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Artigos de revistas sobre o assunto "1891-1936"
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Wells, C. W. "American Environmental Photographs, 1891-1936". Journal of American History 98, n.º 3 (29 de novembro de 2011): 949–50. http://dx.doi.org/10.1093/jahist/jar514.
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Singer‐Kérel, Jeanne. "Foreign workers in France, 1891–1936". Ethnic and Racial Studies 14, n.º 3 (julho de 1991): 279–93. http://dx.doi.org/10.1080/01419870.1991.9993712.
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THANOU, ZOI N., DIMITRIOS G. AFENTOULIS, PANAGIOTA KOUFOPOULOU, ARGYRO P. AMPATZI, SOFIA D. LEKKOU, ΑIKATERINI KOUTSOGIANNOPOULOU, ANASTASIA A. BRAVOU et al. "New records and updated checklist of Cicadomorpha (Hemiptera: Auchenorrhyncha) species from Greece". Zootaxa 4413, n.º 1 (20 de abril de 2018): 133. http://dx.doi.org/10.11646/zootaxa.4413.1.4.
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Seventeen auchenorrhynchan species of the family Cicadellidae are recorded from Greece for the first time: Euscelidius variegatus (Kirschbaum 1858), Euscelis ohausi (Wagner 1939), Psammotettix notatus (Melichar 1896), Psammotettix striatus (Linnaeus 1758), Psammotettix sabulicola (Curtis 1837), Anzygina honiloa (Kirkaldy 1906), Arboridia versuta (Melichar 1897), Edwardsiana ishidae (Matsumura 1932), Edwardsiana tersa (Edwards 1914), Eupteryx decemnotata (Rey 1891), Eupteryx curtisii (Flor 1861), Eupteryx rostrata (Ribaut 1936), Frutioidia sanguinosa (Rey 1891), Zygina rosea (Flor 1861), Zygina suavis (Rey 1891), Zygina tiliae (Fallen 1806), Anaceratagallia frisia (Wagner 1939). Faunistic and distributional data notes are given for each species and a complete, updated species checklist for Greece is provided.
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Perry, Matt. "In Search of “Red Ellen” Wilkinson Beyond Frontiers and Beyond the Nation State". International Review of Social History 58, n.º 2 (11 de abril de 2013): 219–46. http://dx.doi.org/10.1017/s0020859013000151.
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AbstractThis article reconsiders the life of Ellen Wilkinson (1891–1947) – British Minister of Education from 1945 to 1947 and leader of the Jarrow Crusade of 1936 – by exploring the transnational aspect of her politics. It seeks to establish the significance of her transnational orientation and how this can allow us to complement and deepen existing understandings of her. Drawing on the literature on transnational activist networks, it outlines the complexity of transnational networks and her repertoire of transnational political practice. Without serious attention to this global dimension of her politics, our understanding of Wilkinson is attenuated and distorted. Crucially, the heroic construction of “Red Ellen” in both labourist and socialist-feminist narratives has obscured her second radicalization (1932–1936) and the sharpness of her metamorphosis into a mainstream Labour Party figure in 1939–1940.
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Jendek, Eduard. "Taxonomic, nomenclatural, distributional and biological study of the genus Agrilus (Coleoptera: Buprestidae)". Journal of Insect Biodiversity 4, n.º 2 (20 de janeiro de 2016): 1. http://dx.doi.org/10.12976/jib/2016.4.2.
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One hundred sixty eight taxa of the genus Agrilus (Coleoptera, Buprestidae) mostly from the Palearctic and Oriental regions are studied and their taxonomic, nomenclatural, distributional or biological data are updated. The following new taxonomic or nomenclatural acts are proposed. The status of four taxa is changed: Agrilus grandiceps hemiphanes Marseul, 1866 is changed from subspecies to species Agrilus hemiphanes stat. nov.; Agrilus lopatini Alexeev, 1964 is changed from species to subspecies Agrilus araxenus lopatini stat. nov.; the specific name hermineus Abeille de Perrin, 1907 is removed from the synonymy of A. lineola as a name of subspecies Agrilus lineola hermineus revalidated name, stat. nov.; Agrilus validiusculus Semenov, 1891 is changed from species to subspecies Agrilus transversesulcatus validiusculus stat. nov.. The following fifteen new synonyms are proposed: grusinus Obenberger, 1917 syn. nov. (synonym of A. transversesulcatus Reitter, 1890); hassani Théry, 1930 syn. nov. (synonym of A. proteus Abeille de Perrin, 1893); ieiunulus Obenberger, 1936 syn. nov. (synonym of A. transversesulcatus validiusculus Semenov, 1891); italicus Obenberger, 1920 syn. nov. (synonym of A. cyanescens Ratzeburg, 1837); juxtasuturalis Abeille de Perrin, 1897 syn. nov. (synonym of A. transversesulcatus Reitter, 1890); niveosignatus Obenberger, 1914 syn. nov. (synonym of A. transversesulcatus validiusculus Semenov, 1891); panchlorus Abeille de Perrin, 1897 syn. nov. (synonym of A. curtulus Mulsant & Rey, 1863); perparvus Obenberger, 1918 syn. nov. (synonym of A. roscidus Kiesenwetter, 1857); philippovi Alexeev, 1965 syn. nov. (synonym of A. vaginalis Abeille de Perrin, 1897); populneus Schaefer, 1946 syn. nov. (synonym of A. suvorovi Obenberger, 1935); rosei Niehuis & Bernhard, 2005 syn. nov. (synonym of A. viridis Linné, 1758); shamyl Obenberger, 1922 syn. nov. (synonym of A. lineola hermineus Abeille de Perrin, 1907); suturisignatus Obenberger, 1924 syn. nov. (synonym of A. transversesulcatus Reitter, 1890); tetrastichus Obenberger, 1924 syn. nov. (synonym of A. fissifrons Fairmaire, 1849) and tifliscus Obenberger, 1936 syn. nov. (synonym of A. transversesulcatus Reitter, 1890). Agrilus grandiceps Kiesenwetter, 1857 is a dubious name of unknown taxonomic concept due to lack of the primary type. The following twenty-seven lectotypes of nominal taxa are designated: A. affectans Obenberger, 1923; A. alacris Kerremans, 1896; A. fidjiensis Obenberger, 1924; A. grusinus Obenberger, 1917; A. hassani Théry, 1930; A. hermineus Abeille de Perrin, 1907; A. hypericicola Abeille de Perrin, 1893; A. ieiunulus Obenberger, 1936; A. limoniastri Bedel, 1886; A. mephistopheles Abeille de Perrin, 1897; A. morio Kerremans, 1895; A. beauprei mourguesi Schaefer, 1954; A. nigrivestis Abeille de Perrin, 1897; A. niveosignatus Obenberger, 1914; A. panchlorus Abeille de Perrin, 1897; A. perparvus Obenberger, 1918; A. proteus Abeille de Perrin, 1893; A. roscidus Kiesenwetter, 1857; A. rumanicus Obenberger, 1924; A. shamyl Obenberger, 1922; A. subroscidus Obenberger, 1924; A. suturisignatus Obenberger, 1924; A. suvorovi Obenberger, 1935; A. fidjiensis tetrastichus Obenberger, 1924; A. tifliscus Obenberger, 1936; A. transversesulcatus Reitter, 1890 and A. validiusculus Semenov, 1891. Additionally, the geographical range or host plant data are updated or revised for many taxa. The North American Agrilus bilineatus (Weber, 1801) is recorded from a single record from Turkey which is the first introduction of a Nearctic Agrilus to the Palearctic fauna.
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Houpt, Stefan, e Juan Carlos Rojo Cagigal. "Capital market integration in Spain? Introducing the Bilbao Stock Exchange, 1891-1936". Revista de Historia Económica / Journal of Iberian and Latin American Economic History 28, n.º 3 (dezembro de 2010): 535–73. http://dx.doi.org/10.1017/s0212610910000145.
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AbstractThis paper presents the first results of our most recent research on the Bilbao Stock Exchange (BSE) from its foundation in 1890 up to the Spanish Civil War. We examine the origin of the Exchange and follow its evolution over the first half-century of existence. To this end we introduce some of the stock exchange indexes we have calculated for Bilbao and put them into comparative perspective with the existing series on general economic and industrial activity and the indexes for other Spanish exchanges for the period considered. These comparisons show Bilbao’s evolution from a public debt-dominated market to an industrial exchange very much tied to regional development. Finally, we contrast the degree of financial market integration associated with the existing Spanish exchange indexes. Our analysis finds strong support for considering the BSE index as an industrial index and little evidence of capital market integration between the principal Spanish exchanges before the 1920s.
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ALLSOPP, PETER G. "Replacement names for Beckius Dechambre, 1992 and Syrictes Prell, 1936, and validation of Neoryctes Arrow, 1908 (Coleoptera: Scarabaeidae: Dynastinae)". Zootaxa 5165, n.º 2 (14 de julho de 2022): 294–300. http://dx.doi.org/10.11646/zootaxa.5165.2.9.
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The names of three genera of Dynastinae (Coleoptera: Scarabaeidae) are reviewed. The New Guinea genus Beckius Dechambre, 1992 (Dynastini) is preoccupied, and Debeckius Allsopp, new replacement name, is proposed. This results in Debeckius beccarii beccarii (Gestro, 1876), new combination, Debeckius beccarii koletta (Voirin, 1978), new combination, and Debeckius beccarii ryusuii (Nagai, 2006), new combination. The African genus Syrictes Prell, 1936 (Phileurini) is preoccupied, and Kirprellius Allsopp, new combination, is proposed. This results in Kirprellius curvicornus (Endrődi, 1977), new combination, Kirprellius dentatus (Prell, 1912), new combination, Kirprellius marceaui (Bouyer, 2020), new combination, Kirprellius rugulosus (Dupuis, 2013), new combination, and Kirprellius syrichtus (Fabricius, 1775), new combination. “Neoryctes Sclater, 1891” (Mammalia) is shown to be an invalid name and Neoryctes Arrow, 1908 (Pentodontini) remains the valid name for a dynastine genus from the Galápagos Islands, and Notoryctes Stirling, 1891 remains valid for the Australian marsupial moles.
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Rodrigo Villena, Isabel. "El arquetipo de mujer pintora en la prensa gráfica española: El caso de Blanco y Negro (1891-1936)". Imafronte, n.º 30 (7 de junho de 2023): 149–67. http://dx.doi.org/10.6018/imafronte.507581.
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The representation of women artists in the Spanish graphic press in the first third of the 20th century is a field of research that has hardly been approached, which has undoubted value for its contribution to the analysis of the reception of plastic artists in the period in which women began to make their way into the art system. This work analyzes the construction and meanings behind the archetype of the female painter in the particular case of the magazine Blanco y Negro (1891-1936), which was a pioneer in the modernization of the illustrated press in Spain as well as emblematic for its covers and artistic pages, made by the most recognized artists and cartoonists of the time. La representación de las artistas mujeres en la prensa gráfica española del primer tercio del siglo XX es un campo de investigación apenas abordado, que posee un indudable valor por su contribución al análisis de la recepción las artistas plásticas en el período en que las mujeres empiezan a introducirse en el sistema del arte. Este trabajo analiza la construcción y significados del arquetipo de mujer pintora en el caso particular de la revista Blanco y Negro (1891-1936), que fue pionera en la modernización de la prensa ilustrada en España y, a su vez, emblemática por sus portadas y páginas artísticas, realizadas por los artistas y dibujantes más reconocidos en la época.
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Строй, Л. Р. "The activity of the painter D.I. Karatanov in the development of art education in Krasnoyarsk and creative processes in Siberia". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(28) (31 de março de 2023): 174–85. http://dx.doi.org/10.46748/arteuras.2023.01.014.
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Исследование посвящено творческо-педагогической биографии красноярского живописца Дмитрия Иннокентьевича Каратанова, деятельность которого была направлена на становление художественного образования столицы Енисейской губернии, позже Красноярского края. Все этапы этого процесса, включающие организацию первых рисовальных классов М.А. Рутченко (1891–1985), школы живописи А.С. Шестакова (1905–1907), художественной школы (1910–1919; 1936–1941; 1946 по сегодняшний день), связаны с именем пейзажиста Каратанова. Данная тема осмысляется в контексте культурных и историко-политических событий, потрясавших Россию в XIX–XX веках. В исследовании использован метод исторической реконструкции, позволивший заполнить фактологические лакуны новыми сведениями и сделать объективный вывод об уникальной роли Каратанова в творческих процессах Красноярска. The purpose of this study is to reconstruct the creative and pedagogical biography of the Krasnoyarsk painter Dmitry Karatanov, aimed at establishing art education in the capital of the Yenisei province, later the Krasnoyarsk Krai. All stages of this process are associated with the name of the landscape painter Karatanov, including the organization of the first drawing classes of M.A. Rutchenko (1891–1985), painting school of A.S. Shestakov (1905–1907), art school (1910–1919; 1936–1941; 1946 to date). This topic is comprehended in the context of cultural, historical and political events that shook Russia in the 19th–20th centuries. The study used the method of historical reconstruction, as a result, the author filled in the factual gaps with new information and made an objective conclusion about the unique role of D.I. Karatanov in the creative processes of Krasnoyarsk.
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BOLOGA, Alexandru Ș. "Biologistes roumains éminents persecutes par le régime communiste". Annals of the Academy of Romanian Scientists Series on Biological Sciences 12, n.º 1 (2023): 155–83. http://dx.doi.org/10.56082/annalsarscibio.2023.1.155.
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"Les biologistes roumains notables suivants, classés par année de naissance, ont subi des préjudices physiques et/ou moraux majeurs tels que l'interdiction d'exercer leur profession, la privation des droits civils, l'internement dans des prisons ou des colonies de travail, la peine pouvant aller jusqu'à la mort, l'émigration, souvent sans précision accusations ou tout jugement de tri ; leur ""crime"" était d'avoir une attitude, un comportement et des croyances anticommunistes explicites ou implicates: Alexandru Borza (1887-1971) Constantin Motăş (1891-1980) Ioan Gh. Botez (1892-1953) Teodor Buşniţă (1900-1977) Constantin S. Antonescu (1902-1981) Zaharia Popovici (1907- ? ) Victor Angelescu (1912-2002) Petre M. Bănărescu (1921-2009) Nicolae Al. Boşcaiu (1925-2009) Radu Racottă (1930) Denis Buican (1934) Ştefan Racoviţă (1936)."
Teses / dissertações sobre o assunto "1891-1936"
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Fayet-Scribe, Sylvie. "Les associations feminines catholiques d'education populaire et d'action sociale de rerum novarum (1891) au front populaire (1936)". Paris 7, 1988. http://www.theses.fr/1988PA070103.
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Ce travail d'histoire a pour but d'etudier diverses associations feminines ayant joue un role important dans le domaine de l'education populaire et de l'action sociale de 1891 a 1936, dans le courant du catholicisme social. La premiere partie s'attache a decrire les conditions d'emergence de certaines d'entres elles: la ligue patriotique des francaises, la ligue des femmes francaises, l'action sociale de la femme, la ligue sociale d'acheteurs, l'union feminine civique et sociale, les guides de france. Ceci en les situant par rapport aux groupements catholiques masculins et dans le cadre de leur concurrence avec des mouvements laiques. La seconde partie examine de maniere monographique deux associations liees au courant des "settlements francais": l'union familiale de charonne et la residence sociale de levallois-perret. Cette derniere creant par la suite la federation des centres sociaux de france. Cette these explore trois voies: - elle cadre un moment de l'histoire du catholicisme (en particulier du laicat feminin) dans l'histoire d'un processus culturel plus general. - elle montre que ces associations sont aussi un lieu et un moment de promotion de la femme, et a ce titre appartiennent a l'histoire du feminisme. - elle met en lumiere une pratique originale de l'education populaire ou les types d'actions sont plurielles: culturelles, sociales, sanitaires, educatives. Cette pratique donnant une certaine maniere d'envisager les professions liees au travail socialThe aim of this work was to study the different feminine associations that played an important role in the field of popular education and social work from 1891 to 1936, in the context of social catholicism. The first part describes the conditions under which some of the associations emerged la ligue patriotique des francaises, la ligue des femmes francaises, l'action sociale de la femme, la ligue sociale d'acheteurs, l'union feminine civique et sociale, les guides de france - and situates them in relation to masculine catholic groups and in the setting of their competition with the lay movements. The second part examines in a monographic manner two associations linked to the "french settlement" movement : the charonne family union and the social residence of levallois-perret. The latter subsequently founded the federation des centres sociaux de france. This thesis explores three avenues: - it focuses on a moment in the history of catholicism (in particular the feminine lay movement) in the context of a more general cultural process. - it shows that these associations are also a meeting place for the advancement of women, and in this respect are part of the history of feminism. .
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Fayet-Scribe, Sylvie. "Les Associations féminines catholiques d'éducation populaire et d'action sociale de Rerum Novarum (1891) au Front populaire (1936)". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37618503x.
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Chapuis-Schmitz, Delphine. "Le sens à l'épreuve de l'expérience : Carnap, Schlick et le vérificationnisme". Paris 1, 2006. http://www.theses.fr/2006PA010680.
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Le principe du vérificationnisme, selon lequel le sens d'un énoncé est déterminé par la manière dont il peut être confirmé, vise à rendre compte du sens des énoncés utilisés afin de transmettre une connaissance sur le monde. Il a été l'objet de nombreuses critiques, mais l'objectif de ce travail est de montrer qu'il est possible de défendre une version du vérificationnisme à partir des positions de Carnap et de Schlick qui se démarque à la fois du vérificationnisme réductionniste que l'on attribue habituellement aux membres du Cercle de Vienne, et d'un vérificationnisme radical de type quinien. Une telle conception demande à ce que soient élucidés les différents types de procédures de confirmation qui peuvent valoir pour les différents énoncés cognitifs, ainsi que le sens auquel on peut parler de possibilité de la confirmation. Carnap et Schlick conçoivent chacun la confirmabilité dans le cadre d'un conventionnalisme linguistique: la manière dont on peut confirmer un énoncé est déterminée par un ensemble de règles linguistiques. Nous montrons qu'il est possible d'affirmer en ce sens que le sens d'un énoncé cognitif est déterminé par la manière dont il peut être confirmé. Le statut des énoncés d'observation, ainsi que des règles linguistiques qui jouent un rôle essentiel dans cette conception du sens sont alors examinés. Il s'avère ainsi que le vérificationnisme constructif que nous proposons représente une position à la fois viable et féconde pour la philosophie du langage et la philosophie générale des sciences.
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Fernandes, Renato César Ferreira. "Oligarquia e transformismo = a crítica de Gramsci a Michels". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281624.
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Orientador: Álvaro Gabriel Bianchi MendezDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Esta dissertação teve como objetivo debater a crítica de Antonio Gramsci a Robert Michels. A análise foi desenvolvida sobre a crítica a três conceitos-processos de Michels: da lei férrea da oligarquia nos partidos políticos, da elite carismática e do conceito de elite política. Para esta pesquisa, foi preciso recuperar as formulações de Michels à luz do seu tempo, refletindo sobre as transformações no pensamento do autor na história política do início do século: da sua crítica à socialdemocracia até o seu apoio ao fascismo. Já em Gramsci, a reconstrução teórica se deu a partir dos Cadernos do Cárcere, principal obra em que o autor desenvolve a crítica a Michels. Esta crítica nunca foi sistematizada e, por isso, foi preciso passar por uma reconstrução dos principais conceitos do comunista italiano buscando clarificar as diferenças. Tanto Michels quanto Gramsci formularam suas ciências políticas sobre a divisão entre dirigente e dirigidos. Mas a construção teórica desta divisão, nestes autores, é oposta. A partir desta divergência foi possível demonstrar que a crítica de Gramsci revela as limitações do texto de Michels. Neste sentido, chegamos à formulação de que o conceito gramsciano de transformismo apareceu como uma superação teórica da oligarquização presente na teoria de Michels
Abstract: This dissertation aimed to discuss Antonio Gramsci's critique to Robert Michels. The analysis was undertaken on the critique to three concept-processes of Michels's: the iron law of oligarchy in political parties, the charismatic elite and the concept of political elite. For this research, it was necessary to recover Michel's formulations in the light of his time, reflecting about the changes in the author's thought in the political history of the beginning of the century: from his critique on the social democracy to his support for the fascism. However, according to Gramsci, the theoretical reconstruction was made from the Prison Notebooks, the main work in which the author develops a critique to Michels. This critique was never systematized and, therefore, it had to undergo a reconstruction of the main concepts of the Italian Communist seeking to clarify the differences. Both Michels and Gramsci formulated their political sciences concerning the division between leader and led. But the theoretical construction of this division, according to these authors, is opposite. From this divergence was possible to demonstrate that Gramsci's critique reveals the limitations of Michels's text. In this sense, we come to a conclusion that the Gramscian concept of transformism emerged as a theoretical overrun oligarchization in Michels's theory
Mestrado
Ciencia Politica
Mestre em Ciência Política
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Kramer, Max. "The poetry of inversion : Queer metaphor in Arthur Rimbaud, Stefan George, and Federico Garcia Lorca". Paris 4, 2008. http://www.theses.fr/2008PA040103.
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Casagrande, Giuliano Tommasini 1980. "Deus, a alma imaterial e a dúvida global : as ¿Meditações¿ cartesianas à luz da crítica de Schlick e Carnap aos enunciados metafísicos". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281922.
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Orientador: Enéias Júnior ForlinDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Nas Meditações, Descartes faz uso de todos os argumentos céticos imagináveis com o objetivo de abalar as crenças em que se baseia a visão natural de mundo e descobrir se há alguma verdade infensa à dúvida. Após constatar a existência indubitável do eu pensante e determinar sua natureza, Descartes procura salvar, por meio da demonstração da existência de um Deus veraz, o valor objetivo das idéias sensíveis. Neste trabalho, partindo da premissa de que o único subjetivismo autêntico é originário de uma dúvida cética como a cartesiana, investigaremos a hipótese de que tal solo da subjetividade é desprovido de sentido porque a atitude crítica de avaliação do conhecimento de que ele resulta pressupõe uma ordem de generalização e de abrangência naturalmente insustentáveis. Para tanto, utilizaremos a crítica de Schlick e Carnap às proposições externas (globais). Com efeito, a dúvida cartesiana não diz respeito a uma parcela do mundo, mas ao mundo em sua totalidade. O problema estaria na extensão da dúvida e no caráter espiritual atribuído ao ego. De maneira análoga, o conceito de um Deus metafísico (indiferente aos elementos do sistema do mundo empírico) estaria sujeito à mesma acusação de falta de sentido formulada por Schlick-Carnap
Abstract: In his Meditations, Descartes employs all imaginable skeptical arguments in order to shake the beliefs that ground the natural worldview and to find if there is some truth beyond doubt. After discovering the indubitable existence of the thinking self and determining its nature, Descartes tries to save, by demonstrating the existence of a truthful God, the objective value of sensible ideas. In this work, assuming that the only genuine subjectivism comes from a skeptical doubt like Descartes', we will investigate the hypothesis that such subjectivism is devoid of any sense, because the critical attitude of evaluation of knowledge from where it results presupposes a naturally unsustainable generalization and scope. In order to do that, we will employ the critique of external (global) propositions developed by Schlick and Carnap. Indeed, the Cartesian doubt is not related to a part of the world, but to the world as whole. The problem would lie in the extent of doubt and in the spiritual character assigned to the ego. In the same way, the concept of a metaphysical God, indifferent to the elements of the empirical framework, would be subjected to the same accusation of lack of sense formulated by Schlick-Carnap
Mestrado
Filosofia
Mestre em Filosofia
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Petříková, Lea. "Umělecké filmy produkované farmaceutickou společností Sandoz". Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-263337.
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The aim of this Master’s thesis is to analyse formal and thematic layers of the artistic films produced by the pharmaceutic company Sandoz and to put them in the relation to
the specific history of the company. Sandoz laboratories produced mainly in the 60’s and 70’s several artistic films (e.g. La Femme 100 Têtes which was the adaptation of Max Ernst’s collages or Images du monde visionnaire with the presence of artist Henri Michaux). The thesis explores some of the films and, at the same time, describes the production background and cinematographic context in the relation to the history of Sandoz laboratories.
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Lacoste, Frédéric. "L'oiseau dans la poésie de Saint-John Perse, Kenneth White et Philippe Jaccottet : une pensée analogique au service du mystère". Bordeaux 3, 2006. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2006BOR30021.
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La question de l'oiseau dans la poésie contemporaine se pose avec une certaine évidence. Impossible, semble-t-il, d'ouvrir un recueil de poèmes sans tomber à de nombreuses reprises sur des références explicites à l'oiseau : à son vol bien sûr, mais aussi à son chant, à sa présence discrète mais permanente. Comment expliquer cette re��currence dans la production contemporaine ? Et qu'est-ce qui constitue la singularité de l'oiseau dans le règne animal ? Après avoir justifié le rapprochement des trois poètes de notre corpus, nous avons fondé notre travail selon des perspectives analogiques et transdisciplinaires. Renouant à un certain degré avec la mystique médiévale, la poésie cherche les frontières de l'homme dans l'univers-macrocosme. L'oiseau, qui semble une limite ultime pour le psychisme humain, nous permet de redéfinir l'animalité selon un principe de "consanguinité" (Saint-John Perse). Contre la propension moderne à l'émiettement, au dispersé, au catalogique, cette pensée analogique à l'œuvre dans la production poétique de nos auteurs, cherche à reconstituer la trame et à "recoudre l'univers". La dimension métaphysique, souvent non revendiquée chez nos poètes, reste ainsi constamment sous-jacente. Au-delà d'une lecture du réel qui s'appuie sur la précision de la science, une "autre dimension", proche de l'Ouvert rilkéen, imprègne leurs œuvres. L'oiseau, à travers les motifs du vol et du chant, dessine alors les contours d'une poétique liée à la modernité esthétiqueThe question of the bird in contemporary poetry seems to be obvious. It's really impossible to open a collection of poems without seeing lots of explicit references to the bird : his fly, his singing, and his discreet but permanent presence. How to explain this recurrence in contemporary production ? And what's the foundation of the bird's particularity in the animal kingdom ? After justifying the connection of the three poets of our corpus, we based our work on analogical and transdiciplinary viewpoints. Reviving the medieval mysticism, poetry looks for the limits of human nature in the world-macrocosm. The bird, that seems the last limit for the human psychism, allows us to redefine animality in accordance with a principle of "consanguinity" (Saint-John Perse). Against the modern proclivity to dispersion and catalogue, this analogical thought circulating in the poems of our authors, wants to reconstruct the weft, to "sew up the universe". The metaphysical dimension, that is not often clearly claimed by our poets, is always underlying. Beyond a description of the real world, that is leaning on the precision of the science, another dimension, verging on rilkean "Ouvert", impregnates their works. The bird, through the patterns of the flight and the singing, draws the lines of poetics linked by aesthetic modernity
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Doubrovskaia, Maria. "Figures of Clarity: Three Poets' Voyage Toward an Intelligible Poetics". Thesis, 2018. https://doi.org/10.7916/D8VD89CM.
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The 1910 polemic on the “crisis of Symbolism” began when the Symbolist poet Viacheslav Ivanov read a lecture entitled the “Precepts of Symbolism.” This lecture initiated a lively debate on the status of this prominent literary movement, to which many of the leading literary figures of the Silver Age contributed. Although the “crisis of Symbolism” has garnered a great deal of scholarly interest, an important aspect of this debate has remained unexplored. Ivanov’s lecture contained an attack on the notion of clarity, which he interpreted as the word’s “transparency” to reason. He argued that language is neither an adequate expression of thought, nor an accurate representation of “reality.” The lecture was itself a polemical response to a brief article written by Ivanov’s friend, Mikhail Kuzmin, and entitled “On Beautiful Clarity: Notes on Prose.” Published a few months before Ivanov’s lecture, this essay urged respect for the word, advocated such Classical values as precision, economy of means and clarity of expression.
Both “On Beautiful Clarity” and the “Precepts of Symbolism” appeared at a time when pervasive loss of faith in the communicative power of language combined with the sense of social and cultural malaise led to a profound crisis that far exceeded the ranks of the Symbolists. Between 1910 and 1917, a number of Russian writers and thinkers proclaimed the word “dead” and offered programs for its revival. For Ivanov, clarity was an Enlightenment notion that he associated with rationalism and blamed for the ills of his age. For Kuzmin, however, clarity represented poetic rather than empirical meaningfulness and had little to do with the kind of empirical “transparency” that Ivanov had in mind. Both poets were after the same goal: a poetics that would bridge the perceived divide between the word and “reality.” Even as Ivanov argued for a language of mystical obscurity in the hope that such an idiom would restore the mystery and meaning of which he believed his age was sapped, he replaced clarity with a kind of Symbolist intelligibility and so a clarity of his own.
This dissertation examines Viacheslav Ivanov’s, Mikhail Kuzmin’s and Osip Mandelshtam’s distinct approaches to the concept of clarity as poetic sense, formulated by these poets independently as well as in response to each other. I argue that for all three poets the notion of clarity applies to the specific relationship between the poet and the word, between the image and the word, and between the semantic content and the sound within the word. Since for all three poets, clarity is associated not only with the poetic logos in general, but specifically with the heritage of European Classicism, the Classical ideal works its way into these relationships as the “image” of sense to which the poet must aspire. For each poet, poetic clarity is an explicit concept as well an individual “model” implicit in his poetic identity.
Livros sobre o assunto "1891-1936"
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Duthil, Christian. L'Almanac patoues de l'Ariejo: Un almanach en occitan de 1891 à 1936. Foix: Cercle occitan Pèire Lagarda de Foix, 2009.
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Isasti, Prudencio García. La España metafísica: Lectura crítica del pensamiento de Ramón Menéndez Pidal (1891-1936). Bilbao: Euskaltzaindia, 2004.
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Llonch, Montserrat. Tejiendo en red: La industria del género de punto en Cataluña (1891-1936). Barcelona: Publicacions i Edicions, Universitat de Barcelona, 2007.
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Montero, Manuel. La modernización capitalista: Ciclos económicos y desarrollo empresarial de Vizcaya entre 1891 y 1936 a través de la Bolsa de Bilbao. [Bilbao]: Universidad del País Vasco, Servicio Editorial, 2005.
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Struck, Johannes. Der patentrechtliche Ausführungs- und Lizenzzwang in der Rechtsprechung des Reichsgerichts: [Paragraph] 11 PatG 1877/1891/1911 bzw. [Paragraph] 15 PatG 1936 : unter besonderer Berücksichtigung des Tatbestandsmerkmals des Öffentlichen Interesses. Frankfurt am Main: PL Academic Research, 2014.
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Figes, Orlando. A people's tragedy: The Russian Revolution, 1891-1924. New York: Viking, 1997.
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Figes, Orlando. A people's tragedy: The Russian Revolution, 1891-1924. New York: Viking, 1997.
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Bergum, Bob. CHRONICLES of the HOOP 1891 1936. Independently Published, 2019.
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Ramiro Paz Carbajal, 1891-1936: Unha Vida Segada Pola Barbarie. Not Avail, 2003.
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Political Career of Floyd B. Olson. University of Minnesota Press, 1999.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "1891-1936"
1
Strachan, John, e Claire Nally. "The Shan Van Vocht (1896–1899) and The Leader (1900–1936): National Identity in Advertising". In Advertising, Literature and Print Culture in Ireland, 1891–1922, 61–87. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271242_4.
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"3. Britain In East Asia And The Japan Chronicle Network, 1891–1936". In The English-language Press Networks of East Asia, 1918-1945, 92–120. Global Oriental, 2010. http://dx.doi.org/10.1163/ej.9781905246670.i-414.31.
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Farías, Ruy. "“VAE VICTIS. UN CASO DE REPRESIÓN, PAUPERIZACIÓN Y MUERTE EN LA GALICIA DE LA GUERRA CIVIL ESPAÑOLA Y LA POSGUERRA (1936-1953)”". In HISTÓRIAS E MEMÓRIAS DOS FASCISMOS NUMA ÉPOCA DE CRISE, 211–30. ediPUCRS, 2024. http://dx.doi.org/10.15448/1745.10.
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El 14 de julio de 1936 Ramón Fernández Rico (Vilasantar, A Coruña 1891 – Pontevedra, 1937), Primer Teniente de Alcalde del municipio de A Estrada (provincia de Pontevedra) a consecuencia del triunfo del Frente Popular en las elecciones de febrero de ese mismo año, quedó al frente del gobierno municipal por delegación de su titular, que se había trasladado a Madrid con los diputados gallegos que presentaron a las Cortes los resultados del Plebiscito de Autonomía de Galicia votado el pasado 28 de junio. Tras el comienzo del golpe de Estado en Galicia y la rápida caída de la práctica totalidad de la región en manos de los sublevados (20-27 de julio) (Velazco Souto, 2006), fue detenido por los facciosos, condenado a muerte y ejecutado en junio de 1937. Estos trágicos sucesos que se inscriben en el drama de la Guerra Civil Española (1936-1939), fueron registrados en un acervo documental privado excepcional, consistente en un despacho oficial, dos certificados de defunción y ciento seis cartas, la mayor parte de ellas cruzadas entre Fernández Rico, su esposa, Purificación Prado Rey (¿?, 1892 – A Estrada, 1940), y la más grande de las hijas del matrimonio, también llamada Purificación, durante los meses en los que el primero estuvo preso1. La información contenida en estos documentos se vio enriquecida por la posibilidad de construir otras fuentes de naturaleza oral, a partir de las entrevistas realizadas por el autor en 2006 a dos de sus cuatro hijos supervivientes, José Manuel (A Estrada, 1925 - Montevideo, 2014) y Divina Pastora (A Estrada, 1927 - Buenos Aires, 2019), cuando tenían 82 y 79 años, respectivamente.
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Li, Jie Jack. "Beginning of an Era: The First Blockbuster Drug, Tagamet". In Blockbuster Drugs. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199737680.003.0005.
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Tagamet emerged as the first blockbuster drug when its sales exceeded $1 billion in 1986, three years after its introduction to the market. An anti–peptic ulcer drug, Tagamet was discovered by James W. Black and his colleagues at Smith Kline & French’s (SK&F) British subsidiary in Welwyn Garden City. Before Tagamet, SK&F was a little-known U.S. drug firm in Philadelphia. After Tagamet, SK&F became one of the largest pharmaceutical companies in the world. The history of Tagamet is one of the most extraordinary in the annals of medicine. It is a saga of a drug that almost escaped detection because the research efforts that began in 1964 did not seem to produce results within the first 11 years! Smith Kline started as a humble drug store in Philadelphia in 1830. During the American Civil War, Smith Kline was founded as a small apothecary by two physicians, John K. Smith and John Gilbert on North Second Street. Not only was Philadelphia the birthplace of the United States of America, it was also the cradle of American pharmacy. Wyeth, McNeil, Rorer, and Warner-Lambert all trace their origins to small drug stores established there during the Civil War. In the 1880s, Mahlon N. Kline led the company into research and manufacturing of its own products. In 1891, it absorbed French, Richards & Co. founded by Harry B. French, creating Smith Kline & French. After its establishment, the company slowly expanded its inventory. By the 1920s, it had some 15,000 products ranging from aspirin to liniment. Their Eskay’s Albumenized Food was highly popular as a digestible food for infants and the disabled. Later, the company did very well with Eskay’s Tablets for Seasickness. Its specialty, Eskay’s Neurophosphates, a nerve tonic, soothed millions of people at home and abroad. In 1929, Smith Kline & French Laboratories was created to devote itself solely to research and development (R&D). During the Great Depression year of 1936, the company stepped up its efforts in R&D (in a recent contrast, many pharmaceutical companies stepped down their R&D investments during the last recession of 2008).
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"11 Political Realignment, Polarization, and the Popular Front (1936-1938)". In Politics and Urban Growth in Santiago, Chile, 1891-1941, 199–219. Stanford University Press, 2005. http://dx.doi.org/10.1515/9781503624740-014.
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"tificate that the public might believe something very to what did actually exist." short history of the Institute which follows the at- its majority (1891-1907), (3) the period of a federal constitution (1907-1922), Institute as a federal body (1922-1936) of compression, however, chronological not been rigidly observed, and, particu- the third and fourth periods, there". In Accounting in Australia (RLE Accounting), 339–41. Routledge, 2013. http://dx.doi.org/10.4324/9781315867519-138.
Texto completo da fonteTrabalhos de conferências sobre o assunto "1891-1936"
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Toichkina, Alexandra V. "KULISH AND BYRON (TO THE HISTORY OF DON JUAN’S TRANSLATIONS INTO UKRAINIAN)". In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.19.
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Translations of Byron’s works occupy a special place in the work of P. A. Kulish (1819– 1897). They can be divided into three parts: nine poems included in the poetry collection Borrowed kobza; Don Juan, first canto; Childe Harold’s Pilgrimage. As far as we know, Kulish was the first to attempt to translate Byron’s last, unfinished poem into Ukrainian. He chose not the “learned” type of translation, but “rehash”, which allowed more free experimentation in the field of vocabulary and rhythm. The edition was published as a separate reprint in 1891. Kulish saw his task in providing a translation of Byron’s poem Don Juan to help the younger generation of Ukrainians as a kind of textbook of life, as a means of protecting oneself from spiritual passions, from human egoism. In addition, the translation of the poem was important for Kulish in terms of developing a lyrical narrative style, which he applied in his last poem Kulish in Hell. Byron developed his own style of narration and used a confidential tone in the poem, referring to the direct experience of the reader. Kulish’s translation into Ukrainian of such a complex and rich work in terms of vocabulary, intonation, and rhyme was a rather difficult experiment. This translation is important both for the study of the creativity of Kulish and the processes of formation of the Ukrainian literary language and Ukrainian poetry. Refs 10.