Literatura científica selecionada sobre o tema "Actor-Character"
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Artigos de revistas sobre o assunto "Actor-Character"
Tennent, Hamish, Dylan Moore e Wendy Ju. "Character Actor". Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies 1, n.º 4 (8 de janeiro de 2018): 1–23. http://dx.doi.org/10.1145/3161407.
Texto completo da fonteIORGA, Anca. "The actor and his character". Theatrical Colloquia 13, n.º 1 (15 de maio de 2023): 71–82. http://dx.doi.org/10.35218/tco.2023.13.1.09.
Texto completo da fonteRajewsky, Irina. "Schauspieler, Figur, Rolle". Zeitschrift für französische Sprache und Literatur 131, n.º 1-2 (2021): 85–110. http://dx.doi.org/10.25162/zfsl-2021-0004.
Texto completo da fonteBAYRAK, TAMER. "CHARACTER IN CINEMA: SADRİ ALIŞIK AS A CHARACTER ACTOR". Turkish Online Journal of Design, Art and Communication 4, n.º 2 (1 de abril de 2014): 105–22. http://dx.doi.org/10.7456/10402100/008.
Texto completo da fonteDamen, Mark. "Actor and Character in Greek Tragedy". Theatre Journal 41, n.º 3 (outubro de 1989): 316. http://dx.doi.org/10.2307/3208183.
Texto completo da fonteHarding, Frances. "Actor and Character in African Masquerade Performance". Theatre Research International 21, n.º 1 (1996): 59–71. http://dx.doi.org/10.1017/s0307883300012712.
Texto completo da fonteGao, Guangyu, Mengdi Xu, Jialie Shen, Huadong Ma e Shuicheng Yan. "Cast2Face: Assigning Character Names Onto Faces in Movie With Actor-Character Correspondence". IEEE Transactions on Circuits and Systems for Video Technology 26, n.º 12 (dezembro de 2016): 2299–312. http://dx.doi.org/10.1109/tcsvt.2015.2504738.
Texto completo da fonteBaruah, ManashP, Sanjay Kalra e Salam Ranabir. "Metformin; A character actor in the leptin story!" Indian Journal of Endocrinology and Metabolism 16, n.º 9 (2012): 532. http://dx.doi.org/10.4103/2230-8210.105569.
Texto completo da fonteTal-Or, Nurit, Shani Sela, Israel Igumnov, Hanoch Dov Milwidsky, Benjamin Rafaeli e Michael Sanilevich. "Does What We Know About Actors’ Real Lives". Journal of Media Psychology 33, n.º 3 (julho de 2021): 155–64. http://dx.doi.org/10.1027/1864-1105/a000293.
Texto completo da fonteEdgerton, Gary R., e Michael T. Marsden. "Character Actor as Shapeshifter: An Interview with Doug Jones". Journal of Popular Film and Television 47, n.º 4 (2 de outubro de 2019): 186–97. http://dx.doi.org/10.1080/01956051.2019.1654789.
Texto completo da fonteTeses / dissertações sobre o assunto "Actor-Character"
Soule, Lesley Anne. "Character, actor and anti-character". Thesis, University of Exeter, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387186.
Texto completo da fonteCRESPO, DANIEL RISI VIANNA. "THE DIGITAL ACTOR: A CHARACTER DESIGN PERSPECTIVE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12251@1.
Texto completo da fonteEsta dissertação tem como objetivo analisar os aspectos de design envolvidos na credibilidade de personagens geradas através de computação gráfica, que operam como efeitos especiais em filmes de ação ao vivo. Para isto, é apresentada a hipótese de que se trata de uma categoria ontologicamente discreta de personagens - propondo-se a nomenclatura atores digitais para designá-la - cujo processo de design se baseia em três contextos de desenvolvimento: os níveis diegético, imagético e tecnológico. Essa proposição é investigada através da metodologia do estudo de caso, utilizando-se a criatura Gollum, da trilogia cinematográfica O Senhor Dos Anéis (2001-2003). A análise das variáveis intrínsecas a cada um dos contextos citados indica que, de fato, essas personagens clamam por uma abordagem original de design, sugerindo novos papéis e novas habilidades para o designer.
This paper aims to analyze the design aspects responsible for the believability of computer generated characters in live-action movies. This research proposes the hypothesis that synthetic thespians constitute an ontologically distinct category of characters - to which the term Digital Actor is proposed - based upon a design process that involves three development contexts: the diegetic, the perceptual and the technological levels. In order to carry out such investigation, the case study methodology is used, in which the creature Gollum, from the movie trilogy The Lord of the Rings (2001-2003) is analyzed. The intrinsic variables investigated in this case show that Digital Actors in fact suggest an original design approach and therefore a new role for the designer.
Haarhoff, Emil Ernst. "Embodied shiftings to bridge actor-character dissonance". Thesis, University of Pretoria, 2020. http://hdl.handle.net/2263/78618.
Texto completo da fonteThesis (PhD)--University of Pretoria, 2020.
Drama
PhD
Unrestricted
Turri, Maria Grazia. "A psychoanalytic perspective on theories of spectator-character and actor-character identification in the theatre". Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18738.
Texto completo da fonteWilson, Chris. "Margaret Rutherford, Alastair Sim, eccentricity and the British character actor". Thesis, Sheffield Hallam University, 2005. http://shura.shu.ac.uk/17393/.
Texto completo da fonteCouncell, Catie. "Killing the goose". Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6087.
Texto completo da fonteWitting, Carrie L. "The character within the actor a journey through myself to find Manya /". Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://etd.wvu.edu/etd/controller.jsp?moduleName=documentdata&jsp%5FetdId=4017.
Texto completo da fonteTukachinsky, Riva. "Processing Mode and Actor-Character Congruency as Moderators of Narratives' Effects on Viewers' Attitudes". Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/222836.
Texto completo da fonteO'Rourke, Kevin. "Performing The Zoo Story and writing Morality Day two character development processes exploring character development challenges for the actor and the playwright /". Connect to resource, 2009. http://hdl.handle.net/1811/37146.
Texto completo da fonteEgocheaga, Ramos Karina Ximena. "La complementación entre el guion, actuación y la dirección de arte para la creación del personaje Kevin Wendell Crumb en la película Fragmentado". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/652125.
Texto completo da fonteThe present research work covers the subject of complementation in the script, acting and art direction for the creation of the character of Kevin Wendell Crumb. This is because many times, these elements are not taken into account to create certain characters in the films.
Trabajo de investigación
Livros sobre o assunto "Actor-Character"
Character actor. Winnipeg, Man: Signature Editions, 2008.
Encontre o texto completo da fonteMirodan, Vladimir. The Actor and the Character. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433.
Texto completo da fonteIl-sŏng, Kim. The character and the actor. Pyŏngyang, Korea: Foreign Languages Pub. House, 1987.
Encontre o texto completo da fonteMovement: From person to actor to character. Lanham, Md: Scarecrow Press, 1998.
Encontre o texto completo da fonteSoule, Lesley Wade. Actor as anti-character: Dionysus, the Devil, and the boy Rosalind. Westport, Conn: Greenwood Press, 2000.
Encontre o texto completo da fonteThe audience as actor and character: The modern theater of Beckett, Brecht, Genet, Ionesco, Pinter, Stoppard, and Williams. Lewisburg [Pa.]: Bucknell University Press, 1989.
Encontre o texto completo da fonteHall, Parnell. Actor. New York: Mysterious Press, 1993.
Encontre o texto completo da fonteCowell, Stephanie. Nicholas Cooke, actor, soldier, physician, priest: A novel. New York: W.W. Norton, 1993.
Encontre o texto completo da fonteAn actor, and a rare one: Peter Cushing as Sherlock Holmes. Lanham, Md: Scarecrow Press, 2001.
Encontre o texto completo da fonteJok, Church, Wyatt Ed e TVbooks inc, eds. Beakman's world: A visit to the hit TV show. Kansas City: Andrews and McMeel, 1993.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Actor-Character"
Mirodan, Vladimir. "Imagining the character". In The Actor and the Character, 135–53. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-10.
Texto completo da fonteMirodan, Vladimir. "Experiencing the character". In The Actor and the Character, 154–73. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-11.
Texto completo da fonteMirodan, Vladimir. "An independent character". In The Actor and the Character, 11–22. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-2.
Texto completo da fonteMirodan, Vladimir. "Constructing the character". In The Actor and the Character, 51–73. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-6.
Texto completo da fonteMirodan, Vladimir. "The drama of no character". In The Actor and the Character, 41–47. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-5.
Texto completo da fonteHartley, Andrew James. "Character, Agency and the Familiar Actor". In Shakespeare and Character, 158–76. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230584150_9.
Texto completo da fonteMirodan, Vladimir. "Introduction". In The Actor and the Character, 1–7. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-1.
Texto completo da fonteMirodan, Vladimir. "Deception, self-deception and the transformative actor". In The Actor and the Character, 174–83. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-12.
Texto completo da fonteMirodan, Vladimir. "A brief history of . . . type". In The Actor and the Character, 23–32. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-3.
Texto completo da fonteMirodan, Vladimir. "Friends for life". In The Actor and the Character, 33–40. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315723433-4.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Actor-Character"
Baran, Remigiusz, Filip Rudzinski e Andrzej Zeja. "Face Recognition for Movie Character and Actor Discrimination Based on Similarity Scores". In 2016 International Conference on Computational Science and Computational Intelligence (CSCI). IEEE, 2016. http://dx.doi.org/10.1109/csci.2016.0249.
Texto completo da fonteSchiffer, Sheldon. "Game Character Facial Animation Using Actor Video Corpus and Recurrent Neural Networks". In 2021 20th IEEE International Conference on Machine Learning and Applications (ICMLA). IEEE, 2021. http://dx.doi.org/10.1109/icmla52953.2021.00113.
Texto completo da fonteGhilas, Ana. "Traditional cultural expressions in theatrical performance: meaning and value". In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.02.
Texto completo da fonteM. Ali Jabara, Kawthar. "The forced displacement of Jews in Iraq and the manifestations of return In the movie "Venice of the East"". In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/1.
Texto completo da fonteOlivares González, Adriana I., e Tania Córdova Martínez. "Coastal landscape management in mexican tourist regions: Punta de Mita case in Bahía de Banderas, Nayarit". In Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8157.
Texto completo da fonteOANCEA-NEGESCU, Mihaela Diana, Petrut Cristian VASILACHE, Oana Matilda SABIE e Ovidiu Andrei Cristian BUZOIANU. "STATISTICAL ANALYSIS OF THE POPULATION OF ECONOMIC AND SOCIAL OPERATORS: ROMANIA-FRANCE COMPARISON". In International Management Conference. Editura ASE, 2022. http://dx.doi.org/10.24818/imc/2021/01.21.
Texto completo da fonteCruceru, Valerica. "FROM A TRADITIONAL LEARNING STYLE TO A HYBRID ONE: THE DOCTORAL PROGRAMS AT THE "CAROL I" NATIONAL DEFENSE UNIVERSITY". In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-065.
Texto completo da fonteGodfroy-Cooper, Martine, Jean-Christophe Sarrazin, B. Bardy, E. Bachelder e J. D. Miller. "Differential Role of Gravitoinertial Cues for Active and Passive Control in Degraded Visual Environments". In Vertical Flight Society 78th Annual Forum & Technology Display. The Vertical Flight Society, 2022. http://dx.doi.org/10.4050/f-0078-2022-17506.
Texto completo da fonte