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1

1953-, Rivero Albert J., ed. New essays on Samuel Richardson. Basingstoke: Macmillan, 1996.

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2

Maaouni, Jamila. Les personnages des romans de Samuel Richardson (1689-1761): Le héros et le double. Lille: A.N.R.T. Université de Lille III, 1992.

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3

Margaret, Doody, e Sabor Peter, eds. Samuel Richardson: Tercentenary essays. Cambridge: Cambridge University Press, 1989.

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4

Catherine, Ingrassia, e Fielding Henry 1707-1754, eds. Anti-Pamela, or, Feign'd innocence detected. Peterborough, Ont: Broadview Press, 2004.

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5

1940-, Blewett David, ed. Passion and virtue: Essays on the novels of Samuel Richardson. Toronto: University of Toronto Press, 2001.

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6

Fulton, Gordon D. Styles of meaning and meanings of style in Richardson's Clarissa. Montreal: McGill-Queen's University Press, 1999.

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7

Bueler, Lois E. Clarissa's plots. Newark: University of Delaware Press, 1994.

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8

McKee, Patricia. Heroic commitment in Richardson, Eliot and James. Princeton: Princeton University Press, 1986.

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9

Lehmann, Christine. Das Modell Clarissa: Liebe, Verführung, Sexualität und Tod der Romanheldinnen des 18. und 19. Jahrhunderts. Stuttgart: J.B. Metzlersche Verlagsbuchh., 1991.

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10

Shepherd, Lynn. Clarissa's painter: Portraiture, illustration, and representation in the novels of Samuel Richardson. Oxford: Oxford University Press, 2009.

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11

Ellmann, Maud. The hunger artists: Starving, writing, and imprisonment. Cambridge, Mass: Harvard University Press, 1993.

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12

Beebee, Thomas O. Clarissa on the Continent: Translation and seduction. University Park: Pennsylvania State University Press, 1990.

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13

Hinton, Laura. The perverse gaze of sympathy: Sadomasochistic sentiments from Clarissa to Rescue 911. Albany: State University of New York Press, 1999.

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14

Peter, Sabor, ed. 'Pamela' in the marketplace: Literary controversy and print culture in eighteenth-century Britain and Ireland. Cambridge: Cambridge University Press, 2005.

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15

F, Brissenden R., ed. Joseph Andrews. Harmondsworth: Penguin, 1985.

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16

1961-, Potkay Adam, ed. The history of the adventures of Joseph Andrews. New York: Pearson/Longman, 2008.

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17

Fielding, Henry. Joseph Andrews. London: Methuen, 1987.

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18

Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton University Press, 2016.

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19

McKillop, A. D. Samuel Richardson: Printer and Novelist. University of North Carolina Press, 2012.

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20

Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton University Press, 2014.

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21

Flynn, Carol Houlihan. Samuel Richardson: A Man of Letters. Princeton University Press, 2014.

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22

Barbauld e Richardson Samuel. Correspondence of Samuel Richardson 6 Volume Set: Author of Pamela, Clarissa, and Sir Charles Grandison. Cambridge University Press, 2011.

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23

Bradshaigh, Dorothy, Elizabeth Echlin, Peter Sabor e Richardson Samuel. Correspondence with Lady Bradshaigh and Lady Echlin. Cambridge University Press, 2016.

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24

Blewett, David. Passion and Virtue: Essays on the Novels of Samuel Richardson. University of Toronto Press, 2016.

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25

Blewett, David. Passion and Virtue: Essays on the Novels of Samuel Richardson. University of Toronto Press, 2001.

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26

Samuel, Richardson, e Betty A. Schellenberg. Correspondence Primarily on Sir Charles Grandison (1750-1754). Cambridge University Press, 2014.

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27

Smith, J. A. Samuel Richardson and the Theory of Tragedy: Clarissa's Caesuras. Manchester University Press, 2016.

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28

Sabor, Peter, e Richardson Samuel. Correspondence with Lady Bradshaigh and Lady Echlin. Cambridge University Press, 2022.

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29

Bradshaigh, Dorothy, Elizabeth Echlin, Peter Sabor e Richardson Samuel. Correspondence with Lady Bradshaigh and Lady Echlin. Cambridge University Press, 2016.

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30

Bradshaigh, Dorothy, Elizabeth Echlin, Peter Sabor e Richardson Samuel. Correspondence with Lady Bradshaigh and Lady Echlin. Cambridge University Press, 2016.

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31

Correspondence with Lady Bradshaigh and Lady Echlin. Cambridge University Press, 2016.

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32

Dachez, Hélène. Ordre et désordre: Le corps et l'esprit dans les romans de Samuel Richardson, 1689-1761. 1998.

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33

Fulton, Gordon. Styles of Meaning and Meanings of Style in Richardson's Clarissa. McGill-Queen's University Press, 1999.

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34

Samuel Richardson and the theory of tragedy: Clarissa's caesuras. Manchester University Press, 2016.

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35

Smith, J. A. Samuel Richardson and the Theory of Tragedy: Clarissa's Caesuras. Manchester University Press, 2016.

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36

Fowler, James. Richardson and the Philosophes. Taylor & Francis Group, 2017.

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37

Fowler, J. E. Richardson and the Philosophes. Taylor & Francis Group, 2020.

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38

Fowler, James. Richardson and the Philosophes. Taylor & Francis Group, 2017.

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39

Fowler, James. Richardson and the Philosophes. Taylor & Francis Group, 2017.

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40

Fowler, James. Richardson and the Philosophes. Taylor & Francis Group, 2017.

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41

Sabor, Peter, e Margaret Anne Doody. Samuel Richardson: Tercentenary Essays. Cambridge University Press, 2011.

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42

(Editor), Margaret Anne Doody, e Peter Sabor (Editor), eds. Samuel Richardson: Tercentenary Essays. Cambridge University Press, 1989.

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43

Latimer, Bonnie. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual. Taylor & Francis Group, 2016.

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44

Goldberg, Rita. Sex and Enlightenment: Women in Richardson and Diderot. Cambridge University Press, 2010.

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45

Approaches to teaching the novels of Samuel Richardson. New York, NY: Modern Language Association of America, 2005.

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46

The rise of the novel: Studies in Defoe, Richardson, and Fielding. 2a ed. Berkeley: University of California Press, 2001.

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47

Watt. Watt: Rise of the Novel (Cloth). University of California Press, 1992.

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48

Richardson, Samuel. Correspondence with George Cheyne and Thomas Edwards. Editado por David E. Shuttleton e John A. Dussinger. Cambridge University Press, 2013. http://dx.doi.org/10.1017/9781139024464.

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Resumo:
Samuel Richardson (1689–1761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (1740–41), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose.
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49

Latimer, Bonnie. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual. Taylor & Francis Group, 2016.

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50

Latimer, Bonnie. Making Gender, Culture, and the Self in the Fiction of Samuel Richardson: The Novel Individual. Taylor & Francis Group, 2016.

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