaptation (New York 2014), now focuses on Beowulf. In three lectures (given at Zurich) he deals with its international setting, styled as “tatsächlich kosmopolitisch” (p. 16). The theme is promising, as he relates it to physical entities: a Roman mosaic “auf dem Orpheus abgebildet” (p. 20) at Bath; Sutton Hoo; a sword-hilt described in Beowulf as wyrmfah (“having snake-like ornaments”)

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Mik, Anna. "Disability, Race, and the Black Satyr of the United State of America: The Case of Grover Underwood from Rick Riordan's The Lighting Thief and its Film Adaptation by Chris Columbus." Dzieciństwo. Literatura i Kultura 1 (July 24, 2019): 130–46. https://doi.org/10.32798/dlk.20.

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This article aims to present the book-to-film metamorphosis of Grover Underwood from Rick Riordan’s novel "The Lightning Thief" (2005), adapted in 2010 by Chris Columbus for the screen. This character in both works is presented as an excluded member of the society: in the empirical world, as a disabled person, in the mythological one, as a satyr. What is more, in the motion picture, Grover, played by a Black actor, poses as an even more marginalised character, as a representative of a community discriminated in the USA. Therefore, the images of this character reflect the variou

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Roca, Meritxell. "Rethinking entertainment. Entrevista a Marty Kaplan." Tripodos, no. 23 (June 22, 2008): 135–43. https://doi.org/10.51698/tripodos.2008.23.135-143.

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Martin Kaplan is associate dean of the USC (University of Southern California) Annenberg School for Communication, where he directs the Norman Lear Center, a multidisciplinary research and public policy center which explores the implications of the convergence of entertainment, commerce, and society. He regularly comments on the media business for NPR (National Public Radio) and CBS. Before joining USC, Kaplan spent twelve years at Disney, where he was a vice president of motion picture production and a screenwriter; his feature credits include “The Distinguished Gentleman” (writer and executi

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Skowera, Maciej. "Lewis Barnavelt and the Rainbow over New Zebedee: Queering The House with a Clock in Its Walls." Dzieciństwo. Literatura i Kultura 1, no. 1 (2019): 85–108. http://dx.doi.org/10.32798/dlk.29.

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The paper discusses The House with a Clock in Its Walls (1973) by John Bellairs and its film adaptation, directed by Eli Roth (2018), from queer theory and gender studies perspectives. The author of the article aims to overview and develop existing queer in‑terpretations of the first novel in the Lewis Barnavelt series, with contextual references to the cycle’s subsequent volumes, and to conduct a queer theory ‑inspired analysis of Roth’s motion picture. The genre represented by the novel and the film is also consid‑ered by taking the scholarly reflections on the queer aspects of the Gothic an

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Farnia, Fatemeh. "Is the Film as Empowering as the Book? Studying Empowerment in A Monster Calls." Dzieciństwo. Literatura i Kultura 1, no. 1 (2019): 147–58. http://dx.doi.org/10.32798/dlk.33.

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The aim of the paper is to discuss A Monster Calls (2016) by J. A. Bayona, a film adaptation of Patrick Ness’s novel (2011) of the same title, based on an original idea by Siobhan Dowd, from the empowerment theory perspective. The author of the article indicates that there are some significant changes between the book and the motion picture, especially when it comes to the ways of empowering the protagonist and the works’ potential young audience. The results of this comparative study show that the film is more affectively empowering than the novel. This is mainly because in the book, Ness ski

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Döbrich, Oliver, Thomas Gereke, and Chokri Cherif. "A Finite Element Based Approach for the Accurate Determination of the Shear Behaviour of Textiles with the Picture-Frame Shear Test." Key Engineering Materials 554-557 (June 2013): 1105–15. http://dx.doi.org/10.4028/www.scientific.net/kem.554-557.1105.

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Picture frame shear tests are state of the art for determining the shear force vs. shear angle behaviour for in-plane deformation of most technical textiles, such as woven fabrics. Many publications describe this test and the used picture frames. Benchmark tests showed that the measured shearing behaviour for one sample depends on the picture frame used. The shearing rigidity of most textiles is very small compared to the in-plane tensile stiffness, so slight imperfections on the experimental setup have a significant effect on the measured results. During the picture frame test, wrinkles may f

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Kenevisi, Mohammad Sadegh, and Mahmoud Mobaraki. "Translating the Translated: An Intertextual Approach in Subtitling Ernest Hemingway’s Adaptation of To Have and Have Not to Nakhoda Khorshid." International Journal of Linguistics, Literature and Translation 6, no. 6 (2023): 54–63. http://dx.doi.org/10.32996/ijllt.2023.6.6.6.

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Literary texts have been regularly adapted into the motion picture since the invention of talkies. Accordingly, the relationship between the original literature, the adapted movie and its translation for international audiences, mainly in the form of subtitling, have become an attractive and growing source of study. This intertextuality is argued to influence the perception and evaluation of the vulnerable subtitle by the viewers. Therefore, adopting an intertextual approach to the subtitling of dialogue in the Iranian film Captain Khorshid, the present study aims at discussing the extent to w

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Kucharik, Martin, Zuzana Kosutzka, Jozef Pucik, Michal Hajduk, and Marian Saling. "Processing moving visual scenes during upright stance in elderly patients with mild cognitive impairment." PeerJ 8 (November 18, 2020): e10363. http://dx.doi.org/10.7717/peerj.10363.

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Background The ability to maintain balance in an upright stance gradually worsens with age and is even more difficult for patients with cognitive disorders. Cognitive impairment plays a probable role in the worsening of stability. The purpose of this study was to expose subjects with mild cognitive impairment (MCI) and healthy, age-matched controls to moving visual scenes in order to examine their postural adaptation abilities. Methods We observed postural responses to moving visual stimulation while subjects stood on a force platform. The visual disturbance was created by interposing a moving

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Wolff, J. Gerard. "Information Compression as a Unifying Principle in Human Learning, Perception, and Cognition." Complexity 2019 (February 20, 2019): 1–38. http://dx.doi.org/10.1155/2019/1879746.

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This paper reviews evidence for the idea that much of human learning, perception, and cognition may be understood as information compression and often more specifically as “information compression via the matching and unification of patterns” (ICMUP). Evidence includes the following: information compression can mean selective advantage for any creature; the storage and utilisation of the relatively enormous quantities of sensory information would be made easier if the redundancy of incoming information was to be reduced; content words in natural languages, with their meanings, may be seen as I

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Chapman, Alison Georgina. "ORNAMENT AND DISTRACTION: PERIPHERAL AESTHETICS IN THE NINETEENTH CENTURY." Victorian Literature and Culture 45, no. 2 (2017): 233–55. http://dx.doi.org/10.1017/s1060150316000590.

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In the section devoted to “Attention”inThe Principles of Psychology(1890), William James describes how the “‘adaptation of the attention’” can alter our perception of an image so as to permit multiple visual formulations (417). In his example of a two-dimensional drawing of a cube, we can see the three-dimensional body only once our attention has been primed by “preperception”: the image formed by the combination of lines has “no connection with what the picture ostensibly represents” (419, 418). In a footnote to this passage, however, James uses an example from Hermann Lotze'sMedicinische Psy

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Lorteije, Jeannette A. M., J. Leon Kenemans, Tjeerd Jellema, Rob H. J. van der Lubbe, Marjolein W. Lommers, and Richard J. A. van Wezel. "Adaptation to Real Motion Reveals Direction-selective Interactions between Real and Implied Motion Processing." Journal of Cognitive Neuroscience 19, no. 8 (2007): 1231–40. http://dx.doi.org/10.1162/jocn.2007.19.8.1231.

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Viewing static pictures of running humans evokes neural activity in the dorsal motion-sensitive cortex. To establish whether this response arises from direction-selective neurons that are also involved in real motion processing, we measured the visually evoked potential to implied motion following adaptation to static or moving random dot patterns. The implied motion response was defined as the difference between evoked potentials to pictures with and without implied motion. Interaction between real and implied motion was found as a modulation of this difference response by the preceding motio

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Raw, Laurence. "Now a Major Motion Picture: Film Adaptations of Literature and Drama by Christine Geraghty." Journal of American Culture 31, no. 3 (2008): 330–31. http://dx.doi.org/10.1111/j.1542-734x.2008.00681_15.x.

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Pasopati, Rommel Utungga, Fransisca Irnidianis Magdalena Suyaji, Kheista Sasi Kirana, Riska Dewi Ramadhani, and Kusuma Wijaya. "Intricateness of Adaptation of Literature to Film in Today’s Crisscrossed World." Journal Corner of Education, Linguistics, and Literature 3, no. 4 (2024): 390–400. http://dx.doi.org/10.54012/jcell.v3i4.282.

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This paper investigates the realities of literature adaptation to film in today’s world of literary criticism. People enjoy motion pictures and compare them with its original textual Literature. By focusing on literary criticism theories, this article explains modern to postmodern aesthetic points, especially in the era of definitions in romanticism, reflectionism and its auto, empiricism until pragmatism, and the age of language beyond communication. Through those former points, the adaptation of Literature to film brings in a wider point: the world itself. The adaptation is shown to broaden

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Wu, Hui. "Shakespeare in Chinese Cinema." Multicultural Shakespeare: Translation, Appropriation and Performance 10, no. 25 (2013): 71–81. http://dx.doi.org/10.2478/mstap-2013-0006.

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Shakespeare’s plays were first adapted in the Chinese cinema in the era of silent motion pictures, such as A Woman Lawyer (from The Merchant of Venice, 1927), and A Spray of Plum Blossoms (from The Two Gentlemen of Verona, 1931). The most recent Chinese adaptations/spinoffs include two 2006 films based on Hamlet. After a brief review of Shakespeare’s history in the Chinese cinema, this study compares the two Chinese Hamlets released in 2006—Feng Xiaogang’s Banquet and Hu Xuehua’s Prince of the Himalayas to illustrate how Chinese filmmakers approach Shakespeare. Both re-invent Shakespeare’s Ham

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Simonton, Dean Keith. "Is Bad Art the opposite of Good Art? Positive versus Negative Cinematic Assessments of 877 Feature Films." Empirical Studies of the Arts 25, no. 2 (2007): 143–61. http://dx.doi.org/10.2190/2447-30t2-6088-7752.

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Although some research suggests that negative judgments might be more complex and more potent than positive judgments, cinematic assessments may offer an instance of a genuine bipolar evaluative dimension. This is shown in an analysis of 877 feature films that received positive (Oscars) or negative (Razzie) recognition in the categories of best/worst picture, director, male and female lead, male and female supporting actor, screenplay, and original song (whether nomination or actual award). These assessments were compared with film critic evaluations, financial and box office data, and several

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Adel, Mohammed Abou, Oğuzhan Ayrım, Mohammad Alhourani, Muhammad Asif, and Mubarak Altwaiji. "Melville in Motion: Cultural Transformations of Moby-Dick in Arabic-Dubbed Cartoons." World Journal of English Language 15, no. 4 (2025): 292. https://doi.org/10.5430/wjel.v15n4p292.

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This paper considers readers' different backgrounds and perspectives due to the fact that interpretations of literary texts are not static but can change over time and across cultures. The study suggests that political symbolism in Moby-Dick may be interpreted differently by Arab and Middle Eastern readers compared to Western readers. Hence, the article aims to uncover alternative perspectives that have contributed to painting the unobjective image of America in Arab perceptions. Regarding the methodology, this paper applies Wolfgang Iser’s reception theory which gives the reader the full righ

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Koger, Grove. "Book Review: Encyclopedia of Nordic Crime Fiction: Works and Authors of Denmark, Finland, Iceland, Norway and Sweden Since 1967." Reference & User Services Quarterly 56, no. 2 (2017): 142. http://dx.doi.org/10.5860/rusq.56n2.142.

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Thanks to the Kurt Wallander novels of Henning Mankell, the Lisbeth Salander novels of Stieg Larsson, and their motion picture and television adaptations, crime fiction by Finnish and Scandinavian writers has soared in popularity with American readers over the past few years. In her Encyclopedia of Nordic Crime Fiction, Mitzi M. Brunsdale sets out to survey the growing field while offering a historical analysis of its development and importance. She argues that the region’s crime fiction “largely deals with the serious societal problems resulting from originally well-intentioned Nordic welfare

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Melbye, David. "Two divergent cinematic readings of enslavement in ‘An Occurrence at Owl Creek Bridge’." Short Film Studies 13, no. 1 (2023): 35–48. http://dx.doi.org/10.1386/sfs_00090_1.

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Ambrose Bierce’s Civil War story ‘An Occurrence at Owl Creek Bridge’ was adapted in 1959 as a television episode of Alfred Hitchcock Presents and in 1962 as Robert Enrico’s French film La Rivière du hibou, which was presented as an episode of The Twilight Zone in turn. Although the common reading of this story aligns it with the author’s other ‘antiwar’ narratives, African American enslavement comes to the fore in both these audio-visual adaptations, but with opposite connotations. Examining their digression in narrative and stylistic directions illustrates the dichotomies of motion-picture ae

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Arslantepe, Mehmet, and Efe Önal. "Raskolnikov as a Transformed Character: Aki Kaurismäki's Adaptation of “Crime and Punishment” (1983)." Galactica Media: Journal of Media Studies 6, no. 2 (2024): 66–95. http://dx.doi.org/10.46539/gmd.v6i2.455.

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How do motion pictures transpose the characters from a well-established literary work into a cinematic narrative, replete with their own narrative potential? Can the resulting film be regarded as an entirely new creation? To explore these questions, we have selected Aki Kaurismäki's 1983 cinematic adaptation of Fyodor Dostoevsky's Crime and Punishment. The primary objective of this study is to ascertain whether the characters from a literary work undergo a transformation into new personas, enriched by the narrative possibilities inherent to cinema. Kaurismäki's adaptation of Crime and Punishme

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Labuznaya, V. Yu. "Comparative Study of Daphne du Maurier’s Rebecca Film Adaptations. Chronotope of a “Castle”." Art & Culture Studies, no. 4 (December 2021): 332–61. http://dx.doi.org/10.51678/2226-0072-2021-4-332-361.

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The article performs the comparative study of Daphne du Maurier’s Rebecca film adaptations. It investigates motion pictures by A. Hitchcock (1940), R. Milani (2008) and B. Wheatley (2020). The analysis of the narrative-discursive techniques used by these authors aims to consider the problem of screen representation of the Rebecca’s specific spacetime model. The main investigated subject is the screen image of Manderley estate, its impact on diegesis, plot and symbolism in these movies. Manderley as an aesthetic complex corresponds to the chronotope of the “castle” in the interpretation of M. B

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Baltodano Román, Gabriel. "La literatura y el cine: una historia de relaciones." LETRAS, no. 46 (July 29, 2009): 11–27. http://dx.doi.org/10.15359/rl.2-46.1.

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La literatura y el cine se relacionan en cuatro aspectos básicos: la literatura determina, en sus orígenes, la naturaleza de los filmes, sus motivos y estrategias; la literatura y el cine son formas narrativas, por lo que comparten estructuras míticas, populares y de relato; ambos se vinculan mediante el problema de la adaptación; y el cine ejerce una influencia estética en las obras literarias y en el concepto tradicional de literatura. Este artículo examina estos vínculos desde una perspectiva conceptual e histórica.Literature and cinema are related in four main aspects: in its origins liter

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Nather, Francisco Carlos, Vinicius Anelli, Guilherme Ennes, and José Lino Oliveira Bueno. "Implied Movement in Static Images Reveals Biological Timing Processing." Paidéia (Ribeirão Preto) 25, no. 61 (2015): 251–59. http://dx.doi.org/10.1590/1982-43272561201513.

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Visual perception is adapted toward a better understanding of our own movements than those of non-conspecifics. The present study determined whether time perception is affected by pictures of different species by considering the evolutionary scale. Static (“S”) and implied movement (“M”) images of a dog, cheetah, chimpanzee, and man were presented to undergraduate students. S and M images of the same species were presented in random order or one after the other (S-M or M-S) for two groups of participants. Movement, Velocity, and Arousal semantic scales were used to characterize some properties

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Sreya Mukherjee. "Shakespeare in the Spotlight: Examining the Binary of Elite and Pop Culture in Shakespeare’s Legacy." Creative Saplings 4, no. 1 (2025): 13–23. https://doi.org/10.56062/gtrs.2025.4.01.849.

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The literary oeuvre of William Shakespeare has become ubiquitous within popular culture, pervading a broad range of media, including motion pictures, television series, musical compositions, and promotional campaigns. This paper delves into the intriguing intersection of Shakespearean canon and popular culture, with a particular focus on Hamlet. It aims to examine the various adaptations of William Shakespeare’s Hamlet in different forms of popular culture, with a view to understanding the impact these adaptations have had on the public’s perception of Shakespearean canon. The paper is centred

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Bhat, Romica, and Prithu Sarkar. "Covidization of Media and Entertainment Industry: Current Times and the Future Ahead." Indonesian Journal of Social Science Research 3, no. 2 (2022): 113–20. http://dx.doi.org/10.11594/ijssr.03.02.07.

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The paper has tried to address the modification and adaptation done by the motion pictures industry on the business model, decision-making process, and revenue model, with a case study on Walt Disney. This paper also tried to understand the digital disruptiveness probable strategies taken by media organizations to conquer the spot of market leader and gain a competitive advantage from the set of homogeneous competitors. The new normal business model that has helped Disney+ to create the core competency has given the organization a long-term benefit to make a sustainable business model. The pap

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Schmidt, Wolfgang, Peter Strangfeld, Eduard Volker, and Yaraslau Sliavin. "Numerical simulation of the movement behavior of floating structures." Real estate: economics, management, no. 2 (June 24, 2021): 55–62. http://dx.doi.org/10.22337/2073-8412-2021-2-55-62.

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The sea level is rising, and floods threaten the infrastructure all over the world; therefore, we should identify the risks for envelops of buildings and settlements. The risks arise due to the new boundary conditions and a direct contact between the water flows in motion. A floating construction site requires a manifold adaptation of structures. The paper demonstrates the effect of water waves on floating houses built on abandoned open pit mines. Pictures of destroyed accessways to such properties have proven the need to study the effect of water waves on floating houses. In order to minimize

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Grigorieva, Liubov N. "REGARDING THE PROBLEM OF MULTIMODALITY IN THE SCREENING OF LITERARY WORKS." German Philology at the St Petersburg State University 12 (2022): 49–65. http://dx.doi.org/10.21638/spbu33.2022.103.

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This article explores the problem of multimodality through the example of films, which are a synthesis of different modes (or codes), such as the verbal part in its combination with other components of the film text. The objects of study are motion pictures that are screen adaptations of literary works, i. e. which are based on the actual verbal texts. Therefore, the main attention in the study is comparing the text of a literary work and the film text of its screen version, especially what was included in the latter and what was eliminated, changed, or modified. This takes into account whethe

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Isha Mittal. "Use of Women’s Beauty and Makeup in Battle: Unveiling Stereotypes and Strength." Creative Saplings 2, no. 09 (2023): 35–45. http://dx.doi.org/10.56062/gtrs.2023.2.09.462.

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Since the earliest writings of Bharatmuni's Natyashastra, an essential text in Indian aesthetics written more than two thousand years ago, women have been essentially connected with beauty and makeup. Shringararasa was mostly associated with women in the Rasa philosophy. This link has persisted and can even be seen in current Hollywood productions. It is interesting how beauty has been portrayed in two distinct manners throughout various historical works of literature, films, and books. On one hand, it has supported stereotypes like child marriage and placed restrictions on women's access to h

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Sormunen, Kati. "- From inclusive practices to personal strategies." Nordic Studies in Science Education 16, no. 2 (2020): 234. http://dx.doi.org/10.5617/nordina.8084.

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The main purpose of this doctoral thesis is to co-design and examine digitally supported inclusive practices in science learning. Inclusive practices aim to provide quality education and quality learning opportunities for all students. Inclusive practices are characterised by process-oriented development that takes into account a student’s personal abilities and needs concerning both knowledge and competencies as well as the classroom context. Since there are very few research-based models for inclusive practices, the longitudinal educational design research (EDR) project aimed to co-design di

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Buchok, Lianna. "V. Telychko’s “Children’s Album” as an example of the modern tonal image of the world: peculiarities of the musical vocabulary and melodic ideas." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 70–84. http://dx.doi.org/10.34064/khnum2-49.05.

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Background. The beginning of the development of musical art in Transcarpathia dates back to the end of the nineteenth century and lasts during the first third of the twentieth century. First of all, it was an interest in the genre of choral music (a synthetic genre based on the merging of the Word and Music), which fully corresponded to the enlightened spirit of life of the Transcarpathians under the political conditions of that time. And only in the second half of the twentieth century intensive blossoming of the varieties of instrumental (kind of «pure») music with its conceptually most comp

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Buchok, Lianna. "V. Telychko’s “Children’s Album” as an example of the modern tonal image of the world: peculiarities of the musical vocabulary and melodic ideas." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 70–84. http://dx.doi.org/10.34064/khnum1-49.05.

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Background. The beginning of the development of musical art in Transcarpathia dates back to the end of the nineteenth century and lasts during the first third of the twentieth century. First of all, it was an interest in the genre of choral music (a synthetic genre based on the merging of the Word and Music), which fully corresponded to the enlightened spirit of life of the Transcarpathians under the political conditions of that time. And only in the second half of the twentieth century intensive blossoming of the varieties of instrumental (kind of «pure») music with its conceptually most comp

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Олицкая, Дарья Александровна, and Виктория Викторовна Черткова. "REPRESENTATIONS OF THE STEPPE IN ENGLISH TRANSLATIONS OF ANTON CHEKHOV’S “THE STEPPE”." Tomsk state pedagogical university bulletin, no. 6(224) (November 18, 2022): 132–44. http://dx.doi.org/10.23951/1609-624x-2022-6-132-144.

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Введение. Рассматривается англоязычная переводческая рецепция повести А. П. Чехова «Степь» (1888), которая стала первым крупным произведением, ознаменовавшим переход к зрелому периоду творчества писателя. Определяющим пространственным ориентиром в повести и творчестве Чехова в целом выступает степь. В контексте изучения переводов повести на английский язык особое значение приобретает вопрос о диалектическом единстве национальной и универсальной проблематики в чеховском образе степи. Цель – изучение множественных репрезентаций образа степи в англоязычных переводах повести «Степь» в его двух вза

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McCall, Bradford. "The God of Chance and Purpose: Divine Involvement in a Secular Evolutionary World." Perspectives on Science and Christian Faith 75, no. 2 (2023): 123–25. http://dx.doi.org/10.56315/pscf9-23mccall.

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THE GOD OF CHANCE AND PURPOSE: Divine Involvement in a Secular Evolutionary World by Bradford McCall. Eugene, OR: Wipf & Stock, 2022. 156 pages. Paperback; $24.00. ISBN: 9781725283831. *Bradford McCall is a young but prolific scholar, having completed his PhD in 2022 at the Claremont School of Theology, yet having published five books and about fifty articles. In this slim volume of six chapters, McCall proposes the elements of a complementary relationship between science, particularly evolutionary biology, and Christian faith. His proposal is rooted in a panentheistic theology of God that

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"The Medieval motion picture: the politics of adaptation." Choice Reviews Online 52, no. 04 (2014): 52–1869. http://dx.doi.org/10.5860/choice.186273.

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Riyanto, Ina Listyani, Sunarmi Sunarmi, and Seno Gumira Ajidarma. "INTERTEXTUALITY ACROSS MEDIA: THE NARRATIVE TRANSFORMATION OF “KKN DI DESA PENARI” FROM TWEET TO MOTION PICTURE AND DIGITAL POP CULTURE." Journal of Social Sciences and Humanities, July 11, 2025, 44–57. https://doi.org/10.56943/jssh.v4i3.773.

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This study investigates the narrative transformation of KKN di Desa Penari as it migrated across multiple media platforms, illustrating how local stories are reinterpreted within Indonesia’s hybrid digital ecosystem. Originating as a Twitter thread, the narrative evolved into novels, films, and user-generated content, reflecting the dynamic interplay between intertextuality, adaptation, remediation, and participatory culture. While previous studies have addressed digital folklore or single-medium adaptations, few have explored how a single narrative transforms holistically across platforms thr

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Voicu, Alina-Alexandra, Michael Krützen, and Tugce Bilgin Sonay. "Short Tandem Repeats as a High-Resolution Marker for Capturing Recent Orangutan Population Evolution." Frontiers in Bioinformatics 1 (August 16, 2021). http://dx.doi.org/10.3389/fbinf.2021.695784.

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The genus Pongo is ideal to study population genetics adaptation, given its remarkable phenotypic divergence and the highly contrasting environmental conditions it’s been exposed to. Studying its genetic variation bears the promise to reveal a motion picture of these great apes’ evolutionary and adaptive history, and also helps us expand our knowledge of the patterns of adaptation and evolution. In this work, we advance the understanding of the genetic variation among wild orangutans through a genome-wide study of short tandem repeats (STRs). Their elevated mutation rate makes STRs ideal marke

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Varga, Emőke. "Az interaktív mesekönyv medialitása." Studia Litteraria 58, no. 1-2 (2019). http://dx.doi.org/10.37415/studia/2019/58/4269.

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The study will discuss the definitive, disciplinary and medial aspects of the interactive story book, which is a genre having only a few years of history. The question about the correlation of lingual and image mediums, based on theories that present a formal link between still images and written word by the text-image researches, is described with the category of inter-references. In both cases the text and its illustration – the motion picture and the voice - are detached, the receiver is able to separate these media explicitly while experiencing their coherence at the same time. In interact

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Deshmukh, Monal. "Discussion on Chaos Circulation Schema of Taiji Diagram." Journal of Theory and Practice of Social Science 2, no. 1 (2022). http://dx.doi.org/10.53469/jtpss.2021.02(01).01.

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The fusion of China, I like to move the arrow of the dynamic field on the Taiji chart to the heart of one of the following laws of motion, the creation of yin and yang, the movement of metal, wood, water, fire and the earth to give rise to all evolutionary philosophical thoughts. The Taoist inaction WTO emphasizes the unity and contradiction of opposites. Confucius is indeed another gossip about the centrifugal movement, such as arrows, benevolence, justice, etiquette, wisdom, and belief in the birth of Confucianism. They are born to promise the highest degree of ethical adaptation. Unfortunat

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Kumar, Dharmendra, and Aman Vats. "Game Changing Role of Animation and VFX in Indian Cinema." IMS Manthan (The Journal of Innovations) 12, no. 01 (2017). http://dx.doi.org/10.18701/imsmanthan.v12i01.10345.

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Indian cinema has come a long way from silent era to sound, colour, masala movies and animated movies. In 1896, Lumiere Brothers screened their short films at Watson Hotel of Bombay. It was the first time when Indian audience watched the movie. Since then Indian cinema has gone through several changes and adopted latest technology.This holds more true for the last century were huge technological advancement has taken place. Today, production process of a film is completely changed. Films are produced at rapid speed with the use of latest film making technology. Indian films producedwith low bu

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Wifall, Rachel. "Setting As You Like It: Shakespearean Appropriation for the Cable Television Market." Borrowers and Lenders The Journal of Shakespeare Appropriations 3, no. 2 (2023). https://doi.org/10.18274/uzqx3743.

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Continuing his trend of Shakespearean adaptation, Kenneth Branagh and his Shakespeare Film Company recently released a new interpretation of As You Like It through HBO and BBC films. Although the film was released to theaters in Italy on 1 September, 2006, it went straight to television in the United States; HBO first aired the film on 21 August, 2007. With stage and screen veterans Brian Blessed, Kevin Kline, and Alfred Molina, RSC star David Oyelewo, RADA graduate Adrian Lester, and talented newcomers Bryce Dallas Howard (daughter of director Ron Howard) and Romola Garai, Branagh's film is g

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Devika, Kella, E. Varshitha, Ch Bhargavi, and P. Bhanuji Rao. "Artificial Intelligence: Transforming the Future of Robotic Surgery." International Journal of Innovative Science and Research Technology, March 28, 2025, 1155–61. https://doi.org/10.38124/ijisrt/25mar997.

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Minimally Modern invasive medicine is developing remarkably; robotic surgery uses computer-operated robotic technology to increase accuracy, vision, and surgical efficiency. By enabling real-time analysis, decision-making, and automatic support throughout operations, artificial intelligence (AI) magnifies these benefits even more. Al-driven robotic systems are increasingly embraced offering improved patient outcomes including reduced recovery times, minimal complications, and enhanced precision in many different medical disciplines including neurosurgery, cardiothoracic, gynaecological, gastro

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