Teses / dissertações sobre o tema "1900-"
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Stecz, Solange Straube. "Cinema paranaense (1900-1930)". reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24608.
Texto completo da fonteMalcolmson, Catherine Margaret. "Constructing Charles Dickens, 1900-1940". Thesis, University of Leicester, 2013. http://hdl.handle.net/2381/27742.
Texto completo da fontePfeffer, N. "Pronatalism and fertility 1900-1950". Thesis, University of Essex, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380565.
Texto completo da fonteKarlsson, Mårten. "Bostadspolitik i Västerås kommun 1900-1950". Thesis, Mälardalen University, Department of Social Sciences, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-367.
Texto completo da fonte"Bostadspolitik i Västerås kommun 1900-1950" undersöker den kommunala bostadspolitiken i Västerås under den första halvan av 1900-talet genom att studera hur kommunfullmäktige diskuterat frågan och vilka beslut de tagit. I början av perioden fanns det ingen egentlig bostadspolitik i Västerås. Senare utvecklas diverse bostadspolitiska lösningar, framförallt för att bemöta bostadsbrist, som leder fram välfärdsstatens bostadspolitik under det sena 1900-talet. Undersökningen resulterade i slutsatsen att bostadspolitiken under perioden i mycket stor utsträckning karakteriserades av tillfälliga åtgärder riktade mot specifika grupper, t.ex. hyreshjälp åt bostadslösa arbetare. Först mot slutet av den undersökta perioden riktar sig bostadspolitiken i Västerås mot en generell befolkning på lika villkor.
Flavel, Samantha. "Coopering in South Australia, 1900-1940 /". Title page, contents and introduction only, 1990. http://web4.library.adelaide.edu.au/theses/09AR/09arf588.pdf.
Texto completo da fonteCasey, Margaret A. "The Mexican Mural Movement 1900-1930". Thesis, University of Glasgow, 1992. http://theses.gla.ac.uk/4832/.
Texto completo da fonteWilson, Karen Anne. "High Wycombe's furniture industry 1900-1950". Thesis, University of Liverpool, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422107.
Texto completo da fonteGarduno-Albo, Jessica Esther. "The American Bassoon School: 1900-1950". University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin14810318748756.
Texto completo da fonteElliott, Mark 1948. "Archaeology, Bible and interpretation: 1900-1930". Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/288877.
Texto completo da fonteFarré, Vilalta Imma. "«Joventut» (1900-1906) i el darrer modernisme". Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392733.
Texto completo da fonteOur research entitled «Joventut» (1900-1906) and the last modernism is about this weekly publication which, besides the Catalanist and cultural task carried out in a broad sense during its seven years of existence, it also promoted, firstly in parallel and later by itself, the edition of literary works by the most highly reputed Catalan and foreign authors. Our research work is organised in fourteen parts which, with the exception of Chapter 1, deal with the twofold perspective of the reconstruction of the external history of the weekly paper and the editorial department. This is followed by the analysis of the most meaningful fields that are essential and also provide its own character to the publication. Differently, Chapter I. THE STATE OF THE QUESTION (L'ESTAT DE LA QUESTIO) is intended to examine the most relevant bibliographic materials that have studied and valued the job of the editors of «Joventut» from the end of the publishing house to the present time. In chapter II. THE FORMATION OF THE INTELLECTUAL CORE OF «JOVENTUT» (LA FORMACIO DEL NUCLI INTELLECTUAL DE «JOVENTUT»), we reconstruct the prehistory of the group, that is to say, how they meet, what their collaborations in the literary field are, and their first journalist attempt when being in charge of the publication «Setmana Catalanista». In chapter III .«JOVENTUT» (1900-1906): DESCRIPTION AND OPERATION («JOVENTUT» (1900-1906): DESCRIPCIO I FUNCIONAMENT), we mention the beginnings of the weekly paper, the composition of the editors team and the collaborators; the general description of the publication; the reasons that the Editors claimed to put and end to the magazine; and the aspects related to their funding and their commercial policy. In chapter IV. THE LIBRARY JOVENTUT (1901-1914) (LA BIBLIOTECA JOVENTUT) we provide a general and complete description of the task carried out by the publishing house. In a second section, which includes chapters V to XI, we focus our attention on the analytic commentary, and corroborated with the current existing bibliography, of the different thematic fields that «Joventut» arranges its contents. In this way, in chapter V. THE DISCOURSE OF MODERNITY (EL DISCURS DE LA MODERNITAT), we analise, from a broad point of view, the three different domains that the weekly publication took into account in order to become updated: the construction of a liberal space and also a space of progress in the bosom of the plotical party Unio Catalanista, the rift from Spain and the introduction of some common features of the opening to Europe (feminism, a growing interest for science...). In chapter VI. THE LITERARY CREATION AND CRITICISM (LA CREACIO I LA CRITICA LITERARIES), we face a complex and eclectic literary scene, which we analise from a triple point of view, following a timeline: a) a study of the literature of the 19th century and the debate about the purpose of the Floral Games (Jocs Florals) in the early years of the 20th century; b) the reflex of the aesthetic eclecticism as a paradigm of the contemporary modernity, focusing on the analysis of literary genres and emphasizing, concerning poetry and prose, the specific study of the reception of works by Joan Maragall, Joaquim Ruyra and Victor Catala; and c) the reading of the Classics in «Joventut», in the convergence with the emerging Noucentism. In chapter VII. THE THEATRE CRITICISM (LA CRITICA TEATRAL), we undertake the study of this part of the publication, with Emili Tintorer as the one in charge of it and the one who evaluated the situation of the Catalan theatre, making proposals for the future so as to regenerate the Catalan scene and modernise it. He was also the responsible of the criticisms of the plays performed in Barcelona. In chapter VIII.THE MUSIC CRITICISM (LA CRÍTICA MUSICAL), we firstly examine the profile of the first and main responsible critic, Joaquim Pena, and we consider his judgements to this type of criticism and the level of contribution of the weekly publication to create and promote the Wagnerian Association; and, secondly, we deal with the development of the section of music criticism, after Pena left the team, when Jeroni Zanné and other collaborators took charge of this section of the publication. Similarly, in chapter IX. ART: CREATION AND CRITICISM (ART: CREACIÓ I CRÍTICA), we analise the task of the different artistic directors of the weekly publication (Alexandre de Riquer, Joan Brull i Sebastià Junyent, mainly), and we comment on the position of «Joventut» about the artistic modernism, the debates about art, catalanism and morals, and the defence of the ancient art and the heritage, among other issues. The next two parts concentrate on the linguistic field. In chapter X. THE DETERMINED BOOST TO ESPERANTO (EL DECIDIT IMPULS A L’ESPERANTO), we analyse the important job of dissemination that the publication undertook, from 1905 and at the hands of Frederic Pujulà i Vallès, in favour of the knowledge and use of this international language. And, finally, although it doesn’t belong to any section of the weekly paper as the previous ones, in chapter XI. «JOVENTUT» AND CATALAN («JOVENTUT» I LA LLENGUA CATALANA), we review the strong defence of the use of Catalan in all the fields and the different opinions and controversies around the normative language. After the compulsary chapters XII. CONCLUSIONS and XIII. REFERENCES (SELECCIÓ BIBLIOGRÀFICA), we conclude our study of the weekly publication «Joventut» with chapter XIV. ANNEX: a) Indexes: General index of authors and anonymous collaborations, Subjects and supplementary names, Alphabetical order of authors of poetry, Alphabetical order of authors of Narrations, Plays, Illustrators, Translated Authors, Translators, Reviews of Books, Critics and Review of Literaty Works, Reviews of weekly publications, Theatre and Music criticism; b) Unpublished texts and articles; c) Subscriptions, census and different types of lists; and d) Graphic documents.
Spark, Anke. "Entwicklung der Ernährungsforschung bei Wiederkäuern 1900 - 1950". [S.l.] : [s.n.], 2006. http://deposit.ddb.de/cgi-bin/dokserv?idn=980917107.
Texto completo da fonteGutiérrez, Manuel. "Mexican poets and the arts 1900-1950 /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2023846601&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completo da fonteSundquist, Arne. "Kostnadsutvecklingen inom flottningen i Dalälven 1900-1970". Thesis, Uppsala University, Department of Economic History, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-88156.
Texto completo da fonteThe paper, with a brief summary of timber floating in Sweden and also of some previous re-search in this field, contains a study on costs for timber-floating in the river Dalälven located in central Sweden. The public used timber-floating system in Dalälven and the historical background about this activity is described. The study is focused on the total costs for timber-floating in the public open floating system in Dalälven from 1900 to 1970, the year before the timber-floating was definitively closed down. Also the costs for separating the logs of a specific owner when they reached the point where they could be separated from the timber of other owners are analyzed.
Whitescarver, Carolyn Ann. "Tudor revival architecture in Atlanta : 1900-1940". Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/24011.
Texto completo da fonteFlood, S. M. "Canadian craft and museum practice 1900-1950". Thesis, University of Manchester, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550289.
Texto completo da fonteMansfield, Nicholas. "Agricultural trades unionism in Shropshire 1900-1930". Thesis, University of Wolverhampton, 1997. http://hdl.handle.net/2436/88493.
Texto completo da fonteBurke, Christopher. "Paul Renner and German typography, 1900-1950". Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283236.
Texto completo da fonteLipede, Abiola Ade. "Pan Africanism in Southern Africa 1900-1960". Thesis, University of York, 1990. http://etheses.whiterose.ac.uk/9774/.
Texto completo da fonteMcLean, Roderick Reid. "Monarchy and diplomacy in Europe, 1900-1910". Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296526.
Texto completo da fonteDécoret-Ahiha, Anne. "Les danses exotiques en France,1900-1940". Paris 8, 1998. http://www.theses.fr/1998PA081455.
Texto completo da fonteDuring the first forty years of the xx0 century, various french show halls (theatre, variety, universal and colonial exhibitions) welcomed asian, african, oriental and american dancers and allowed a large audience to discover new choregraphic and gestural forms, resolutly different from the codes of the western academic dance. In a context of colonial apogee and industrial progress, these exotic dances became a real source of interest and a lot of passion resulted from this new trend, both for the public and for the dancers who were involved more or less deeply in their practice. Starting from each exotic artist's itinerary, the purpose of this study is to show the history of the discovery of exotic dances, social or theatrical, in france. It will look at the various stages of this discovery, will high light the issue about the process of transfer / adaptation of cultural and choregraphic forms. I will also analyse the speechs made at that time and will assess the impact of this new current on social and artistic dance practices
Schmitt, Hubert. "Chanson populaire et identité limousine : 1900-1950". Paris 4, 2008. http://www.theses.fr/2008PA040210.
Texto completo da fonteOur purpose consists in searching identity marks in a rural land through its traditional songs during the first half of the twentieth century. The land of Limousin, part of the west foothills of French Massif Central and devoted to breeding, has an irregular ground and an unstable climate. In the early twentieth century, unable to provide food for its increasing population, Limousin was proned to emigration like many other large european lands. As a North-Occitan country, Limousin is a patchwork of native people, strongly attached to their roots, who bear in their memory, talks, sounds and rhythms, which support traditions, customs and consequently country songs orally relayed till nowadays. What are the marks, tenuous but strong, that remain unconsciously in the mind of the people within these songs, "ever" heard, that one extract from the memory ? What are the links being tied between speaking and singing lines which still stand out in the rhythms and sounds of everyday language ?
Potter, Rachel. "Modernism and democracy : literary cuture 1900-1930 /". Oxford : Oxford university press, 2006. http://catalogue.bnf.fr/ark:/12148/cb40153067p.
Texto completo da fonteKang, Wenqing. "Male same-sex relations in China, 1900-1950 /". Diss., Digital Dissertations Database. Restricted to UC campuses, 2006. http://uclibs.org/PID/11984.
Texto completo da fonteMassam, David R. "British maritime strategy and amphibious capability, 1900-1940". Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390353.
Texto completo da fonteRoss, Gail Macdonald. "New Zealand Prints 1900-1950: An Unseen Heritage". Thesis, University of Canterbury. School of Fine Arts, 2006. http://hdl.handle.net/10092/937.
Texto completo da fontePurce, Emma Jane. "Freak shows at British seaside resorts, 1900-1950". Thesis, University of Kent, 2018. https://kar.kent.ac.uk/65907/.
Texto completo da fonteDolatkhah, Mats. "Det läsande barnet : minnen av läspraktiker, 1900–1940". Doctoral thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3599.
Texto completo da fonteAkademisk avhandling som med tillstånd av Forsknings- och utbildningsnämnden vid Högskolan i Borås framläggs till offentlig granskning klockan 13.00 fredagen den 16 december 2011 i sal M506, Högskolan i Borås
Levett, Geoffrey James. "Playing the man : sport and imperialism 1900-1907". Thesis, Birkbeck (University of London), 2014. http://bbktheses.da.ulcc.ac.uk/85/.
Texto completo da fonteFonseca, Ariza Juan. "Antialcoholismo y modernización en el Perú (1900-1930)". Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/122058.
Texto completo da fonteSourati, Bassam. "Structures socio-politiques à Tripoli-Liban : 1900-1950". Paris 10, 1985. http://www.theses.fr/1985PA100148.
Texto completo da fonteMotea, Mohamed. "L'implantation des entreprises étrangères au Maroc, 1900-1980". Bordeaux 3, 1998. http://www.theses.fr/1998BOR30034.
Texto completo da fonteThe implantation of the foreign enterprises, in morocco, is the product of the far way moroccan economic integration in the market of the world. It has been seen as the fundamentel instrument for economic developpment and modernisation. By this strategy, a lot of enterprises came to morocco during the protectotrat period, especially from france. The rhythm of their implatation was slow and limited before the end of the second world war ; however, after the war it became faster because the conditions have been favorable : it was the glorieus period of the colonial economy. Since the polical independence of morocco in 1956, the weight of the foreign enterprises in the moroccan economy has changed. A lot of measures have been adopted by the moroccan governments inorder to help moroccan investors, without really disturbing foreign ones. The results of this policy are limited, even though the participation of the moroccan capital is increasing and the foreign capital is decreasing. Some foreign great groups are still keeping an important position in the moroccan economy : the control of the technology belongs to them, since they have a knowledge of the management. Yet, this policy must not be under-estimated because it has contributed to the formation of the upper moroccan class. Thus, many investments are realized, gathering moroccan and foreign capitals
Vitou, Elisabeth. "Gabriel Guevrekian, 1900-1970 : une autre architecture moderne". Paris, EHESS, 1985. http://www.theses.fr/1985EHESA017.
Texto completo da fonteFreeman, Alan. "Scotland's missing Zolas? : fiction by women 1900-1940". Thesis, University of Edinburgh, 1994. http://hdl.handle.net/1842/19765.
Texto completo da fonteBogantes-Zamora, Claudio. "La narrativa socialrealista en Costa Rica : 1900-1950 /". Aarhus [Danemark] : Presses universitaires d'Aarhus, 1990. http://catalogue.bnf.fr/ark:/12148/cb35805006q.
Texto completo da fonteGrothe, Ewald. "Zwischen Geschichte und Recht : deutsche Verfassungsgeschichtsschreibung 1900-1970 /". München : Oldenbourg, 2005. http://books.google.com/books?id=IpiXAAAAMAAJ.
Texto completo da fonteLacoste, Isabelle. "Leiris, Limbour : une influence souterraine". Aix-Marseille 1, 2001. http://www.theses.fr/2001AIX10069.
Texto completo da fonteWilson, Emily Jane. "Eugenic ideology and racial fitness in Queensland, 1900-1950 /". [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17269.pdf.
Texto completo da fonteNordenfors, Ola. ""Känslans kontrapunkt" studier i den svenska romansen, 1900-1950 /". Uppsala : Almqvist & Wiksell International, 1992. http://catalog.hathitrust.org/api/volumes/oclc/30469819.html.
Texto completo da fonteMasegosa, Gayo Fabiola Sofía. "La vida teatral a Andorra de 1900 a 1970". Doctoral thesis, Universitat de Lleida, 2017. http://hdl.handle.net/10803/668334.
Texto completo da fonteLa vida teatral en Andorra de 1900 a 1970 estudia el teatro en Andorra desde sus inicios populares hasta la aparición del teatro comercial, a partir de 1960, con el auge del Casal del Centre. A partir de los años cincuenta comienzan las producciones de autores andorranos. La tesis tiene dos vertientes. La histórico-sociológica centrada en las representaciones teatrales que se ponen en escena en Andorra durante aquellos años. Y la folclórica-literaria donde se analizan las obras propiamente andorranas, entre las que destaca la producción de Esteve Albert. Como conclusión, durante el periodo 1900 - 1970, se constata que el teatro andorrano es popular y en catalán, ligado a las fiestas de Navidad y Carnaval y en el entorno pirenaico. A pesar de las numerosas representaciones de obras cómicas (la mayor parte de las cuales son realistas y de dramaturgos catalanes) el sustrato escénico folclórico y montañoso (como el de los bailes de la osa) predomina.
Theatrical life in Andorra from 1900 to 1970 studies the theater in Andorra from its popular beginnings until the appearance of the commercial theater, from 1960, with the rise of the Casal del Centre. Beginning in the 1950s, the productions of Andorran authors began. And the folkloric-literary where the Andorran works are analyzed, among which the production of Esteve Albert stands out. As a conclusion, during the period 1900 - 1970, it's observed that the Andorran theater is popular and in Catalan, linked to the Christmas and Carnival parties and in the Pyrenean environment. The thesis has two aspects. The historical-sociological centered on the theatrical performances that are put on stage in Andorra during those years. In spite of the numerous representations of comic theatrical works (most of which are realistic and of Catalan playwrights) the folkloric and mountainous scenic substrate (like the one of the dances of the bear) predominates.
Kaiser, Andrew. "Constructing modernity Japanese graphic design from 1900 to 1930 /". Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1147717044.
Texto completo da fonteTitle from electronic thesis title page (viewed July 11, 2006). Includes abstract. Keywords: Japanese Graphic Design; Modern Japanese Art; Sugiura Hisui; Hashiguchi Goyo; Murayama Tomoyoshi; Yanase Masamu; Visuality. Includes bibliographical references.
Croizé, Jean-Claude. "POLITIQUE ET CONFIGURATION DU LOGEMENT EN FRANCE (1900-1980)". Habilitation à diriger des recherches, Université de Nanterre - Paris X, 2009. http://tel.archives-ouvertes.fr/tel-00448066.
Texto completo da fonteBerling, Åselius Ebba. "Rösträtt med förhinder : Rösträttsstrecken i svensk politik 1900-1920". Doctoral thesis, Stockholms universitet, Historiska institutionen, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-687.
Texto completo da fonteBerling, Åselius Ebba. "Rösträtt med förhinder : rösträttsstrecken i svensk politik 1900-1920 /". Stockholm : Acta Universitatis Stockholmiensis : Almqvist & Wiksell International [distributör], 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-687.
Texto completo da fonteRedstone, Victoria. "Design analysis of the American residential garage, 1900-1940". Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1260632.
Texto completo da fonteDepartment of Architecture
Carolan, Victoria Diane. "British maritime history, national identity and film, 1900-1960". Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8375.
Texto completo da fonteCollings, J. "Murals and frescoes in greater Los Angeles 1900-1950". Thesis, University of East London, 2011. http://roar.uel.ac.uk/2635/.
Texto completo da fonteBueno, Maria de Fatima Guimarães. "O corpo e as sensibilidades modernas : Bragança (1900-1920)". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252906.
Texto completo da fonteTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-08T09:16:16Z (GMT). No. of bitstreams: 1 Bueno_MariadeFatimaGuimaraes_D.pdf: 7882191 bytes, checksum: e88f9a5bf01e4bc0a4c0ca5b2cf6ab94 (MD5) Previous issue date: 2007
Resumo: Este trabalho focaliza sensibilidades relativas ao corpo que perpassam o cotidiano urbano de uma cidade do interior do estado de São Paulo, então conhecida por Bragança, em fins do século XIX e nas duas primeiras décadas do século XX. Na busca de tais sensibilidades atentou-se para visões de civilização, de privacidade e de individualismo, porque estas tendem a balizar o imaginário de uma época, identificada por modernidade. Considerou-se que tais visões estão ancoradas em idéias liberais, positivistas e românticas e que estas, por sua vez, são perpassadas pela emergência de novas práticas de leitura. Periódicos e fotografias foram tomados como fontes privilegiadas da pesquisa. As contribuições teóricas de Peter Gay, Michel Foucault e Walter Benjamin foram fundamentais para este trabalho
Abstract: This research looks for relative body sensibilities that pass by every day urban life of one countryside city in the State of São Paulo, then known as Bragança, in the ends of 19th century and the two first decades of 20th century. Searching such sensibilities we attempted to delimit those views of civilization, privacy and individualism, because those tend to mark out with the imaginary of that time, identified as modernity. It was considered that such views are anchored at liberal ideas, positivists and romantics and those, in turn, are pass by the emergency of new practical of reading. Periodics and photographs had been taken as privileged sources for this research. The theoretical contributions of Peter Gay, Michel Foucault and Walter Benjamin were so important for this research
Doutorado
Educação, Conhecimento, Linguagem e Arte
Doutor em Educação
Barros, Júlia Teresa Pinto de Sousa Leitão de. "O Jornalismo Político Republicano Radical. O Mundo (1900‐1907)". Doctoral thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2014. http://hdl.handle.net/10362/13094.
Texto completo da fonteEsta dissertação de doutoramento analisa o jornalismo político, praticado pelo jornal republicano O Mundo, no início do século XX. A historiografia política que recai sobre a crise da monarquia liberal tende a valorizar o papel imprensa, mas esta nunca foi objeto de um estudo autónomo. A imprensa diária republicana tende a ser associada a outras formas de divulgação da atividade e do ideário republicano (folhetos, conferências, livros, comícios, banquetes, etc.), autonomizando-a do jornalismo político da sua época (pelo seu conteúdo e pela sua forma). O presente estudo insere o jornal político republicano radical O Mundo no seio das práticas jornalísticas da imprensa diária de Lisboa. A nossa análise forçosamente comparativa procura responder a várias questões. Qual o lugar ocupado pela imprensa no conjunto das instituições políticas vocacionadas para o debate? O que distinguia o jornalismo diário da restante imprensa? O que distinguia o jornalismo político praticado pelos jornais apartidários e partidários? Como se processa e modela (controlos formais e informais) o debate político jornalístico? Que conceções de debate político estavam presentes no jornalismo diário de Lisboa? Qual o lugar da informação no debate jornalístico? Como se viabilizou o jornalismo radical no início do século? Qual a dependência das estruturas partidárias? E, por fim: quais as práticas jornalísticas que distinguiam o jornal O Mundo da restante imprensa? Concluímos que a imprensa diária, pela sua vocação para a atualidade informativa, interveio de forma continuada no debate político. Porém, na ausência de um jornalismo informativo que reclamasse o papel de interlocutor junto dos protagonistas políticos destacámos o lugar do jornalismo político partidário no debate jornalístico. Salientámos, ainda, o cultivo de limites políticos informais, na imprensa diária político partidária, por via de um conjunto de convenções jornalísticas, que tendiam a preservar a “ legitima” distância dos protagonistas políticos, bem como a partidarização do debate. A este propósito referimos a valorização partilhada do boato - informação não confirmada – e ainda a dificuldade em impor o novo género, a entrevista. A imprensa republicana radical distinguiu-se pela capacidade de alargar o âmbito da informação política e com ela o debate sobre a atualidade. Destacamos aqui o lugar das práticas de reportagem. Os jornais republicanos radicais apropriaram-se do modelo dominante de debate político jornalístico transfigurando-o, quer alargando o âmbito da participação política, quer introduzindo nova controvérsia política, em torno da questão do regime, da questão social e da democracia. Tudo leva a crer que coube ao jornalismo republicano radical, de forma isolada e excêntrica, a defesa e divulgação, de um modelo de debate político alternativo, de teor democratizante, concorrencial e mais inclusivo.
Rodríguez, Rea Miguel Angel. "EL CUENTO PERUANO CONTEMPORÁNEO: ÍNDICE BIBLIOGRÁFICO. l. 1900-1930". Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/101207.
Texto completo da fonteWeaver, Angela L. "Public Negotiation: Magazine Culture and Female Authorship, 1900-1930". Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1259611809.
Texto completo da fonte