Literatura científica selecionada sobre o tema "1811-1863"
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Artigos de revistas sobre o assunto "1811-1863"
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Γκίνης, Δημήτριος Σ. "Ο ελληνικός Τύπος (1811-1863). Συμπλήρωμα". Gleaner 2 (16 de setembro de 2016): 222. http://dx.doi.org/10.12681/er.9633.
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EDMARDASH, YUSUF A., USAMA M. ABU EL-GHIET e NEVEEN S. GADALLAH. "First record of Hormiini Förster, 1863, and Macrocentrinae Förster, 1863 (Hymenoptera: Braconidae) for the fauna of Egypt, with the description of a new species". Zootaxa 4722, n.º 6 (17 de janeiro de 2020): 555–70. http://dx.doi.org/10.11646/zootaxa.4722.6.3.
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The tribe Hormiini Förster, 1863, and subfamily Macrocentrinae Förster, 1863 (Hymenoptera: Braconidae) are recorded for the first time for the Egyptian fauna. Hormiini is represented by five species in two genera, Avga Nixon, 1940, with a single new species, A. sinaitica Edmardash & Gadallah; and Hormius Nees, 1819 (4 species), H. moniliatus (Nees, 1811), H. propodealis (Belokobylskij, 1989), H. sculpturatus Tobias, 1967, and H. similis Szépligeti, 1896. One species of Macrocentrinae, Macrocentrus collaris (Spinola, 1808) is also reported here. The specimens were collected from different localities of Egypt.
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Karam Ahmadova, Latifa. "REALISM IN NINETEENTH-CENTURY ENGLISH LITERATURE". SCIENTIFIC WORK 61, n.º 12 (25 de dezembro de 2020): 117–20. http://dx.doi.org/10.36719/2663-4619/61/117-120.
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In England, realism was formed very quickly, because it appeared immediately after the Enlightenment, and its formation occurred almost simultaneously with the development of Romanticism, which did not hinder the success of the new literary movement. The peculiarity of English literature is that in it romanticism and realism coexisted and enriched each other. Examples include the works of two writers, Elizabeth Gaskell and Charlotte Bronte. However, the discovery and confirmation of realism in English literature is primarily associated with the legacy of Charles Dickens (1812-1870) and William Makepeace Thackeray (1811-1863). The works of Charles Dickens differ not only in the strengthening of the real social moment, but also in the previous realist literature. Dickens has a profoundly negative effect on bourgeois reality. Key words: England, realism, literary trend, bourgeois society, utopia, unjust life, artistic description
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Kalashnikov, Alexander Vladimirorovich. "W.M. THACKERAY Y F.M. DOSTOYEVSKY: AUTORES QUE UTILIZAN NOMBRES SENSITIVOS. HOMENAJE A GRANDES NOVELISTAS". Mutatis Mutandis. Revista Latinoamericana de Traducción 4, n.º 2 (18 de outubro de 2011): 205–14. http://dx.doi.org/10.17533/udea.mut.10342.
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Este artículo se enfoca en nombres característicos que denominaremos caractónimos, en las obras de W.M. Thackeray (1811 - 1863) y de F.M. Dostoyevsky (1821 - 1881). El propósito de este trabajo es contribuir a los estudios sobre el legado de dos grandes autores, uno inglés, el otro ruso. Al estudiar los antropónimos en los trabajos de estos escritores, hemos definido y considerado dos tipos de caractónimos desde la perspectiva de la traducción: caractónimos velados y caractónimos personalia, que incluyen un subgrupo de caractónimos que incorporan una raíz característica. Para estudiar este tipo de caractónimos hemos tomado material de la novela The Newcomes y el cuento The Rose and the Ring de W.M. Thackeray y sus traducciones al ruso. También hemos considerado nombres de los trabajos de F.M. Dostoyevsky, entre ellos Stavrogin de la novela The Demons and Karamazov de la novela The Brothers Karamazov.
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Pomianowski, Piotr Z. "Fees Paid in Civil Cases in the Duchy of Warsaw and the Kingdom of Poland (Until 1876)". Roczniki Nauk Prawnych 28, n.º 2 ENGLISH ONLINE VERSION (28 de outubro de 2019): 69–79. http://dx.doi.org/10.18290/rnp.2018.28.2-5en.
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The article concerns costs borne by parties to court cases in the Duchy of Warsaw and the Kingdom of Poland (until the unification of the Polish judiciary with the Russian system in the 1870s). Litigation costs included: court fees, attorneys’ and experts’ fees, travel expenses incurred by the parties and other persons whose appearance was necessary, daily allowances for the parties, witnesses and court officers, and costs of correspondence (delivered by court officers). The most important costs were the court fees, which were paid using stamped paper.The author focused on the content of three acts which comprehensively regulated the collection of stamp duty (acts of 1809, 1811 and 1863). In property litigations, the amount of stamp duty depended on the value of the disputed subject matter, while it had a regressive character (the bigger the claim, the lower the fees). However, in cases concerning non-financial claims, the fee depended on the affluence of the parties or was set as a lump sum.
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Espín Templado, María del Pilar. "Las ideas literarias en la prensa de la época romántica: el debate «Sobre la influencia del teatro en las costumbres» (a propósito de varios artículos de Miguel Agustín Príncipe)". Anales de Literatura Española, n.º 18 (31 de dezembro de 2005): 129. http://dx.doi.org/10.14198/aleua.2005.18.10.
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La revisión de algunos escritos periodísticos de Miguel Agustín Príncipe (1811-1863) pone de manifiesto el debate ideológico sobre la función social del teatro durante el Romanticismo español. Queda patente la relación entre el concepto histórico y social del hecho teatral y la preceptiva literaria que conocían los autores y críticos de la época. Concretamente, varias ideas de las expuestas en los artículos de Príncipe recogen los principios de Retórica y Poética impartidos en la Universidad, como los conceptos del gusto, de lo bello, y de la copia o retrato artístico de la realidad de acorde con la verdad histórica y con la verdad moral. Asimismo es evidente la influencia literaria que ejerció la crítica periodística sobre el teatro del momento y la importancia que protagonizó en ella el tema de las relaciones teatro-sociedad, y especialmente la incidencia del influjo moral que la escena ejercía en los espectadores y lectores de la poesía dramática.
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Goethals, Helen. "Poetry and Punishment: The Unacknowledged Legislators of Botany Bay". Global Nineteenth-Century Studies 3, n.º 1 (22 de maio de 2024): 77–93. http://dx.doi.org/10.3828/gncs.2024.6.
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This paper explores the relationship between the poetic and the decidedly unpoetic forms of justice at large in the Australian convict colonies of New South Wales and Van Diemen’s Land in the first half of the nineteenth century. The argument is divided into three parts. The first draws on Robert Hughes’s The Fatal Shore (1986) to give the general context of the extreme violence of the penal system, and to suggest that the enduring success of Hughes’s account is due to its consistent use of poems and ballads as documentary sources. The second part shows how Hughes’s sweeping historical view is buttressed by the particular case of the Irish convict-poet Frank MacNamara (1811–1863). The third part develops a few of the reasons why we should look to the actual practice of poetry, rather than to theories of punishment, for the ‘social sympathies’ (Shelley, 2016, p. 653) needed to found a colony.
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Šumpich, Jan, Jan Liška e Ivo Dvořák. "Contribution to knowledge of the butterflies and moths (Lepidoptera) of north-eastern Poland with a description of a new tineid species from the genus Monopis Hübner, 1825". Polish Journal of Entomology / Polskie Pismo Entomologiczne 80, n.º 1 (1 de março de 2011): 83–116. http://dx.doi.org/10.2478/v10200-011-0007-2.
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Contribution to knowledge of the butterflies and moths (Lepidoptera) of north-eastern Poland with a description of a new tineid species from the genus Monopis Hübner, 1825 This work contains faunistic data on the occurrence of 677 butterfly and moth species found during 2000-2008 in north-eastern Poland (Podlasie Province). The species Monopis fenestratella (Heyden, 1863), Amphisbatis elsae Svensson, 1982, Coleophora ptarmicia Walsingham, 1910 and Epermenia falciformis (Haworth, 1828) were found in Poland for the first time. Recent data are provided for five other species - Monochroa servella (Zeller, 1839), Teleiodes aenigma Sattler, 1983, Dichomeris limosella (Schläger, 1849), Aethes rutilana (Hübner, 1817) and Eana derivana (LA Harpe, 1858) - known in Poland only from historical data. The occurrence in Podlasie of 75 species is reported for the first time, and the occurrence of 6 other species is confirmed for this area after more than 50 years. This work also describes a new species, Monopis bisonella Šumpich, sp. n. A number of species are very rare in Poland and occur only locally. These include Nemapogon wolffiellus Karsholt & Nielsen, 1976, Coleophora trifariella Zeller, 1849, Sophronia chilonella (Treitschke, 1833), Syncopacma sangiella (Stainton, 1863), Helcystogramma albinerve (Gerasimov, 1929), Cochylis flaviciliana (Westwood, 1854), Acleris comariana (Lienig & Zeller, 1846), Apotomis semifasciana (Haworth, 1811), Cydia coniferana (Saxesen, 1840), Euphydryas maturna (Linnaeus, 1758), Lopinga achine (Scopoli, 1763), Scopula nemoraria (Hübner, 1799), Epirrhoe tartuensis Moels, 1965 and Schrankia taenialis (Hübner, 1809). A complete list of the species found is provided in the Appendix at the end of this work.
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Goldwaser Yankelevich, Nathalie R. "Novelar la historia del Caribe colombiano, su mito fundacional y el mestizaje entre los sexos. Juan José Nieto Gil, 1844". Cuadernos Inter.c.a.mbio sobre Centroamérica y el Caribe 17, n.º 2 (2 de setembro de 2020): e43586. http://dx.doi.org/10.15517/c.a..v17i2.43586.
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En este artículo se pretende vislumbrar un aspecto del Caribe colombiano a partir del estudio de la novela Ingermina o la hija de Calamar (1844) del neogranadino Juan José Nieto Gil (1805-1863): la integración de los pueblos nativos con la cultura europea como hecho necesario en el proceso de construcción de una nación. Se sostiene como hipótesis que el autor, observando la necesidad de una nación cívica, intentó reconstruir una suerte de “mito de origen” propio de la necesidad de crear un “nosotros” colectivo, bajo un tinte liberal y republicano. Un claro ejemplo se da en las descripciones de las distintas figuras de mujer que ocupan buena parte del relato. Cartagena fue una de las últimas ciudades importantes de la Nueva Granada en ser liberada del yugo español (noviembre de 1811). Para demostrar la imbricación propia de los tiempos de construcción política, la metodología texto-contexto se convierte en una útil herramienta de análisis. Esto permite considerar a esta literatura como evidencia histórica de un espacio-tiempo inmemorial.
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Luneau, Dominique, Erwann Jeanneau, Jean-François Jal, Alfonso San Miguel, Virginie Gueguen-Chaignon, Richard Haser, Jean-Philippe Perillat et al. "Auguste Bravais: a major human contribution". Acta Crystallographica Section A Foundations and Advances 70, a1 (5 de agosto de 2014): C1307. http://dx.doi.org/10.1107/s2053273314086926.
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Auguste Bravais by his fundamental work on lattice has pioneered modern crystallography. He was born in 1811 in Annonay (France) at a short distance from Lyon and Saint-Etienne. He was then educated at the College Stanislas in Paris and entered the École Polytechnique in Paris in 1829. In 1832, he joined the French Navy as an officer and took part at scientific explorations to the Algerian Coast and Northern Europe. In 1837 he defended a PhD in Astronomy at the Faculty of Sciences in Lyon where he became Professor in 1841 to teach mathematics in astronomy. Then, in 1845, he moved at Ecole Polytechnique in Paris to take the chair of Physics, which he held till 1856. He published his first studies dealing with crystal lattice in 1849 in a short paper [1] and later wrote a book where he developed his theory fully based on geometrical theorems [2]. He died prematurely in 1863 exhausted by the loss of his only son. Like many scientists of that time Auguste Bravais was universalist and has been successively astronomer, geologist, mathematician, physicist, mineralogist, and crystallographer as well as an explorer from Lapland to the top of Mont Blanc [3]. In this communication, the steering committee Lyon-Saint-Etienne will recall the contribution of Auguste Bravais to crystallography and will show some aspect of his life that may be less known in our community.
Teses / dissertações sobre o assunto "1811-1863"
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Thornton, Sara M. "La vanité du texte : l'oeuvre de W.M. Thackeray 1837-1848". Paris 3, 1992. http://www.theses.fr/1992PA030118.
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Dans l'oeuvre de thackeray ecrire est depeint comme une activite malsaine. Le lecteur remarque que tous ceux qui ecrivent, lisent, trafiquent ou contribuent de quelle maniere que ce soit a la fabrication et a la distribution de textes sont en quelque sorte souilles par ce contact impur. Afin d'eclaircir l'attitude de thackeray envers le texte, ce travail considere le statut du texte dans le texte thackerayen ainsi que la position de l'auteur vis-avis de l'ecriture comme mode de representation. Le texte de thackeray est examine a travers et a l'aide des differentes definitions du mot "vanite": ostentation, orgueil, frivolite, futilite, suffisance, traitrise, vide et illusion. Les textes sont des objets de veneration qui provoquent une iconolatrie et un fetichisme nefastes, ils sont autoreferentiels et hypotextuels, et le texte thackerayen trahit son lecteur, le prive de directives et designe le texte comme un espace d'illusion aussi fugace et frivole qu'une attraction dans une foire. Thackeray decourage ses lecteurs de chercher un signifie dans son texte, sauf peut-etre le signifie de la vanite d'une telle rechercheIn the work of thackeray writing is portrayed as an unhealthy activity. The reader quickly perceives that all those who write, read, traffic in or contribute in any way to the manufacture and distribution of texts is in some way sullied by such an undesirable contact. To clarify thackeray's attitude to texts, it is necessary to consider the status of the text in thackeray's text as well as the author's position concerning writing as a mode of representation. Thackeray's text is examined with the help of the different definitions of the word "vanity": ostentation, pride, frivolity, futility, self-importance, betrayal, emptiness and illusion. Texts are objects of veneration which engender a harmful iconolatry and fetichism, they are self-referential and "hypotextual", and thackeray's own text betrays the reader, depriving him of authorial maps and presenting the text as a place of illusion, as ephemeral and frivolous as an attraction in a fair. Thackeray discourages his readers from seeking a signified in his text, except perhaps the signified of the vanity of such a quest
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Vega-Ritter, Max. "Dickens et Thackeray, essai d'analyse psychocritique : des "Pickwick papers" à "David Copperfield" et de "Barry Lyndon" à "Henry Esmond"". Montpellier 3, 1986. http://www.theses.fr/1986MON30003.
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Bouglé, Claire. "La cour de cassation et le Code pénal de 1810 : le principe de légalité à l'épreuve de la jurisprudence (1811 - 1863) /". Paris : LGDJ, 2005. http://www.gbv.de/dms/sbb-berlin/503700436.pdf.
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Bouglé-Le, Roux Claire. "La Cour de cassation et le code pénal de 1810 : le principe de légalité à l'épreuve de la jurisprudence, 1811-1863". Rennes 1, 2002. http://www.theses.fr/2002REN10401.
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Le principe de légalité des délits et des peines, de même que l'idéal de perfection de la loi conforté par la codification, forment autant d'obstacles à la formation d'une jurisprudence pénale au XIXème siè́cle. La richesse de l'activité de la Chambre criminelle de la Cour de cassation montre qu'en dépit de ces handicaps les conseillers de la Chambre criminelle ont rapidement investi le champ de la création normative. L'interprétation du Code pénal de 1810 par la Cour de cassation souligne un double phénomène. Le premier réside dans l'émancipation de la Cour de cassation vis-à-vis de la codification, renouant avec la souplesse de méthodes de l'ancien droit. Le second tient au fait que la Cour de cassation a su, au travers de sa jurisprudence, s'affirmer à la t^ete des juridictions inférieures, assurant une véritable consécration institutionnelle de la Cour de cassation, après avoir écrasé toute tentative de reconstitution des cours souveraines de l'ancienne France. La jurispridence de la Chambre criminelle doit donc être envisagée dans une double optique. D'une part, son caractère juridique traduit une victoire prétorienne : la jurisprudence criminelle s'affirme comme une source de droit. D'autre part, la production pénale de la Chambre criminelle dévoile une volonté politique à l'adresse des juridictions souveraines : la jurisprudence s'affirme comme un outil de puissance au service de la Cour de cassation. Par ses arrêts, elle conquiert pour sa jurisprudence une place d'honneur dans la hiérarchie des normes, mais satisfait également à ses aspirations autoritaires au sommet de la hiérarchie judiciaire. Ainsi la cassation pénale ouvre-t-elle à la Cour de cassation la voie d'une incontestable prise de pouvoir juridique, par le biais de l'interprétation, de même que celle d'une véritable prise de pouvoir juridictionnelle par la consécration de son autorité à la tête de l'institution
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Decaux, Sylvie. "Journalisme et journalistes à l'aube de l'ère victorienne : Thackeray, modèle ou miroir de son temps ?" Paris 3, 1994. http://www.theses.fr/1995PA030034.
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Dans une perspective plus large d'interrogation sur le journalisme litteraire tel qu'il se pratiquait au debut de l'epoque victorienne, cette etude s'attache au "cas" thackeray qui fut journaliste professionnel entre 1837 et 1847. Apres une evocation de la presse vers 1840, sont analyses les differents aspects de la carriere de thackeray, ainsi que le contenu de ses recits journalistiques (critique litteraire, critique d'art, critique gastronomique, recits de voyage, papiers d'observation social, parodies, etc. ) il apparait que thackeray, tout en restant tout a fait typique de son temps, a fortement contribue a rehausser le statut de journaliste litteraire. En annexe, ou trouvera une bibliographie complete de l'oeuvre journalistique de tackeray de 1828 (date de ses tout premiers ecrits) a 1848 (parution de vanity fair)Within the larger framework of journalism in early victorian england , this study focuses on the case of thackeray who worked as a professional journalist from 1837 to 1847. After an analysis of the english press circa 1840, the various aspects of thackeray's career, as well as the content of his journalism (book and art reviews, gastronomic articles, travel writing, social criticism, parody, etc) are examined. It emerges that thackeray, although very typical of his time, contributed significantly to the professionalisation of journalists. A complete bibliography of thackeray's writings from 1828 (date of his first appearance in print) to 1848 (publication of vanity fair) completes the study
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Bromling, Laura Cappello, e University of Lethbridge Faculty of Arts and Science. "From the pens of the contrivers : perspectives on fiction in the nineteenth-century novel". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2003, 2003. http://hdl.handle.net/10133/154.
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This thesis investigates the way that moral and aesthetic concerns about the relationship between fiction and reality are manifested in the work of particular novelists writing at different periods in the nineteenth century, Chapter One examines an early-century subgenre of the novel that features deluded female readers who fail to differentiate between fantasy and reality, and who consequently attempt to live their lives according to foolish precepts learned from novels. The second chapter deals with the realist aesthetic of W. M. Thackeray; focusing on the techniques by which his fiction marks its own relationship both to less realistic fiction and to reality itself. The final chapter discusses Oscar Wilde's critical stance that art is meaningful and intellectually satisfying, while reality and realism are aesthetically worthless: it then goes on the explore how these ideas play out in his novel, The Picture of Dorian Gray.iv, 120 leaves ; 28 cm.
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Moya, Ana. "La Mujer y el matrimonio en las principales novelas de William Makepeace Thackeray". Doctoral thesis, Universitat de Barcelona, 1989. http://hdl.handle.net/10803/1673.
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El objetivo principal de este tesis doctoral es el poner de relieve le evolución que se de en W. M. Thackeray en cuanto al tratamiento de la mujer y del matrimonio en sus noveles, evolución que nos lleva a pensar en un Thackeray progresista y reformista respecto de la sociedad de su tiempo. Los temas "mujer" y "matrimonio" han sido estudiados conjuntamente por considerar que en la obra de Thackeray el matrimonio aparece como la vertiente social de la mujer (el papel da ésta en la sociedad que Thackeray describe es el matrimonio), constituyendo ambos temes de este modo un todo inseparable en la obra de este autor victoriano.Cabe destacar, asimismo, que este trabajo se centra en las cuatro novelas principales de Thackeray, a saber "Vanity Fair", "Pendennis", "Henry Esmond" y "The Newcomes", por considerar que en ellas (contrariamente a lo que ocurre con el resto de su novelística) existe une clara evolución hasta la creación de Ethel Newcome, en "The Newcomes". Así, y teniendo siempre presente que Thackeray centró su obra en unos grupos sociales determinados (esencialmente en la clase media-alta del Londres de principios del siglo XIX), podemos decir que a través de sus cuatro novelas principales explora la naturaleza de le mujer y su papel en le sociedad, llegando a la creación de un nuevo ideal de mujer que sitúa a caballo entre el ideal victoriano y las nueves ideas que sobre la mujer empezaban a aflorar en la Inglaterra de su época.
Pare lograr el objetivo central de este trabajo, el material se encuentra estructurado en cinco capítulos. El primero de ellos es de tipo introductorio, pues ofrece el lector une breve historia social de la mujer en la primera mitad del siglo XIX, creando así un contexto socio-histórico contra el que se podrá contrastar la figura de la mujer y el matrimonio tal y como aparece en la obra de Thackeray, al tiempo que se podrá apreciar mejor su evolución como escritor.
Tras este capítulo introductorio, se ha dedicado uno independiente a cada novela. Estos cuatro capítulos se encuentran ordenados cronológicamente, es decir, siguiendo el orden de publicación de las novelas. En cada novela, su texto ha sido el punto de partida en la elaboración de las hipótesis, así como el punto de llegada para su confirmación. Se ha tratado, pues, de poner de relieve como los diferentes textos exponen una serie de idees que, contrastadas con el marco social de la época, nos revelan la preocupación de Thackeray por la situación de la mujer y su papel en la sociedad de la Inglaterra de la primera mitad del siglo XIX. Thackeray se caracterizó siempre por su búsqueda del ideal de "gentleman"; a lo largo de su obra se puede observar cómo esta búsqueda le preocupaba enormemente y de qué modo exploró este concepto a lo largo de sus personajes masculinos, llegando a dar vida al Coronel Newcome, el más "gentleman" de todos ellos. Paralelamente, y como se puede apreciar en estas cuatro novelas, Thackeray exploro también el ideal de "gentlewoman", tratando de dar con un ideal de mujer que se acoplara al nuevo mundo pero que, al mismo tiempo, conservara ciertos valores tradicionales tales como la maternidad, valor que consideraba esencial en este figura global y perfecta de la "gentlewoman".
El análisis detallado de estas cuatro novelas nos ha llevado a la conclusión de que Thackeray nos revela, a través de ellas, su gran preocupación par la naturaleza y situación de la mujer en un momento en que se empezaba a percibir la necesidad de que esta situación experimentara un cambio. Este estudio nos lleva a ver de qué manera Thackeray desarrolla en su obra básicamente dos tipos de mujer en busca de un equilibrio que, como hemos mencionado anteriormente, no encuentra hasta su creación de Ethel Newcome. Estos dos tipos de mujer, que se pueden agrupar en torno a los personajes de Becky y Amelia, engloban su retrato de la mujer de principios del siglo XIX, y e través de ellos el autor hace un estudio de la naturaleza de la mujer y su papel en la sociedad. En torno a Amelia se agrupan Helen, Rachel, Rosey y Clara, y Thackeray explora la fragilidad, dependencia, maternidad, amor e infelicidad, características comunes a todas estas mujeres. En torno a Becky se agrupan Blanche y Beatrix, y las principales características que les unen son la fortaleza, la independencia, el rechazo a la maternidad y la incapacidad de amar, manteniendo como característica común a las mujeres agrupadas en torno a Amelia la infelicidad. El equilibrio entra estos dos tipos de mujer lo encuentra Thackeray en Ethel, aunque hay que tener presente sus primeros esbozos en los personajes de Lady Jane y Laura. Así, si hemos comenzado anotando la preocupación de este autor victoriano por la situación de la mujer en la sociedad de su época, se debe concluir que el análisis detallado de la obra de este autor nos lleva a reafirmarlo como progresista y reformista respecta de la misma.
Por último, destacar que se han incluido dos apéndices. El primero de ellos contiene une tabla cronológica donde se destacan los hechos más relevantes de la vide de Thackeray, así como la fecha de publicación de sus novelas. El segundo contiene un breve repaso a las críticas que se he escrito sobre la obra de este autor (es interesante para ello ver la sección de la bibliografía dedicada a este tema), con el objetivo de demostrar la originalidad del tema de este trabajo.
The main aim of this thesis is to show the evolution that exists in W.M. Thackeray's treatment of women and marriage in his four main novels, that is to say in "Vanity Fair", "Pendennis", "Henry Esmond" and "The Newcomes". Women and marriage have been studied together because in Thackeray's novels marriage appears as the role of women in society and thus it seemed that both aspects should be regarded as a unique whole.
In these four novels it can be seen that, parallel to his search for an ideal gentleman, Thackeray was as well in pursuit of an ideal gentlewoman who he would find in Ethel Newcome. Thackeray created basically two types of women which may be grouped around the two central female characters in "Vanity Fair", that is to say Becky and Amelia. These two groups of women constitute in this way Thackeray's portrait of women at the beginning of the nineteenth century at the same time as a profound analysis of the nature of women and her role in society.
What Thackeray explores in his search for the ideal gentlewomen is one that he thought would adapt to the "new times" but that would nevertheless keep some traditional values among which "motherhood" is the one that he thought should be inherent to that ideal women.
From the thorough analysis of Thackeray's four main novels, the evolution in his creation of women characters until his creation of Ethel reveals his concern with both the nature of women and her role in society and thus points to his progressive attitude as reformer in his relation with the society of his time.
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Timmermans, Benoît. "Les origines romantiques de la pensée abstraite: histoire et enjeux de l'algèbre moderne". Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210698.
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9
Brion, Charles. "Les étapes initiatiques dans les œuvres narratives en prose de Gabriele D'Annunzio, Hugo von Hofmannsthal, Joris-Karl Huysmans et Henry James". Paris 4, 2001. http://www.theses.fr/2001PA040083.
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Notre thèse porte sur les " étapes " initiatiques, c'est-à-dire les moments capitaux, les nœuds du récit permettant à un héros de passer de l'état de profane à l'état d'initié. Cette thèse, appartenant à la littérature comparée, étudie ce thème chez quatre auteurs de quatre langues différentes ( l'allemand, l'anglais, le français et l'italien ), ayant vécu à cheval sur le dix-neuvième et le vingtième siècle, en le limitant à des œuvres narratives. Plus précisément, le corpus consiste en quatre romans de Huysmans, cinq romans de D'Annunzio, trois romans et deux nouvelles de Henry James et l'œuvre en prose entière de Hofmannsthal. L'époque de référence nous oblige à cerner d'abord la notion cardinale d'esthétisme et ses corollaires. Cette mise au point aide à dégager, dans la deuxième partie, le trajet individuel de chaque auteur se libérant progressivement de la chape esthétisante. Il s'avère qu'il existe deux types principaux d'initiation : l'amour et la connaissance, mais qu'elle peut échouer ( initiation négative ) ou aboutir à des résultats diamétralement opposés. Sont aussi apparues des constantes entourant les initiations, étudiées dans la dernière partie. En plus des êtres et objets initiatiques, nous analysons la façon dont le double, l'abîme, l'ascension, le labyrinthe, le jardin et la ville de Venise facilitent ou ralentissent l'accès du profane à une réalité supérieureOur thesis treats of " initiatic stages ", that is to say the key moments, the knots of the narration allowing a hero to be moved up from the state of layman to the state of initiate. This thesis, belonging to comparative literature, studies this theme in four authors of four different languages ( the English, French, German and Italian languages ), who lived in both the nineteenth and the twentieth centuries, restricting the study to the narrative works. More precisely, the corpus is composed of four novels by Huysmans, five novels by D'Annunzio, three novels and two short stories by Henry James and the entire work in prose by Hofmannsthal. The reference age compells us first to define the important notion of estheticism and its corollaries. This basis helps to set off, in the second part, the personal evolvement of each author freeing oneself gradually from the burden of estheticism. It appears that there are two main kinds of initiation : love and knowledge, but that it may fail, being a negative initiation, or lead to diametrically opposite results. Several constants regarding initiation also appeared and are analysed in the last part. In addition to initiatic beings and objects, we study the way the double, the abyss, the ascension, the labyrinth, the garden and the town of Venice facilitate or delay the access of the layman to an upper reality
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Roberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman". Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.
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This thesis is a study of rebellious child protagonists in Victorian bildungsroman. It discusses five novels ??? Jane Eyre, The Mill on the Floss, What Maisie Knew, Vanity Fair and Kim ??? that feature ???radical child??? protagonists who use indirect methods of narrative control to resist conservative models of character development. It argues that these novels form a subset of subversive English bildungsromane, which threaten the genre???s traditionally liberal values. Theories of narrative desire, reader seduction and discursive manipulation are used to reveal how the radical child in the Victorian bildungsroman takes command of the reader???s sympathy and gains power over the realist text, despite its physical and social powerlessness. Especially important is the presence of a fantasy counterplot, which coexists with, and ultimately undermines, the bildungsroman???s realistic surface narrative of successful socialisation. The counterplot allows radical child protagonists to develop in a non-linear manner that contradicts bourgeois ideals of stable progress. Focusing instead on sites of rupture between the individual and society, subversive bildungsromane resist both the dialectical model of character, which aims to harmoniously unite the protagonist with the realist world, and the dialogic model of interaction, which requires the restriction of personal liberty for the common good. This rebellious child in the Victorian bildungsroman thus represents an assault on the genre???s democratic ideals. Rejecting compromise, the radical child replaces the bildungsroman???s central ethic of interpersonal responsibility with an individualistic ethic of domination. Indeed, the thesis argues that the appeal of such child protagonistslies in their rejection of the obligatory, but anticlimactic, exchange of freedom for security that underpins the realist bildungsroman???s social contract, a rejection attractive to the reader precisely because it is unrealisable in reality. Finally, the thesis compares this radical child with the Gothic monster. While the monster is punished for its subversion, the radical child???s counterplot enables it to enact most of its subversive desires unpunished. The conservative English bildungsroman thus becomes a more effective way of representing asocial energies than the more obviously radical Gothic genre, which openly displays its anti-democratic sentiments.
Livros sobre o assunto "1811-1863"
1
Shafranovskiĭ, I. I. Ogi͡u︡st Brave, 1811-1863. Sankt-Peterburg: "Nauka", 1997.
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2
Gimeno, Santiago Aldea. Miguel Agustín Príncipe: Escritor y periodista (1811-1863). Zaragoza: Institución Fernando el Católico, 1989.
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3
John, Sutherland. Annotations to Vanity fair. 2a ed. Lanham, MD: University Press of America, 1988.
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4
Goldfarb, Sheldon. William Makepeace Thackeray: An annotated bibliography, 1976-1987. New York: Garland, 1989.
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5
F, Harden Edgar, ed. Annotations for the selected works of William Makepeace Thackeray: The complete novels, the major non-fictional prose, and selected shorter pieces. New York: Garland Pub., 1990.
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6
McMaster, Rowland. Thackeray's cultural frame of reference: Allusion in The Newcomes. Montreal: McGill-Queen's University Press, 1991.
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7
Thackeray, William Makepeace. Selected letters of William Makepeace Thackeray. Washington Square, N.Y: New York University Press, 1996.
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8
El legislador Ponciano Arriaga, 1811-1863. México, D.F: Miguel Ángel Porrúa, 2011.
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9
Thackeray, William Makepeace. Vanity Fair. Penguin Books, Limited, 2005.
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10
Thackeray, William Makepeace. Vanity Fair: Novel. Independently Published, 2017.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "1811-1863"
1
Bougle-Le Roux, Claire. "LE MODELE FRANÇAIS DE CASSATION A L’EPREUVE DE LA JURISPRUDENCE PENALE DE LA CHAMBRE CRIMINELLE (1811-1863)". In La Jurisprudencia del Tribunal Supremo como fuente del Derecho Penal (1870 - 1995). Tomo II, 327–46. Dykinson, 2022. http://dx.doi.org/10.2307/j.ctv36k5b0n.9.
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Moreton Bay Savings Bank - Brisbane (Head Office) - Depositors Ledger - Accounts Nos. 1808-1811 - 1863-1864. Reserve Bank of Australia, março de 2021. http://dx.doi.org/10.47688/rba_archives_2006/20684.
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