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Rozprawy doktorskie na temat „Women – Social conditions – Juvenile literature”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 30 lipca 2024

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1

Seger, Karen Elizabeth 1939. "WOMEN AND CHANGE IN THE YEMEN ARAB REPUBLIC: A VIEW FROM THE LITERATURE (MIDDLE EAST, AGRICULTURE, EMIGRATION, WORKROLES, DEVELOPMENT)." Thesis, The University of Arizona, 1986. http://hdl.handle.net/10150/291263.

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Prasad, Deepali. "Women in Salman Rushdie's Shame, East, West and the Moor's last sigh." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472601.

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O'Brien, Eileen Marie. "Women in history: A vanishing act." CSUSB ScholarWorks, 1991. https://scholarworks.lib.csusb.edu/etd-project/762.

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Chanda, Geetanjali. "Indian women in the house of fiction : place, gender, and identity in post-independence Indo-English novels by women /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19736617.

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Henderson, Jennifer. "Conducting selves, race and government in Canadian settler women's narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56234.pdf.

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WILTFANG, GREGORY LEE. "NEW FACES IN THE WORLD'S "OLDEST PROFESSION": THE EMERGENCE OF MALE HETEROSEXUAL PROSTITUTION; DELINQUENT SELF-CONCEPTIONS AND GENDER: FURTHER INVESTIGATION OF THE PERSONAL RELEVANCE OF INFRACTION; WOMEN AND WORK: A STUDY OF SOCIAL STRUCTURE, SELF-ESTEEM, AND SIGNIFICANT OTHERS (DEVIANCE)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188061.

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I. Male heterosexual prostitution, women paying men for sexual services, is seldom mentioned in discussions of prostitution. While virtually ignored by social scientists, it has received attention in several recent magazine and newspaper articles. This paper reports the results of analyses of this literature. A typology of prostitute roles based on type of payment and organizational affiliation is presented and discussed. Control theory is used to explain the rise in female sexual deviance. II. This paper investigates the relevance of gender for labelling and its effect on adolescent delinquen

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Welman, Thandi. "The feminine Other in Euripides’ Hecuba : exploring tensions in the masculine classical polis." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80275.

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Thesis (MA)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis explores how the feminine Other is used by Euripides in the Hecuba to highlight certain tensions between an aristocratic ideal of manliness and a classical democratic masculinity in the fifth century Athenian polis. The first chapter will establish the masculine nature of the Athenian polis and discuss the different elements which highlight the inherent masculinity of Athenian society. The second chapter provides a socio-political context for the position of women in fifth century Athens and explores the otherness of

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Gao, Xiongya. "Images of Chinese women in Pearl S. Buck's novels : a study of characterization in East wind, west wind, Pavilion of woman, Peony, The good earth, and The mother." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/862280.

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This study is an analysis of images of Chinese women in five of Pearl S. Buck's novels: East Wind: West Wind, The Good Earth, The Mother, Pavilion of Women, and Peony. Buck's female characters, with their different degrees of individuality and typicality, form a realistic picture of Chinese women.In terms of thematic content, the study shows that all Buck's female characters use their limited power within the constraints of their society to achieve what they deserve, often employing different, covert ways, some manipulation, and even a little deception.The significance of this is that it revea

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Noble, Jenny Austin School of English UNSW. "Representations of the mother-figure in the novels of Katharine Susannah Prichard and Eleanor Dark." Awarded by:University of New South Wales. School of English, 2005. http://handle.unsw.edu.au/1959.4/23897.

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This thesis argues that through bringing together two branches of inquiry???the literary work of Katharine Susannah Prichard and Eleanor Dark and socio-feminist theory on health, contagion and the female body???the discursive body of the mother-figure in their novels serves as a trope through which otherwise unspoken tensions???between the personal and the political, between family and nation and between identity and race in Australian cultural formation???are explored. The methodology I use is to analyse the literary mother-figure through a ???discourse on health??? from a soma-political, soc

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Kelly, Caralyn J. "Thrilling and marvellous experiences, place and subjectivity in Canadian climbing narratives, 1885-1925." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape4/PQDD_0010/NQ53500.pdf.

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Gemis, Vanessa. "Femmes de lettres belges, 1880-1940: identités et représentations collectives." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210262.

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Entre 1880 et 1940, la Belgique francophone voit un accroissement significatif du nombre de femmes de lettres. À la croisée de l’histoire des femmes et de l’histoire des lettres belges, ce phénomène enregistre les nouvelles modalités d’inscription des femmes dans l’espace public, et en particulier leur accès progressif aux professions intellectuelles. Partant des acquis des études de genre (gender studies) et de la sociologie de la littérature, la thèse se propose d’étudier le rapport collectif et individuel que les femmes de lettres entretiennent vis-à-vis du littéraire.<br>Doctorat en Langue

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Raj, Shehzad D. "Ambivalence and penetration of boundaries in the worship of Dionysos : analysing the enacting of psychical conflicts in religious ritual and myth, with reference to societal structure." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/23662/.

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This thesis draws on Freud to understand the innate human need to create boundaries and argues that ambivalence is an inescapable dilemma in their creation. It argues that a re-reading of Freud’s major thesis in Totem and Taboo via an engagement with the Dionysos myth and cult scholarship allows for a new understanding of dominant forms of hegemonic psychic and social formations that attempt to keep in place a false opposition of polis and phusis, self and Other, resulting in the perpetuation of oppressive structures and processes. The primary methodological claim of the thesis is that prior p

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13

Roddy, Rhonda Kay. "In search of the self: An analysis of Incidents in the life of a slave girl by Harriet Ann Jacobs." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/2262.

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In her bibliography, Incidents in the life of a Salve Girl, Harriet Ann Jacobs appropriates the autobiographical "I" in order to tell her own story of slavery and talk back to the dominant culture that enslaves her. Through analysis and explication of the text, this thesis examines Jacobs' rhetorical and psyshological evolution from slave to self as she struggles against patriarchal power that would rob her of her identity as well as her freedom. Included in the discussion is an analysis of the concept of self in western plilosophy, an overview of american autobiography prior to the publicatio

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Hayashi, Mari. "Images de femmes dans la littérature japonaise contemporaine, 1935-1975: cas des nouvelles couronnées par le prix Akutagawa." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210557.

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The images of Japanese women in the Japanese contemporary literature (1935-1975) — Short-stories crowned with the Akutagawa Prize<p><p>\<br>Doctorat en sciences sociales, Orientation sociologie<br>info:eu-repo/semantics/nonPublished

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Temsamani, Hafsa. "Par-delà le féminisme, le féminisme musulman? le cas de l'écriture-femmes en Arabie Saoudite, 1958-2008." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209634.

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Lorsqu’on s’interroge sur l’essor du mouvement féministe dans les pays musulmans, d’autres questions, lancinantes, se font jour. Car l’enjeu culturel, sur fond religieux, d’un islam souvent imbriqué dans la vie politique elle-même, interpelle les féministes et les penseurs de tout l’Occident. En effet, contrairement à ce qui se passe au sein de la civilisation occidentale où généralement s’est transmise une idée de la laïcité bien précise, il n’en ira guère de même dans les pays à prédominance musulmane. Dans ces contrées, la problématique féministe différera sensiblement de celle en vigueur d

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16

Dillard, Eguchi Patricia. "Satire du matérialisme dans le roman féminin britannique de 1778 à 1824 : Fanny Burney, Jane Austen, Suzan Ferrier." Phd thesis, Université d'Orléans, 2011. http://tel.archives-ouvertes.fr/tel-00690631.

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De fortes contraintes juridiques, morales et coutumières pesaient sur les femmes de la fin du " long " 18ème siècle en Grande Bretagne. Les écrits féminins s'en ressentaient autant du point de vue des stratégies littéraires que de l'intrigue. Pour contourner les interdits et les tabous dont l'écriture féminine devait tenir compte, certaines romancières eurent recours à une satire ingénieuse qui ridiculisait les travers d'une société qui leur interdisait le sens critique. L'étude du contexte permet de faire la lumière sur le pourquoi et le comment de leurs stratégies satiriques. C'était l'époqu

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Dillard, Eguchi Patricia. "Satire du matérialisme dans le roman féminin britannique de 1778 à 1824 : Fanny Burney, Jane Austen, Suzan Ferrier." Electronic Thesis or Diss., Orléans, 2011. http://www.theses.fr/2011ORLE1114.

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De fortes contraintes juridiques, morales et coutumières pesaient sur les femmes de la fin du « long » 18ème siècle en Grande Bretagne. Les écrits féminins s’en ressentaient autant du point de vue des stratégies littéraires que de l’intrigue. Pour contourner les interdits et les tabous dont l’écriture féminine devait tenir compte, certaines romancières eurent recours à une satire ingénieuse qui ridiculisait les travers d’une société qui leur interdisait le sens critique. L’étude du contexte permet de faire la lumière sur le pourquoi et le comment de leurs stratégies satiriques. C’était l’époqu

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Hainze, Emily Harker. "Wayward Reading: Women's Crime and Incarceration in the United States, 1890-1935." Thesis, 2016. https://doi.org/10.7916/D8QC03W7.

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This dissertation, “Wayward Reading: Women’s Crime and Incarceration in the United States, 1890-1935” illuminates the literary stakes of a crucial, yet overlooked, moment in the history of American incarceration: the development of the women’s prison and the unique body of literature that materialized alongside that development. In the late 19th and early 20th century, the women’s prison became a testing ground for the study of women’s sexuality: social scientists sought to assimilate their “patients” into gendered and racialized citizenship by observing the minutiae of women’s everyday

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Wuthnow, Julie. "Chipping at the bedrock : reading and rescripting foundational narratives of gender, race and sexuality." Thesis, 1994. http://hdl.handle.net/10125/10149.

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Pollak, Josef. "The status of the woman entering marriage : tendencies in the views of sages in the Babylonian Talmud." Thesis, 2014. http://hdl.handle.net/10210/10773.

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Hester, Jessica Lynn. "White trash fetish: representations of poor white southern women and constructions of class, gender, race and region, 1920-1941." Thesis, 2005. http://hdl.handle.net/2152/1565.

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"Female self, body and food strategies of resistance in Doris Lessing, Margaret Atwood, Zhang Jie and Xi Xi (China, Zimbabwe)." 2002. http://library.cuhk.edu.hk/record=b6073481.

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"2002."<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2002.<br>Includes bibliographical references (p. 207-239).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.

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Walker, Hilary Frances Temple. "Fictional interpretations of the English Victorian stereotype of the 'fallen woman' in Olive Schreiner and Pauline Smith." Thesis, 2014. http://hdl.handle.net/10210/10754.

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M.A. (English)<br>The fallen woman is the central figure in much of the fiction written in Britain during the nineteenth century, and she frequently reappears in colonial writing. In this study, fictional interpretations of the English victorian stereotype of the fallen woman in The story of an African Farm and From Man to Man by Olive Schreiner and in The Beadle by Pauline smith are examined. The first chapter of this dissertation is an attempt to establish the fallen woman's classic stereotypical qualities as exhibited in five British novels. Location in their historical context explains the

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Rhode, Aletta Cornelia. "The subaltern `speaks': agency in Neshani Andreas' The purple violet of Oshaantu." Diss., 2003. http://hdl.handle.net/10500/1259.

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This dissertation critically evaluates the issue of the `silencing' of the subaltern woman in the 1988 version of Gayatri Spivak's essay `Can the Subaltern Speak?' The conclusions reached are then related to the novel The Purple Violet of Oshaantu by the Namibian woman writer Neshani Andreas. Chapter 1 deals with the essay `Can the Subaltern Speak?' and the `silenced' subaltern woman, examining both Spivak's theory on this issue as well as criticism of this theory by different postcolonial theorists. Chapter 2 presents aspects of both the creative and political practice of women, specifical

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Ismail, Nadia. "Women and political participation : a partial translation of ‘Abd al-Ḥalīm Muhammad Abū Shaqqah’s Taḥrīr al-Mar’ah fī ‘Aṣr al-Risālah (The liberation of women in the prophetic period), with a contextual introduction to the author and his work." Diss., 2016. http://hdl.handle.net/10500/22256.

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This thesis is a translation of a chapter that examines the role of Muslim women in politics during the early Islamic period and their engagement with religious and political discourses. This subject raises a combination of provocative challenges for Islamic discourse as Muslim women have had a complex relationship with their religious tradition dating back to the very inception of Islam. Despite Qur’ānic injunctions and Prophetic affirmations of the egalitarian status of Muslim women, social inequality and injustice directed at women remains a persistent problem in Muslim society.

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Moutien, Caitan Shirley. "Tradition et modernitė dans C'est le soleil qui m'a brûlee (1987), Assèze, l'Africaine (1994) et Femme nue, femme noire (2003) de Calixthe Beyala." Diss., 2016. http://hdl.handle.net/10500/22070.

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Text in French; abstract in French and English<br>Observatrice des réalités quotidiennes camerounaises, Calixthe Beyala a publié, en 1987, un roman intitulé C’est le soleil qui m’a brûlée. Dans ce roman, elle montre au lecteur comment la femme, victime de la tradition, utilise, avec l’apport de la modernité, son corps comme moyen pour reconquérir son moi profond, et retrouver sa liberté. En 1994, elle a écrit et publié Assѐze, l’Africaine. Et en 2003, elle a publié Femme nue, femme noire. Après une lecture minutieuse de ces trois livres, le lecteur peut facilement découvrir que Calixthe Be

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Ngomane, Elvis Hangalakani. "The contexts of her story : an exploration of race, power and gender in selected novels of Bessie Head." Diss., 2004. http://hdl.handle.net/10500/1157.

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This study explores the triple imbrications of race, power and gender in the selected novels of Bessie Head. A critical analysis of Maru (1971) and A Question of' Power (1974) is undertaken with a view to identifying the subordinating and the marginalising tropes that result in silencing of female subjectivities in Head's protagonists. Linked to a critical reading of the novels, this study examines the role of cultural and psychological forces in maintaining patriarchal hegemony, which is based upon hierarchy and domination of women rather than equality. Furthennore, this dissertation s

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Marsden, Dorothy Frances. "Changing images : representations of the Southern African black women in works by Bessie Head, Ellen Kuzwayo, Mandla Langa and Mongane Serote." 1994. http://hdl.handle.net/10500/18134.

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This study examines representations of Southern African black women in the works' of two male and two female writers. A comparative approach is used to review the ways in which the writers characterise women who labour under intense restrictions in domestic situations, the workplace, and in political contexts. Some representations suggest that women have come to terms with social strictures and have learned to live fulfilled lives despite them. Other representations are contextualised in creative situations in which social roles are re-imagined. In the process, women are removed from

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Morguson, Alisun. "All the Pieces Matter: Fragmentation-as-Agency in the Novels of Edwidge Danticat, Michelle Cliff, and Shani Mootoo." Thesis, 2013. http://hdl.handle.net/1805/3218.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>The fragmented bodies and lives of postcolonial Caribbean women examined in Caribbean literature beget struggle and psychological ruin. The characters portrayed in novels by postcolonial Caribbean writers Edwidge Danticat, Michelle Cliff, and Shani Mootoo are marginalized as “Other” by a Western patriarchal discourse that works to silence them because of their gender, color, class, and sexuality. Marginalization participates in the act of fragmentation of these characters because it challenges their sense of identity. Fragmentatio

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Potter, Mary-Anne. "The worlds between, above and below : "growing up" and "falling down" in Alice in Wonderland and Stardust." Diss., 2012. http://hdl.handle.net/10500/11870.

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The purpose of my dissertation is to conduct an intertextual study of two fantasy texts — Alice in Wonderland by Victorian author Lewis Carroll, and Stardust by postmodern fantasy author Neil Gaiman — and their filmic re-visionings by Tim Burton and Matthew Vaughn respectively. In scrutinising these texts, drawing on insights from feminist, children’s literature and intertextual theorists, the actions of ‘growing up’ and ‘falling down’ are shown to be indicative of a paradoxical becoming of the text’s central female protagonists, Alice and Yvaine. The social mechanisms of the Victorian age tha

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