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Seger, Karen Elizabeth 1939. "WOMEN AND CHANGE IN THE YEMEN ARAB REPUBLIC: A VIEW FROM THE LITERATURE (MIDDLE EAST, AGRICULTURE, EMIGRATION, WORKROLES, DEVELOPMENT)." Thesis, The University of Arizona, 1986. http://hdl.handle.net/10150/291263.
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Prasad, Deepali. "Women in Salman Rushdie's Shame, East, West and the Moor's last sigh." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472601.
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O'Brien, Eileen Marie. "Women in history: A vanishing act." CSUSB ScholarWorks, 1991. https://scholarworks.lib.csusb.edu/etd-project/762.
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Chanda, Geetanjali. "Indian women in the house of fiction : place, gender, and identity in post-independence Indo-English novels by women /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19736617.
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Henderson, Jennifer. "Conducting selves, race and government in Canadian settler women's narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56234.pdf.
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WILTFANG, GREGORY LEE. "NEW FACES IN THE WORLD'S "OLDEST PROFESSION": THE EMERGENCE OF MALE HETEROSEXUAL PROSTITUTION; DELINQUENT SELF-CONCEPTIONS AND GENDER: FURTHER INVESTIGATION OF THE PERSONAL RELEVANCE OF INFRACTION; WOMEN AND WORK: A STUDY OF SOCIAL STRUCTURE, SELF-ESTEEM, AND SIGNIFICANT OTHERS (DEVIANCE)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188061.
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I. Male heterosexual prostitution, women paying men for sexual services, is seldom mentioned in discussions of prostitution. While virtually ignored by social scientists, it has received attention in several recent magazine and newspaper articles. This paper reports the results of analyses of this literature. A typology of prostitute roles based on type of payment and organizational affiliation is presented and discussed. Control theory is used to explain the rise in female sexual deviance. II. This paper investigates the relevance of gender for labelling and its effect on adolescent delinquent self-conceptions in a sample of high school students. The sensitivity of females to the attitudes of others in their self-concept formation served as the basis for the formulation of several hypotheses regarding delinquent identity development and its consequences for male and female self-esteem. Boys were more likely than girls to have delinquent identities and to feel they were labelled as delinquent. The association between delinquent identities and labels varied by gender. Among those labelled as delinquent, girls are more likely than boys to have a delinquent identity. Both delinquent identities and labels have negative effects on self-esteem. Strain theory was used to explain the conditional effect of father's education. III. Large numbers of married women have entered the workforce during the past twenty years. This paper investigates effects of social position on choice of significant others in a sample of married couples. It is argued that working increases a person's social network of significant others, that not working results in a smaller network of significant others and greater dependence on them and the institutions with which they are associated. Female self-esteem is more dependent on marital quality. Spouse appreciation and marital quality are related to self-esteem, though the association varies by the self-esteem measure used. Marital quality and spouse appreciation are important for male and female self-esteem. These findings are consistent with previous research which shows that for both men and women similar social positions produce similarities in thought and behavior.
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Welman, Thandi. "The feminine Other in Euripides’ Hecuba : exploring tensions in the masculine classical polis." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80275.
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Thesis (MA)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis explores how the feminine Other is used by Euripides in the Hecuba to highlight certain tensions between an aristocratic ideal of manliness and a classical democratic masculinity in the fifth century Athenian polis. The first chapter will establish the masculine nature of the Athenian polis and discuss the different elements which highlight the inherent masculinity of Athenian society. The second chapter provides a socio-political context for the position of women in fifth century Athens and explores the otherness of the feminine in the masculine polis. Chapter three explores the problematic nature of speech in the democratic state and uses the feminine Other in the Hecuba to examine possible tensions between an outmoded aristocratic ethos and the democratic ideal of manliness. In the fourth chapter Euripides' use of the Other in the Hecuba is utilized to discuss violence, revenge, and masculinity in the Athenian polis. The final chapter provides a discussion on nomos and how the tensions between aristocratic and democratic ideals problematise the authority of traditional laws and how Euripides uses the feminine Other in the Hecuba to emphasise these issues.<br>AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die wyse waarop Euripides die vroulike Ander in Hecuba gebruik om spanning tussen die aristokratiese ideaal van manlikheid en die klassieke demokratiese manlikheid in die vyfde-eeuse Atheense polis na vore te bring. Die eerste hoofstuk sal die manlike aard van die Atheense polis vestig en sal die elemente wat die inherente manlikheid van die Atheense samelewing beklemtoon, bespreek. Die tweede hoofstuk vervat die sosio-politieke konteks van die vrou se posisie in vyfde-eeuse Athene en verken die andersheid van die vrou in die manlike polis. Hoofstuk drie verken die problematiese aard van spraak in die demokratiese staat en gebruik die vroulike Ander in Hecuba om moontlike spanning tussen die verouderde aristokratiese etos en die demokratiese ideaal van manlikheid te ondersoek. Die vierdie hoofstuk ondersoek Euripides se gebruik van die Ander in Hecuba om geweld, wraak en manlikheid in die Atheense polis te bespreek. Die finale hoofstuk vervat 'n bespreking van nomos en die problematiek ten opsigte van die outoriteit van tradisionele wette as gevolg van die spanning tussen aristokratiese en demokratiese ideale en Euripides se gebruik van die vroulike Ander in Hecuba om hierdie geskilpunte te beklemtoon.
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Gao, Xiongya. "Images of Chinese women in Pearl S. Buck's novels : a study of characterization in East wind, west wind, Pavilion of woman, Peony, The good earth, and The mother." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/862280.
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This study is an analysis of images of Chinese women in five of Pearl S. Buck's novels: East Wind: West Wind, The Good Earth, The Mother, Pavilion of Women, and Peony. Buck's female characters, with their different degrees of individuality and typicality, form a realistic picture of Chinese women.In terms of thematic content, the study shows that all Buck's female characters use their limited power within the constraints of their society to achieve what they deserve, often employing different, covert ways, some manipulation, and even a little deception.The significance of this is that it reveals, in an artistic way, the social conditions under which Chinese women at Buck's times lived. Chinese women had been very much oppressed. In order to survive, they had to act in ways acceptable by their society. However, they had, just as their male counterparts, the desire to love, to be happy, to maintain dignity, and to be free. What is more important, they were intelligent, courageous, and capable of fighting to achieve their goals for themselves.Buck portrays her female characters both as typical of Chinese women in general and as strong individual figures, each facing different conflicts, in a variety of social, familial situations, with unique characteristics. In order for the Western readers to understand the cultural content in which the individuals function, Buck gives her Chinese characters enough typicality as a solid foundation for the Westerners to interpret their behaviors.It is not difficult for the reader to see how the Confucian doctrines and the social conditions concerning Chinese women are truthfully reflected in the novels herein analyzed. Therefore, different degrees of individualization of these characters result from differing themes of the novels in which they appear.<br>Department of English
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Noble, Jenny Austin School of English UNSW. "Representations of the mother-figure in the novels of Katharine Susannah Prichard and Eleanor Dark." Awarded by:University of New South Wales. School of English, 2005. http://handle.unsw.edu.au/1959.4/23897.
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This thesis argues that through bringing together two branches of inquiry???the literary work of Katharine Susannah Prichard and Eleanor Dark and socio-feminist theory on health, contagion and the female body???the discursive body of the mother-figure in their novels serves as a trope through which otherwise unspoken tensions???between the personal and the political, between family and nation and between identity and race in Australian cultural formation???are explored. The methodology I use is to analyse the literary mother-figure through a ???discourse on health??? from a soma-political, socio-cultural and historical perspective which sought to categorise, regulate and discipline women???s lives to ensure that white women conformed to their designated roles as mothers and that they did so within the confines of marriage. The literary mother-figure, as represented in Prichard???s and Dark???s novels, is frequently at odds with the culturally constructed mother-figure as represented in political and religious discourses, and in popular forms of culture such as advertising, film and women???s magazines. This culturally constructed ???ideal??? mother-figure is intimately linked to nationalist discourses of racial hygiene, of Christian morality, and of civic and social order controlled by such patriarchal institutions as the state, the church, the law and the medical professions during the period under review. This is reflected in Prichard???s and Dark???s inter-war novels which embody unresolved tensions in a way that challenges representations of the mother-figure by mainstream culture. However, their post-war novels show a greater compliance with nationalist ideologies of the good and healthy mother-figure who conforms more closely with an idealised notion of motherhood, leading up to the 1950s. Through a detailed analysis of the two writers??? changing representations of the mother-figure, I argue that the mother-figure is a key trope through which unspoken tensions and forces that have shaped (and continue to shape) Australian culture and society can be understood.
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Kelly, Caralyn J. "Thrilling and marvellous experiences, place and subjectivity in Canadian climbing narratives, 1885-1925." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape4/PQDD_0010/NQ53500.pdf.
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Gemis, Vanessa. "Femmes de lettres belges, 1880-1940: identités et représentations collectives." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210262.
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Entre 1880 et 1940, la Belgique francophone voit un accroissement significatif du nombre de femmes de lettres. À la croisée de l’histoire des femmes et de l’histoire des lettres belges, ce phénomène enregistre les nouvelles modalités d’inscription des femmes dans l’espace public, et en particulier leur accès progressif aux professions intellectuelles. Partant des acquis des études de genre (gender studies) et de la sociologie de la littérature, la thèse se propose d’étudier le rapport collectif et individuel que les femmes de lettres entretiennent vis-à-vis du littéraire.<br>Doctorat en Langues et lettres<br>info:eu-repo/semantics/nonPublished
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Raj, Shehzad D. "Ambivalence and penetration of boundaries in the worship of Dionysos : analysing the enacting of psychical conflicts in religious ritual and myth, with reference to societal structure." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/23662/.
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This thesis draws on Freud to understand the innate human need to create boundaries and argues that ambivalence is an inescapable dilemma in their creation. It argues that a re-reading of Freud’s major thesis in Totem and Taboo via an engagement with the Dionysos myth and cult scholarship allows for a new understanding of dominant forms of hegemonic psychic and social formations that attempt to keep in place a false opposition of polis and phusis, self and Other, resulting in the perpetuation of oppressive structures and processes. The primary methodological claim of the thesis is that prior psychoanalytic engagements with cultus scholarship have suffered from being either insufficiently thorough or diffused in attempts to be comparative. A more holistic and detailed approach allows us to ground a psychoanalytic interpretation in the realities of said culture, allowing us to critique Freud’s misreading of Dionysos regarding the Primal Father and the psychic transmission of the Primal Crime. This thesis posits that Dionysos needs to acknowledged as a projection of the Primal Father fantasy linked to a basic ambivalence about the necessity of boundaries in psychosocial life. Using research from the classics and psychoanalysis alongside Queer and post-colonial theory, as well as extensive fieldwork and primary source analysis, this thesis provides a grounded materialist critique of psychoanalysis’ complicity in reproducing a false dichotomy between polis and phusis, a dichotomy that furthers the projection onto marginalised groups whose othering is linked to a fear and desire of a return to phusis and denial of its constant presence in the psyche and polis. This re-reading of Dionysos challenges the defensive structures, which are organised around ideas of subjectification that posit that phusis must be severed from polis/ego and projected onto Dionysos and all groups that threaten the precariousness of these boundaries.
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Roddy, Rhonda Kay. "In search of the self: An analysis of Incidents in the life of a slave girl by Harriet Ann Jacobs." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/2262.
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In her bibliography, Incidents in the life of a Salve Girl, Harriet Ann Jacobs appropriates the autobiographical "I" in order to tell her own story of slavery and talk back to the dominant culture that enslaves her. Through analysis and explication of the text, this thesis examines Jacobs' rhetorical and psyshological evolution from slave to self as she struggles against patriarchal power that would rob her of her identity as well as her freedom. Included in the discussion is an analysis of the concept of self in western plilosophy, an overview of american autobiography prior to the publication of Jacobs' narrative, a discussion of the history of the slave narrative as a genre, and a discussion of the history of Jacobs' narrative.
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Hayashi, Mari. "Images de femmes dans la littérature japonaise contemporaine, 1935-1975: cas des nouvelles couronnées par le prix Akutagawa." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210557.
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The images of Japanese women in the Japanese contemporary literature (1935-1975) — Short-stories crowned with the Akutagawa Prize<p><p>\<br>Doctorat en sciences sociales, Orientation sociologie<br>info:eu-repo/semantics/nonPublished
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Temsamani, Hafsa. "Par-delà le féminisme, le féminisme musulman? le cas de l'écriture-femmes en Arabie Saoudite, 1958-2008." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209634.
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Lorsqu’on s’interroge sur l’essor du mouvement féministe dans les pays musulmans, d’autres questions, lancinantes, se font jour. Car l’enjeu culturel, sur fond religieux, d’un islam souvent imbriqué dans la vie politique elle-même, interpelle les féministes et les penseurs de tout l’Occident. En effet, contrairement à ce qui se passe au sein de la civilisation occidentale où généralement s’est transmise une idée de la laïcité bien précise, il n’en ira guère de même dans les pays à prédominance musulmane. Dans ces contrées, la problématique féministe différera sensiblement de celle en vigueur dans les pays occidentaux. Pour les nations soumises à la loi de la charia, le champ d’action du mouvement féministe visera avant tout à libérer les femmes d’une emprise patriarcale qui se réfèrera le plus souvent à de libres interprétations des textes sacrés pour exiger de leur part une soumission absolue. <p>Dans les études sur le féminisme et le genre, l’Arabie Saoudite, il est vrai, constitue « une énigme ». Et c’est précisément ce qui nous a incité à explorer cet univers « voilé » dont nous allons, au gré de notre étude, tenter de « dévoiler » un tant soit peu le mystère.<p>Nous avons entrepris dans ce but une recherche approfondie à propos de l’écriture-femmes saoudienne romanesque depuis son essor en 1958 jusqu’à 2008. Ce sont donc cinquante années d’écriture-femmes saoudienne sur lesquelles nous nous pencherons au cours de notre étude. Le lecteur l’aura compris :le fil conducteur de notre recherche reposera sur l’écriture en tant que vecteur de prise de conscience féministe. <p>En définitive, ce travail se composera donc de trois grandes parties, chacune subdivisée en chapitres. Dans la première partie, nous développerons la question du féminisme en rapport avec l’islam. Le premier chapitre exposera le féminisme et le genre en tant qu’approche méthodologique des discours et des arguments féministes. Le deuxième chapitre traitera de la question de l’islam et de la laïcité. En effet, pour la plupart des pays musulmans, l’islam est une religion d’Etat. La charia est la source principale du droit, voire exclusive dans certains pays, comme en Arabie Saoudite où elle est considérée comme complète, suprême, supérieure à toute loi. Logiquement, une autre question surgira, celle qui sous-tend le troisième chapitre de cette première partie, au cours duquel nous nous demanderons si un « féminisme musulman » représente une réalité vraiment envisageable. La deuxième partie sera censée investiguer le contexte idéologique en vigueur en Arabie Saoudite. Ensuite, nous évoquerons une esquisse de la littérature en Arabie Saoudite et les orientations des écrivains saoudiens et saoudiennes. La troisième partie se centrera sur une analyse thématique de l’écriture-femmes romanesque saoudienne s’étalant sur une période allant de 1958 à 2008. Nous nous étendrons d’abord sur un panorama de cette écriture dans les contrées en général, avant d’aborder les thématiques les plus spécifiques de cette écriture, approuvant qu’il s’agisse d’un pays encore très mystérieux aux yeux des étrangers: l’Arabie Saoudite.<p>Il apparaîtra qu’une parenté certaine entre « écriture » et « militantisme féministe » sous-tend, à l’évidence, l’univers romanesque des femmes saoudiennes. En clair, l’apport de l’écriture-femmes saoudienne a été considérable :elle nous a offert une peinture vivante de l’Arabie Saoudite et de la condition féminine. Elle contribue à l’émergence d’un style de militantisme marqué par son berceau saoudien et, de ce fait, elle participe à l’avènement d’un féminisme proprement saoudien. <p><p><p><br>Doctorat en Langues et lettres<br>info:eu-repo/semantics/nonPublished
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Dillard, Eguchi Patricia. "Satire du matérialisme dans le roman féminin britannique de 1778 à 1824 : Fanny Burney, Jane Austen, Suzan Ferrier." Phd thesis, Université d'Orléans, 2011. http://tel.archives-ouvertes.fr/tel-00690631.
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De fortes contraintes juridiques, morales et coutumières pesaient sur les femmes de la fin du " long " 18ème siècle en Grande Bretagne. Les écrits féminins s'en ressentaient autant du point de vue des stratégies littéraires que de l'intrigue. Pour contourner les interdits et les tabous dont l'écriture féminine devait tenir compte, certaines romancières eurent recours à une satire ingénieuse qui ridiculisait les travers d'une société qui leur interdisait le sens critique. L'étude du contexte permet de faire la lumière sur le pourquoi et le comment de leurs stratégies satiriques. C'était l'époque des Lumières anglaises et écossaises, du début de la Révolution Industrielle et de la formation des classes moyennes. L'économie s'épanouissait et requérait une première " consommation de masse ". Synecdoques de la femme à vendre ou qui cherche à l'être, l'objet et l'argent sont les deux aspects d'analyse critique qui sous-tendent la structure de ce travail. La théorie de la re-création esthétique à la réception de Wolfgang Iser sert à souligner l'écart de réception possible entre le lecteur d'alors et celui de nos jours, et ensuite à susciter, investigations dans le contexte à l'appui, une émotion nouvelle à la lecture de ces ouvrages vieux de deux siècles. La théorie de la consommation de Baudrillard est choisie parce qu'elle facilite une compréhension de certains comportements autour de l'objet de personnages satirisés dans les romans.
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Dillard, Eguchi Patricia. "Satire du matérialisme dans le roman féminin britannique de 1778 à 1824 : Fanny Burney, Jane Austen, Suzan Ferrier." Electronic Thesis or Diss., Orléans, 2011. http://www.theses.fr/2011ORLE1114.
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De fortes contraintes juridiques, morales et coutumières pesaient sur les femmes de la fin du « long » 18ème siècle en Grande Bretagne. Les écrits féminins s’en ressentaient autant du point de vue des stratégies littéraires que de l’intrigue. Pour contourner les interdits et les tabous dont l’écriture féminine devait tenir compte, certaines romancières eurent recours à une satire ingénieuse qui ridiculisait les travers d’une société qui leur interdisait le sens critique. L’étude du contexte permet de faire la lumière sur le pourquoi et le comment de leurs stratégies satiriques. C’était l’époque des Lumières anglaises et écossaises, du début de la Révolution Industrielle et de la formation des classes moyennes. L’économie s’épanouissait et requérait une première « consommation de masse ». Synecdoques de la femme à vendre ou qui cherche à l’être, l’objet et l’argent sont les deux aspects d’analyse critique qui sous-tendent la structure de ce travail. La théorie de la re-création esthétique à la réception de Wolfgang Iser sert à souligner l’écart de réception possible entre le lecteur d’alors et celui de nos jours, et ensuite à susciter, investigations dans le contexte à l’appui, une émotion nouvelle à la lecture de ces ouvrages vieux de deux siècles. La théorie de la consommation de Baudrillard est choisie parce qu’elle facilite une compréhension de certains comportements autour de l’objet de personnages satirisés dans les romans<br>Heavy juridical, moral and customary constraints weighed on women at the end of the « long » 18th century in Great Britain. The impact of such constraints on feminine writing touched the various literary strategies as well as the plots in the novels. In order to get round the taboos set by patriarchy - taboos that only touched the world of women – a few women writers used an ingenious kind of satire that ridiculed the faults of a society that forbade them any right to criticise. Researching the context allows us to understand the motives and the techniques of their satirical strategies. This was the time of English and Scottish Enlightenment, the beginning of the Industrial Revolution and the making of the middle classes. The economy was flourishing and led to a first wave of “mass consumption”. As synecdoches for women for sale or who wanted to be sold, objects and money are the two sides to the critical analysis that underlies the structure of this thesis. Wolfgang Iser’s theory of aesthetic re-creation by the reader is used to underline the possible gap in reception between at least two communities of readers and then, through investigation in the context, to arouse new interest for the works by Burney, Austen and Ferrier, some of them really unknown to most. Baudrillard’s theory of consumption has been chosen because it facilitates the reader’s understanding of the characters’ behaviour with respect to objects when the characters in question are the target of satire
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Hainze, Emily Harker. "Wayward Reading: Women's Crime and Incarceration in the United States, 1890-1935." Thesis, 2016. https://doi.org/10.7916/D8QC03W7.
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This dissertation, “Wayward Reading: Women’s Crime and Incarceration in the United States, 1890-1935” illuminates the literary stakes of a crucial, yet overlooked, moment in the history of American incarceration: the development of the women’s prison and the unique body of literature that materialized alongside that development.
In the late 19th and early 20th century, the women’s prison became a testing ground for the study of women’s sexuality: social scientists sought to assimilate their “patients” into gendered and racialized citizenship by observing the minutiae of women’s everyday lives and policing their sexual and social associations. Ultimately, this experimental study of women’s sexuality served to reinforce racial stratification: sociologists figured white women’s waywardness as necessitating rescue and rehabilitation into domesticity, and depicted black women’s waywardness as confirming their essential criminality, justifying their harsher punishment and consignment to contingent labor. I argue that women’s imprisonment also sparked another kind of experimentation, however, one based in literary form. A wide range of writers produced a body of literature that also focused on the “wayward girl’s” life trajectory. I contend that these authors drew on social science’s classificatory system and cultural authority to offer alternate scales of value and to bring into focus new forms of relationship that had the potential to unsettle the color line. In Jennie Gerhardt, for instance, Theodore Dreiser invokes legitimate kinship outside the racialized boundaries of marriage, while women incarcerated in the New York State Reformatory for Women exchanged love poetry and epistles that imagine forms of romance exceeding the racial and sexual divides that the prison sought to enforce. Wayward Reading thus draws together an unexpected array of sociological, legal and literary texts that theorize women’s crime and punishment to imagine alternate directions that modern social experience might take: popular periodicals such as the Delineator magazine, criminological studies by Frances Kellor and Katharine Bement Davis, the poetry and letters of women incarcerated at the New York State Reformatory for Women, and novels by W.E.B Du Bois and Theodore Dreiser.
To understand how both social difference and social intimacy were reimagined through the space of the women’s prison, I model what I call “wayward” reading, tracing the interchange between social scientific and literary discourses. I draw attention to archives and texts that are frequently sidelined as either purely historical repositories (such as institutional case files from the New York State Reformatory) or as didactic and one-dimensional (such as Frances Kellor’s sociological exploration of women’s crime), as well as to literary texts not traditionally associated with women’s imprisonment (such as W.E.B. Du Bois’ The Quest of the Silver Fleece). Reading “waywardly” thus allows me to recover a diverse set of aesthetic experiments that developed alongside women’s imprisonment, and also to reconsider critical assumptions about the status of “prison writing” in literary studies. A number of critics have outlined the prison as a space of totalizing dehumanization that in turn reflects a broader logic of racialized domination structuring American culture. As such, scholars have read literary texts that describe incarceration as either enforcing or critiquing carceral violence. However, by turning our attention to the less-explored formation of the women’s prison, I argue that authors mobilized social science not only to critique the prison’s violence and expose how it produced social difference, but also to re-envision the relationships that comprised modern social life altogether.
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Wuthnow, Julie. "Chipping at the bedrock : reading and rescripting foundational narratives of gender, race and sexuality." Thesis, 1994. http://hdl.handle.net/10125/10149.
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Pollak, Josef. "The status of the woman entering marriage : tendencies in the views of sages in the Babylonian Talmud." Thesis, 2014. http://hdl.handle.net/10210/10773.
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Hester, Jessica Lynn. "White trash fetish: representations of poor white southern women and constructions of class, gender, race and region, 1920-1941." Thesis, 2005. http://hdl.handle.net/2152/1565.
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"Female self, body and food strategies of resistance in Doris Lessing, Margaret Atwood, Zhang Jie and Xi Xi (China, Zimbabwe)." 2002. http://library.cuhk.edu.hk/record=b6073481.
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"2002."<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2002.<br>Includes bibliographical references (p. 207-239).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.
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Walker, Hilary Frances Temple. "Fictional interpretations of the English Victorian stereotype of the 'fallen woman' in Olive Schreiner and Pauline Smith." Thesis, 2014. http://hdl.handle.net/10210/10754.
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M.A. (English)<br>The fallen woman is the central figure in much of the fiction written in Britain during the nineteenth century, and she frequently reappears in colonial writing. In this study, fictional interpretations of the English victorian stereotype of the fallen woman in The story of an African Farm and From Man to Man by Olive Schreiner and in The Beadle by Pauline smith are examined. The first chapter of this dissertation is an attempt to establish the fallen woman's classic stereotypical qualities as exhibited in five British novels. Location in their historical context explains the subtle changes in metropolitan attitudes towards women in general, and fallen women in particular, brought about by the advent of organisations designed for the protection of young girls and the assertion of women's rights. Analysis reveals certain clearly defined conventional trends in characterisation, plot and imagery. The novels studied are Ruth (1853) by Mrs.Gaskell, Adam Bede (1859) by George Eliot, The Ordeal of Richard Feverel (1859) by George Meredith, East Lynne (1861) by Mrs. Henry Wood, and Tess of the D'Urbervilles (1891) by Thoma~ Hardy. In chapter two, the close interrelation between the predominant Western conceptions of manhood, colonialism, and racism is examined and an explanation given for the exaggeration in the colonies of the dual role of woman - as chaste angel or fallen devil. Examples of the social engineering undertaken in tribal or chieftainly patriarchies in Southern Africa and by the British Imperial administration at the turn of the century are given. The strong link between the oppression of blacks and women is illustrated. Dutch hierarchical notions of social caste and attitudes to women, which were in place when the British arrived, are discussed. The rapid internalisation of white male attitudes towards women of other races as reflected in the writing of white women in South Africa is then shown. Texts examined are The Letters of Lady Anne Barnard to Henry Dundas (1793 - 1803), edited by A.M. Lewin Robinson, Lady Duff Gordon's Letters from The Cape edited by John Purves, Sophie Levisseur: Memories, edited by Karel Schoeman, AVictorian Lady at the Cape (1849 -1851) edited by Alan F. Hattersley, Charlotte Moor's Marina de la Rey (i903), W.P.Livingstone's Christina Forsyth of Fingoland, the Story of the Loneliest Woman in Africa (circa 1911), Gertrude Page's The Pathway, and A Sketch of Women's Work (1893) edited by Lady Loch. It becomes evident in Saul Solomon's collection of letters entitled The contagious Diseases Act : Its operation at the Cape of Good Hope (1897), in G. Emily Conybeare's treatise entitled Womenly Women and Social Purity (1892) and in the Reverend C. Spoetstra's open letter to the editor of the Volksstem, published as a booklet under the title Delicate Matters (1896), that feminists, Members of the Cape Legislature, and clergymen were opposed to the double standard against women enshrined in Cape statutes. The reasons for their opposition are discussed. The character of the Afrikaner patriarchy which predominated at the turn of the century and into the early years of the twentieth century is described, and reasons suggested for the more mystical and sacrificial approach of this group towards the fallen woman as detected in the Reverend Spoetstra's letter. Having outlined the distortion of British attitudes towards women in South Africa in chapter two, I then examine the fictional interpretations of the fallen woman in Olive Schreiner's novels The story of an African Farm and From Man to Man. Her treatment of this character is related to the British stereotypes and to the influence of colonial attitudes to women and race already established. Biographical details and facts related to the composition of From Man to Man, which are of value in determining why the novelist chose, or was compelled, to represent her characters in the way she did, are studied. A progression of ideas regarding female autonomy and independence is traced in her novels by means of close textual analysis. The chapter ends with an evaluation of Schreiner's attitude to race and racism and of Schreiner's colonial version of a fate of women.
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Rhode, Aletta Cornelia. "The subaltern `speaks': agency in Neshani Andreas' The purple violet of Oshaantu." Diss., 2003. http://hdl.handle.net/10500/1259.
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This dissertation critically evaluates the issue of the `silencing' of the subaltern woman in the 1988 version of Gayatri Spivak's essay `Can the Subaltern Speak?' The conclusions reached are then related to the novel The Purple Violet of Oshaantu by the Namibian woman writer Neshani Andreas. Chapter 1 deals with the essay `Can the Subaltern Speak?' and the `silenced' subaltern woman, examining both Spivak's theory on this issue as well as criticism of this theory by different postcolonial theorists. Chapter 2 presents aspects of both the creative and political practice of women, specifically the woman writer, in certain countries in Africa. Chapter 3 deals with the novel The Purple Violet of Oshaantu by Neshani Andreas and explores issues like the `silencing' of the subaltern women in the novel, opposition to patriarchal oppression and the engendering of agency by both the writer and the characters in the novel.<br>English Studies<br>M. A. (English)
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Ismail, Nadia. "Women and political participation : a partial translation of ‘Abd al-Ḥalīm Muhammad Abū Shaqqah’s Taḥrīr al-Mar’ah fī ‘Aṣr al-Risālah (The liberation of women in the prophetic period), with a contextual introduction to the author and his work." Diss., 2016. http://hdl.handle.net/10500/22256.
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This thesis is a translation of a chapter that examines the role of Muslim women in politics during the early Islamic period and their engagement with religious and political discourses. This subject raises a combination of provocative challenges for Islamic discourse as Muslim women have had a complex relationship with their religious tradition dating back to the very inception of Islam. Despite Qur’ānic injunctions and Prophetic affirmations of the egalitarian status of Muslim women, social inequality and injustice directed at women remains a persistent problem in Muslim society. In the translated text Abū Shaqqah goes about re-invoking the normative tradition in order to affirm the role of Muslim women in politics. Furthermore the translation is prefaced by a critical introduction outlining the contours of the 20th century landscape, which attempts to describe the struggle of Muslim women in Abū Shaqqah’s time.<br>Religious Studies and Arabic<br>M.A. (Arabic)
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Moutien, Caitan Shirley. "Tradition et modernitė dans C'est le soleil qui m'a brûlee (1987), Assèze, l'Africaine (1994) et Femme nue, femme noire (2003) de Calixthe Beyala." Diss., 2016. http://hdl.handle.net/10500/22070.
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Text in French; abstract in French and English<br>Observatrice des réalités quotidiennes camerounaises, Calixthe Beyala a publié, en 1987, un roman intitulé C’est le soleil qui m’a brûlée. Dans ce roman, elle montre au lecteur comment la femme, victime de la tradition, utilise, avec l’apport de la modernité, son corps comme moyen pour reconquérir son moi profond, et retrouver sa liberté. En 1994, elle a écrit et publié Assѐze, l’Africaine. Et en 2003, elle a publié Femme nue, femme noire.
Après une lecture minutieuse de ces trois livres, le lecteur peut facilement découvrir que Calixthe Beyala place la femme au centre de sa préoccupation littéraire. Et elle examine, dans sa fiction, deux thѐmes: la tradition et la modernité. Qu’entend-elle par tradition et modernité? Comment examine-t-elle ces deux thѐmes dans les ouvrages de notre corpus? Quelles solutions propose-t-elle à la femme, d’une part, pour se libérer du joug de la tradition et de la domination masculine, et d’autre part, pour (re)conquérir son corps, son moi profond et pour son émancipation?<br>Observer of the daily Cameroonian realities, Calixthe Beyala published, in 1987, a novel entitled C’est le soleil qui m’a brûlée. In this novel, she shows the reader how a woman, victim of tradition, uses her body as means to reconquer herself and to find her freedom. In 1994, she wrote and published Assèze, l’Africane. And in 2003, she published Femme nue, femme noire.
After a careful reading of the three novels, the reader can easily discover that Calixthe Beyala places woman in the center of her literary preoccupation. And she examines, in her fiction, two themes, tradition and modernity. What does she mean by tradition and modernity? How does she examine these two themes in the novels of our study? What solutions does she propose to the woman, firstly, to liberate herself from the yoke of tradition and male’s domination, and secondly, to reconquer her body, herself and her emancipation?<br>Classics and World Languages<br>M.A. (French)
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Ngomane, Elvis Hangalakani. "The contexts of her story : an exploration of race, power and gender in selected novels of Bessie Head." Diss., 2004. http://hdl.handle.net/10500/1157.
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This study explores the triple imbrications of race, power and gender in the selected
novels of Bessie Head. A critical analysis of Maru (1971) and A Question of' Power
(1974) is undertaken with a view to identifying the subordinating and the
marginalising tropes that result in silencing of female subjectivities in Head's
protagonists. Linked to a critical reading of the novels, this study examines the role of
cultural and psychological forces in maintaining patriarchal hegemony, which is
based upon hierarchy and domination of women rather than equality.
Furthennore, this dissertation suggests that Head's depiction of narrow ethnic and
racial bigotry serves a broader etiological purpose of accounting for "the state of
thingsff within the South African context. Thus this study oscillates between the
abstract constructs and the concrete social experiences within which Bessie Head's
literary imagination subsists.
In this study, particular attention is paid, in addition to critiques of individual texts, to
some of Head's biographical elements with a view on the one hand, to highlighting
the moments, events and issues which are reflected as " contexts of her-story" and on
the other, to amplifying how Head's formative experiences contribute to her critique
of the exploitative racially structured narratives.
By using Foucault's theories within the social constructionist model, this dissertation
aims to demonstrate the insidious intersections between racism and sexism and how
these constructs are implicated in the conception and construction of power.
Specifically, this study argues that due to their arbitrary applications, racial and sexual
difference be viewed as dynamic and contested, rather than fixed.
A synthesis is reached which accords literarure a role within the framework of socio-cultural practice in general.<br>English Studies<br>M.A. (English)
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Marsden, Dorothy Frances. "Changing images : representations of the Southern African black women in works by Bessie Head, Ellen Kuzwayo, Mandla Langa and Mongane Serote." 1994. http://hdl.handle.net/10500/18134.
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This study examines representations of Southern African black women
in the works' of two male and two female writers. A comparative
approach is used to review the ways in which the writers
characterise women who labour under intense restrictions in
domestic situations, the workplace, and in political contexts.
Some representations suggest that women have come to terms with
social strictures and have learned to live fulfilled lives despite
them. Other representations are contextualised in creative situations
in which social roles are re-imagined. In the process,
women are removed from conventional object-related gendered
positions. These representations suggest that women have the
capability to achieve personal transcendence rather than accept the
immanence imposed by stereotyped gender relationships and repressive
political structures. The suggestion is made that writers can
change the image of women by centralising them as active subjects,
challenging their exclusion and creating spaces for women to
represent themselves<br>English Studies<br>M.A. (English)
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Morguson, Alisun. "All the Pieces Matter: Fragmentation-as-Agency in the Novels of Edwidge Danticat, Michelle Cliff, and Shani Mootoo." Thesis, 2013. http://hdl.handle.net/1805/3218.
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Indiana University-Purdue University Indianapolis (IUPUI)<br>The fragmented bodies and lives of postcolonial Caribbean women examined in Caribbean literature beget struggle and psychological ruin. The characters portrayed in novels by postcolonial Caribbean writers Edwidge Danticat, Michelle Cliff, and Shani Mootoo are marginalized as “Other” by a Western patriarchal discourse that works to silence them because of their gender, color, class, and sexuality. Marginalization participates in the act of fragmentation of these characters because it challenges their sense of identity. Fragmentation means fractured; in terms of these fictive characters, fragmentation results from multiple traumas, each trauma causing another break in their wholeness. Postcolonial scholars have identified the causes and effects of fragmentation on the postcolonial subject, and they argue one’s need to heal because of it. Danticat, Cliff, and Mootoo prove that wholeness is not possible for the postcolonial Caribbean woman, so rather than ruminate on that truth, they examine the journey of the postcolonial Caribbean woman as a way of making meaning of the pieces of her life. This project contends that fragmentation – and the fracture it produces – does not bind these women to negative existences; in fact, the female subjects of Danticat, Cliff, and Mootoo locate power in their fragmentation. The texts studied include Danticat’s "Breath, Eyes, Memory" (1994) and "The Farming of Bones" (1999), Cliff’s "Abeng" (1984) and "No Telephone to Heaven" (1987), and Mootoo’s "Cereus Blooms at Night" (1996) and "He Drown She in the Sea" (2005).
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Potter, Mary-Anne. "The worlds between, above and below : "growing up" and "falling down" in Alice in Wonderland and Stardust." Diss., 2012. http://hdl.handle.net/10500/11870.
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The purpose of my dissertation is to conduct an intertextual study of two fantasy texts — Alice in Wonderland by Victorian author Lewis Carroll, and Stardust by postmodern fantasy author Neil Gaiman — and their filmic re-visionings by Tim Burton and Matthew Vaughn respectively. In scrutinising these texts, drawing on insights from feminist, children’s literature and intertextual theorists, the actions of ‘growing up’ and ‘falling down’ are shown to be indicative of a paradoxical becoming of the text’s central female protagonists, Alice and Yvaine. The social mechanisms of the Victorian age that educate the girl-child into becoming accepting of their domestic roles ultimately alienate her from her true state of being. While she may garner some sense of importance within the imaginary realms of fantasy narratives, as these female protagonists demonstrate, she is reduced to the position of submissive in reality – in ‘growing up’, she must assume a ‘fallen down’ state in relation to the male.<br>English Studies<br>M.A. (English)