Literatura científica selecionada sobre o tema "1840-1928 Criticism and interpretation"
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Artigos de revistas sobre o assunto "1840-1928 Criticism and interpretation"
Hodgson, Peter C. "Hegel’s Interpretation of Determinate Religion". Owl of Minerva 52, n.º 1 (2021): 5–9. http://dx.doi.org/10.5840/owl202152733.
Texto completo da fonteSopianna, Pian, Muhammad Noer Faturrachman e Mardani Mardani. "Peran Peter William Hofland dalam Mengelola Tanah Partikelir Pamanoekan en Tjiasem Landen Subang Tahun 1802-1874". Historia Madania: Jurnal Ilmu Sejarah 4, n.º 1 (30 de julho de 2020): 61–72. http://dx.doi.org/10.15575/hm.v4i1.9186.
Texto completo da fonteVasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)". Muzikologija, n.º 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.
Texto completo da fonteAr Razy, Mohammad Refi Omar. "The Sekar Rukun Association: Struggle of the Sundanese Youth National Movement Era (1919-1931)". Historia: Jurnal Pendidik dan Peneliti Sejarah 4, n.º 2 (7 de junho de 2021): 159–72. http://dx.doi.org/10.17509/historia.v4i2.32045.
Texto completo da fonteAvram, Virtop Sorin. "Philosophy and education: The predicament of Ion Petrovici (1882–1972) work at Romania’s centennial (1918–2018)". New Trends and Issues Proceedings on Humanities and Social Sciences 6, n.º 1 (10 de maio de 2019): 286–95. http://dx.doi.org/10.18844/prosoc.v6i1.4180.
Texto completo da fonteBabak, Galina. "AHAPII SHAMRAI IN SEARCH OF SYNTHETIC THEORY OF LITERATURE: 1920s". Слово і Час, n.º 3 (20 de junho de 2022): 28–44. http://dx.doi.org/10.33608/0236-1477.2022.03.28-44.
Texto completo da fonteAvram, Virtop Sorin. "An educational perspective on the philosophy of Petre Paul Negulescu (1872–1951) at the Romania Centennial’s (1918–2018)". New Trends and Issues Proceedings on Humanities and Social Sciences 5, n.º 1 (8 de maio de 2018): 57–67. http://dx.doi.org/10.18844/prosoc.v5i1.3383.
Texto completo da fonteJodi, Jergian, e Badrun Badrun. "Eksistensi Kawasan Pecinan dalam Bentuk Pemenuhan Tata Ruang Kota Jember, 1930-1970". Local History & Heritage 2, n.º 1 (23 de maio de 2022): 38–44. http://dx.doi.org/10.57251/lhh.v2i1.330.
Texto completo da fontePulkkinen, Veijo. "Muutokset Aaro Hellaakosken"Vieras"-runon ulkoasussa". AVAIN - Kirjallisuudentutkimuksen aikakauslehti, n.º 2 (1 de julho de 2016): 5–23. http://dx.doi.org/10.30665/av.66034.
Texto completo da fonteАксенова, А., e A. Aksenova. "TO THE ISSUE OF THE APPLICATIVITY OF UNDERSTANDING: THE CONTROVERSY BETWEEN E. BETTI AND H. G. GADAMER". Bulletin of Kemerovo State University. Series: Humanities and Social Sciences 2017, n.º 2 (25 de junho de 2017): 61–64. http://dx.doi.org/10.21603/2542-1840-2017-2-61-64.
Texto completo da fonteTeses / dissertações sobre o assunto "1840-1928 Criticism and interpretation"
Tiefer, Hillary Ann. "The natural and the cultivated in the novels of Thomas Hardy". Thesis, University of Wales Trinity Saint David, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683149.
Texto completo da fonteCanton, Licia 1963. "The fate of the fallen woman in George Eliot and Thomas Hardy /". Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65544.
Texto completo da fonteHe, Donghui. "Reconstructions of the rural homeland in novels by Thomas Hardy, Shen Congwen and Mo Yan". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ48645.pdf.
Texto completo da fonteRobitaille, Hélène. "La figure du chansonnier : résurgence du sujet, et, Marie-la-putain". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0025/MQ50563.pdf.
Texto completo da fonteToledano, Dorith. "L'écriture et le silence chez Elie Wiesel". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69677.
Texto completo da fonteElie Wiesel is not the first to confront such a dilemma. Throughout Jewish history, tragedies and catastrophes have forced Jewish writers to face the issue. Many literary schools have emerged, particularly in the "modern period" (1850-1945), which have dealt with the question of how to best respond to the tragedy. It is therefore fitting to try and consider Elie Wiesel's works in light of these various literary currents.
However, the Holocaust is not just another tragedy, not even another catastrophe. The event has no precedent; it is unique; it represents the ultimate evil. How to come to terms with it? What is the way between the powerlessness of language and the impossibility of silence? Elie Wiesel must find the delicate art of making silence be heard beyond the noise of words. He will suggest rather than tell the event. He will maintain a distance to protect the secret of the victims in front of the horror. Survivors who share the secret, express themselves with a code, which is not transmissible. Language has been devalued and words have lost their meaning. But to remain silent might also be a form of treason.
From Night, his first book, and throughout all his works, Wiesel assiduously develops his way of bearing witness in the name of the victims. He rejects the silence which would be synonymous with passive acceptance. He identifies with Job and demands account from God for His absence and His silence, while evil was committed. He distrusts language but must find the way to translate the uniqueness of the Holocaust. He finds his inspiration in the tales and legends of the literature of the Bible, the Talmud and the Hassidism. He evokes, suggests and tells while trying to respect the blanks between the words. In language and in silence, Wiesel developed a certain art of suggesting for what cannot be told otherwise.
Marusza, Julie A. "The transforming art of Anne Sexton /". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69619.
Texto completo da fonteWaterkeyn, Linda Catherine. "Idolatry and the artist's role with special reference to the work and thought of Andy Warhol". Thesis, Rhodes University, 1997. http://hdl.handle.net/10962/d1002221.
Texto completo da fonteMoon, Geoffrey. "The inner musical workings of Robert Schumann, 1828-1840 : in two volumes". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm817.pdf.
Texto completo da fonteMatambo, Lotta Eleonoora. "The solo piano music of Einojuhani Rautavaara". Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002311.
Texto completo da fonteMutafchieva, Rositsa. "Minoritarian discourse in Japan : Kobayashi Aya's account of Burakumin experience". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19715.
Texto completo da fonteLivros sobre o assunto "1840-1928 Criticism and interpretation"
Thomas Hardy, towards a materialist criticism. [Goldenbridge, Dublin]: Gill and Macmillan, 1985.
Encontre o texto completo da fontePinion, F. B. Hardy the writer: Surveys and assessments. Houndmills, Basingstoke, Hampshire: Macmillan, 1990.
Encontre o texto completo da fontePinion, F. B. Hardy the writer. New York: St. Martin's Press, 1990.
Encontre o texto completo da fonteNeill, Edward. Trial by ordeal: Thomas Hardy and the critics. Columbia, SC: Camden House, 1999.
Encontre o texto completo da fonte1948-, Clarke Graham, ed. Thomas Hardy: Critical assessments. Mountfield, E. Sussex: Helm Information, 1993.
Encontre o texto completo da fonteIngham, Patricia. Thomas Hardy. Oxford: Oxford University Press, 2009.
Encontre o texto completo da fonteThe hidden Hardy. New York: St. Martin's Press, 1992.
Encontre o texto completo da fonteThomas Hardy. New York: Palgrave Macmillan, 2009.
Encontre o texto completo da fonteAub, Max. Geografía: Prehistoria, 1928. Segorbe [Spain]: Archivo Biblioteca Max Aub, 1996.
Encontre o texto completo da fonteTrevor, Johnson. A critical introduction to the poems of Thomas Hardy. New York: St. Martin's Press, 1991.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "1840-1928 Criticism and interpretation"
Mozharova, Marina A. "Textual Criticism of L.N. Tolstoy’s Unfinished Works of 1860–1870s". In L.N. Tolstoy: Moral Search and Creative Laboratory, 184–208. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lt-978-5-9208-0664-2-184-208.
Texto completo da fonte