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Teses / dissertações sobre o tema "Adaptation (Motion picture)"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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1

Orfall, Blair. "Bollywood retakes : literary adaptation and appropriation in contemporary Hindi cinema /." Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883677651&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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2

Negrisolo, Letizia <1994&gt. "Tarzan of the Apes: the first motion picture adaptation (1918)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13372.

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3

Smyth, Pamela Lou. "The marriage of two minds: The divine deliverance of Peter Shaffer's Amadeus from stage to film." CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/903.

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4

Whitehurst, Katherine F. "Adapting Snow White : tracing female maturation and ageing across film, television and the comic book." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/24054.

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This thesis analyses 21st century filmic, televisual and comic “Snow White” adaptations. The research is interdisciplinary, bringing together scholarship on gender, childhood, ageing, adaptation, media and fairy tales. The first half of the thesis contextualises the broader historical and sociocultural conversation “Snow White” tellings are immersed in by nature of their shared culture and history. It also identifies the tale’s core and traces the tale’s formation as a tale type from the seventeenth to the twenty–first century. The second half of this thesis moves to an analysis of two films (

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5

Wright, Barbara Irene. "La bête humaine : an examination of the problems inherent in the process of adaptation from novel to film." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26943.

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In this thesis the process of adaptation from novel to film is examined. La Bête humaine by Emile Zola and the film version by Jean Renoir provide specific examples. The starting point is the assumption, often made by cinema audiences, that the film should be "faithful" to the novel upon which it is based. A statement made by Renoir regarding his efforts to be true to what he describes as the "spirit of the book" is quoted to illustrate the prevalence of this attitude. Novel and film are then compared in order to test Renoir's claim to fidelity. What is revealed are the differences between the

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6

Lee, Sin-man. "Adaptation of Hong Kong films in 1990's." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199172.

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7

Armanno, Venero. "Three screenplay adaptations and the ownership effect." Thesis, Queensland University of Technology, 2003.

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This PhD consists of three screenplays adapted from my novels and an exegesis which explores the involvement and influences producers have had on the eventual screenplay outcomes. In developing a first draft of original screenplays writers often work alone and without critical feedback, development assistance or encouragement from third parties. The writing process can continue in this way for some time, through many drafts, until the writer either abandons the project or finds some development assistance either from government film support agencies, producers, or both. At that stage, the writ

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8

Lee, Sin-man, and 李善雯. "Adaptation of Hong Kong films in 1990's." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952689.

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9

Faithfull, Denise. "Adaptations : Australian literature to film, 1989-1998." Thesis, Connect to full text, 2001. http://hdl.handle.net/2123/1771.

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Thesis (Ph. D.)--University of Sydney, 2001.<br>Title from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.

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10

Faithfull, Denise. "Adaptations Australian literature to film, 1989-1998 /." Connect to full text, 2001. http://hdl.handle.net/2123/1771.

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Thesis (Ph. D.)--University of Sydney, 2001.<br>Title from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.

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11

Taylor, James. "Hollywood superheroes : the aesthetics of comic book to film adaptation." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/93641/.

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This thesis develops a theoretically-informed approach with which to analyse the aesthetics of the adaptation of superhero comic books into blockbuster films. Pervasive modes of thinking present superhero blockbusters as artistically degraded products that are not worthy of aesthetic analysis. I demonstrate that exploring the ways in which superhero blockbusters adapt comic book style and form reveals aesthetic sophistication and multiplicities of meaning. Engaging with comic book and film history also enables me to identify ways in which superhero blockbusters have contributed to the developm

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12

Hall, Alexander Charles Oliver. "Reel Hope: Literature and the Utopian Function of Adaptation." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1372450824.

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13

Watkins, Edward Matthew. "The truth in selling science, and the drama of adapting it for television." Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/watkins/WatkinsE1208.pdf.

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The path from science text to science television show is a rocky one. The fragmentation of the television market place with the growth of cable television has pushed science documentaries into a headlong pursuit for higher viewer ratings in a medium dominated by works of fiction. In response to this, science documentary has steadily been pushed to alter the techniques it uses, and adapt its content to become more dramatic. Varying market pressures have led to the rise of two dominant methods of dramatization; narrative imposition and visual spectacle (typically CGI). However, in addition to ma

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14

Slugan, Mario. "Montage aesthetics : narrative, adaptation and urban modernity in Alfred Döblin's Berlin Alexanderplatz." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/67648/.

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Alfred Döblin’s famous 1929 novel Berlin Alexanderplatz has often been discussed in terms of the appropriation of film poetics by the medium of literature and is said to abound with examples of literary montage. In most post-war discussions of literary montage in Berlin Alexanderplatz, however, the device is regularly understood as an umbrella term for anything of stylistic interest. Deploying 1920s and 1930s literary and film criticism I demonstrate that this regularly leads to anachronisms and terminological over-inflation. I thus offer a historically informed definition of literary montage

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15

Smith, Benjamin. "Spandex cinema : three approaches to comic book film adaptation /." Read thesis online, 2009. http://library.uco.edu/UCOthesis/SmithBP2009.pdf.

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16

Martino, Mariarita. "An analysis of scopophilia in an intersemiotic context : four Italian film adaptations." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/49036/.

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The thesis contributes to the current debate in the fields of adaptation studies and intersemiotic translation. Recent critical stances invite the re-evaluation of the traditional hierarchy which subordinates the target text to its original, and promote a description-oriented textual analysis of a key issue which is common to the texts involved in the adaptation process. By considering the relationship between literature and cinema, the present thesis explores scopophilia, or the love for looking at sexually stimulating scenes, as a key issue in the textual analysis of intersemiotic translatio

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17

Qin, Liyan. "Trans-media strategies of appropriation, narrativization, and visualization adaptations of literature in a century of Chinese cinema /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3258676.

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Thesis (Ph. D.)--University of California, San Diego, 2007.<br>Title from first page of PDF file (viewed Jun 4, 2007). Available via ProQuest Digital Dissertations. Vita. Filmography : p. 264-270. Includes bibliographical references (p. 271-284).

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18

Watson, Robert Stewart. "Richard Rorty, innovation strategies & movie inspiration." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41465/1/Robert_Watson_Thesis.pdf.

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Movie innovation is a conversation between screenwriters and producers in our mixed economy – a concept of innovation supported by Richard Rorty and Aristole's Poetics. During innovation conversations, inspired writers describe fresh movie actions to empathetic producers. Some inspired actions may confuse. Writers and producers use strategies to inquire about confusing actions. This Australian study redescribes 25 writer-producer strategies in the one place for the first time. It adds a new strategy. And, with more evidence than the current literature, it investigates writer inspiration, which

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19

Clark, Isabel Stirling. "The challenge of being yourself adaptation, adolescence, and disguise in teenage romantic comedy films of the late 1990s and early 2000s /." Diss., Connect to the thesis Connect to the thesis, 2009. http://hdl.handle.net/10066/3614.

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20

Alfred, Ruth Ann. "The effect of censorship on American film adaptations of Shakespearean plays." [College Station, Tex. : Texas A&M University, 2008. http://hdl.handle.net/1969.1/ETD-TAMU-2733.

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21

Smolenski, Kristina Lyn. "High fidelity: Adapting narcissism to film." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2101.

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22

Langenfeld, Elizabeth Irene. "Hitchcock's "Rebecca": A rhetorical study of female stereotyping." CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/1718.

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23

Faro, Forteza Agustín. "Películas de libros /." Zaragoza : Prensas Universitarias de Zaragoza, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014845544&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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24

Dunn, John T. "Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet." Thesis, view full-text document, 2002. http://www.library.unt.edu/theses/open/20022/dunn%5Fjohn%5Ft/index.htm.

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Vadico, Luiz 1967. "A imagem do Icone - Cristologia atraves do cinema : um estudo sobre a adaptação cinematografica da vida de Jesus Cristo." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285049.

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Orientador: Marcius Cesar Soares Freire<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-04T16:47:26Z (GMT). No. of bitstreams: 1 Vadico_Luiz_D.pdf: 37535634 bytes, checksum: 76b8dab80a19203607af8ee6ac1d4bc3 (MD5) Previous issue date: 2005<br>Resumo: Nesta tese verifico as imagens de Jesus Cristo que foram elaboradas pelo cinema em seu esforço de adaptar esta estória para a sua linguagem. Teria o cinema desenvolvido incidental ou acidentalmente cristologia? Em busca destas respostas analisei detidamente os filmes mais represen

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26

Housel, Rebecca Anne Languages &amp Linguistics Faculty of Arts &amp Social Sciences UNSW. "My truth: women speak cancer." Publisher:University of New South Wales. Languages & Linguistics, 2007. http://handle.unsw.edu.au/1959.4/40732.

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1) My Truth: Women Speak Cancer is a creative nonfiction based on three years of interviews with twelve survivors told through the lens of the author's experience as a three-time, sixteen-year survivor of multiple cancers. Each chapter features a different survivor and her story; the cancers discussed include non-Hodgkin's lymphoma, Osteosarcoma, Melanoma, as well as brain, ovarian, breast, and thyroid cancers. Current definitions, treatments and statistics are included at the end of each chapter. The book ends with a comprehensive After Words, combining poetry and prose, taking the reader on

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27

Janssens, Christian. "Maurice Maeterlinck, un auteur dans le cinéma des années 1910 et 1920: une approche historique, sociologique et esthétique." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209632.

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Si l’œuvre littéraire de Maurice Maeterlinck suscite nombre de recherches, ses activités dans le domaine du cinéma sont moins connues et moins étudiées. La présente thèse, qui s’appuie sur les concepts de la sociologie de Pierre Bourdieu, entend combler une lacune en analysant la trajectoire de l’auteur dans le champ cinématographique pendant les années 1910 et 1920, c’est-à-dire la période où il manifeste le plus d’intérêt pour le cinéma. L’étude comprend trois analyses. La première concerne le point de vue de Maurice Maeterlinck, son entrée et son déplacement dans le champ cinématographique.

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28

Bremer, Rose Mary. "Screening gender and sexuality in contemporary Quebec film adaptation." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1085495358.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains vi, 186 p.; also includes graphics. Includes bibliographical references (p. 171-186). Available online via OhioLINK's ETD Center.

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29

Baskin, Richard Lee. "Act I, Scene 2 of Hamlet: a Comparison of Laurence Olivier's and Tony Richardson's Films with Shakespeare's Play." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc500951/.

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In act I, scene 2 of Shakespeare's Hamlet, one of the key themes presented is the theme of order versus disorder. Gertrude's hasty marriage to Claudius and their lack of grief over the recent death of King Hamlet violate Hamlet's sense of order and are the cause of Hamlet's anger and despair in 1.2. Rather than contrast Hamlet with his uncle and mother, Olivier constructs an Oedipal relationship between Hamlet and Gertrude--unsupported by the text--that undermine's the characterization of Hamlet as a man of order. In contrast, Tony Richardson presents Claudius' and Gertrude's actions as a viol

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30

Hall, Stefan. "“You’ve Seen the Movie, Now Play the Game”: Recoding the Cinematic in Digital Media and Virtual Culture." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300365433.

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Haiduc, Sonia Amalia. "Writers On Screen: Embodying The "Life-Text" In The Literary Biopic." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672140.

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This thesis examines the sub-genre of the literary biopic and its intersections with literary texts and other film genres through the lens of the melodramatic mode. It explores the dramatization of the ‘life-text’, defined as the process by which events in the non-discursive space-time become discursive elements in written and film biography, by looking at the figure of the author in a selection of literary biopics from the classical Hollywood era to 2018. The number of studies on the biopic is reduced, but those that have been published so far have not examined the strategies of t

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Green, Bryony Rose Humphries. "A book history study of Michael Radford's filmic production William Shakespeare's The Merchant of Venice." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1710/.

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Kaderabek, Sarah. "Beyond fidelity : the works of Gogol', Dostoevskii and Chekhov in Soviet and Russian film." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36962.

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The transfer of an artistic work from the literary medium to the filmic medium presents technical, personal, social and political factors for consideration which are capable of revealing important information about the times in which both the literary work and the film work were created. In a Russian context, where both literature and film have played roles of central cultural importance, the study of this interaction can be particularly fruitful. The first chapter of this dissertation considers the theoretical aspects of adaptation, namely fidelity to the original work and questions of metaph

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Escue, Jessica Margaret. "Margaret Dale, Adapting the Stage to the Screen: Aesthetic, Appropriation, and Intimacy in Ballet Programming for Post-War BBC Television." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33148/.

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This thesis examines the aesthetic of ballets adapted for BBC Television by producer Margaret Dale, beginning with her entrance to the BBC's training program in 1955 and culminating with her commissioned work Houseparty, which aired in 1964. A historical and organizational framework is discussed regarding the BBC's cultural mission and view of arts programming, as well as general developmental milestones in programming contextualizing Dale's working conditions. Particular focus is placed upon the appropriation of Romantic narrative ballets and their significance in reinforcing an aristocratic

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Zgodinski, Brianna R. "I Hate It, But I Can't Stop: The Romanticization of Intimate Partner Abuse in Young Adult Retellings of Wuthering Heights." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1518101149052937.

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M'hammed, Oubella Abdelkrim. "L'adaptation cinématographique des romans de Tahar Ben Jalloun: L'Enfant de sable, La Nuit sacrée et la Prière de l'absent." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210449.

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L’Adaptation cinématographique des romans de Tahar Ben Jelloun :“L’Enfant de sable”, “La Nuit sacrée“, “La prière de l’absent”<p><p>Trois volumes, pp. 429 + 220 (Annexes).<p><p>Cette thèse porte sur l’analyse des tenants et des aboutissants de deux longs-métrages de fiction inspirés par l’œuvre de l’écrivain Tahar Ben Jelloun, à savoir La Nuit sacrée (1993) du Français Nicolas Klotz et La Prière de l’absent (1994) du Marocain Hamid Bénani. <p>Compte tenu du fait que le 7e Art s’est intéressé depuis toujours à tous les genres littéraires, l’auteur s’est attaché à explorer la dynamique intrinsèq

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Moody, Kyle Andrew. ""Why so serious?" comics, film and politics, or the comic book film as the answer to the question of identity and narrative in a post-9/11 world /." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1249507295.

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Soler, i. Alomà M. Encarnació. "La sarsuela en el cinema com a imatge del quotidià : 1896-1940." Doctoral thesis, Universitat de Barcelona, 2005. http://hdl.handle.net/10803/403462.

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Un dels més reeixits descobriments nascut a les acaballes del segle XIX, el cinema, marcà definitivament la societat aportant noves formes de comunicació i de relació social. Aquest nou art esdevindria no sols una font de distracció i coneixement sinó que, com qualsevol producció artística de l’ésser humà, deixaria una empremta que amb el temps mostraria la seva magnitud com objecte patrimonial. Néta i filla de músics vaig aprendre a estimar la música, sense distinció. Per aquest motiu, lamentava el rebuig vers el conjunt d’un gènere centenari, la sarsuela, que tants esforços i lluita va com

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Hayes, Kalmia Joy. "Thematic integrity in filmic versions of E.M. Forster's novels." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002261.

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This study discusses the extent to which Charles Sturridge's Where Angels Fear to Tread, Merchant Ivory's Howards End, and David Lean's A Passage to India have aimed at, and succeeded in, exploring the thematic concerns of E.M. Forster's novels. A brief introductory chapter explains the motivation behind this research, and the choice of critical methodologies used. It concludes with an outline of some of the problems confronting film-makers wishing to explore the concerns of novels. The first chapter, which is devoted to Where Angels Fear to Tread, reveals that while Sturridge is "faithful" to

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Vav, Rooyen Rachel. "The invisible image: a study on animated representation in the adaptation of the Bible." Thesis, 2019. https://hdl.handle.net/10539/29341.

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A thesis submitted to the Faculty of Humanities in fulfilment of the requirement for the degree Masters of Arts in digital, University of the Witwatersrand, Johannesburg, 2019<br>The adaptation of the Bible into visual media has been practiced for centuries. To find out why visual adaptation techniques were used for biblical accounts into animation, this paper compares panel-based image story-telling techniques against those of animation. It does so by providing an in-depth analysis of the representational processes involved for animation to communicate meaning, namely Roland Barthes’s photogr

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Edwards, Kyle D. "Corporate fictions: film adaptation and authorship in the classical Hollywood era." Thesis, 2006. http://hdl.handle.net/2152/3764.

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Coutanche, Michael. "The best of both worlds : a screenplay adaptation of the novel Lord Nelson Tavern by Ray Smith /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29556.

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Thesis (M.F.A.)--York University, 2006. Graduate Programme in Film and Video<br>Typescript. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29556

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Lin, Chi-fan. "Fiction and film in Taiwan 1960s to 1980s narratives, politics, and aesthetics /." 1999. http://catalog.hathitrust.org/api/volumes/oclc/46990510.html.

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Rysová, Aneta. "Známé kriminální kauzy v českém filmu: od reality a novinových/televizních zpráv k filmovému zpracování, až po filmové recenze. Causa Sametoví vrazi." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-348025.

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The master thesis called "Czech films based on well-known criminal cases: from reality, newspaper/TV news to feature film and film reviews. Causa Velvet killers" deals with the notorious so-called Orlík Murders from the early 1990s. This case is considered as the biggest criminal case of the post-communist era in the Czech Republic. The group of five members killed five people, mainly for the money, between the years 1991 and 1993. Three of their victims were found in the Orlík Dam - two corpses were sealed in metal barrels and one was hidden in a mesh. The murderers were sentenced in 1997 aft

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DIEHL, Karen. "Imagining Proust : a case study of film adaptation as a cultural practice." Doctoral thesis, 2004. http://hdl.handle.net/1814/5789.

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Defence date: 22 June 2004<br>Examining Board: Prof. Luisa Passerini (Supervisor), Kulturwissenschaftszentrum Institut Essen & Università di Torino ; Prof. Peter Becker, European University Institute ; Prof. Anton Kaes, UC Berkeley ; Deborah Cartmell, PhD, University de Montfort<br>First made available online on 25 April 2018

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Knuttila, Lee Gabriel Kubik. "Adapted for the multitude : a theory of early cinema spectatorship /." 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR51548.

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Thesis (M.A.)--York University, 2008. Graduate Programme in Higher Education.<br>Typescript. Includes bibliographical references (leaves 107-110). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR51548

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Steyn, Aletta Sophia. "A narratological and semiotic analysis of the adaptation of The French lieutenant's woman, from novel to film." Thesis, 2014. http://hdl.handle.net/10210/9505.

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M.A.<br>This dissertation conducts a semiotic analysis of the transposition of The French Lieutenant's Woman from novel to film. Special attention is paid to the concept of narrative point of view. The study is introduced by a chapter outlining the theoretical approach followed in this dissertation, after which a careful analysis of The French Lieutenant's Woman as written narrative and as film is attempted. The success of this adaptation is illustrated by showing how Karl Reisz uses the same principles of subversion, violation and manipulation which give Fowles's narrative style its distincti

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"Words and images: the representations of rebels in 1950s American novels and film." 2006. http://library.cuhk.edu.hk/record=b5892979.

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Yong Wai Ting.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2006.<br>Includes bibliographical references (leaves 100-103).<br>Abstracts in English and Chinese.<br>Abstract --- p.i<br>論文摘要 --- p.iii<br>Acknowledgements --- p.iv<br>Introduction --- p.1<br>Chapter Chapter One: --- Literary Language Versus Film Language --- p.17<br>Chapter Chapter Two: --- Cinematic Novels Versus Novelistic Cinema --- p.46<br>Chapter Chapter Three: --- Film Adaptation: Transfer Versus Cinematic Reshaping --- p.73<br>Work Cited --- p.100

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Alberts, Johan. "Adapting a Dogma 95 film set design for the stage production of Festen in South Africa." 2013. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1001315.

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M. Tech. Entertainment Technology<br>Adapting popular motion pictures to theatre stage productions has been very popular in recent years. Some of the best examples are the motion picture productions The Lord of the Rings, Billy Elliot and The Colour Purple that were adapted to stage musical productions. This was the case with the original Danish film Festen or The Celebration that was adapted and staged as a theatre play with English text in London in 2004. Pertaining to Festen, the film was originally produced according to the Dogma 95 Principles - a set of principles that were specifically a

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Matson, Yuji. "The word and the image: collaborations between Abe Kôbô and Teshigahara Hiroshi." Thesis, 2007. http://hdl.handle.net/1828/301.

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My area of research is Modern Japanese Literature and Film, and my thesis examines the collaborations between the writer Abe Kôbô and filmmaker Teshigahara Hiroshi, two artists who addressed the themes of identity and alienation in modern society through their work together. Specifically, I focus on the process of adaptation, looking at how the themes from the original texts are approached and captured cinematically. Such a study will allow me to explore the relationship between the two media, the differences in the presentation of theme and the possibilities of translation. The collaborations

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