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Artykuły w czasopismach na temat "Wong (Firm)"
DeFond, Mark L., Jere R. Francis i T. J. Wong. "Auditor Industry Specialization and Market Segmentation: Evidence from Hong Kong". AUDITING: A Journal of Practice & Theory 19, nr 1 (1.03.2000): 49–66. http://dx.doi.org/10.2308/aud.2000.19.1.49.
Pełny tekst źródłaLuo, Lang, Jiayin Wu i Jiatian Zhang. "Aesthetic Analysis of Wong Kar-wais Films and Reasons for Western Popularity: A Case Study of Chungking Express". Communications in Humanities Research 14, nr 1 (20.11.2023): 305–13. http://dx.doi.org/10.54254/2753-7064/14/20230507.
Pełny tekst źródłaAnde, Diin Fitri. "A BRIEF UNDERSTANDING OF ORGANIZATIONAL AMBIDEXTERITY AND DYNAMIC MANAGERIAL CAPABILITIES, AND HOW THEY RELATE?" JURISMA : Jurnal Riset Bisnis & Manajemen 9, nr 2 (28.12.2019): 197–205. http://dx.doi.org/10.34010/jurisma.v9i2.2248.
Pełny tekst źródłaFerguson, Andrew, i Gabriel Pündrich. "Does Industry Specialist Assurance of Non-Financial Information Matter to Investors?" AUDITING: A Journal of Practice & Theory 34, nr 2 (1.09.2014): 121–46. http://dx.doi.org/10.2308/ajpt-50930.
Pełny tekst źródłaGleason, Timothy R., Qi Tang i Jean Giovanetti. "Wong Kar-Wai". Journal of Asian Pacific Communication 12, nr 2 (31.12.2002): 291–310. http://dx.doi.org/10.1075/japc.12.2.06gle.
Pełny tekst źródłaGladkikh, Valeriya, i Aleksandr Alekseev. "Agent-Based Modeling of Construction Firms’ Organizational Behavior in Public Tenders". Journal of Risk and Financial Management 16, nr 2 (9.02.2023): 105. http://dx.doi.org/10.3390/jrfm16020105.
Pełny tekst źródłaKing, Homay. "Anna May Wong and the Color Image". liquid blackness 5, nr 2 (1.10.2021): 59–73. http://dx.doi.org/10.1215/26923874-9272782.
Pełny tekst źródłaWang, Chenlinyang. "A Study of Film Aesthetics of Wong Kar-wai --Taking Fallen Angels as an Example". Communications in Humanities Research 21, nr 1 (7.12.2023): 72–77. http://dx.doi.org/10.54254/2753-7064/21/20231418.
Pełny tekst źródłaSetiawan, I. Nyoman Anom Fajaraditya, I. Nyoman Widhi Adnyana, Komang Redy Winatha i I. Nyoman Yoga Trisemarawima. "FILM DOKUMENTER EKSISTENSI TARIAN DAN KESENIAN SAKRAL WAYANG WONG DESA ADAT SIDAN". ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 5, nr 02 (12.09.2019): 251–64. http://dx.doi.org/10.33633/andharupa.v5i2.2561.
Pełny tekst źródłaLee, Donghyun. "Exploring Philosophical Dimensions in Wong Kar-wai's Filmography". Journal of Global Research in Education and Social Science 18, nr 3 (28.06.2024): 16–22. http://dx.doi.org/10.56557/jogress/2024/v18i38753.
Pełny tekst źródłaRozprawy doktorskie na temat "Wong (Firm)"
Pun, Betty Oi-Kei School of Modern Language Studies UNSW. "Intersemiosis in film: a metafunctional and multimodal exploration of colour and sound in the films of Wong Kar-Wai". Awarded by:University of New South Wales. School of Modern Language Studies, 2005. http://handle.unsw.edu.au/1959.4/22922.
Pełny tekst źródłaProtsenko, Viktoriia. "The Emotional cinema of Wong Kar-wai". Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/667114.
Pełny tekst źródłaLa presente tesis busca explicar el atractivo emocional de la obra de Wong Kar-wai. Aunque su forma de trabajar y estrategia de narración son muy atípicas en la industria cinematográfica de Hong Kong, el director ha recurrido con frecuencia a las convenciones del género, star system e hibridismo del cine hongkonés. Los elementos estilísticos y estrategias narrativas de sus películas contradicen la imagen del artista improvisador, difundida por el propio Wong, y en cambio afirman una minuciosa organización del relato. Sostengo que Wong Kar-wai busca satisfacer los gustos de un público cosmopolita, multilingüe e ilustrado, fomenta un compromiso emocional y hace que los espectadores quieran volver a ver sus películas.
Wong, Yat-kwong. "Postmodernity in Wong Kar Wai's films : a postmodern and postcolonial discourse in Hong Kong /". Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17983435.
Pełny tekst źródłaWong, Yat-kwong, i 黃日光. "Postmodernity in Wong Kar Wai's films: a postmodern and postcolonial discourse in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31951120.
Pełny tekst źródłaChan, K. K. Kylie C. "Uncanny perceptions of urban space in painting and film : a comparison of the works of Edward Hopper and Wong Kar-wai". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38680063.
Pełny tekst źródłaChan, K. K. Kylie C., i 陳琪琪. "Uncanny perceptions of urban space in painting and film: a comparison of the works of Edward Hopper and Wong Kar-wai". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38680063.
Pełny tekst źródłaHorne, John Richard. "THE EFFECT ON CORPORATE PERFORMANCE OF FIRMS THAT WON THE MALCOLM BALDRIGE NATIONAL QUALITY AWARD". NSUWorks, 2009. http://nsuworks.nova.edu/hsbe_etd/44.
Pełny tekst źródłaArbañil, Marquez Anggela del Carmen, i Aguayo Daniela Andrea Rodríguez. "Representación del camp talk en el doblaje al español latinoamericano de dos películas LGTB+ de los años 90: The Birdcage y To Wong Foo, Thanks for Everything! Julie Newmar". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/657101.
Pełny tekst źródłaCamp talk is a form of expression constructed through speech, and this represents the identity of a community, as is the case of the identity of the LGTB+ community. This form of expression has been represented in several film productions, as well as in novels and theatre plays, and has been translated from English into other languages. Although there is research about camp talk translation, these studies are limited, especially those in the 90s. At that decade, spanish equivalents for the vocabulary used by the LGTB+ community were just being constructed through the first translations of mass consumer products such as movies or series. The translation of camp talk is considered a problem since, in order to maintain the identity of the LGTB+ community, the target text must fulfill the communicative function of the source text and consider the equivalents of the vocabulary used by the LGTB+ community. Therefore, the present research focuses on two LGTB+ films from the 90s, The Birdcage and To Wong Foo, Thanks for Everything! Julie Newmar, to analyze the function of camp talk and the techniques used for its translation. To obtain the results, two techniques will be used: content analysis, to analyze the functions of camp talk in the original English version and contrastive textual analysis to analyze the Latin American Spanish translation of camp talk and to identify the translation techniques used.
Trabajo de investigación
Baldwin, Jillian. "Room 2046: A Political Reading of Wong Kar-Wai's Chow-Mo Wan Trilogy through Narrative Elements and Mise-en-scene". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5482/.
Pełny tekst źródłaNg, Hoi-shan Crystal. "Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272662.
Pełny tekst źródłaKsiążki na temat "Wong (Firm)"
1957-, Lane Chei Mi, red. Anna May Wong: A complete guide to her film, stage, radio, and television work. Jefferson, N.C: McFarland, 2004.
Znajdź pełny tekst źródłaIntermountain Research Station (Ogden, Utah), red. Mann Gulch fire: A race that couldn't be won. Ogden, UT (324 25th St., Ogden 84401): U.S. Dept. of Agriculture, Forest Service, Intermountain Research Station, 1993.
Znajdź pełny tekst źródłaLeslie, Roger. Film stars and their awards: Who won what for movies, theater and television. Jefferson, N.C: McFarland, 2008.
Znajdź pełny tekst źródłaKahaner, Larry. On the line: How MCI took on AT&T, and won! New York, NY: Warner Books, 1987.
Znajdź pełny tekst źródłaYan, Lirui. Hui xiang yu shu ming: "Yi dai zong shi" de dian ying jing yu = Light of sight, shadow of sound : the film-realm of Wong Kar-wai's the grandmaster. Hangzhou: Zhejiang da xue chu ban she, 2019.
Znajdź pełny tekst źródłaKahaner, Larry. On the line: The men of MCI--who took on AT&T, risked everything, and won! New York, NY: Warner Books, 1986.
Znajdź pełny tekst źródłaWong Ouyang Master Architect Unnumbered. Images Publishing Group, 2008.
Znajdź pełny tekst źródłaNigh, William. Mysterious Mr. Wong. 2017.
Znajdź pełny tekst źródłaBerger, Tobias, David Horvitz, Lisa Phillips, Gary Carrion-Murayari i Wong Ping. Wong Ping: Your Silent Neighbor. New Museum of Contemporary Art, The, 2021.
Znajdź pełny tekst źródłaWong, Kar-wai. WKW: The cinema of Wong Kar Wai. 2016.
Znajdź pełny tekst źródłaCzęści książek na temat "Wong (Firm)"
Hou, Dorothee Xiaolong, i Sheldon H. Lu. "The Time-Image and the Unknown in Wong Kar-wai’s Film Art". W The Fascination with Unknown Time, 233–49. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66438-5_11.
Pełny tekst źródłaMichaelsen, Anja Sunhyun. "Reparative Reenactments". W Queeres Kino / Queere Ästhetiken als Dokumentationen des Prekären, 199–223. Berlin: ICI Berlin Press, 2021. http://dx.doi.org/10.37050/ci-22_09.
Pełny tekst źródłaIsmar, Madia Patra, Pudentia Maria Purenti S. S. i Syahrial. "Minangkabau Silek Harimau: Evolving Oral Traditions, Performance, and Choreography". W Trajectories of Memory, 77–95. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-1995-6_5.
Pełny tekst źródłaBrandão, Amélia Maria Pinto da Cunha, André Filipe Rei Lopes i Paula Rodrigues. "A New Customer Brand Engagement Framework in Social Media". W New Techniques for Brand Management in the Healthcare Sector, 161–83. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-3034-4.ch010.
Pełny tekst źródłaMak, Gary. "The Film Supermarket of Wong Kar-wai". W Wong Kar-wai, 61–69. University Press of Mississippi, 2017. http://dx.doi.org/10.2307/jj.399531.14.
Pełny tekst źródłaCiment, Michel, i Hubert Niogre. "Each Film Has Its Own Ounce of Luck". W Wong Kar-wai, 76–84. University Press of Mississippi, 2017. http://dx.doi.org/10.2307/jj.399531.16.
Pełny tekst źródła"Film and TV". W Cultural China 2021: The Contemporary China Centre Review, 71–79. University of Westminster Press, 2022. http://dx.doi.org/10.16997/book69.f.
Pełny tekst źródłaLester, Richard. "How I Won the War (1967)". W Understanding Film, 182–91. Liverpool University Press, 2021. http://dx.doi.org/10.2307/j.ctv30c9fkx.16.
Pełny tekst źródłaBarrios, Richard. "Breakthroughs". W On Marilyn Monroe, 61—C2N6. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197636114.003.0004.
Pełny tekst źródłaSmith, Steven C. "Battles Won and Lost". W Music by Max Steiner, 183–200. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190623272.003.0013.
Pełny tekst źródłaStreszczenia konferencji na temat "Wong (Firm)"
Dong, Hanzhang. "A cross-cultural contextual study of Wong Kar-wai’s films driven by online reviews". W Human Interaction and Emerging Technologies (IHIET-AI 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004562.
Pełny tekst źródłaCruz, Guilherme Lopez da, Gabriel Coutino Natucci, Daiana Mara de Oliveira i Marcos Augusto Francisco Borges. "Avaliação de acessibilidade e usabilidade de jogos digitais brasileiros". W Anais Estendidos do Simpósio Brasileiro de Jogos e Entretenimento Digital. Sociedade Brasileira de Computação, 2023. http://dx.doi.org/10.5753/sbgames_estendido.2023.234149.
Pełny tekst źródłaHashemipour, Saman. "INTERTEXTUALİTY İN ASGHAR FARHADİ’S THE SALESMAN". W 2. Uluslararası Sinema Sempozyumu. Yakın Doğu Üniversitesi İletişim Araştırmaları Merkezi, 2022. http://dx.doi.org/10.32955/neuilamer2022-03-0214/ch12.
Pełny tekst źródłaMihaila, Constanta-Valentina, Gabriela Alina Paraschiva i Laurentiu Mihai Mihail. "How Efficient are the Romanian Sports Federations? A Theoretical and Experimental Approach". W World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/44.
Pełny tekst źródłaPandhare, V. B., i S. S. Kulkarni. "Review Paper on Grease Lubrication Considering Effect of Solid Contaminant in Lubrication on Vibration Response of Roller Bearing". W National Conference on Relevance of Engineering and Science for Environment and Society. AIJR Publisher, 2021. http://dx.doi.org/10.21467/proceedings.118.9.
Pełny tekst źródłaLuoma, Christine, i Martin Wardrope. "The Use of VR Technology for MAH Awareness Training". W SPE Offshore Europe Conference & Exhibition. SPE, 2023. http://dx.doi.org/10.2118/215563-ms.
Pełny tekst źródłaLemm, Thomas C. "DuPont: Safety Management in a Re-Engineered Corporate Culture". W ASME 1996 Citrus Engineering Conference. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/cec1996-4202.
Pełny tekst źródłaRaporty organizacyjne na temat "Wong (Firm)"
Rothermel, Richard C. Mann Gulch fire: A race that couldn't be won. Ogden, UT: U.S. Department of Agriculture, Forest Service, Intermountain Research Station, 1993. http://dx.doi.org/10.2737/int-gtr-299.
Pełny tekst źródłaWagner, Alexander, Richard Zeckhauser i Alexandre Ziegler. The Tax Cuts and Jobs Act: Which Firms Won? Which Lost? Cambridge, MA: National Bureau of Economic Research, lipiec 2020. http://dx.doi.org/10.3386/w27470.
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