Bibliografias temáticas / 1500-1700 History and criticism

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Literatura científica selecionada sobre o tema "1500-1700 History and criticism"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 31 de janeiro de 2023

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Artigos de revistas sobre o assunto "1500-1700 History and criticism"

Kirn, Hans-Martin. "Gottfried Arnold, Unparteiische Kirchen- und Ketzerhistorie (1699-1700)". NTT Journal for Theology and the Study of Religion 74, n.º 3 (1 de julho de 2020): 285–95. http://dx.doi.org/10.5117/ntt2020.3.009.kirn.

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Abstract G. Arnold’s Impartial History of the Church and of Heretics (1699-1700) offered a radical-pietist view of church history, originating from Lutheranism. With its fundamental criticism of the church as an instrument of power, it deprived confessional ‘partial’ historiography of its foundations. Arnold insisted on the rehabilitation of persecuted and oppressed minorities. His work not only promoted the debate on the dependence of historiography on the historian’s particular standpoint, but over a long period of time also inspired advocates and critics of a tolerant Christianity based on individual religious convictions. The work bears witness to the contribution of Pietism to the modern subjectivation and individualization of faith and religion.

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Benaboud, M'hammad. "Islamic Spain 1250-1500". American Journal of Islam and Society 9, n.º 1 (1 de abril de 1992): 119–22. http://dx.doi.org/10.35632/ajis.v9i1.2596.

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This book presents a remarkable account of the political history of Andalusia(Muslim Spain) during the last phase of its existence. The author adoptsa cyclical approach in the sense that he traces the creation of the Banu Nasrkingdom in Granada, its development, and its decline and fall. He studies theperiod of each ruler in chronological order from the establishment of thekingdom of Granada to its collapse. Instead of limiting himself to descriptionor repetition, he chooses to adopt an analytical approach which permits himto deepen our insight regarding the period of each ruler. He reproduces a clearpicture which combines internal political developments and external relationswith the Christians.The author studies the history of the Muslims of Granada as well as thosein Christian Spain up to the Christian conquest of Granada. He is correct inincluding these two categories, for the religious, cultural, and linguistic criteriaunite these two groups, and also because their fates became similar after thefall of Granada in 1492. Thus both groups can be considered “Moriscos,” a topicwhich Harvey started working on over thirty years ago.The book is not easy to read, because it reflects many years of researchand has tremendous cultural weight. To the author’s obvious strenuous intellectualeffort, one may add his intellectual integrity as a distinguished scholarwho is credible in the West and in the East alike, somethmg which not all orientalistscan claim. He is critical of the history which he studies and its sourceswithout being offensive; the distorting influence of a personal dimension foundin other historians is here minimized. The author criticizes himself before beingcritical of others. His manner of presenting and interpreting history is convincing,as his intentions are exclusively scholarly. The author is a memberof a breed that is not very common in the politically oriented European andNorth American universities with regards to anything related to Islam andMuslims. This is not to say that he is beyond criticism, however, as the bookcould be faulted for not having relied directly on some of the fundamental andprimary Andalusian sources. We could disagree with his approach and suggestother approaches. Fortunately for his readers, the author is perhaps moreconscious of his limitations than anybody else, which is also why he did whathe proposed to do so admirably ...

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Stolberg, Michael. "The Decline of Uroscopy in Early Modern Learned Medicine (1500-1650)". Early Science and Medicine 12, n.º 3 (2007): 313–36. http://dx.doi.org/10.1163/157338207x205142.

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AbstractFrom the early sixteenth century, uroscopy lost much of the great appeal it had possessed among medieval physicians. Once valued as an outstanding diagnostic tool which ensured authority and fame, it became an object of massive criticism if not derision. As this paper shows, growing awareness of theoretical inconsistencies, the new medical empiricism and humanistic opposition against Arabic and medieval predecessors can explain this drastic revaluation only in part. Uroscopy, it is argued here, came to be perceived above all as a threat to the physicians' professional authority. Faced with persistent demands that they diagnose diseases primarily if not exclusively from urine, they were left with an awkward choice. They risked making fools of themselves by blatant misdiagnosis, but if they rejected the patients' demands people would deem them incapable of a task which many of their less educated competitors were perfectly happy to perform. In the end, in spite of the physicians' massive campaign against it, uroscopy remained very much alive. On the highly competitive early modern medical market patient power had once more prevailed.

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Aurell, Jaume. "Pasamar, Gonzalo, Apologia and Criticism. Historians and the History of Spain, 1500-2000, Oxford, Peter Lang, 2010, 293 pp. ISBN: 978303911902". Memoria y Civilización 13 (10 de dezembro de 2010): 108–12. http://dx.doi.org/10.15581/001.13.4497.

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Mithen, Nicholas. "A Taste for Criticism: ‘Buon Gusto’ and the Reform of Historical Scholarship in the Early Eighteenth-Century Italian Republic of Letters". Erudition and the Republic of Letters 4, n.º 4 (26 de outubro de 2019): 439–67. http://dx.doi.org/10.1163/24055069-00404003.

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Historians of scholarship and intellectual historians have recently been paying more attention to the social and epistemic conditioning of scholarly production. Informed by the history of science, such scholarship has shed light upon how knowledge production changed over time, and how its ‘legislation’, ‘administration’, and ‘institutionalisation’ varied in different contexts. This article explores the reform of intellectual culture in the early eighteenth-century Italian republic of letters, as a case-study in the application of such emergent methodologies. From around 1700, a nexus of ethical, aesthetical and epistemological ideals began to crystallize on the Italian peninsula, codified under the concept of ‘buon gusto’ or ‘good taste’. ‘Buon gusto’ became a point of reference for individual scholars, scholarly communities and literary journals seeking to reform scholarly practice. This led to the normalization of historical criticism as the dominant scholarly mode among Italian scholars by the mid-eighteenth century.

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Alekseev, Alexey. "“Moscow History” by Gotlieb Samuil Treyer in the Composition of “Detailed Chronicle from the Beginning of Russia to the Battle of Poltava”". Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, n.º 3 (junho de 2022): 222–29. http://dx.doi.org/10.15688/jvolsu4.2022.3.15.

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Introduction. “Detailed Chronicle from the beginning of Russia to the Battle of Poltava” is a large-scale compilation that sets out the history of Russia from the historiographic positions of the middle of the 18th century. This monument was published at the end of the 18th century, but still does not have a scientific publication, and its manuscript tradition has not been sufficiently studied. Methods and materials. In this paper, a previously unknown manuscript of the “Detailed Chronicle” from the collections of the Department of Manuscripts of the National Library of Russia is introduced into scientific circulation. Analysis. A study of the text of the “Detailed Chronicle” according to this list reveals that we have before us a new type of monument, outlining the events of Russian history before 1700. List from the collection of Prince P.P. Vyazemsky contains an indication of one of the main sources of the “Detailed Chronicle”, which researchers ignore – “Moscow History” by Gottlieb Samuil Treyer. The work covered the period of Russian history from the 1460s to 1617. G.S. Treyer was written on the basis of the achievements of historiography at the beginning of the 18th century. using the methods of scientific criticism of sources. The author compared, critically comprehended the works of foreign authors about Russia, while preference was given to the news of those authors “who lived in the city of Moscow and saw Russian notebooks.” Treyer’s history, published in Germany in 1720, was translated into Russian only in 1741. Results. In our opinion, it was the translation of Treyer’s work that became the catalyst for the creation of the “Detailed Chronicle” in 1744. “The Moscow History” by G.S. Treyer became the basis for the first part of the compilation, outlining the history of Russia up to 1617. Key words: Treyer Samuil Gottlieb, “Moscow History”, source studies, textual criticism, “Detailed Chronicle from the beginning of Russia to the Battle of Poltava”.

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Watt, Caitlin. "Nugae Theatri". Erasmus Studies 38, n.º 2 (5 de outubro de 2018): 200–218. http://dx.doi.org/10.1163/18749275-03802002.

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Abstract This article examines Erasmus’ additions to the Adagia in 1533 drawn from comedic playwrights Plautus and Terence. Although Erasmus generally expressed a preference for Terence, Plautus is cited more frequently overall in the Adages and the 133 borrowings from Plautus in the 1533 additions drastically outnumber the 22 from Terence. While scholars have noted this numerical discrepancy, few have hazarded concerted attempts to explain it. This article analyzes the different Plautine and Terentian references in the additions of 1533 and reads them in the context of Erasmus’ other educational writings on classical literature and particularly on characters in comedy. Ultimately, two explanations for Erasmus’ apparent preference for Plautus in 1533 present themselves. First, Plautus presented memorable characters who illustrated the tension between eloquence and morality that characterized the debate in Erasmus’ time over comedy’s role in education. Second, Giambattista Pio’s 1500 edition of Plautus with commentary provided Erasmus with other motivations, such as the opportunity for textual criticism, to focus on Plautus.

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CAMEROTA, MICHELE. "ISTITUZIONI E FONTI ADATTAR LA VOLGAR LINGUA AI FILOSOFICI DISCORSI. UNA INEDITA ORAZIONE DI NICCOL AGGIUNTI CONTRO ARISTOTELE E PER L'USO DELLA LINGUA ITALIANA NELLE DISSERTAZIONI SCIENTIFICHE". Nuncius 13, n.º 2 (1998): 595–623. http://dx.doi.org/10.1163/182539198x00563.

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Abstracttitle SUMMARY /title The manuscript Palatino 1137 in the Biblioteca Nazionale Centrale in Florence contains an unknown text of Niccolo Aggiunti, disciple of Galileo and successor of Castelli to the chair of mathematics at the university of Pisa. The document develops a strong criticism of Aristotle's undisputed authority in philosophy, and, at the same time, advocates the use of the vernacular in scientific dissertations, holding that the Italian language is a more powerful and direct means of expression than scholastic Latin. Aggiunti's linguistic arguments seem closely related to the views of Sperone Speroni (1500-1588), whose linguistic perspective was very influential in late Renaissance Italy. The following work present the transcription of Aggiunti's text, preceded by a preface that attempts to reconstruct the intellectual context in which the document was formulated.

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Nolan, Frances. "‘The Cat’s Paw’: Helen Arthur, the act of resumption andThe Popish pretenders to the forfeited estates in Ireland, 1700–03". Irish Historical Studies 42, n.º 162 (novembro de 2018): 225–43. http://dx.doi.org/10.1017/ihs.2018.31.

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AbstractThis article examines the case of Helen Arthur, a Catholic and Jacobite Irish woman who travelled with her children to France following William III’s victory over James II in the War of the Two Kings (1689–91). It considers Helen’s circumstances and her representation inThe Popish pretenders to the forfeited estates in Ireland, a pamphlet published in London in 1702 as a criticism of the act of resumption. The act, introduced by the English parliament in 1700, voided the majority of William III’s grants to favourites and supporters. Its provisions offered many dispossessed, including the dependants of outlawed males, a chance to reclaim compromised or forfeited property by submitting a claim to a board of trustees in Dublin. Helen Arthur missed the initial deadline for submissions, but secured an extension to submit through a clause in a 1701 supply bill, a development that brought her to the attention of the anonymous author ofThe Popish pretenders. Charting Helen’s efforts to reclaim her jointure, her eldest son’s estate and her younger children’s portions, this article looks at the ways in which dispossessed Irish Catholics and/or Jacobites reacted to legislative developments. More specifically, it shines a light on the possibilities for female agency in a period of significant upheaval, demonstrating opportunities for participation and representation in the public sphere, both in London and in Dublin. It also considers the impact of the politicisation of religion upon understandings of women’s roles and experiences during the Williamite confiscation, and suggests that a synonymising of Catholicism with Jacobitism (and Protestantism with the Williamite cause) has significant repercussions for understandings of women’s activities during the period. It also examines contemporary attitudes to women’s activity, interrogating the casting of Helen as a ‘cat’s paw’ in a bigger political game, invariably played by men.

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Sweeney, Marvin A. "Modern Biblical Criticism as a Tool of Statecraft (1700–1900). By Scott W. Hahn and Jeffrey L. Morrow. Steubenville, Ohio: Emmaus Academic, 2020. 312 pp. $59.95 hardcover." Church History 90, n.º 1 (março de 2021): 225–27. http://dx.doi.org/10.1017/s0009640721001232.

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Teses / dissertações sobre o assunto "1500-1700 History and criticism"

Nielson, James. "Elizabethan realisms : reading prose from the end of the century". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74597.

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This thesis basically has a twofold aim: on the one hand, to make a somewhat neglected body of Renaissance prose more readable, by adding, in a punctual and miscellaneous manner, to our historical, philological and thematic understanding of it and by examining it in the light of some of our current theoretical preoccupations; and, on the other hand, to problematize the "realistic" rubric assigned to these works and to do so by cultivating a more thoroughgoing textual realism on the part of readers.
These works, traditionally grouped together because of the interaction of their authors at the end of the 16th century, include Robert Greene's "cony-catching" and "confessional" pamphlets, the texts of the controversy between Thomas Nashe and Gabriel Harvey, and Harvey's manuscript drafts, as well as more familiar works such as Nashe's Unfortunate Traveller.
The theoretical issue of "the real" as a textual effect has been divided up according to the three nominal categories of persons, places and things, but the thesis falls methodologically into two halves. The opening chapters aim at reintroducing the figures of Greene, Nashe and Harvey, and exploring the quasi-genres of confession, invective and rough draft as exemplary models of the textual construction of a realistic person. They also attempt an alternative form of reading which is an amalgam of cento, summary, close reading, theoretical aside, and running commentary. In the second half, microreadings of the Marprelate Tracts, the cony-catching pamphlets, and texts by Nashe are used to shed light on theoretical issues of textual "place" such as the rhetorical construction of "presence" and metaphorical "movement." Once the relationship between premodern and postmodern textuality has been sketched, the final chapter offers a critique of the unreflexive academic practice of doing "readings," and argues for a new literalism and the self-subversion of the figurative in an "extrarhetorical" reading of Nashe's Lenten Stuffe.

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Bradbury, Jonathan David. "Cristóbal Suárez de Figueroa and the Spanish miscellany of the Golden Age". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610074.

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Bider, Noreen Jane. "Tudor metrical psalmody and the English Reformations". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0026/NQ50115.pdf.

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Wong, Alexander Tsiong. "Aspects of the kiss-poem 1450-1700 : the neo-Latin basium genre and its influence on early modern British verse". Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708782.

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Hammerton, Rachel Joan. "English impressions of Venice up to the early seventeenth century : a documentary study". Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2792.

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The first Englishmen to write about the city-state of Venice were the pilgrims passing through on their way to the Holy Land. Their impressions are recorded in the travel diaries and collections of advice for prospective fellow pilgrims between the early fourteenth and early sixteenth centuries, the most substantial being those of William Wey, Sir Richard Guylforde and Sir Richard Torkington, who visited Venice in 1458 and '62, 1506, and 1517 respectively. In the 1540s arrived the men who saw Venice as part of the new Europe--Andrew Borde and William Thomas. Thomas's study of the Venetian state emphasized the efficiency of its administration, seeing it as an example of constructive government, where effective organisation for the common good led directly to national stability and prosperity. The mid-sixteenth century saw the beginnings of Venice as a tourist centre; the visitors who came between 1550 and the end of the century described the sights and the people, the traditions and way of life. Fynes Moryson's extensive account details what could be seen and learned in the city by an observant and enquiring visitor. In addition to information available in first-hand accounts of Venice, much could be learned from the work of the late sixteenth-century English translators. Linguistic, cultural, geographical, historical and literary translations yielded further knowledge and, more importantly, new perspectives, Venice being seen through the eyes of Italians and, through Lewkenor's comprehensive work, The Commonwealth and Government of Venice, of Venetians themselves. Finally, to assess the general impressions of Venice and the Venetians, we consider the literature of the turn of the sixteenth-seventeenth century; what, and how much, of the three-hundred year accumulation of knowledge of the city and people of Venice had most caught the attention and imagination of the English mind, and how close was the relationship between the popular impression and the documentary information from which it had largely developed.

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Murray, Kylie Marie. "Dream and vision in Scotland, c.1375-1500". Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669934.

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Gardner, Corinna. "The just figure shape, harmony and proportion in a selection of Andrew Marvell's lyrics". Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002273.

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The phrase "the just Figure" - a quotation from Upon Appleton House - is the central theme of this thesis as it aptly describes Marvell's repeated use of shape, harmony and proportion to suggest morality and virtue. The poet's concern with geometrical imagery is conveyed by the word "figure", which also is another term for a metaphor or conceit. The word "just" suggests not only moral appropriateness, but also mathematical exactness or fit. The thesis consists of five chapters, each dealing with an aspect of the imagery of shape and form which pervades so many of Marvell's lyrics. The first chapter, "Moral Geometry", deals with the way in which Marvell uses the imagery of lines, angles and curves. In some poems the lines are curved, as in Upon the Hill and Grove at Bill-borrow, where the graceful downward curved line of the hill conveys Fairfacian humility. Symmetry and circularity are discussed in the second chapter. The poet uses the perfect shape of the circle to depict objects which convey a moral significance. Similarly, several of the lyrics are themselves quasi-circular with their closing lines echoing their openings. Chapter Three deals with liquid spheres. Marvell explores the nature, shape and texture of tears in poems such as Eyes and Tears and Mourning; and in On a Drop of Dew uses the shape of the dew drop to suggest the perfection of the heavenly realm from which it has been parted. In several of the lyrics, Marvell places a frame around his poems to create an enclosed world in which his poetic creations exist. These enclosed, or framed, worlds are discussed in Chapter Four. The final chapter, "Beyond The Frame", describes how some of the lyrics suggest a move from the world within to the world beyond the frame of the poem.This can either be a movement from confinement to release, or from the seen world to worlds unseen. Shape, harmony and proportion are the qualities which Marvell uses to convey morality and humility and a vision of the world based on what is, in the various senses of the word, "just".

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Montanari, Anna Maria. "'A heart in Egypt' : Cleopatra on the Renaissance stage in Italy and England". Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709112.

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Bellis, Joanna Ruth. "Language, literature, and the Hundred Years War, 1337-1600". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609852.

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Mapstone, Sally. "The advice to princes tradition in Scottish literature, 1450-1500". Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:a93e3e2d-89ce-4d4a-bcbf-47aa24f93e5c.

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The regions of James II, III, and IV in the second half of the fifteenth century in Scotland saw a distinctive flowering of advice to princes literature. This is the first account of its kind to examine in detail the sources, arguments, and extent of political comment of each individual work. In particular it employs both literary and historical sources to reveal the largely unrecognized impact of continental, especially French, political thought, on a number of writers. The study opens with a consideration of the poem De Regimine Principum, a politically very forthright advice work, influential for a century or so after its composition. Chapter 2 deals with the writings of Sir Gilbert Hay, whose work shows clear influences from the continent, particularly in the Buik of King Alexander, which is also seen to have interesting links with De Regimine Principum. Chapter 3 discusses the romance Lancelot of the Laik, a poem less precise in its allusions, but clearly indicative of a number of recurrent preoccupations in Scottish advisory literature in the areas of justice and kingly minorities. The two following chapters examine The Talis of the Fyve Bestes, which gives a markedly nationalistic evocation of good kingship, and The Buke of the Chess, where Scottish advice to princes is seen at its least politically aware. In Chapter 6 advice appears in yet another genre, the devotional poem The Contemplacioun of Synnaris, where the wider associations of `kingship' with the nosce te ipsum tradition are apparent. Chapters 7 and 8 concern The Thre Prestis of Peblis and John Ireland's Meroure of Wyssdome, possibly produced around the same time, but presenting their advice in very different manners: the Thre Prestis adroitly worked and entertaining, the Meroure, highly theological and drawing strongly on continental writers, notably the sermons of Jean Gerson. In conclusion it is shown that through this context we can best appreciate the purpose and formidable execution of Robert Henryson's advice to princes fable lq The Lion and the Mouse.

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Livros sobre o assunto "1500-1700 History and criticism"

Cristina, Malcolmson, e Suzuki Mihoko 1953-, eds. Debating gender in early modern England, 1500-1700. New York: Palgrave Macmillan, 2002.

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Discourses and representations of friendship in early modern Europe, 1500-1700. Burlington, VT: Ashgate, 2010.

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Oral and literate culture in England, 1500-1700. Oxford: Clarendon Press, 2000.

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Ludwig, Braun. Ancilla Calliopeae: Ein Repertorium der neulateinischen Epik Frankreichs 1500-1700. Leiden: Brill, 2007.

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Lewis, C. S. The Oxford History of English Literature: Poetry and Prose in the Sixteenth Century. Oxford: OUP, 1990.

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Braga-Pinto, César. As promessas da história: Discursos proféticos e assimilação no Brasil colonial (1500-1700). São Paulo: EDUSP, 2003.

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Hollander, John. The untuning of the sky: Ideas of music in English poetry, 1500-1700. Hamden, Conn: Archon Books, 1993.

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Schade, Richard E. Studies in early German comedy, 1500-1650. Columbia, SC, USA: Camden House, 1988.

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The culture of epistolarity: Vernacular letters and letter writing in early modern England, 1500-1700. Newark: University of Delaware Press, 2005.

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1946-, Reinhart Max, ed. Johann Hellwig's "Die Nymphe Noris" (1650): A critical edition. Columbia, SC, USA: Camden House, 1994.

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Capítulos de livros sobre o assunto "1500-1700 History and criticism"

Gramley, Stephan. "The Early Modern English period (1500–1700)". In The History of English, 140–75. Second edition. | London ; New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9780429460272-6.

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Marrone, Steven P. "Desacralized Science and Social Control, 1500–1700". In A History of Science, Magic and Belief, 197–226. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02978-2_6.

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Clement, Matt. "Artisans and Citizens: Riots from 1500–1700". In A People’s History of Riots, Protest and the Law, 77–98. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52751-6_4.

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Ogilvie, Brian W. "Image and Text in Natural History, 1500–1700". In The Power of Images in Early Modern Science, 141–66. Basel: Birkhäuser Basel, 2003. http://dx.doi.org/10.1007/978-3-0348-8099-2_8.

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Spellman, W. M. "The Emergence of the Sovereign State, 1500–1700". In A Short History of Western Political Thought, 59–85. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34378-8_4.

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Palmieri, Paolo. "La via delle acque (1500--1700) by C. S. Maffioli". In Aestimatio: Critical Reviews in the History of Science (Volume 8), editado por Alan C. Bowen e Tracey E. Rihll, 233–36. Piscataway, NJ, USA: Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463235024-033.

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Bigotti, Fabrizio. "Vegetable Life: Applications, Implications, and Transformations of a Classical Concept (1500–1700)". In International Archives of the History of Ideas Archives internationales d'histoire des idées, 383–406. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69709-9_22.

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Churnside, Carrie. "Musical Discourse in Italy, 1500–1800". In The Cambridge History of Music Criticism, 42–61. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.004.

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Salzman, Paul. "Theories of prose fiction in England: 1558–1700". In The Cambridge History of Literary Criticism, 293–304. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.031.

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Weiss, Julian. "Literary theory and polemic in Castile,c. 1200–c. 1500". In The Cambridge History of Literary Criticism, 496–532. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521300070.019.

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