Literatura científica selecionada sobre o tema "20th century Correspondence"
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Artigos de revistas sobre o assunto "20th century Correspondence"
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Frolov, M. A. "Correspondence between Yu. G. Oksman and N. K. Gudzij (1930–1965) (Introduction, Editing and Commentary by M. A. Frolov)". Russkaya literatura 4 (2020): 136–85. http://dx.doi.org/10.31860/0131-6095-2020-4-136-185.
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The publication introduces the scholarly community to a long-term correspondence between two literary historians and textual experts, Iu. G. Oksman and N. K. Gudzij (currently stored at RGALI and Manuscript Department, Russian State Library). The correspondence reflects the diversity and similarity of the research interests of the two correspondents whose epistolary dialogue mirrored the life of the Soviet society, the challenges faced by the Russian philological scholarship of the second third of the 20th century in many of its tragic episodes, and most importantly, the fates of the participants of this dialogue.
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Frolov, M. A. "CORRESPONDENCE BETWEEN YU. G. OKSMAN AND N. K. GUDZIJ (1930–1965) (Final Part)". Russkaya literatura 1 (2021): 19–54. http://dx.doi.org/10.31860/0131-6095-2021-1-19-54.
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The publication introduces the scholarly community to a long-term correspondence between the two literary historians and textual experts, Yu. G. Oksman and N. K. Gudzij (currently stored at RGALI and Manuscript Department, Russian State Library). The correspondence refl ects the diversity and similarity of the research interests of the two correspondents, whose epistolary dialogue refl ected the life of the Soviet society, the challenges faced by the Russian philological scholarship of the second third of the 20th century in many of its tragic episodes, and most importantly, the fates of the participants of this dialogue.
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Serafimova, Vera D. "About a premonition of the writer’s fate. The story of S.D. Dovlatov “Fate”". Philological Sciences. Scientific Essays of Higher Education, n.º 3 (maio de 2023): 83–87. http://dx.doi.org/10.20339/phs.3-23.083.
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Purpose of the article: To introduce the insufficiently researched materials of the collection “Little-known Dovlatov”, the memories of writers about him: Alexander Genis, Pyotr Weil, the correspondence of S. Dovlatov to his friends — letters to Lyudmila Stern. Dovlatov’s correspondence to his friends — letters to Lyudmila Stern. The author studies the typological similarities in the dominant ideas, poetics, language with the classic of the 20th century Russian literature A.P. Platonov.
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Lis, Tomasz Jacek. "Możliwości wykorzystania korespondencji misyjnej do badań nad historią wychodźstwa chłopskiego z terenów byłej Rzeczypospolitej na przełomie XIX i XX wieku". Studia Historyczne 61, n.º 1 (241) (26 de setembro de 2019): 79–98. http://dx.doi.org/10.12797/sh.61.2018.01.04.
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The Possibility of Utilizing Missionaries’ Correspondence to Study the History of Peasant Migration (from the territories of former Polish Commonwealth) at the turn of the twentieth century
The article presents new possibilities of research on the history of migration at the turn the 20th century using narrative sources, particularly the correspondence of missionaries. Peasants produced and left behind very few narrative sources, which results in migration historians rarely using them. The author indicates how to use alternative narrative sources produced by people of the Church to study the history of migration, in particular emigration from the territories of the former Polish Commonwealth.
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Fend, Max, Louise Williams, Alan J. Carson e Jon Stone. "The Arc de Siècle: functional neurological disorder during the ‘forgotten’ years of the 20th century". Brain 143, n.º 4 (1 de abril de 2020): 1278–84. http://dx.doi.org/10.1093/brain/awaa037.
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Using archived records, plus oral histories from retired neurologists, Fend et al. examine attitudes to functional neurological disorders in the mid-20th century. While frequently scathing in their correspondence, most neurologists of the time adopted a pragmatic approach with many referring patients to psychiatrists.
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Mikurova, Polina L. "THE THEME OF BESIEGED LENINGRAD IN THE LETTERS OF OLGA FREINDENBERG TO BORIS PASTERNAK IN THE FIRST HALF OF THE 1940S". Vestnik of Kostroma State University, n.º 1 (2020): 144–48. http://dx.doi.org/10.34216/1998-0817-2020-26-1-144-148.
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The theme of besieged Leningrad contained in the letters of scholar-philologist, culture scientist Olga Freindenberg to her cousin Boris Pasternak is analysed in the paper. Since the correspondence was published relatively recently, its introduction to scientifi c circulation, determination of the subject and intentions of the correspondents seem to be important and topical. The article is intended for specialists-philologists, for all those interested in epistolary heritage of the 20th century. The correspondence between Boris Pasternak and Olga Freindenberg referring to the period of the siege is represented by the author as a specifi c type of combined discourse which unite social and communicative, everyday, signifi cant and symbolic functions. It is a part of the single artistic and semantic canvas, the whole creative heritage of the cousins, the whole of their correspondence which lasted for more than half a century and was based on «everlasting» themes like creative work, meaning of existence, love, faith, humanism. The image of besieged Leningrad is represented in the letters as a starting point for correspondents’ philosophic considerations about such categories as existence, time and space, about meaning of existence. At the same time, the letters demonstrate their authors’ artistic talent and virtuous possession of the word, the ability to say important between the lines. The stylistics of Olga Freidenberg’s epistolary heritage, when syntax, along with lexical fi gurative, gives rise to vivid, tragic paintings of what is described, is analysed in the work.
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Biambazhav, Baiarzhargal. "A study of cases of correspondence of constructions with postpositions to serial verb constructions (based on the material of Mongolian language texts of the 13th, 17th and 20th centuries)". Ethnic Culture 5, n.º 4 (28 de novembro de 2023): 8–14. http://dx.doi.org/10.31483/r-107600.
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The article deals with cases of correspondence of constructions with postpositions to serial verbal constructions, an attempt is made to identify the typological features of verbal serialization in the Mongolian language. As a research material, written monuments of different time slices of the Mongolian language are used, namely Latin transcription of the chronicle “The Secret History of the Mongols” of the XIII century; the chronicle “Altan tobchi” of the 17th century; translation of the “Secret History of the Mongol” into the modern Mongolian language of the XX century. Based on the analysis, the number of similar correspondences on specific time slices was revealed. So, in the texts of older written monuments, one case of the use of serial verbal constructions was found to convey the same meaning, which in the modern text is expressed by a postpositional construction. In all the other 12 cases of such correspondences – the serial construction occurs precisely in the text of the 20th century, there is a tendency for an increase in the number of correspondences of postpositions to serial constructions over the course of the history of the language. Also, based on the considered examples of serial constructions found in our comparative study, we can assume that the Mongolian language is characterized by serialization of an asymmetric type.
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Panov, S. I., e O. Y. Panova. "Materials of 20th-century American writers in Moscow archives 1917–1941". Voprosy literatury, n.º 2 (6 de maio de 2022): 165–97. http://dx.doi.org/10.31425/0042-8795-2022-2-165-197.
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This analytical overview of materials located in Moscow archives is devoted to the history of American literature and the Soviet-American literary connections in the years before World War II (1917–1941). These materials document American writers’ contacts with Soviet and international communist organisations, personally with Joseph Stalin, with cultural and literary institutions. The USSR closely monitored the sentiment among American writers, as evidenced by the corpus of correspondence between Soviet literary functionaries and their informants in the USA. Archives of Soviet publishers offer insights into the process of translating and editing American literature as well as creation of theatrical and film adaptations. Readers’ letters from the 1930s demonstrate the mass audience’s enthusiasm for American literature.
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Goldsby, Jacqueline. "“Something is Said in the Silences”: Gwendolyn Brooks’s Years at Harper’s". American Literary History 33, n.º 2 (1 de maio de 2021): 244–70. http://dx.doi.org/10.1093/alh/ajab007.
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Abstract This essay draws upon Gwendolyn Brooks’ 49-year correspondence (1944–93) with her editor Elizabeth Lawrence to trace the “publishing knowledges” that Brooks gleaned during her mid-20th-century career with the US firm Harpers & Brothers. First and foremost, their correspondence richly details Brooks’s growth as an experimental poet with a mainstream commercial firm. The aesthetic sociality of their editorial debates fostered also allowed them to explore personal and political intimacies; in this dimension, their correspondence (both the letters’ contents and epistolary form) sheds light on how Brooks and Lawrence navigated the shoals of race, gender, and liberalism in the notoriously patriarchal corporate culture of mid-20th-century US publishing. Finally, the arc of Brooks’s relationship with Lawrence at Harper’s charts is how US publishing transformed from its corporate to conglomerated forms. Taken together, these epistolary threads not only weave African American poetry into the literary history of an era-defining institutional realignment but also they demonstrate how Brooks’ and Lawrence’s cross-racial solidarity and commitment to an anti-corporate poetics comprise a continuum between Brooks’s career in mainstream US publishing and her later years in the Black independent press in the late 1960s. [P]ublishing at Harper’s was a shrewd, tactical choice [that] . . serve[d] Brooks’s evolving ideologies about art and politics.
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Kniazeva, Jeanna. ""To be strong and civilised at the same time is very difficult..." musicologists about the politics: Jacques Handschin and Higini Anglés, from the correspondence of the 1930s". Muzikologija, n.º 20 (2016): 53–68. http://dx.doi.org/10.2298/muz1620053k.
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This article is based on the correspondence between two important European musicologists of the second quarter of the 20th century, Jacques Handschin and Higini Angl?s. I analyse the political problems discussed in these letters as well as the influence of the political beliefs of the both scientists on their scientific concepts.
Teses / dissertações sobre o assunto "20th century Correspondence"
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O’Neill, Patrick Nathaniel. "Paul Solanges : soldier, industrialist, translator : a biographical study and critical edition of his correspondence with Antonio Fogazzaro and Henry Handel Richardson". Monash University. Faculty of Arts. School of Languages, Cultures and Linguistics, 2007. http://arrow.monash.edu.au/hdl/1959.1/53105.
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Paul Solanges was one of the most prolific (in correspondence) and enthusiastic fans of Australian author Henry Handel Richardson (HHR). What was it about him that made HHR invest so much time in his translation of her novel, and to what extent can credence be given to the self-portrait in his letters? This thesis reveals his illegitimate royal background, considers his early career as a cavalry officer in North Africa and in the Franco-Prussian War, and describes his long career as manager of the gasworks in Milan. It also portrays in detail his other life as a translator of songs, short stories and operas from Italian to French. Finally, it compares his relationship with Italian novelist Antonio Fogazzaro to his relationship with HHR. A critical edition of Solanges’s correspondence with Fogazzaro and HHR offers the reader a privileged insight into the life and character of this Franco-Italian littérateur.
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Potvin, Carole 1964. "L'autoportrait dans la correspondance de Sartre et de Beauvoir". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84539.
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This thesis analyses the self-portrait visible in the correspondence exchanged between Jean-Paul Sartre and Simone de Beauvoir during the Second World War. Particular attention is paid to the period between September 2 nd, 1939 and the end of March, 1940 because that is the time period in which the works of both letter writers are available.We examine the two principal figures that emerge from the letters of each writer. Sartre appears as both an intellectual and an imperialist; Beauvoir appears as a earthy woman who is also respectful of Sartre.
The thesis is divided in two sections: "Le monologue" and "Le dialogue". In fact, we have discovered that some of the figures, the intellectual and the earthy woman, emerge in a context where the letter writer reacts infrequently to the discourse of the addressee. That is why this section is entitled "Le monologue". In contrast, other figures, the imperialist and the respectful woman, appear in a context where both letter writers react to the image that the addressee projects of himself. That is why this section is named "Le dialogue". In addition, each figure presents a dark side. Therefore, we have studied each of them firstly "in the sun" and secondly "in the shadows". Moreover, our study of this correspondence has permitted us to better identify the general characteristics of the epistolary self-portrait genre.
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Svan, Moa. "Svärmisk vänskap bland ogifta yrkesarbetande kvinnor : Mikrohistorisk studie av vänskap genom Maja Beskows korrespondens och dagböcker mellan år 1886–1923". Thesis, Södertörns högskola, Historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-46447.
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Working and unmarried women could have a life which married women had not. Instead of marriage, they built their social and family life on friendship. They lived with each other, payed rent together, discussed domestic issues such as cleaning and household labour. They also talked about love, and passion, and how to find a friend to share their life with. This particular group of unmarried women did not solely arrange friendship out of practical purposes but also of emotional and social bonds. This study focuses on the teacher Maja Beskow in Umeå and her diaries and correspondence with and about her friends from the year 1896 to 1923. What did they say about friendship? What aspects of life could be found within the friendships?
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Kariya, Toshinobu. "Antonin Artaud épistolier : une pratique paradoxale de l’expression du moi". Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20033/document.
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La correspondance d’Antonin Artaud (1896-1948) occupe une place essentielle dans ses écrits. Elle montre sans doute mieux que ses autres textes la singularité de son expression. Cette thèse examine le rôle joué par sa correspondance, rôle dont on admet l’importance mais encore insuffisamment exploré. À partir de la publication de la Correspondance avec Jacques Rivière (1924), commencée à la suite du refus de Rivière de publier les poèmes d’Artaud, celui-ci publie lettres ou textes épistoliers comme si cela pouvait remplacer ses œuvres dans lesquelles il n’arrive pas à exprimer sa réalité à cause de la maladie dont il souffre : il refuse les œuvres « détachée[s] de la vie » et croit pouvoir mieux s’exprimer dans les lettres. L’expression épistolière est pour lui un moyen de faire entendre le « cri même de la vie » et de lutter contre « un sentiment de gratuité ». Toutefois, il n’est pas évident que, bien qu’elle soit ancrée dans des situations réelles, la correspondance puisse fonctionner comme Artaud le souhaite; il s’avère plutôt qu’elle a pour lui un statut ambigu dans les années 1920 et 1930. Le chapitre 1 aborde ce problème sous deux aspects : l’authenticité et la temporalité. Dans ses lettres, on constate qu’Artaud se plaint très souvent de l’incompréhension de ses destinataires vis-à-vis de sa douleur; ses lettres n’en garantissent pas, pour eux, l’authenticité et l’équivoque y revient sans cesse. Pour lui, l’authenticité doit être prouvée par l’adéquation de l’écriture épistolière avec le présent. Mais sa maladie, ainsi que le fait que les lettres ne sont que des écrits, empêchent la réalisation de cette adéquation. Ses lettres ne parviennent à transcrire que sa hâte et le décalage temporel. Ainsi, loin de témoigner de sa réalité brute, sa correspondance devient tentative de couvrir ce décalage, de trouver la réalité qu’il n’arrive pas à saisir, son vrai moi, originel et intact. Pour cela, Artaud recourt à des éléments imaginaires en exigeant toujours le contact immédiat, d’où le rôle paradoxal de ses lettres. Le chapitre 2 examine le problème de la destination. La présence des autres est nécessaire à Artaud pour penser, pour compléter son manque. Ses destinataires sont ainsi des dépositaires de son moi. Mais ses lettres s’adressent, au-delà des destinataires réels dont la présence n’est qu’imaginaire, à l’instance transcendante, à l’Autre comme le remarque Vincent Kaufmann dans L’Équivoque épistolaire, instance qui lui donne accès à l’expression et lui restitue son identité. Ses destinataires (critiques, autorités religieuses, hommes politique, médecins, etc.), autoritaires et paternels, sont des figures de cet Autre. Par ailleurs, ses destinataires féminines et amoureuses sont pour lui des moitiés qu’il faut s’incorporer pour retrouver l’unité originelle. Ses lettres d’amour sont ainsi marquées par son désir violent de fusion. Pourtant, l’union amoureuse expose en même temps l’unité de son moi à la perte dans le flot de choses. Les lettres sont aussi écrites pour introduire une distance.L’enjeu de ses lettres de voyage, étudiées au chapitre 3, est de réaliser les deux mouvements inverses (rapprochement et éloignement). Les pays lointains constituent pour Artaud l’ailleurs métaphysique où retrouver son unité originelle. Pendant ses voyages au Mexique (1936) et en Irlande (1937), ses lettres sont comme une scène pour l’avènement de sa nouvelle identité, scène où se rencontrent l’au-delà et l’ici-maintenant. C’est ici que son usage paradoxal des lettres atteint son sommet car la réalisation du « vrai drame » signifie, comme il le prophétise, la disparition du monde matériel et donc aussi celle de l’écriture épistolière. Ses lettres mettent en scène leur propre disparition qui coïncide curieusement avec son arrestation à Dublin et le commencement de sa vie asilaire (1937-1946)The correspondence of Antonin Artaud (1896-1948) occupies an essential place in his writings. It shows probably better than his other texts the singularity of his expression. This dissertation examines the role played by his correspondence, the importance of which is admitted, but still insufficiently explored. From the publication of the Correspondence with Jacques Rivière (1924), that started following the refusal of Rivière to publish the poems of Artaud, he publishes letters or texts in epistolary style as if they could replace his works in which he is unable to express his own reality because of his illness : he refuses works "separated from life" and believes he can better express himself in letters. The epistolary expression is for him a way to make the "cry of life" heard and to fight against the "feeling of lack of cause". However, it is not clear that, although anchored in real situations, the correspondence can function as Artaud wants. Rather, in the 1920s and 1930s, its position for him is ambiguous.Chapter 1 approaches this problem in two aspects : the authenticity and the temporality. In his letters, we can see Artaud complain very often of his addressees’ misunderstanding about his pain. His letters do not prove its authenticity, and the ambiguity always goes into them. For him, the authenticity must be proven by the accord of his writings with the present time. But his illness, as well as the fact that the letters consist of words, prevent the realization of this accord. His letters can transcribe only his hustle and time gaps. Thus, far from showing his raw reality, the correspondence becomes an attempt to cover these gaps, to find the reality that he cannot seize, his true self, original and intact. To do this, Artaud uses imaginary elements, still asking for the immediate contact, which makes the role of his letters paradoxical. Chapter 2 examines the problem of destination. The presence of others is necessary for Artaud to think, to complete his lack. His addressees are depositories of his self. But his letters are addressed, beyond actual addressees whose presence is after all imaginary, to the transcendent instance, to the Other as notes Vincent Kaufmann in L’Équivoque épistolaire, instance that allow him access to the expression and restores his identity. His addressees who are authorities and paternal (critics, religious leaders, statesmen, doctors, etc.) are figures of the Other. In addition, the female addressees who are his lovers are his halves that must be incorporated to find again the original unity. His love letters are so marked by his strong desire of fusion. Yet at the same time, the union by love exposes his unity to loss in the flow of things. Letters are also written in order to introduce a distance. The issue of his travel letters, discussed in Chapter 3, is to make simultaneously the two opposite movements (close and away). Distant countries represent for Artaud metaphysical places where he should find his original unity. During his travels in Mexico (1936) and Ireland (1937), his letters are like a stage for the advent of a new identity, stage where meet the beyond and the here-now. It is here that the paradoxical use of letters reaches the peak, because the realization of the "real drama" means, as prophesied he, the disappearance of the material world and therefore that of the letters. His letters direct their own disappearance, which curiously coincides with his arrest in Dublin and the beginning of his life in asylums (1937-1946)
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Manuel, Daniel. "Les correspondants français de Canova (1785-1822) : contribution à une histoire sociale et matérielle du goût au tournant du XIXe siècle". Thesis, Brest, 2018. http://www.theses.fr/2018BRES0104.
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Le sujet inédit de la thèse repose sur un fonds d’archives. Il questionne la réception du sculpteur néoclassique italien Antonio Canova (1757-1822) dans les cercles et salons mondains à travers la correspondance de personnalités françaises aux profils multiples, du Consulat, de l’Empire et de la Restauration. Au gré des lettres, se dessine l'image d’un artiste aux prises avec des intérêts économiques, artistiques et sentimentaux. La séduction opère auprès des Napoléonides lui assurant protection et commandes ; elle gagne aussi les représentants du pouvoir à Rome et les salonnières pris au jeu de la délicatesse et du charme des compositions de l’Italien. La recommandation apparaît comme un mode de communication privilégié entre artistes et reflète la vitalité de ce type de lettre ainsi que la diversité des réseaux. La correspondance met en évidence le changement de statut de l’artiste qui adapte sa célébrité aux exigences de ses commanditaires en devenant un véritable homme d’affaires. Partagé entre désir d’émancipation et fidélité aux choix esthétiques de son mentor Quatremère de Quincy, Canova livre une production polymorphe qui le fait apprécier de la critique et du public qui cherche à voir en lui l’héritier moderne des sculpteurs grecs : mais ses rares présences et expositions à Paris limitent son impact. L’influence du premier romantisme dans la peinture néoclassique imprègne la production canovienne lui conférant son originalité. L’étude des missives fait surgir des questionnements historiques, matériels et esthétiques dont les épistoliers de Canova sont les témoinsThe novel subject of this thesis is based upon archive material. It is centered on how the work of Italian neo-classical sculptor Antonio Canova was received in the most glamorous clubs and salons, through the study of letters exchanged by French celebrities from different walks of life during upon the periods of the Consulate, the Empire and the Restauration. Letter after letter, the image of an artist confronted with économie, artistic and sentimental challenges emerges. He succeeds in winning over the Napoleonides who grant him their patronage and their protection. He also gains the support of government représentatives in Rome and of fashionable women who are enraptured by the charm and the refinement of the Italian sculptor’s compositions. Référencés appear as a privileged form of exchange between artists, and reflect the vitality of this type of letter, and the variety of networks.Correspondence demonstrates the changing status of the artist who adjusts his réputation to the demands of his patron, thus becoming a true businessman. Torn between his longing forfreedom and his commitment to the artistic leanings of his mentor Quatremère de Quincy, Canova's production has many facets, which endear him to critics and to the public who wishes to see him as the modem heir of Greek sculptors. Yet as he rarely visits Paris and his work is rarely exhibited there, his impact is limited. The influence of early romanticism on ne classical painting permeates Canova’s works, and is a tribute to his originality. Studying these letters brings to light historical, material and esthetic questions that their authors bear witness to
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Tin, Emerson. "Em busca do "Lobato das cartas" : a construção da imagem de Monteiro Lobato diante de seus destinatarios". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270302.
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Orientador: Marisa Philbert LajoloTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-09-11T21:10:11Z (GMT). No. of bitstreams: 1 Tin_Emerson_D.pdf: 7686424 bytes, checksum: 723efe5ae07964b1fc4faa355f42ba96 (MD5) Previous issue date: 2007
Resumo: O objetivo desta tese é identificar e analisar o ¿Lobato das cartas¿, ou seja, o processo de construção da imagem de Monteiro Lobato em sua correspondência ativa. Há, assim, o Lobato familiar, o escritor e o editor, o dos Estados Unidos, o do ferro e do petróleo, o da prisão e o das crianças. Essa imagem, porém, varia não só segundo circunstâncias de tempo e de lugar mas também em função do destinatário. Palavras-chave: Lobato, Monteiro, 1882-1948 ¿ Correspondência ¿ Crítica e interpretação, Cartas brasileiras ¿ Séc. XX ¿ História e crítica
Abstract: The objective of this thesis is to identify and to analyze the ¿Lobato of the letters¿, that is, the process of construction of the Monteiro Lobato¿s image in his active correspondence. There are the familiar Lobato, the writer and the publisher, the Lobato of the United States, the Lobato of the iron and the oil, the Lobato of the prison and the Lobato of the children. This image, however, not only varies according to circumstances of time and place but also in function of the addressee. Keywords: Lobato, Monteiro, 1882-1948 ¿ Correspondence ¿ Criticism and interpretation, Brazilian letters ¿ 20th century ¿ History and criticism
Doutorado
Literatura Brasileira
Doutor em Teoria e História Literária
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Mason, Anthony, e n/a. "Australian coverage of the Fiji coups of 1987 and 2000: sources, practice and representation". University of Canberra. Communication, 2009. http://erl.canberra.edu.au./public/adt-AUC20090826.144012.
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For many Australians, Fiji is a place of holidays, coups and rugby. The extent to which we
think about this near-neighbour of ours is governed, for most, by what we learn about Fiji
through the media. In normal circumstances, there is not a lot to learn as Fiji rarely appears
in our media. At times of crisis, such as during the 1987 and 2000 coups in Fiji, there is
saturation coverage. At these times, the potential for generating understanding is great. The
reporting of a crisis can encapsulate all the social, political and economic issues which are a
cause or outcome of an event like a coup, elucidating for media consumers the culture, the
history and the social forces involved. In particular, the kinds of sources used and the kinds
of organisations these sources represent, the kinds of themes presented in the reporting, and
the way the journalists go about their work, can have a significant bearing on how an event
like a coup is represented. The reporting of the Fiji coups presented the opportunity to
examine these factors. As such, the aim of this thesis is to understand the role of the media
in building relationships between developed and developing post-colonial nations like
Australia and Fiji.
A content analysis of 419 articles published in three leading broadsheet newspapers, The
Sydney Morning Herald, The Australian and The Canberra Times, examined the basic
characteristics of the articles, with a particular focus on the sources used in these articles.
This analysis revealed that the reports were dominated by elite sources, particularly
representatives of governments, with a high proportion of Australian sources who provided
information from Australia. While alternative sources did appear, they were limited in
number. Women, Indian Fijians and representatives of non-government organisations were
rarely used as sources. There were some variations between the articles from 1987 and those
from 2000, primarily an increase in Indian Fijian sources, but overall the profile of the
sources were similar.
A thematic analysis of the same articles identified and examined the three most prevalent
themes in the coverage. These indicated important aspects of the way the coups were
represented: the way Fiji was represented, the way Australia's responses were represented,
and the way the coup leaders were represented. This analysis found that the way in which
the coups were represented reflected the nature of the relationship between Australia and
Fiji. In 1987, the unexpected nature of the coup meant there was a struggle to re-define how
Fiji should be understood. In 2000, Australia's increased focus on Fiji and the Pacific region
was demonstrated by reports which represented the situation as more complex and uncertain,
demanding more varied responses.
A series of interviews with journalists who travelled to Fiji to cover the coups revealed that
the working conditions for Australian media varied greatly between 1987 and 2000. The
situational factors, particularly those which limited their work, had an impact on the
journalists' ability to access specific kinds of sources and, ultimately, the kinds of themes
which appeared in the stories. The variation between 1987 and 2000 demonstrated that
under different conditions, journalists were able to access a more diverse range of sources
and present more sophisticated perspectives of the coup.
In a cross-cultural situation such as this, the impact of reporting dominated by elite sources
is felt not just in the country being covered, but also in the country where the reporting
appears. It presents a limited representation, which marginalises and downplays the often
complex social, cultural and historical factors which contribute to an event like a coup.
Debate and alternative ways of understanding are limited and the chance to engage more
deeply with a place like Fiji is, by and large, lost.
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Cairns, Teresa Mary. "Class, gender and education in the 20th century : an exploration of education life histories of correspondents to the mass observation archive". Thesis, University of Sussex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445618.
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Martin, Shirley Helen. "Freedom to obey : the obedience of Christ as the reflection of the obedience of the Son in Karl Barth's 'Church dogmatics'". Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/762.
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This thesis argues that Barth’s asymmetrical structuring of the Trinity in I/1, his doctrine of election in volume II, his concept of the humanity of Christ as the imago Dei in III/2 and his account of the obedience of the Son being reflected in his incarnate life, as detailed in IV/1 and IV/2, are not just coherent but mutually reinforcing. The thesis demonstrates that Barth uses a nexus of crucial terms, including ‘correspondence’ [Entsprechung], ‘reflection’ [reflex/Abbildung] and ‘overflowing’ [Ueberstroemen], to express that God’s actions and relationships ad extra reveal who God is. The concept of ‘correspondence’, tentatively present in the first two volumes, gathers pace through III/2 and achieves full force in volume IV, where the obedience of Christ in IV/2 ‘reflects’ or ‘mirrors’ the obedience of the Son in IV/1. Crucially, the fact that the economic Trinity ‘reflects’ the immanent Trinity, or (differently stated) that the immanent Trinity ‘overflows’ into the economy, establishes a direction, an asymmetry, to the relationship of ‘correspondence’. In ch. II of the thesis we argue that the asymmetry developed in the doctrine of the Trinity in I/1 is the basis for this asymmetric correspondence. Barth describes the triune life as one of giving and receiving existence, suggesting a divine order with an irreversible direction, an asymmetric order. This is shown to be particularly evident in Barth’s defence of the filioque clause which enables him to claim that the Spirit is the one in whom the ruling Father and obedient Son are united ad intra. On this basis we argue, in ch. III, that, when Barth revises his doctrine of election, he comes to see it as the event of triune reflection: the Father, Son and Spirit electing to reflect who they are with a direction of determination, an asymmetry, which is irreversible. In this respect we argue against Bruce McCormack, who sees election as the event in which God elects triunity. In ch. IV we read Barth’s III/2 account of the humanity of Christ as the imago Die, as an attempt to demonstrate that God’s economy of salvation corresponds to who he is. This theme comes into full focus in the first two part-volumes of volume IV, explored here in ch. V. The obedience of Christ reflects, corresponds to, the obedience of the Son. There is obedience in God. This concept, which so mystifies Paul Molnar and Rowan Williams, is shown to be theologically consistent with a doctrine articulated by Barth some thirty years previously: his asymmetrically structured doctrine of the Trinity.
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Núñez, Gabriela. "Memorias de infancia y nación imaginada en la correspondencia de José María Arguedas". Conexión, 2016. http://repositorio.pucp.edu.pe/index/handle/123456789/114686.
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This article explores the memories of childhood that Jose Maria Arguedas reconstructs in his letters and the recreation and imagination of himself as a symbol of the Peruvian nation. His recollections portrait ambivalent feelings of suffering and tenderness, with special attention to the need of protection, as well as the identification with the oral expression and the Andean world view, creating a new sense of otherness: one that is more connected to the emotions. Arguedas stablishes himself as a living bridge in Peruvian culture and as the reincarnation of a diverse country, filled with contradictions.Este artículo aborda las memorias de infancia que José María Arguedas reconstruye en sus cartas y la recreación e imaginación de sí mismo como símbolo de la nación peruana. Sus recuerdos retratan sentimientos ambivalentes de sufrimiento y ternura, con especial acento en la necesidad de protección, y de identificación con el mundo oral y la cosmovisión andina, creando un nuevo sentido de “otredad”: uno ligado más a las emociones y los afectos. Arguedas se construye a sí mismo como un puente viviente en la cultura peruana y como la encarnación de un país diverso y lleno de contradicciones.
Livros sobre o assunto "20th century Correspondence"
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Carlos, Williams William. The American idiom: A correspondence. San Francisco, CA: Bright Tyger Press, 1990.
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2
Carlos, Williams William. The American idiom: A correspondence. San Francisco, CA: Bright Tyger Press, 1990.
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3
Vlaĭkov, Todor G. Neizvestni pisma na T.G. Vlaĭkov. Sofii͡a︡: DF Zemizdat, 1991.
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4
Augiéras, François. Lettres à Paul Placet. Périgueux: Fanlac, 2000.
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Synge, J. M. The Collected Letters of John Millington Synge. Charlottesville, V.A: InteLex Corporation, 2004.
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Enos, Rota, ed. Caro Pier--: I lettori di Tondelli: ritratto di una generazione. Milano: Selene, 2002.
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Enos, Rota, ed. Caro Pier--: I lettori di Tondelli : ritratto di una generazione. Bologna: Tempi stretti, 1995.
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Celan, Paul. Paul Celan, Nelly Sachs: Correspondence. Riverdale-on-Hudson, N.Y: Sheep Meadow Press, 1995.
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MacLennan, Hugh. Dear Marian, dear Hugh: The MacLennan-Engel correspondence. Ottawa: University of Ottawa Press, 1995.
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Oliver, Joan. Marines soledats: Cartes a Conxita Riera. Sabadell: Fundació La Mirada, 2000.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "20th century Correspondence"
1
"A Controversial Correspondence (1911/36)". In Islamic Ecumenism in the 20th Century, 51–81. BRILL, 2004. http://dx.doi.org/10.1163/9789047404279_007.
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Russell, Glenn. "Virtual Schools". In Encyclopedia of Information Science and Technology, First Edition, 3002–6. IGI Global, 2005. http://dx.doi.org/10.4018/978-1-59140-553-5.ch534.
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Until recent times, schools have been characterised by the physical presence of teachers and students together. Usually, a building is used for instruction, and teaching materials such as books or blackboards are often in evidence. In the 20th century, alternatives to what may be called “bricks-and-mortar” schools emerged. These were forms of distance education, where children could learn without attending classes on a regular basis. The technologies used included mail, for correspondence schools, and the 20th century technologies of radio and television.
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Filippov, Dmitry. "THE RYAZAN HISTORICAL AND CULTURAL CONTEXT IN KONSTANTIN PAUSTOVSKY’S WORKS OF THE MESHCHERA CYCLE". In Creative Heritage of Konstantin Paustovsky in the XXI century. Volume 1, 99–120. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3487.paustovsky_v1/99-120.
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The paper provides a historical analysis of Konstantin Paustovsky’s works of the Meshchera cycle in terms of historical, cultural, and geographical realia of the Ryazan region of the first half of the 20th century. The author analyses Paustovsky’s texts and correspondence and compares them with the data from archives, periodicals, scientific and non-fiction journals to determine the factual foundations of plots and artistic images based on created on the Ryazan material.
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Vishnyakov, Yaroslav V. "Documents of the Police Department of the Russian Empire dedicated to the dynastic crisis in Serbia at the beginning of the 20th century". In Russia: A Look at the Balkans. Eighteenth - Nineteenth Centuries. On the 100th anniversary of Irina S. Dostyan's, 385–404. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2618-8570.2021.14.
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The research was carried out on the basis of poorly studied documents of Balkan agents of the Russian Empire Police Department. It reveals the nuances of Serbian political life at the beginning of the 20th century, the characteristic feature of which was a sharp decline in the prestige of the ruling Obrenović dynasty. The correspondence of the employees and heads of this agency allows us to reconstruct more fully the causes and the direct course of the coup d'etat of May 29, 1903, which eventually destroyed the Obrenović dynasty.
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Florczak, Ilona. "Literatów dole i niedole. Z korespondencji do Kazimierza Bartoszewicza". In Życie prywatne Polaków w XIX wieku. „Prywatne światy zamknięte w listach”. Tom 7. Wydawnictwo Uniwersytetu Łódzkiego; Instytut Historii i Stosunków Międzynarodowych UWM, 2018. http://dx.doi.org/10.18778/8142-182-9.15.
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Kazimierz Bartoszewicz (1852–1930) – a publicist, publisher, bookseller, one of the leading representatives of the literary community in Krakow, he was a highly respected editor of literary and social journals. The titles he edited, including „Szkice Społeczne i Literackie” (1875–1876), „Przegląd Literacki i Artystyczny” (1882–1886) and „Przegląd Literacki” (1896–1899) enjoyed the interest and recognition of the then Polish intellectual elite. Due to the function of the editor and publisher of the aforementioned magazines, Kazimierz Bartoszewicz maintained contacts with many eminent writers of the 2nd half of the 19th century. It is enough to name a few of them: Kajetan Abgarowicz, Władysław Bełza, Marian Gawalewicz, Agaton Giller, Aleksander Kraushar, Józef Łepkowski, Stanisław Smolka and Kornel Ujejski. Correspondents, apart from professional issues, addressed private, social and intimate issues in the letters. The correspondence shows up a picture of the professional life of writers in the second half of the 19th century and early 20th century, their struggles with the hardships of everyday life (often with poverty), efforts to appear on the literary market, and finally the view of the environment on social and professional issues.
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Marinkovic, Milica. "RAZVITAK POŠTE I POŠTANSKIH USLUGA U FRANCUSKOJ". In XXI vek - vek usluga i uslužnog prava. [Knj. 14], 141–57. University of Kragujevac, Faculty of Law, 2023. http://dx.doi.org/10.46793/xxiv-14.141m.
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In the paper, the author gives an overview of the development of the Post Office in France, from the very beginnings in the 15th century, until today. Originally created as a service for communication between the court and the province, the Post Office has come a long way over the centuries and has become an indispensable part of the lives of all French people. Economic progress and the literacy of the population during the 19th century led to a massive expansion of postal correspondence, and this was also contributed to by the creation of the village postal service and the collection of postage by postage stamps. During the 20th and 21st centuries, the Post Office began to focus more and more on providing various services to the economy.
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Scherrer, Jutta, e Daniela Steila. "The Idea of a “New Man” against the Background of a Complex Friendship between Maxim Gorky and Alexander Bogdanov". In Maxim Gorky and World Culture: A Collection of Scientific Articles (Materials of the Gorky Readings 2018 “World Value of M. Gorky (on the 150th Anniversary of the Birth)”, 143–58. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0693-2-143-158.
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The theme of the formation of a “new man” is сentral throughout the period of the close friendship of A.M. Gorky and A.A. Bogdanov, with the first letters in 1904, to intensive cooperation since the end of 1907, to the personal gap in 1910 in their correspondence stands out that conversation and controversy about the defeat of individualism, the construction of new collective and “religious” worldview, of overcoming the contrast of humanity and nature, including the most profound contradiction, i.e. the man’s death, interwoven with the experiences of the new schools working in Capri and with difficult personal relationships two of the most important figures in the Russian revolutionary movement in the Russian culture of the early 20th century.
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Ebanoidze, Igor A. "Nietzsche Reads Dostoevsky: Chronology and Reception Material". In F.M. Dostoevsky in Literary and Archival Sources of the Late 19th — the First Third of the 20th Century, 210–32. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0662-8-210-232.
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he study, based on the analysis of the correspondence, notebooks of Friedrich Nietzsche and other sources from his closest circle, is devoted to the history of the acquaintance of the German thinker with the Dostoevsky’s books and it’s reception in the works of Nietzsche. There are three documented stages of this reception: the end of the winter of 1887, the spring of 1887, and the turn of 1887–1888. The results of the study suggest, first of all, the importance for Nietzsche of acquaintance with the story “Notes from the Underground” (despite the fact that Nietzsche read a French compilation from “Notes” and “Hostess”), as well as the role of the novel “Demons” in the concept of Nietzsche’s “Antichrist”.
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Labyntsev, Yuriy A. "Sacred property of PAX CHRISTIANA: The literary heritage of hieromonk Christopher (1833-1897)". In Inter-Slavic cultural ties. Results and perspectives of research, 31–49. Institute of Slavic Studies RAS, 2021. http://dx.doi.org/10.31168/0452-7.03.
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The article deals with the problem of the continuity of the existence and development of Orthodox folk literature of the Eastern Slavs in the 19th-20th centuries on the example of the creative heritage of one of the most gifted Orthodox writers of the 19th century, hieromonk Christopher (Chrysanf Sakovich, 1833-1897). A native of Volhynia, he became the largest creator of religious poetic works for the common people, on which millions of Ukrainians, Belarusians and Russians were brought up and are being brought up. The main work of hieromonk Christopher was his poetic prayer cycle «The Song of the Cross», which became a real national book. It is massively replicated to this day in different countries in all possible ways, from handwritten correspondence to electronic typing. In general, the literary heritage of hieromonk Christopher is a very special phenomenon not only in the Slavic world, but also a phenomenal precious asset of Pax Christiana.
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MANIN, Ju I. "CORRESPONDENCES, MOTIFS AND MONOIDAL TRANSFORMATIONS". In World Scientific Series in 20th Century Mathematics, 71–102. WORLD SCIENTIFIC, 1996. http://dx.doi.org/10.1142/9789812830517_0004.
Texto completo da fonteTrabalhos de conferências sobre o assunto "20th century Correspondence"
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Minoretti, A., e T. O. Olsen. "The Submerged Floating Tube Bridge: History of a new Structure". In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0430.
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<p>The Submerged Floating Tube Bridge is an old concept from 1886, conceived by an English naval architect. The structure was proposed for several crossings in the 20th century, in Norway and in several other places in the world. Preliminary studies were performed but the structure was never analyzed as a real possibility due to the lack of technology. With the developments of the offshore oil&gas platforms, the studies become more accurate, especially in correspondence with the E39 Fjord Crossing project, that aims to replace several ferries along the western coast of Norway with fixed links, in areas where the fjords can be extremely deep and the length of the required crossing very long. The paper tells about the story of this structure in the 20th century, about the projects and the people that have tried to bring this bridge into reality. The challenges that have hindered the construction of this structure are discussed and the goals achieved in the recent years are illustrated.</p>
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Moret, Sébastien. "A. MEILLET ABOUT N. YA. MARR: AN OVERLOOK". In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.12.
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At the beginning of the 20th century, the French Antoine Meillet (1866–1936) and the Soviet Nikolaj Yakovlevich Marr (1864–1934) were probably the most prominent linguists in their respective “worlds”: Meillet, in Western Europe, as the chief of the Indo-European comparative linguistics, and, in the Soviet Union, Marr as the herald of the so-called Marxist Soviet linguistics. These two approaches generally considered antagonistic, but that did not prevent Marr and Meillet from maintaining contacts, corresponding with each other for many years and knowing about their respective research. First, this paper aims to present the contacts these two linguists had, focusing on the correspondence between Meillet and Marr. Secondly, the paper examines what Meillet thought about Marr and his theories, on the basis, in particular, of the numerous reviews that Meillet wrote about Marr’s works. Refs 11.
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Strizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists". In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.
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Museums as cultural institutions certainly reflect the sociocultural transformations of the new era and are changing with the new reality. Except for that, a museum is, by definition, an institution of memory, a keeper of history, it is based on adoption: the collection, successiveness and actualisation of past experience. What is perceived as innovation by contemporary society may have historical roots and be an actualisation of innovations of a bygone era. Modern museum development recalls a global project undertaken by Russian avant-garde artists in the early 20th century, and implying the institutional modernisation of museums. This study addresses a project taken on by avant-garde artists for the modernisation of museums in the context of general cultural construction, in cooperation with the Soviet Government. The research methodology is based on a conjunction of a historical study and culturological analysis, primarily the concept of the institutional approach. The study consisted in looking through archival documents: The Fund of the People’s Commissariat for Education and its departments (declarations, provisions, resolutions, decrees, minutes of meetings, correspondence, protocols and statements of estimates, inventory books of the State Museum Fund etc.), personal funds of artists and cultural figures, their theoretical works, articles, correspondence. A holistic inter-disciplinary approach combining historical and culturological analysis with prospects for contemporary sociocultural development and the role of museums is seen as a promising novelty of the research. Russian avantgardism as an artistic and sociocultural phenomenon has remained of great interest for a century. Different studies shed light only on separate aspects of this vast topic in different scientific contexts. The examination of the museum project by avant-garde artists under this study allows us to conclude that they were the first to undertake the institutional modernisation of museums by considering them in the focus of new demands of time and society, innovative programmes as forms of personal initiatives and experiments expressed in the broad public space of artistic culture.
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Adelita, Sela Putri, Eti Poncorini Pamungkasari e Bhisma Murti. "Meta Analysis: The Effect of High-Intensity Interval Training on Low Density Lipoprotein Level in Patients with Type 2 Diabetes Melitus". In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.05.42.
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ABSTRACT Background: High intensity interval training (HIIT) is a protocol of short work intervals of vigorous to high intensity interspersed with active or passive (cessation of movement) recovery periods. HIIT has been employed since the mid-20th century to improve athletic exercise performance. Regular exercise reduces elevated low-density lipoprotein (LDL), atherosclerosis formation, and risk factors of cardiovascular disease (CVD). This study aimed to examine the effect of high-intensity interval training on low density lipoprotein level in patients with type 2 diabetes mellitus (DM). Subjects and Method: This was meta-analysis and systematic review. The study was conducted by search published article from year 2010 to 2020 in PubMed, Science Direct, Research Gate, and Google Scholar databases. The inclusion criteria were full text, using randomized controlled trial study design, high-intensity interval training intervention, and reporting mean and standard deviation. Study subjects were type 2 DM patients aged 25-65 years. The study outcome was LDL reduction. The articles were analyzed by PRISMA flow chart and Revman 5.3. Results: 7 studies from America, Europe, Australia, and Asia showed that high intensity interval training reduced LDL level in type 2 DM patients (Mean Difference= -0.06; 95% CI= 1.32 to -0.47; p<0.001) with I2= 92% (p <0.93). Conclusion: High-intensity interval training reduces LDL level in type 2 DM patients. Keywords: high-intensity interval training, low density lipoprotein Correspondence: Sela Putri Adelita. Masters Program in Public Health, Universitas Sebelas Maret. Jl. Ir. Sutami 36A, Surakarta 57126, Central Java. Email: Selaadelita558@gmail.com. Mobile: 085357117517. DOI: https://doi.org/10.26911/the7thicph.05.42
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Masyaykina, E. V. "GEORGE GREBENSHCHIKOV HERITAGE IN THE REVIEW BY HEINRICH BLOCK IN “PRAGER PRESSE”, JANUARY 16, 1925". In NEMECKIJ JaZYK V TOMSKOM GOSUDARSTVENNOM UNIVERSITETE: 120 LET ISTORII USPEHA. Publishing House of Tomsk State University, 2021. http://dx.doi.org/10.17223/978590744247/10.
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This article provides a brief overview of the newspaper reception of the work of emigrant writer George Grebenshchikov in the 20s. of 20th century. Particular attention is paid to the article published in the Prague Germanlanguage newspaper “Prager Presse” on January 16, 1925. The author of the article was the regular correspondent Heinrich Block, who specialized in Russian and Romanian literature. The note provides a brief description of Grebenshchikov’s work, as well as a brief review of his novels “The Churaevs” and “The Turbulent Giant”.