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Livros sobre o tema "1-motives"

Autor: Grafiati

Publicado: 14 de dezembro de 2024

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1

Barbieri-Viale, Luca. On the derived category of 1-motives. Paris: Société Mathématique de France, 2016.

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2

Flexner, Roland. 1-1. [Paris]: M. Baverey, 2002.

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3

Printing, London College of. The propaganda poster during world war one its social, political artistic motives and consequences: Vol.1& 2 : design history thesis for BA MPD 1985. London: LCP, 1985.

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4

C, Davidson Cynthia, e Anyone Corporation, eds. Anyplace. Cambridge, Mass: MIT Press, 1995.

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5

Muniain, Lucio. 10 concursos perdidos, 1 ganado =: 10 lost competitions, 1 success. México, D. F: Arquine, 2009.

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6

Krella, Frizzi. Dekalog 1-10: Assoziationsraum Katalog. Bielefeld: Kerber Verlag, 2018.

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7

Cohen, Derek. Shakespearean Motives. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-18967-0.

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8

F, Harris James. Philosophy at 33 1/3 rpm: Themes of classic rock music. Chicago, Ill: Open Court, 1993.

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9

Heerich, Erwin. Erwin Heerich: Plastische Prozesse : [Wilhelm Lehmbruck Musem Duisburg, Ausstellung vom 26. Januar bis 1. März 1992. Duisburg: Das Museum, 1992.

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10

A, Aksenkin, Strizhneva S. E, Gosudarstvennyĭ muzeĭ V.V. Mai︠a︡kovskogo. e Rossiĭskiĭ gosudarstvennyĭ voenno-istoricheskiĭ arkhiv, eds. Voĭna i mīr Mai︠a︡kovskogo: 1/VIII/1914-15/III/1918. Moskva: Radis RRL, 2008.

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11

A, Aksenkin, Strizhneva S. E, Gosudarstvennyĭ muzeĭ V.V. Mai︠a︡kovskogo. e Rossiĭskiĭ gosudarstvennyĭ voenno-istoricheskiĭ arkhiv, eds. Voĭna i mīr Mai︠a︡kovskogo: 1/VIII/1914-15/III/1918. Moskva: Radis RRL, 2008.

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12

Simposio Internacional de Emblemática (1st 1991 Teruel, Spain). Actas del I Simposio Internacional de Emblemática, Teruel, 1 y 2 de octubre de 1991. Teruel: Instituto de Estudios Turolenses, 1994.

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13

Ellen, Gerken J., ed. Click 1: The brightest in computer-generated design and illustration. Cincinnati, Ohio: North Light Books, 1990.

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14

Toyegahoe, Taejŏn. Pan, myŏn, chuk: 1-in sangchʼarim kihoekchŏn = 29th Daejeon Ceramic Artist Association Exhibition. Taejŏn Kwangyŏksi: Moldŭ wa K'aesŭt'ŭ, 2019.

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15

Viallat, Claude. Claude Viallat: Museum Moderner Kunst Stiftung Ludwig Wien im 20er Haus, 1. April bis 14. Mai 1995. Editado por Lachnit Edwin e 20er Haus (Museum Moderner Kunst). Wien: Das Museum, 1994.

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16

Fukui, Yasutami. Tokubetsuten Peizurī monʼyō no tenkai: Kashimia shōru o chūshin ni : 1993-nen 12-gatsu 1-nichi--1994-nen 1-gatsu 30-nichi, Shibuya Kuritsu Shōtō Bijutsukan = Evolution and variation of the Paisley pattern : kashimir shawls and Indo-European textiles, 1 December 1993-30 January 1994, the Shoto Museum of Art. [Tokyo]: Shibuya Kuritsu Shōtō Bijutsukan, 1993.

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17

Manfredi, Giulio. L'oro invisibile: Il Cenacolo, Leonardo da Vinci : 12 + 1 opere preziose, Giulio Manfredi. Milano: Electa, 2011.

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18

Lange, Ulrike. Ikonographisches Register für das Repertorium der christlich-antiken Sarkophage, Bd. 1 (Rom und Ostia). Dettelbach: J.H. Röll, 1996.

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19

Schnabel, Julian. Julian Schnabel: Fox farm paintings, December 1, 1989-January 6, 1990. New York: Pace Gallery, 1989.

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20

E, Roberts Helene, ed. Encyclopedia of comparative iconography: Themes depicted in works of art, vol. 1 (A-L). Chicago: Fitzroy Dearborn, 1998.

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21

Sinclair, Keith Val. Prières en ancien français: Additions et corrections aux articles 1-2374 du Répertoire de Sonet : supplément. Townsville: Dept. of Modern Languages, James Cook University of North Queensland, 1987.

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22

Fundación "La Caixa" (Madrid, Spain), ed. Toponimias: (8) ocho ideas del espacio : 1 de febrero-10 de abril, 1994, Sala de Exposiciones de la Fundación "La Caixa". Madrid: La Fundación, 1994.

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23

Naučni skup Srednji vek u srpskoj nauci, istoriji, književnosti i umetnosti (2009 Despotovac, Serbia). Srednji vek u srpskoj nauci, istoriji, književnosti i umetnosti: Naučni skup, Despotovac-Manasija, 1-2. avgust 2009. Despotovac: Narodna biblioteka "Resavska škola", 2010.

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24

Jemec, Andrej. Andrej Jemec: Pregledna razstava grafik--globoki tiski = retrospective exhibition of prints--engravings ..., 1961-1992 : Mednarodni grafični likovni center, Galerija Tivoli Ljubljana, 17. 12. 1992-17. 1. 1993. Ljubljana: Mednarodni grafični likovni center, 1993.

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25

Dahlhoff, Denise. Marketing-Related Motives in Mergers & Acquisitions. Wiesbaden: Deutscher Universitätsverlag, 2002. http://dx.doi.org/10.1007/978-3-663-10736-1.

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26

Lundin, Rolf A., e Francis Hartman, eds. Projects as Business Constituents and Guiding Motives. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/978-1-4615-4505-7.

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27

1932-, Futagawa Yukio, e Pfeiffer Bruce Brooks, eds. Frank Lloyd Wright: 1, Monograph 1887-1901. Tokyo: A.D.A. Edita, 1986.

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28

Whiteread, Rachel. Rachel Whiteread: [an exhibition held 1 November-21 December 2002]. London: Haunch of Venison, 2002.

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29

O, Kochenovskiĭ, e Ehituse Teadusliku Uurimise Instituut, eds. Arkhitekturnoe nasledie kont͡s︡a XIX--nachala XX veka i ego rolʹ v sovremennom gradostroitelʹstve: Materialy respublikanskoĭ konferent͡s︡ii, provedennoĭ v Talline 29 ii͡u︡ni͡a︡-1 ii͡u︡li͡a︡ 1983 g. Tallin: "Valgus,", 1985.

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30

Fellows, Folklore, ed. The Types of International Folktales, Part 1: Animal Tales, Tales of Magic, Religious Tales, and Realistic Tales, with an Introduction. Helsinki: Suomalainen Tiedeakatemia, Academia Scientiarum Fennica, 2004.

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31

Peters, Chris, e Jan Nagel. Algebraic Cycles and Motives: Volume 1. Cambridge University Press, 2010.

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32

Peters, Chris, e Jan Nagel. Algebraic Cycles and Motives: Volume 1. Cambridge University Press, 2011.

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33

Sinisi, John. Too Many Motives For Murder (Steve Garvin mysteries) (Volume 1). CreateSpace Independent Publishing Platform, 2014.

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34

Radcliffe, Elizabeth S. Motives to Action. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199573295.003.0002.

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The discussion of Chapter 1 asks which passions count as motives, for Hume, and why. Hume discusses the indirect passions in Parts 1 and 2 of Book 2 of the Treatise, and explicitly says that the four passions he analyzes there—pride and humility, love and hatred—are not motives to action. He introduces motivational issues in Part 3, “Of the will and direct passions,” which suggests that he considers all and only direct passions as motives. This chapter shows that this reading is false. After considering Hume’s distinction between natural instincts, direct passions, and indirect passions, it confirms that some passions in each of these categories are motivating, and adds support to John Bricke’s thesis that motives, for Hume, are passions that include desires as part of their descriptions.

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35

(Editor), Jan Nagel, e Chris Peters (Editor), eds. Algebraic Cycles and Motives: Volume 1 (London Mathematical Society Lecture Note Series). Cambridge University Press, 2007.

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36

Barbieri-Viale, L., e V. Srinivas. Albanese and Picard 1-Motives (Memoires De La Societe Mathematique De France, 87). Societe Mathematique De France, 2001.

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37

Evidence of Mercy/Justifiable Means/Ulterior Motives/Presumption of Guilt (Sun Coast Chronicles 1-4). 4^a ed. New York: Inspirational Press, a division of BBS Publishing Corporation, 1999.

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38

Evidence of Mercy/Justifiable Means/Ulterior Motives/Presumption of Guilt (Sun Coast Chronicles 1-4). 4^a ed. Thomas Nelson, 2005.

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39

Rees, D. J. Not Giving up on the Hardest Loved Ones to Support : Part 1: Assessing Our Own Motives and Strategies. Independently Published, 2019.

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40

Radcliffe, Elizabeth S. Hume’s Argument for the Inertness of Reason. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199573295.003.0003.

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This discussion first considers why Hume highlights the argument that reason alone is not a motive, given that few, if any, of his predecessors actually professed that reason could motivate without passion. Second, it ponders, but rejects, the idea that Hume’s “Inertness of Reason” argument equivocates. Third, it rebuts the view that Hume allows that beliefs, products of reason, can motivate, even if reason cannot. If Hume thinks beliefs can motivate, then: (1) his thesis that reason contributes to motivation without originating motives, will depend on the equivocation earlier dismissed; (2) we have no explanation how actions result from competing motives; and (3) he undermines his dictum that an active principle cannot be founded on an inactive one. There is textual evidence for an alternative reading of Hume, on which beliefs, even about sources of pleasure and pain, trace their force to sentiments that depend upon taste.

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41

Nature - 1. edición. MIT Press, 2012.

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42

Masterplots II: Poetry Series A-Conn (MASTERPLOTS, 1). Salem Press, 1992.

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43

Bruce, Philip Alexander. Virginia Plutarch: Volume 1. University of North Carolina Press, 2018.

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44

History of British Art: Volume 1 - 1600-1870. Tate Publishing, Limited, 2008.

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45

1 & 2 Color Design. P I E Books, 2005.

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46

Barann, Agnes. Big Easters Eggs Coloring Book for Kids 1-4: Funny and Simple Coloring Pages for Toddlers and Preschoolers or Older. 40 Big Easter Eggs and Other Easter Motives for Coloring. Independently Published, 2022.

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47

1, 2 & 3 color graphics. Tokyo, Japan: P.I.E. Books, 1993.

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48

Horizontes : economía, poder y arte - 1. dición. Editorial Universidad de Antioquia, 2014.

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49

Geometric Patterns (Asian Art Motifs from Korea, Vol 1). Ahn Graphics, 1994.

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50

Jablkowska, Joanna, Gudrun Heidemann e Elzbieta Tomasi-Kapral. #Engagement. Literarische Potentiale Nach Den Wenden: Band 1. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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