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Gotowe bibliografie tematyczne / Yanjin Xian (China)

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Gotowa bibliografia na temat „Yanjin Xian (China)”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Yanjin Xian (China)"

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HOU, YANMENG, ZHIZHONG GAO i FENG ZHANG. "Diversity of cave-dwelling pseudoscorpions from eastern Yunnan in China, with the description of eleven new species of the genus Lagynochthonius (Pseudoscorpiones, Chthoniidae)". Zootaxa 5198, nr 1 (25.10.2022): 1–65. http://dx.doi.org/10.11646/zootaxa.5198.1.1.

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Eleven new Lagynochthonius species from twelve karst caves of eastern Yunnan are described, including detailed diagnosis and illustrations: L. crassus sp. nov. from Unnamed Cave 1 (Maguan County), L. fengi sp. nov. from Unnamed Cave 2 (Yanjin County), L. magnidentatus sp. nov. from Xiao Cave (Fuyuan County), L. minimus sp. nov. from Yanfen Cave and Cizhu Cave (Xichou County), L. retrorsus sp. nov. from Qinglong Cave (Daguan County), L. serratus sp. nov. from Unnamed Cave 3 (Malipo County), L. spinulentus sp. nov. from Yingshan Cave (Zhenxiong County), L. xiaolinensis sp. nov. from Dayan Cave (Zhenxiong County), L. xibaiensis sp. nov. from Hama Cave (Zhenxiong County), L. xinjiaoensis sp. nov. from Yueliang Cave (Fuyuan County), L. yaowangguensis sp. nov. from Unnamed Cave 4 (Malipo County). An identification key to all known Lagynochthonius species from China is also provided.

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Kwon, Eun-jin. "Report on a Academic Journey to Xian and Yan'an in China". Society of History Education 61 (30.11.2016): 279–93. http://dx.doi.org/10.17999/sohe.2016.61.09.

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Benton, Gregor. "The South Anhui Incident". Journal of Asian Studies 45, nr 4 (sierpień 1986): 681–720. http://dx.doi.org/10.2307/2056083.

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In January 1941 Guomindang forces crushed a New Fourth Army (NFA) column under Xiang Ying and Ye Ting, which had just missed a deadline to get north of the Yangzi River. The Guomindang and the Communist center in Yan'an both wanted Xiang in the north, each for its own reasons. However, Xiang put off leaving until the last moment for he was loath to give up his independent base in south Anhui. Xiang favored closer cooperation with the Guomindang than did Communists elsewhere in China. Ironically, Xiang's resistance to Yan'an's pressure to cross the river brought him into conflict with Chiang Kai-shek. Loyalist NFA units that did go north routed Guomindang armies there, and partly in retaliation, Chiang Kai-shek suppressed Xiang as a “mutineer.” Yan'an leaders called the Incident an act of fratricide, and afterward they radicalized their idea of the united front—always wider than one of mere collaboration with the Guomindang—still further. In Yan'an, Xiang was blamed for hesitating to expand northward and for entering a trap when he eventually did leave. However, Yan'an bore some responsibility, never acknowledged, for choosing Xiang's route to disaster.

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Gao, Jian-guo. "Zhongguo shehui gongzuo yanjiu de xin yiti, xin shijian [New topics and implementation of social work research in China]". China Journal of Social Work 7, nr 3 (2.09.2014): 326–28. http://dx.doi.org/10.1080/17525098.2014.962753.

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Zhang, Xiaoling. "Chaoyue Feizhou Fanshi: Xinxingshi xia zhongguo duifei chuanbo zhanlue yanjiu(Beyond the Africa Paradigm: Policy study on reporting China to African audiences in the new global context)". Chinese Journal of Communication 4, nr 02 (czerwiec 2011): 246–48. http://dx.doi.org/10.1080/17544750.2011.565937.

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Fang, Wenfeng, Ying Cheng, Zhendong Chen, Wei Wang, Yongsheng Li, Yongmei Yin, Xingya Li i in. "Abstract CT247: Updated efficacy and safety of anti-TROP2 ADC SKB264 (MK-2870) for previously treated advanced NSCLC in Phase 2 study". Cancer Research 84, nr 7_Supplement (5.04.2024): CT247. http://dx.doi.org/10.1158/1538-7445.am2024-ct247.

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Abstract Background: TROP2 (trophoblast cell surface antigen 2) is commonly over-expressed in non-small cell lung cancer (NSCLC) and associated with poor prognosis. SKB264 (MK-2870) is a TROP2 ADC developed with a novel linker to conjugate the payload, a belotecan-derivative topoisomerase I inhibitor. The linker is affected by both extracellular pH-sensitive cleavage and intracellular enzymatic cleavage within tumor cells, which leads to efficiently release payload inside tumor cells as well as within tumor microenvironment to exert its anti-tumor effects. Here, we present the updated data from a Phase 2 expansion cohort for patients (pts) with advanced NSCLC. Methods: Pts with previously treated advanced NSCLC were enrolled to receive SKB264 at 5 mg/kg Q2W until disease progression or unacceptable toxicity (KL264-01, NCT04152499). Tumor assessment was performed every 8 weeks per RECIST v1.1 assessed by investigator. Results: As of Nov 22, 2023, 43 NSCLC pts had been enrolled. Median follow-up was 17.2 months (mo). 21 pts with EGFR wild type had received median prior 3 regimens of therapy including anti-PD-1/L1 inhibitors. 22 pts with EGFR mutant had progressed on or after TKI therapy, 50% of whom also failed at least one line of chemotherapy. Updated efficacy results are shown in the Table. Overall, 30 pts (69.8%) experienced Grade ≥3 treatment-related adverse events (TRAEs). The most common Grade ≥3 TRAEs were neutrophil count decreased (34.9%), anemia (30.2%), WBC count decreased (25.6%), stomatitis (9.3%), and rash (7.0%). No TRAEs leading to treatment discontinuation or deaths occurred. No drug-related ILD/pneumonitis was reported. Conclusions: The updated data continues to demonstrate that SKB264 monotherapy delivers promising clinical efficacy with manageable toxicity in pretreated advanced NSCLC pts. A Phase 3 global study of SKB264 in pts with 3L+ EGFR mutant NSCLC (NCT06074588) and a Phase 3 study of SKB264 in China in pts with 2L EGFR mutant NSCLC (NCT05870319) are ongoing. TABLE 1: NAND Table Clinical outcomes by EGFR mutation status Overall (N=43) EGFR mutant (N=22) EGFR wild type Total (N=21) Non-squamous (N=9) Squamous (N=12) ORR*, % 43.6% 60.0% 26.3% 22.2% 30.0% Median DoR, mo (95%CI) 9.3 (3.7, 10.3) 8.7 (3.7, 10.3) 9.6 (3.5, NE) / / Median PFS, mo (95% CI) 7.2 (5.4, 11.3) 11.5 (5.7, 12.9) 5.3 (3.5, 6.2) 5.8 (1.5, 12.1) 5.1 (1.9, 9.3) Median OS, mo (95% CI) 22.6 (13.1, NE) 22.7 (19.7, NE) 14.1 (10.7, NE) 16.2 (5.8, NE) 12.8 (3.5, NE) 12-mo OS rate, % (95% CI) 69.0% (52.7, 80.7) 81.0% (56.9, 92.4) 57.1% (33.8, 74.9) 66.7% (28.2, 87.8) 50.0% (20.8, 73.6) 18-mo OS rate, % (95% CI) 56.5% (40.1, 70.0) 76.2% (51.9, 89.3) 35.9% (16.0, 56.4) 44.4% (13.6, 71.9) 30.0% (7.7, 56.9) *Including confirmed or unconfirmed response. Based on response evaluable pts (≥1 on-study scans) with 4 pts (2 EGFR mutant pts with non-squamous histology and 2 EGFR wild type pts with squamous histology) excluded. Citation Format: Wenfeng Fang, Ying Cheng, Zhendong Chen, Wei Wang, Yongsheng Li, Yongmei Yin, Xingya Li, Huiting Xu, Guohua Yu, Yanjun Mi, Zev A. Wainberg, Jordi Rodon, Xiang Wang, Xian Wang, Xiaoqing Zhang, Xiaoping Jin, Lian Lu, Junyou Ge, Jin Li, Li Zhang. Updated efficacy and safety of anti-TROP2 ADC SKB264 (MK-2870) for previously treated advanced NSCLC in Phase 2 study [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2024; Part 2 (Late-Breaking, Clinical Trial, and Invited Abstracts); 2024 Apr 5-10; San Diego, CA. Philadelphia (PA): AACR; Cancer Res 2024;84(7_Suppl):Abstract nr CT247.

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Chan, Chin-niang. "STUDY ON THE SENSITIVITY OF THE DEVELOPMENT OF FUJIAN OPERA AND TAIWAN OPERA AND THE CHANGES OF WORKING EMOTION AND BEHAVIOR OF THE TROUPE". International Journal of Neuropsychopharmacology 25, Supplement_1 (1.07.2022): A18—A19. http://dx.doi.org/10.1093/ijnp/pyac032.025.

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Abstract Background Yangqin was introduced into China in the late Ming Dynasty and early Qing Dynasty. With the flow of musicians, it spread all over the world. It is not only used for folk God welcoming games, birthday celebrations, literati self entertainment or music clubs, but also the most eye-catching musical instrument in private collections, government and business and children's Museum music clubs. From the leisure and entertainment stage of “song” popular in the Qing Dynasty to the commercial rap of “selling medicine” and “sweeping the floor”, it absorbs the nutrition of performance forms such as car drum array, Siping opera, Tea Picking Opera and juggling, and adds the “opera in the play” of hand and foot dance to show the footprints of Yangqin. Xiangju opera, developed from Taiwan songs, is a mixture of Zhangzhou Xiangjiang generation folk music. Hunan Opera (Gezai Opera) is the only common local opera on both sides of the Taiwan Strait. In 2005, Hunan opera was included in the first batch of national intangible cultural heritage list. It is deeply influenced by Southern Fujian culture and has distinctive Southern Fujian characteristics. It has played a positive role in promoting cross-strait cultural exchanges, which is reflected in the frequent exchanges between relevant researchers and troupes on both sides of the Strait. The excellent repertoire of Hunan opera has been widely praised at home and abroad. Research Objects and Methods This study adopts the methods of literature analysis and field investigation to collect and sort out the research data. Literature analysis is mainly the collection, comparison and classification of historical data. Fieldwork is the author's fieldwork for more than ten years and his contact with folk artists and musicians of Gezai Opera. Starting from the Yangqin proposition, the master's thesis began to study and collect data, collect and read Taiwan Local Chronicles, newspaper documents, Shengzhi diaries, oral history and fieldwork for more than ten years, and copy the existing music manuscripts, photos, sound recordings and audio materials in the public sector. At the same time, it is selected from the emotional experience report form compiled by Ekman, freisen and ancoli (1980), which has been modified many times by gross and widely used. There are 10 adjectives in the emotional experience report form. Each emotion was assessed by the 9-point Likert scale, “0” means no, “8” means very strong, and the subjects were required to choose the corresponding number according to their actual emotional experience. 2.2.4 questionnaire on the degree of implementation of guidance. The questionnaire consists of 6 questions. Using the 6-point Likert scale, “0” indicates complete non-compliance, and “5” indicates complete compliance. The purpose is to check whether the subjects adjust their emotions according to the instructions of the main test when watching emotional movie clips, and ask the subjects to answer truthfully according to their actual situation. Results Performance knowledge comes from objective analysis. Performers practice and change the objective world and themselves through psychological thinking such as perception, imagination and emotion. With the progress of the times, Hunan opera is facing the dual pressure of economic and cultural inheritance. Economically, the income of the troupe's actors is unstable, which gradually weakens the actors' enthusiasm for the cause of Hunan opera. In terms of cultural inheritance, the older generation of Hunan opera is relatively old. The emergence of new culture has reduced the interest of contemporary young people in Hunan opera and led to the crisis of the inheritance of Hunan opera. In the process of the influence of life events on anxiety, they play an intermediary role through economic response. The higher the economic level, the stronger the emotional regulation ability of the troupe personnel. Among them, the mediating effect of anxiety can be adjusted through psychological elasticity. That is, economic level can regulate the pressure of life events, and coping style can be used as an intermediary factor of emotional regulation to regulate the impact of life events on anxiety through coping style. Conclusion Facing the challenge of traditional art inheritance and survival, driven by the cultural environment and multicultural environment of the global village, this is a problem that many traditional arts must think about if they want to survive. The government needs to take various measures to change the current situation and make the excellent traditional culture of Hunan opera continue to flourish. Through more bilateral exchanges and communication, cross-strait cultural inheritance and innovation, strengthen cross-strait cultural and artistic exchanges and cooperation, jointly play the piano art for the opera troupe, and work together for the in-depth development of both sides. Acknowledgments This paper is the general project of Fujian Social Science Planning Project Art Fund in 2019: Fujian Taiwan Gezai Opera (Xiang Opera). Phased achievements of Yangqin Development Research (Project No.: fj2019b029).

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Zhou, Yifei, Wenfan Feng, Yanbin Xu, Xingang Liu, Shuai Wang, Zhiqiang Lv, Xiao Li, Ethan Burcar, Zhe Wang i Zhenglong Yang. "Development of Silicon-Based Anode for Lithium-Ion Batteries and Its Application in Solid-State Electrolytes". Engineered Science, 2023. http://dx.doi.org/10.30919/es1060.

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Yifei Zhou1, Wenfan Feng1, Yanbin Xu*,1, Xingang Liu1, Shuai Wang1, Zhiqiang Lv1, Xiao Li1, Ethan Burcar2, Zhe Wang*,2 and Zhenglong Yang*,1 1. School of Chemistry and Materials Science, Ludong University, Yantai 264025, PR China 2. Chemistry Department, Oakland University, Rochester, MI, 48309, USA

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"Correction". Journal of Historical Research in Music Education 30, nr 1 (październik 2008): 3. http://dx.doi.org/10.1177/153660060803000102.

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In the last issue (Vol. 29, No.2), there was a mistake in Wai-Tong Lau's article, “Songs Tied onto the Chariot—Revolutionary Songs of the Cultural Revolution in China (1966–1976)” on page 106. JHRME regrets the inaccuracies. The corrected paragraph reads as follows: A number of revolutionary songs of the Cultural Revolution are written in the musical styles of the Chinese minorities. “The Great Beijing” (Wei Da De Beijing by Nu Er Mai Mai Ti), a song written by a Xinjiang composer, was very popular during the Cultural Revolution. This song is filled with syncopated rhythm typical of the Xinjiang minority dances. Another classic revolutionary song of the Cultural Revolution, “A Song within My Heart for the People's Liberation Army” (Wo Xin Zhong De Ge Xian Gei Jie Fang Jun by Chang Liuzhu), composed by a Han composer, is written with rhythmic patterns characteristic of the Tibetan dances. Other similar songs are one for the Bei Minority, “Never-Ending Singing of the Zhan Mountain” (Zhan Shan Ge Sheng Yong Bu Luo by Zhang Wen); one for the Korean minority, “Yanbian People Love Chairman Mao” (Yanbian Ren Ming Re Ai Mao Zhu Xi by Jin Fenghao); one for the Zhuang minority, “Zhuang People Sing for Chairman Mao” (Zhaung Zu Ren Ming Ge Chang Mao Zhu Xi by the Creation Group of the Department of Culture of Guangxi Zhaung Autonomous Region); and one for the Wa minority, “Ah Wa People Sing New Songs” (Ah Wa Ren Ming Chang in Ge by Yang Zhengren). These revolutionary songs of the minorities enriched the genre of revolutionary songs of the Cultural Revolution with a variety of rhythmic and tonal idioms different from those of the mainstream Han music.

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SERTDEMİR, İlknur. "Slavery and Social Inequality in Early China: An Example of the Shang Dynasty". Doğu Asya Araştırmaları Dergisi, 3.01.2024. http://dx.doi.org/10.59114/dasad.1383318.

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Antik dönem Çin tarihinin üç büyük hükümranlığı, milattan önce yaklaşık olarak on dokuz asrı kapsayan Xia (MÖ 2070-1600), Shang (MÖ 1600-1046) ve Zhou (MÖ 1046-256) hanedanlarına aittir. İlkellikten uygarlığa geçiş sürecini yazının icadıyla temsil eden Shang’lar; kültürel gelişmelere ev sahipliği yapmalarına rağmen batıl itikatlara dalan, fal ve büyüden medet uman hanedan mensuplarının bireysel çıkarları doğrultusunda sosyal bir gerçeklik olan toplumsal tabakalaşmaya maruz kalır. Bu tabakalaşma neticesinde, soylu kesime iltimas geçerek tebaayı basamaklara ayıran sınıfsal bölünme ve hiyerarşik örgütlenmenin ilk örnekleri vuku bulur. Shang dönemi, bir yandan ilk resmi hanedanlığı kuran Xia’larca başlatılan atalar kültü geleneğini sürdüren; fakat diğer yandan, tahta geçen hükümdarların kendilerini ilahi bir kudretle eş tutmalarına bağlı olarak halkı statüsel açıdan aşağılayan bir süreci işaret etmektedir. Xia döneminde saygı mefhumu adı altında gerçekleşen ritüellerin Shang hükümdarları tarafından yalnızca kendilerine mal edilmesi, ata ruhun göğe aidiyeti inanışını bambaşka bir boyuta taşır. Böylece asil kana mensup olmayanların hanedanlığın önünde itaate zorlanarak köleleştirildiği, ihmal edilmemesi gereken bir hususu da gözler önüne sermektedir. Soylu kesimin dışında kalan tebaayı görevine, konumuna, mesleğine ve rütbesine göre ayıran Shang hükümdarları, hanedanlığın hizmetindeki köleleri de belirledikleri ceza, kural ve yaptırımlar üzerinden sınıflandırmaktadır. Bu hakikate rağmen Çinli araştırmacılar arasında cereyan eden görüş ayrılıklarının temelinde, Çin’de köleliğin var olup olmadığı ikilemi yatmaktadır. Ancak, antik çağa tarihlenen klasik metinler üzerinden detaylı bir inceleme yapıldığında Shang döneminde kölelik müessesinin yaygınlaştığı ve hükümdarların acımasız yönetim politikası yüzünden hanedanlığın yıkıldığı çözümlenebilmektedir. Bu çalışmada, Çin bürokrasine yön veren sınıfsal bölünme ve hiyerarşik örgütlenme ele alınarak özel mülkiyet düşüncesinden hareketle eski Çin toplumunda köleliğin deneyimlendiği savlanacaktır.

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Książki na temat "Yanjin Xian (China)"

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Henan Sheng Yanjin Xian ren da zhi bian xie zu. 延津縣人大誌. Yanjin Xian: Henan Sheng Yanjin Xian ren da zhi bian xie zu, 1985.

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Xie, Renmin. Wan Qing xiao shuo di chao yan jiu: Yi Xuantong chao xiao shuo jie wei zhong xin = Wanqing xiaoshuo dichao yanjiu : yi xuantongchao xiaoshuojie wei zhongxin. Beijing: Zhongguo she hui ke xue chu ban she, 2014.

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Deng, Renquan. Song Xiang shi shu lian yan jiu: SongXiang shishulian yanjiu. Guangzhou: Ji nan da xue chu ban she, 2016.

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Liu, Fengqiang. Qing dai Zang xue li shi wen xian yan jiu: Qingdai Zangxue lishi wenxian yanjiu. Beijing Shi: Ren min chu ban she, 2015.

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Zhao, Zhen. Dunhuang wen xian yu Tang dai she hui wen hua yan jiu: Dunhuang wenxian yu Tangdai shehui wenhua yanjiu. Beijing Shi: Beijing shi fan da xue chu ban she, 2017.

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Liu, Renzi. Qing dai Guangdong kuang ye ji qi ying xiang yan jiu: Qingdai Guangdong kuangye jiqi yingxiang yanjiu. Guangzhou Shi: Zhongshan da xue chu ban she, 2019.

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Han, Xiaoqin. Ti zhi hua de sheng cheng yu xian dai wen xue de zhuan xing: Yan'an "Jie fang ri bao" fu kan de wen xue sheng chan yu chuan bo. Beijing: Zhongguo she hui ke xue chu ban she, 2012.

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Chen, Daode. Fu hao xue shi ye xia de xian Qin ming bian xue yan jiu: Study of Pre-Qin doctrines of names and disputations from the view-point of semiotics = Fuhaoxue shiyexia de xianqin mingbianxue yanjiu. Beijing Shi: Ren min chu ban she, 2017.

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"Yangxin Xian ren min dai biao da hui zhi" bian zuan wei yuan hui. 阳新县人民代表大会志. Yangxin Xian: "Yangxin Xian ren min dai biao da hui zhi" bian zuan wei yuan hui, 2005.

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Zhou, Jingyan. Zhong Tang xin ti yue fu yi shu yan jiu: ZhongTang xinti yuefu yishu yanjiu. Beijing: Ren min chu ban she, 2019.

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Części książek na temat "Yanjin Xian (China)"

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"Shimian Maifu Ambush on All Sides, a pipa piece shu calligraphy, one category of the literati’s self-cultivation and entertainment shu konghou angular harp Si silk, a category of ancient classification for musical instruments Sichuan Yangqin a local singing narrative genre in Sichuan Province sihu four-string bowed lute suona conical oboe tan plucking, a category of folk classification for musical instruments, meaning plucked instruments taoxun pottery ocarina taozhong pottery bell Tianjin Minjian Yinyue The great meeting of folk music in Tianjin City Shenghui tongbo brass cymbals Tu earth, a category of ancient classification for musical instruments Wenban Shi’er Qü Twelve civil short pieces, a collection of pipa pieces edited by Yang Yinliu and Cao Anhe in 1943 wenqü civil pieces wenzi pu character notation wo konghou half-tube plucked zither with frets on the soundboard wuqü martial pieces xiao vertical bamboo flute, similar to ancient chiba xianghege song, accompanied by instruments xiqin bowed lute xun egg or ball shaped wind instrument, comparable to ocarina yangqin dulcimer yanyue banquet music in the court Yayin Ji Collection of elegant music edited by Yang Yinliu in 1923–1929 yayue ceremonial court music yazheng zither yü a type of ancient sheng, mouth organ yü (different Chinese scraped wooden block character) yunluo small gong chime zheng bridged zither". W Tradition & Change Performance, 34. Routledge, 2012. http://dx.doi.org/10.4324/9780203985656-6.

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