Gotowe bibliografie tematyczne / Women – India – Fiction

Gotowa bibliografia na temat „Women – India – Fiction”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 29 lipca 2024

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Spis treści

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Women – India – Fiction”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "Women – India – Fiction"

1

Mukherjee, Sayan. "Dark Portrayal of Gender: A Post-colonial Feminist Reflection of Bapsi Sidhwa’s The Pakistani Bride and The Ice-candy Man". History Research Journal 5, nr 5 (26.09.2019): 81–88. http://dx.doi.org/10.26643/hrj.v5i5.7919.

Pełny tekst źródła
Streszczenie:
The portrayals of women by fiction writers of Indian sub-continent can be seen in the context of postcolonial feminism. Sidhwa’s novels may be a part of postcolonial fiction, which is fiction produced mostly in the former British colonies. As Bill Ashcroft suggests in The Empire Writes Back, the literatures produced in these areas are mostly a reaction against the negative portrayals of the local culture by the literatures produced in these areas are mostly a reaction against the negative portrayals of the local culture by the colonizers. About the role of postcolonial literature with respect to feminism, Ashcroft writes, “Literature offers one of the most important ways in which these new perceptions are expressed and it is in their writings and through other arts such as paintings sculpture, music, and dance that today realities experienced by the colonized peoples have been most powerfully encoded and so profoundly influential.” Indian sub-continent fiction is the continuation and extension of the fiction produced under the colonial rulers in undivided India. As such it has inherited all the pros and cons of the fiction in India before the end of colonial rule in Indo-Pak. Feminism has been one part of this larger body of literature. Sidhwa has portrayed the lives of Pakistani women in dark shades under the imposing role of religious, social, and economic parameters. These roles presented in The Pakistani Bride and The Ice-Candy Man are partly traditional and partly modern – the realities women face.
Style APA, Harvard, Vancouver, ISO itp.
2

Meyer, Neele. "Challenging Gender and Genre: Women in Contemporary Indian Crime Fiction in English". Zeitschrift für Anglistik und Amerikanistik 66, nr 1 (28.03.2018): 105–17. http://dx.doi.org/10.1515/zaa-2018-0010.

Pełny tekst źródła
Streszczenie:
Abstract This paper looks at three Indian crime fiction series by women writers who employ different types of female detectives in contemporary India. The series will be discussed in the context of India’s economic growth and the emergence of a new middle class, which has an impact on India’s complex publishing market. I argue that the authors offer new identification figures while depicting a wide spectrum of female experiences within India’s contemporary urban middle class. In accordance with the characteristics of popular fiction, crime fiction offers the possibility to assume new roles within the familiar framework of a specific genre. Writers also partly modify the genre as a form of social criticism and use strategies such as the avoidance of closure. I conclude that the genre is of particular suitability for women in modern India as a testing-ground for new roles and a space that helps to depict and accommodate recent transformations that connect to processes of globalization.
Style APA, Harvard, Vancouver, ISO itp.
3

Das, Jyotirmoy. "The British Lion’s Triumph over the Bengal Tiger: The Royal Combat and the Allegory of Imperial Dominance". Praxis International Journal of Social Science and Literature 6, nr 9 (25.09.2023): 1–12. http://dx.doi.org/10.51879/pijssl/060901.

Pełny tekst źródła
Streszczenie:
This article shows how the allegory of British-tiger rivalry became a distinct feature in 19th-century British imperial visual culture to imagined imperial attitudes over India. After the second Anglo-Mysore war (1799) between the East Indian Company and the Tipu Sultan, in 1808, a visual description of lion-tiger bloodshed was issued as a medal by the East India Company to reward its troops. Such a description shows a lion, representing the British nation’s suppression over a Bengal tiger, the royal emblem of Tipu Sultan. After this, the same imagery served to be imagined and visualised the British dominance and control over ruthless and unwilling India. Moreover, in such an allegory, a fiction of dead white women was added to invoke nationalism among Britons. This raises a feminist issue of how this fictional image of victimised women fulfils the British masculine agenda of imperialism and nationalism while the women remain deprived.
Style APA, Harvard, Vancouver, ISO itp.
4

Madavi, Dr Manoj Shankarrao. "Literary Representation of Natives in Indian Regional Literature-A Vast Panorama of Indigenous Culture, Imperialism and Resistance". International Journal of English Language, Education and Literature Studies (IJEEL) 2, nr 5 (2023): 01–04. http://dx.doi.org/10.22161/ijeel.2.5.1.

Pełny tekst źródła
Streszczenie:
Indian English fiction writing shows the development of Indian literature which takes a dive deep into the colonial past of India along with the detail observation of the history of deviation of social strata and its psychological effects on common masses of India. Social realism was checked through the early independence period of English writing. In Indian English fiction writing, partition trauma was glorified, celebrated as the main theme and Gandhian age is also described by most of the prominent novelist like Raja Rao, Chaman Nahal, and Khushwant Singh. The women novelists took the initiative after the independent period and Kamala Markandeya, Ruth P. Jabhawala, Shashi Deshpande, Geeta Hariharan, Anita Nair and Namita Gokhale have shown the rebellious feminism though their postcolonial sensibilities. If we want to write historical, social and cultural literature of India, we do not have escapism from the history of adivasi victimization and several adivasi harassments of centuries in India.
Style APA, Harvard, Vancouver, ISO itp.
5

Dr. Sampath Kumar Chavvakula. "Feminism In The Novels Of Anita Desai". Journal of Namibian Studies : History Politics Culture 33 (20.05.2023): 5462–70. http://dx.doi.org/10.59670/jns.v33i.4824.

Pełny tekst źródła
Streszczenie:
Feminism in western nations are epitomized in literature and different books, that is in composed shape however in the east, especially in nations like India, attributable to its oral tradition and more noteworthy lack of education, the effect of these investigations was limited to the urban populace. In any case, as of late, even the rural regions have been secured due to the regularly spreading wing of electronic media. Since the most recent couple of decades, women have been attempting their hands at writings and that too effectively. Anita Desai is a standout amongst other known contemporary women writers of Indian fiction in English. She has picked up qualification in investigating the human psyche and the enthusiastic sentiments of her protagonists. She has included a new dimension and great support to the contemporary Indian English fiction and has a huge place because of her creative topical concerns and arrangements in her fiction with feminine sensibility.
Style APA, Harvard, Vancouver, ISO itp.
6

Et al., Bisma Butt. "An Analysis of Kanthapura by Raja Rao: A Postcolonial Study". Psychology and Education Journal 58, nr 1 (15.01.2021): 4701–8. http://dx.doi.org/10.17762/pae.v58i1.1629.

Pełny tekst źródła
Streszczenie:
This study focuses the ‘Kanthapura’ to analyze the construction of historical consciousness in narratives and this fiction is used as literary aspect of nationalist ideology. Particularly, this work examines the political representation of women in Indian national movement in 1930 by using the theory of nationalism by Bhabha (1990). The study demystifies this novel to find out challenges of stereotypical Indian women and how they become solidified in the building process of Indian national identity. Kanthapura (Delhi Orient) is very much concerned to focus on the construction of Vedic Hindu ideal for women and the reason of writing true and authentic history to investigate the women’s issues they face during the colonial period of India. The study sheds light on imagined and true nature of nationalist discourse and its effect on women in postcolonial India. It is not concerned with those doctrines of nationalist sentiments which are generalized through religious stereotypes rather it is paradoxical in nature that begins to assume identification with European accounts of India so it explores the idea of political desirability that shapes and constructs the ideology and as well as it allows for the presentation of unified identity of India.
Style APA, Harvard, Vancouver, ISO itp.
7

Subitha, M. "Home: Depiction Of Social Reality In Manju Kapur’s Novel". Shanlax International Journal of English 12, S1-Dec (14.12.2023): 59–61. http://dx.doi.org/10.34293/rtdh.v12is1-dec.45.

Pełny tekst źródła
Streszczenie:
The portrayal of women in Indian English fiction as the silent sufferers and upholders of the tradition and traditional values of family and society has undergone tremendous change in the post independence period. Manju Kapur’s novel, Difficult Daughters, A Married Woman and Home, displays a new confidence in using the fictional mode for creative expression and depicting social reality. Taking into account the complexity of life, different histories, cultures and different structures of values, women’s question, despite basic solidarity, needs to be tackled in relation to the socio-cultural situation. The impact of patriarchy on the Indian society varies from the one in the west. Manju Kapur has her own concerns, priorities as well as her own ways on dealing with the predicament of women protagonists. Kapur, being one of the modern day women authors, has expressed herself freely and boldly on a variety of themes without adopting feminist postures. Her novels furnish examples of a whole range of attitudes towards the importation of Indian tradition. However, the novelist seems to be aware of the fact that the women of India have indeed achieved their success in sixty years of Independence, but if there is to be true female independence, too much remains to be done. The present paper attempts to portray the reality of a typical Indian family in Manju Kapur’s Home.
Style APA, Harvard, Vancouver, ISO itp.
8

Kadam, Dipali M. "Diasporic consciousness in contemporary Indian women’s fiction in English: at a glance". RUDN Journal of Studies in Literature and Journalism 27, nr 3 (12.10.2022): 532–40. http://dx.doi.org/10.22363/2312-9220-2022-27-3-532-540.

Pełny tekst źródła
Streszczenie:
Diasporic literature is a pivotal term in literature that includes the literary works of the authors who are the outsiders for their native country but their work is deeply rooted in homeland by reflecting native culture, background, displacement and so on. Indian women’s literary work is at the forefront of diasporic literature. The advent of Indian women novelists on the literary horizon is an important development in the Indian English literature. These women writers have also contributed to other genres, such as drama, poetry and short stories, not only in English but also in regional languages like Hindi, Marathi, Bengali, Punjabi, Tamil, Kannada and so on. Some modern women writers flourish their writing in the form of fables as a literary genre in an impressive way to focus on the specific themes. In last two decades, Indian women’s writing in English is blossomed, both published in India and abroad. The present paper is the review of diasporic consciousness in select works of contemporary Indian women novelists. It focuses on the attempt to highlight the quest for identity of those women who played a crucial role in defining themselves through their literary work in diasporic background.
Style APA, Harvard, Vancouver, ISO itp.
9

Mahapatra, Aruni. "Irreverent Reading: Humor, Erudition and Subalternity in the fiction of Bankim Chandra Chattopadhyay and Fakir Mohan Senapati". Cambridge Journal of Postcolonial Literary Inquiry 6, nr 2 (26.03.2019): 179–98. http://dx.doi.org/10.1017/pli.2018.52.

Pełny tekst źródła
Streszczenie:
This essay examines scenes from prose fiction in which two Indian novelists (Bankim Chandra Chatterjee and Fakir Mohan Senapati) interrogated subalternity in colonial India by talking about books. It first examines narrators’ frustration with books as acts of “irreverent reading” in colonial India, where the presence and scarcity of readable print produced anxieties about language and community. It then examines “reading” in the novels and compares how different kinds of irreverence allows narrators to introduce women characters as agents of very different kinds of violence in colonial India. Following insights of Gayatri Spivak, Elleke Boehmer, and Leah Price, and others, this article argues that Fakir Mohan Senapati’s sensitivity to his readers’ inability to access books enabled his novel to empower readers without books and emphasize how community in colonial India was constituted by the collective forgetting of women.
Style APA, Harvard, Vancouver, ISO itp.
10

Jackson, Elizabeth. "Gender and social class in India: Muslim perspectives in the fiction of Attia Hosain and Shama Futehally". Journal of Commonwealth Literature 53, nr 1 (11.05.2016): 124–39. http://dx.doi.org/10.1177/0021989416632373.

Pełny tekst źródła
Streszczenie:
This article investigates representations of gender and class inequality in Attia Hosain’s classic novel Sunlight on a Broken Column (1961) and her short story collection Phoenix Fled and Other Stories (1953). It compares her work with that of Shama Futehally, another elite Muslim Indian woman writing in English several decades later. Born 40 years after Attia Hosain, the postcolonial world of Shama Futehally is very different, but the issues she explores in her fiction are remarkably similar: social and economic inequality, exploitation of the poor, and the ambiguous position of women privileged by their social class and disempowered by their gender. Both authors write carefully crafted realist fiction focusing predominantly on the experiences and perspectives of female characters. Shama Futehally’s novel Tara Lane (1993), like Attia Hosain’s Sunlight on a Broken Column, is a coming-of-age novel whose protagonist is a young Muslim woman in an affluent family, coming to terms with the uneasy combination of class privilege, gender disadvantage, and a strong social conscience. Both authors explore the perspectives of working-class Indian women in their short stories, emphasizing their vulnerability to exploitation (including sexual exploitation), as well as the deeply problematic nature of “noblesse oblige”. Aware of the interconnections between gender and class inequality, Attia Hosain and Shama Futehally have written powerful fictional works which effectively dramatize not only the complex relationship between gender and social class hierarchies, but also the ways in which all privilege is predicated on inequality.
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Rozprawy doktorskie na temat "Women – India – Fiction"

1

Hasseler, Theresa A. ""Myself in India" : the memsahib figure in colonial India /". Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/9364.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Chanda, Geetanjali. "Indian women in the house of fiction : place, gender, and identity in post-independence Indo-English novels by women /". Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19736617.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Gohain, Atreyee. "Where the Global Meets the Local: Female Mobility in South Asian Women's Fiction in India and the U.S". Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1428022854.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Praveen, Radhika. "Memoirs of a Taboo : a novel ; Women in pre- and post-Victorian India : the use of historical research in the writing of fiction". Thesis, London Metropolitan University, 2018. http://repository.londonmet.ac.uk/3440/.

Pełny tekst źródła
Streszczenie:
This practice-based creative writing doctorate supports the creation of a novel that is in part, historical fiction, based on research focusing on the discrepancies in the perceived status of women between the pre-Victorian and the postmillennial periods in India. The accompanying component of the doctorate, the analytical thesis, traces the course of this research in connection to the novel's structural development, its narrative complexity and its characters. The novel traces the journey of two women protagonists - each placed in the 18th- and the 21st-centuries, respectively - as they reconcile to the realities of their individual circumstances. The introduction to the critical thesis gives a brief synopsis of the novel. It also explains the rationale behind the approaches used in the novel, and in adopting a post-postcolonial and progressive voice throughout the fictional work. The first chapter in the critical thesis demonstrates how findings from the primary and secondary research have been applied to inform the writing of the novel. It also explains the influence of the Indian oral narrative tradition and its related approaches on the creative process with regards to the novel. The second chapter briefly surveys traditional assumptions about the liberal attitudes to female sexuality in ancient and pre-Victorian India through literary examples. It identifies possible reasons for the changing status of women in contemporary Indian society, specifically in Kerala, which forms part of the settings in the novel. The third chapter in the thesis examines Ambilli's process of self-acceptance or making peace with her past trauma. It draws on the Indian notion of karma, the folktales and storytelling tradition of south India, which believes in the philosophy that stories are one of the means by which women can reconcile to reality. The fourth chapter elaborates upon the narrative devices used in the novel; its metafictional element and the inspiration for it. The thesis concludes by analysing the process of the writing practice and places it within the context of the aims of the research subject: the changing status of women in India over the past three centuries with regards to their sexuality. Finally, the study contributes to contemporary literature by bringing to light some fascinating aspects of the public role of women in ancient and pre-Victorian India as well as some lesser-known historical incidents, and re-interpreting these in the novel in an engaging and informative narrative.
Style APA, Harvard, Vancouver, ISO itp.
5

Goosen, Adri. ""Stealing the story, salvaging the she" : feminist revisionist fiction and the bible". Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5338.

Pełny tekst źródła
Streszczenie:
Thesis (MA (English))--University of Stellenbosch, 2010.
ENGLISH ABSTRACT: This thesis analyses six novels by different women writers, each of which rewrites an originally androcentric biblical story from a female perspective. These novels are The Red Tent by Anita Diamant, The Garden by Elsie Aidinoff, Leaving Eden by Ann Chamberlin, The Moon under her Feet by Clysta Kinstler, The Wild Girl by Michelle Roberts and Wisdom’s Daughter by India Edghill. By classifying these novels as feminist revisionist fiction, this study considers how they both subvert and revise the biblical narratives they are based on in order to offer readers new and gynocentric alternatives. With the intention of establishing the significance of such an endeavor, the study therefore employs the findings of feminist critique and theology to expose how the Bible, as a sexist text, has inspired, directly or indirectly, many of the patriarchal values that govern Western society and religion. Having established how biblical narratives have promoted and justified visions of women as marginal, subordinate and outside the realm of the sacred, we move on to explore how feminist rewritings of such narratives might function to challenge and transform androcentric ideology, patriarchal myth and phallocentric theology. The aim is to show that the new and different stories constructed within these revisionist novels re-conceptualise and re-imagine women, their place in society and their relation to the divine. Thus, as the title suggests, this thesis ultimately considers how women writers ‘steal’ the original biblical stories and transform them in ways that prove liberating for women.
AFRIKAANSE OPSOMMING: Hierdie tesis analiseer ses romans deur verskillende vroue skrywers - romans wat die oorspronklik androsentriese bybelse stories herskryf vanuit ’n vroulike perspektief. Die romans sluit in The Red Tent deur Anita Diamant, The Garden deur Elsie Aidinoff, Leaving Eden deur Ann Chamberlin, The Moon under her Feet deur Clysta Kinstler, The Wild Girl deur Michelle Roberts en Wisdom’s Daughter deur India Edghill. Deur hierdie romans te klassifiseer as feministiese revisionistiese fiksie, oorweeg hierdie studie hoe hulle die bybelse verhale waarop hulle gebaseer is, beide ondermyn en hersien om sodoende lesers nuwe en ginosentriese alternatiewe te bied. Met die voorneme om die betekenisvolheid van so ’n poging vas te stel, wend hierdie tesis dus die bevindings van feministiese kritiek en -teologie aan om bloot te lê hoe die Bybel, as ‘n seksistiese teks, baie van die patriargale waardes van die Westerse samelewing en godsdiens, direk of indirek, geïnspireer het. Nadat vasgestel is hoe bybelse verhale sienings van vroue as marginaal, ondergeskik en buite die sfeer van heiligheid bevorder en regverdig, beweeg die tesis aan om te ondersoek hoe feministiese herskrywings van sulke verhale, androsentriese ideologie, patriargale mite en fallosentriese teologie uitdaag en herskep. Die doelwit is om te wys dat die nuwe en anderste stories saamgestel in hierdie revisionistiese romans, vroue, hul plek in die samelewing en hul betrekking tot die goddelike, kan heroorweeg en herdink. Dus, soos die titel voorstel, oorweeg hierdie tesis primêr hoe vroue skrywers die oorspronklike bybelse stories ‘steel’ en herskep op maniere wat bevrydend vir vrouens blyk te wees.
Style APA, Harvard, Vancouver, ISO itp.
6

Young, Sally. "Irresistible grace : excerpt from a novel, and, Looking back: on writing, travel and the gaze : an essay". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/871.

Pełny tekst źródła
Streszczenie:
This thesis consists of a creative component, the first half of a novel, ‘Irresistible Grace’, and an exegesis, ‘Looking back: On writing, travel and the gaze.’ The novel begins in Manchester and centres on Caitlin, an Australian woman in her late twenties, who learns of her partner Pedro’s affair. The revelation stirs a resurgence of grief for her mother, Grace, who died when Caitlin was a child. In a bid to learn more about her mother, Caitlin embarks on a journey to India, where Grace spent the first half of her childhood as an expatriate. In India, Caitlin begins volunteering in a local slum. With the help of a friend, she eventually finds the site of her mother’s home, and in doing so makes the same discovery that her mother made in her voyage there before she died, learning the truth about her roots. Caitlin’s experience in Manchester and voyage to India are interwoven with memories of her childhood and of her father, Dave, her mother, Grace, and her sister, Maggie. It is through these memories that Grace’s own story is told – that of a grieving mother at odds with the world around her who is struggling to make sense of life after the death of her baby. Caitlin’s voyage concludes in the place of her own childhood, Western Australia, where she makes a decision to reunite with Pedro. In the exegesis I explore the journey that I have undertaken in writing this novel, the challenges I faced in doing so, and how these challenges have become entwined with the themes of the story. I explore the themes of abandonment, isolation and forgiveness. I also discuss the unique exchange between traveller and host that occurs through the act of gaze. I draw on the works of Foucault, Maoz, Jordan and Aitchison and Hottola as well as novels by Turner Hospital, de Kretser and Baranay to examine the ways in which traveller and host make sense of the ‘other’ through this interaction and how they can both misinterpret and come to a mutual understanding through the act of gaze.
Style APA, Harvard, Vancouver, ISO itp.
7

Barber, Jennifer P. "Indian chick-lit : form and consumerism /". Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/barberj/jenniferbarber.pdf.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Roy, Reshmi. ""Saptapadi" -- the seven steps : a study of the urban Hindu arranged marriage in selected Indian-English fiction by women authors". Thesis, University of Canterbury. English, 2004. http://hdl.handle.net/10092/4690.

Pełny tekst źródła
Streszczenie:
This study explores the influence of the Indian socio-cultural hegemonic discourse on the urban Hindu arranged marriage. For this purpose, four novels in English by Indian women writers have been selected for their location within the specific urban Indian socio-cultural tradition. These novels are the avenues through which the Gramscian theories of hegemony and consensual control are observed. The study focuses on unravelling the damage caused by the hegemonic socio-cultural traditions within the marriages portrayed in the fiction. The interplay between the reader and the texts is vital in further exploring the reach of hegemony into the reading codes of the audience. The need for a model reader is discussed within the study which also addresses the roles of both protagonists and readers as 'cultural insiders/outsiders.' The study focuses on the emotional and socio-cultural dilemmas faced by the protagonists and the audience who occupy the 'in-between-zones' of those who fall into neither category of absolute insiders or outsiders in cultural terms. This thesis is not an attempt aggressively to deconstruct the Indian traditional social structure. The main aim of this thesis is to use the literary discourse as an instrument to explore the subversion of the ancient Hindu discourses whenever it has suited the vested interests shaping the hegemonic socio-cultural discourses. This study also attempts to further an understanding of the exploitative manipulation of married couples by various interest groups. In the process, using fiction as an instrument, there might be a chance to create stronger marriages and more harmonious marital interactions within urban Indian society.
Style APA, Harvard, Vancouver, ISO itp.
9

Vijay, S. "Margaret Laurence and Shashi Deshpande: A study of the notion of Marginal woman in Canadian and Indian fiction in English". Thesis, 1998. http://hdl.handle.net/2009/1695.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Książki na temat "Women – India – Fiction"

1

Singh, Jacquelin. Home to India. Sag Harbor, N.Y: Permanent Press, 1997.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Jain, Jagdish Chandra. Women in ancient Indian tales. Delhi, India: Mittal Publications, 1987.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Payne, Peggy. Sister India. New York: Riverhead Books, 2001.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

James, Patterson. Private India. London: Century, 2014.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Flower, Amanda. Maid of murder: An India Hayes mystery. Waterville, Me: Five Star, 2010.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Dharmarajan, Geeta, red. Separate journeys: 23 stories from the women of India. Bombay: India Book Distributors (Bombay), 1993.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Flower, Amanda. Murder in a basket: An India Hayes mystery. Waterville, Me: Five Star, 2012.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

J, Tharu Susie, i Lalita Ke, red. Women writing in India: 600 B.C. to the present. New York: Feminist Press at the City University of New York, 1991.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Aikath-Gyaltsen, Indrani. Daughters of the house. New York: Ballantine Books, 1994.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Aikath-Gyaltsen, Indrani. Daughters of the house. New Delhi, India: Penguin Books, 1991.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Części książek na temat "Women – India – Fiction"

1

Ghosal, Nilanjana, i Srirupa Chatterjee. "Cultural Assimilation and the Politics of Beauty in Postwar American Fiction by Ethnic Women Writers". W The English Paradigm in India, 139–51. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_10.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Venkataraman, Vijaya. "Rewriting Genre/Gender? Crime Fiction by Women Authors from India and Latin America". W Transcultural Negotiations of Gender, 83–92. New Delhi: Springer India, 2015. http://dx.doi.org/10.1007/978-81-322-2437-2_8.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Kuhad, Urvashi. "Indian science fiction". W Science Fiction and Indian Women Writers, 24–57. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-2.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Gupta, Indrani Das, i Shashi Prava Tigga. "Woman and Statecraft: Reading Meenakshi Reddy Madhavan's Novels in the Series ‘Girls of the Mahabharata’". W Indian Popular Fiction, 173–91. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003239949-13.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Kuhad, Urvashi. "Contemporary Indian science fiction writers and their works". W Science Fiction and Indian Women Writers, 58–130. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-3.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Kuhad, Urvashi. "Radical elements and the use of conjunctions". W Science Fiction and Indian Women Writers, 131–47. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-4.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Kuhad, Urvashi. "Conclusion". W Science Fiction and Indian Women Writers, 155–65. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-6.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Kuhad, Urvashi. "Contradictions through disjunctions". W Science Fiction and Indian Women Writers, 148–54. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-5.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Kuhad, Urvashi. "Introduction". W Science Fiction and Indian Women Writers, 1–23. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003058328-1.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Chakraborty, Nabanita. "The Rhetoric of Deliberation and the Space of the Hyphen: Identity Politics of the Indian Women Diaspora in the Fictions of Jhumpa Lahiri". W Women in the Indian Diaspora, 27–37. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5951-3_3.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Streszczenia konferencji na temat "Women – India – Fiction"

1

DEKA, Kabita, i Debajyoti BISWAS. "WOMEN IN GENDERED ENCLOSURE: A COMPARATIVE STUDY OF INDIRA GOSWAMI’S DATAL HATIR UNE KHOWA HOWDAH (THE MOTH-EATEN HOWDAH OF A TUSKER) AND EASTERINE IRALU’S A TERRIBLE MATRIARCHY". W Synergies in Communication. Editura ASE, 2022. http://dx.doi.org/10.24818/sic/2021/04.05.

Pełny tekst źródła
Streszczenie:
The paper discusses Mamani Raism Goswami’s The Moth Eaten Howda of the Tusker (2004) and Easterine Kire Iralu’s A Terrible Matriarchy (2011) with reference to the plight of women in North East India. Although the socio-cultural context of the novels varies from each other, the paper argues that the characters depicted in the fictions are connected through the sense of deprivation and oppression that women have to undergo in a patriarchal society. Iralu’s A Terrible Matriarchy and Goswami’s The Moth-Eaten Howda of a Tusker underscore that neither religion nor modernity can offer a solution to the existing structures of domination and discrimination unless the women resist and break these structures from within.
Style APA, Harvard, Vancouver, ISO itp.
Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Women – India – Fiction” dla poszczególnych typów źródeł:
Artykuły w czasopismach Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii