Gotowe bibliografie tematyczne / Women, Black, in popular culture

Gotowa bibliografia na temat „Women, Black, in popular culture”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 29 lipca 2024

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Artykuły w czasopismach na temat "Women, Black, in popular culture"

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Johnson, Adeerya. "Hella Bars: The Cultural Inclusion of Black Women’s Rap in Insecure". Open Cultural Studies 6, nr 1 (1.01.2022): 76–87. http://dx.doi.org/10.1515/culture-2022-0144.

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Abstract The musical supervision of HBO’s insecure sonically maps various representations of Black women’s connections to hip-hop music as a site of autonomy, agency, and authenticity. Importantly, the variety of Black female rappers who are featured in seasons 1–3 of insecure connects nuanced and contemporary representations of Black millennial women’s understanding of Black womanhood, sex, friendship, love, and relationships. I argue that the influence of Issa Rae’s perception and connections to hip-hop and the placement of songs in insecure supports a soundtrack that takes on a hip-hop feminist approach to Black popular culture. I explore contemporary female hip-hop artist as an emerging group of rappers who support nuanced narratives and identities of Black millennial women. Furthermore, this article highlights the connectedness of Black popular culture and hip-hop feminism as an important site of representation for Black women who use hip-hop as a signifier to culture, self-expression, and identity. I recognize the importance of insecure’s soundtrack and usage of Black women in hip-hop to underline the ways hip-hop sits at the intersections of race, sexuality, and gender for Black women’s everyday lives.
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Herbert, Emilie. "Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-Presentations of Black Womanhood". Open Cultural Studies 2, nr 1 (1.09.2018): 191–202. http://dx.doi.org/10.1515/culture-2018-0018.

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Abstract The story of Black women in British mainstream cinema is certainly one of invisibility and misrepresentations, and Black women filmmakers have historically been placed at the margins of British film history. Up until the mid-1980s, there were no Black female directors in Britain. Pioneers like Maureen Blackwood, Martina Attille and Ngozi Onwurah have actively challenged stereotypical representations of Black womanhood, whilst asserting their presence in Black British cinema, often viewed as a male territory. In the 2010s, it seems that the British film industry remains mostly white and masculine. But the new millennium has brought a digital revolution that has enabled a new generation of Black women filmmakers to work within alternative circuits of production and distribution. New strategies of production have emerged through the use of online crowdfunding, social media and video-sharing websites. These shifts have opened new opportunities for Black women filmmakers who were until then often excluded from traditional means of exhibition and distribution. I will examine these strategies through the work of Moyin Saka, Jaha Browne and Cecile Emeke, whose films have primarily contributed to the re-presentation of Black womanhood in popular culture.
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Neal, Ronald B. "Shayne Lee: Erotic Revolutionaries: Black Women, Sexuality, and Popular Culture". Journal of African American Studies 17, nr 3 (16.05.2012): 402–4. http://dx.doi.org/10.1007/s12111-012-9223-4.

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Nogueira, Martha Maria Brito. "Empowerment of Black Women: Culture, Tradition and Protagonism of Dona Dió do Acarajé in the "Washing the Alley"". Mosaico 10, nr 2 (19.12.2017): 174. http://dx.doi.org/10.18224/mos.v10i0.5855.

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Abstract: the objective of this study is to deconstruct the racist and sexist ideologies that make invisible the presence of black women in the various spaces of society, especially in the cultural field, seeking to show their actions to promote and establish new positions. In order to do so, it analyzes the trajectory of Dona Dió do Acarajé, a black woman of quilombola descent who excelled in several popular demonstrations in the city of Vitória da Conquista in the last decades of the twentieth century, becoming a symbol of black culture. These questions will be analyzed from the feminist theories, called the “Standpoint Teory” of black feminist thought, in order to understand the dynamics of empowerment of black women in popular culture. Empoderamento das Mulheres Negras: Cultura, Tradição e Protagonismo de Dona Dió do Acarajé na “Lavagem do Beco” Resumo: o objetivo desse estudo é desconstruir as ideologias racistas e sexistas que invisibilizam a presença das mulheres negras nos diversos espaços da sociedade, em especial no campo cultural, procurando mostrar a suas ações para promover e estabelecer novos posicionamentos. Para tanto, analisa a trajetória de Dona Dió do Acarajé, mulher negra, de descendência quilombola que sobressaiu em várias manifestações populares na cidade de Vitória da Conquista nas últimas décadas do século XX, tornando-se símbolo da cultura negra. Estas questões serão analisadas a partir das teorias formuladas pelas feministas, denominadas de “Standpoint Teory” do pensamento feminista negro, no sentido de compreender as dinâmicas de empoderamento das mulheres negras na cultura popular.
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Rodriguez, Mario. "“Blame it on the Black Star”: Black Holes in Culture". IAFOR Journal of Cultural Studies 8, nr 2 (30.12.2023): 5–30. http://dx.doi.org/10.22492/ijcs.8.2.01.

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“Black holes” continue to compel the human imagination, as demonstrated by the public reception of the first images of a black hole produced by the Event Horizon Telescope in 2019 or the success of Hollywood science fiction movies like Christopher Nolan’s 2014 film Interstellar that depicts what it might be like to fall into one. My study traces the discovery of “black holes” in the 20th century – collapsed stars with so much gravity that nothing can escape them, not even light – regarding how scientists talked about them and their emergence in popular culture. This begins with discussing how influential scientists weighed in on the concept and how the scientific community finally settled on the term “black hole.” The study then considers various ways black holes have percolated into every aspect of culture: from TV to movies, popular science to modern rock. It concludes with a consideration of the more recent turn in the cultural meaning of this “exotic object,” particularly as it relates to the myth of the lone scientist, women scientists, and the climate crisis, but also the risk of nuclear war.
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Thompson Moore, Katrina. "The Wench: Black Women in the Antebellum Minstrel Show and Popular Culture". Journal of American Culture 44, nr 4 (grudzień 2021): 318–35. http://dx.doi.org/10.1111/jacc.13299.

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Boylorn, Robin M. "Dark-Skinned Love Stories". International Review of Qualitative Research 5, nr 3 (listopad 2012): 299–309. http://dx.doi.org/10.1525/irqr.2012.5.3.299.

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In recent years academic scholarship and the public imagination has focused on the love lives (or lack thereof) of black women. In response and reaction to the recent so-called black love epidemic I interrogate claims about black women's failure at love and critique the ways that black women are often blamed for their cultural positionality. Framing my personal story with Toni Morrison's fictional character Pecola Breedlove, I discuss the role of sexism and colorism in the context of heterosexual love narratives. I use autoethnography, references to popular culture, and interdisciplinary scholarship to discuss my personal journey of identity, identification, and transformation as an unmarried dark-skinned woman.
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Farrugia, Rebekah, i Kellie D. Hay. "Wrecking rap's conventions: the cultural production of three daring Detroit emcees". Popular Music 37, nr 1 (8.12.2017): 63–80. http://dx.doi.org/10.1017/s0261143017000575.

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AbstractThis article profiles the music of three politically motivated hip hop emcees. It combines textual and musicological analysis with ethnographic data to examine the ways in which these women use music to empower themselves and to contribute to meaningful, positive change in post-industrial, post-bankruptcy Detroit. These narratives are significant because they combat the dominant, hegemonic two-dimensional representations of African American women that are epitomised in commercial hip hop and popular culture at large. Further, in a context where art and activism are connected, their work challenges the current controlling images and sexual scripts that dominate both commercial music industry representations and scholarship on women in hip hop. The artists we profile exemplify a new kind of musical movement where women are agents and creative solutionaries. At times, they are explicitly critical of the narrow range of black womanhood presented in popular culture and in other instances, they focus on issues such as the environment, race relations, racialized bodies, poverty and abuse, all the while challenging the hip hop industry and popular culture norms that communicate who black women are and who they should be.
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Różalska, Aleksandra. "Transgressing the Controlling Images of African-American Women? Performing Black Womanhood in Contemporary American Television Series". EXtREme 21 Going Beyond in Post-Millennial North American Literature and Culture, nr 15 (Autumn 2021) (20.11.2021): 273–90. http://dx.doi.org/10.7311/pjas.15/2/2021.07.

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Drawing from intersectionality theories and black feminist critiques of white, masculinist, and racist discourses still prevailing in the American popular culture of the twenty-first century, this article looks critically at contemporary images of African-American women in the selected television series. For at least four decades critics of American popular culture have been pointing to, on the one hand, the dominant stereotypes of African-American women (the so-called controlling images, to use the expression coined by Patricia Hill Collins) resulting from slavery, racial segregation, white racism and sexism as well as, on the other hand, to significant marginalization or invisibility of black women in mainstream film and television productions. In this context, the article analyzes two contemporary television shows casting African-American women as leading characters (e.g., Scandal, 2012-2018 and How To Get Away With Murder, 2014-2020) to see whether these narratives are novel in portraying black women’s experiences or, rather, they inscribe themselves in the assimilationist and post-racial ways of representation.
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Bailey, Moya. "Misogynoir in Medical Media: On Caster Semenya and R. Kelly". Catalyst: Feminism, Theory, Technoscience 2, nr 2 (21.09.2016): 1–31. http://dx.doi.org/10.28968/cftt.v2i2.28800.

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Misogynoir describes the co-constitutive, anti-Black, and misogynistic racism directed at Black women, particularly in visual and digital culture (Bailey, 2010). The term is a combination of misogyny, the hatred of women, and noir, which means black but also carries film and media connotations. It is the particular amalgamation of anti-Black racism and misogyny in popular media and culture that targets Black trans and cis women. Representational images contribute to negative societal perceptions about Black women, which can precipitate racist gendered violence that harms health and can even result in death. As philosopher Linda Alcoff asserts, racism depends on perceptible difference to determine which bodies are expendable, and in this cultural moment of Black hypervisibility, Black women are particularly vulnerable (Philosophy). I use two culture examples to explore the real life impact of misogynoir in medical media. I explore the ways in which the biomedical knowledge produced by physicians reinforces certain bodies as normal and others as pathological. The case of Caster Semenya as well as the trial of R&B star R. Kelly, allow me to introduce Black feminist health science studies as a critical intervention into current medical curriculum reform conversations.
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Rozprawy doktorskie na temat "Women, Black, in popular culture"

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Johnson, Lakesia Denise. "The Iconography of the Black Female Revolutionary and New Narratives of Justice". The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1213127495.

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Pacheco, Tâmara. "Desconstruindo estereótipos: narrativas da mulher negra no batuque de umbigada paulista". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/100/100134/tde-11122017-155233/.

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Os batuques manifestam-se em cidades brasileiras como práticas de terreiro. Sob a guarda de mulheres negras e homens negros mais velhos, o tambu (tambor) é o meio de comunicação entre os vivos e os mortos, seguindo os fundamentos africanos banto, na região que ficou conhecida como Oeste Paulista. Neste estudo, tratamos como a mulher negra no batuque de umbigada paulista relaciona sua experiência de vida à cultura negra. Em tempos midiáticos da sociedade de consumo, partimos da visão folclórica acerca da batuqueira para refletir de que forma em seu repertório pessoal ela desconstrói essas e outras imagens controladoras. Entre as mais antigas e emblemáticas herdeiras da tradição, três mulheres negras com mais de 65 anos dispõem-se a testemunhar suas histórias, traçando elementos de enfretamento ao racismo e ao sexismo e revelando aspectos de superação da violência simbólica infringida pelos papéis sociais padronizados. Paralelamente às narrativas de desconstrução de estereótipos, voltamo-nos às teorias que tratam da produção e reprodução social na modernidade e da pós-modernidade e o lugar da mulher negra desde o século XIX, no pós-abolição, até o contexto atual da globalização neoliberal, bem como do feminismo negro, visando identificar estratégias de resistência cotidianas que podem ser vistas como ação política na luta contra o racismo e o sexismo
The Paulista Umbigada Batuque is set in the city as a cultural practice related to the terreiro, or sacred land. It has been kept under the care of elder black women and men, wherein the tambu (a kind of drum) is the tool of communication between the living and the dead, following the African-Bantu teachings that manifests in this region known by Oeste Paulista (Western of Sao Paulo State). In this study, we are concern about how the black women from batuque reflect on the relation between their life experiences and the black culture. In the context of a mass media consume society, and by criticizing the folkloric perspective about the batuqueira (the batuque women), we reflect on how these women deconstruct the controlling images that surround and curtail them. Among the eldest and most representative women of this tradition, three black women commit themselves to narrate their stories for this research, laying out elements of their experience in confronting racism and sexism, and in disclosing the symbolic violence infringed against them by the standardized and socially imposed roles. Besides the narratives concerned the deconstruction of stereotypes, our analysis also looks for theories about social production and reproduction in modernity, the post-modernism debate, and the role fulfilled by the black women since the XIX century, after the abolition of slavery, until nowadays in a neoliberal and globalized world context, as well as in the context of the black feminist thinking.Through the analysis of these narratives and contexts, our work aims to identify the daily strategies of resistance in batuque, which can be considered as well a political action against racism and sexism
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Silva, Bianca Dantas Alves Gomes da Silva. "Existir e resistir - mulheres negras no graffiti : a produção cultural de Negahamburguer e Nenesurreal /". Araraquara, 2019. http://hdl.handle.net/11449/183248.

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Orientador: Dagoberto José Fonseca
Banca: Claudete Camargo Pereira Basaglia
Banca: Valquíria Pereira Tonório
Resumo: Essa dissertação tem como objetivo compreender de que modo as mulheres negras atuam no mundo do graffiti e quais as possíveis transformações presentes nesse campo majoritariamente ocupado por representações masculinizadas. Buscamos verificar como as relações de gênero se apresentam na prática de graffiti, sob a perspectiva das categorias de raça/etnia, a fim de compreender o lugar das mulheres negras nesse universo. Para tanto, nos atemos à produção cultural de duas grafiteiras negras: a Negahamburguer, de São Paulo/SP e a NeneSurreal, de Diadema/SP. Ambas são referências no universo do graffiti e iniciaram a prática por meio de afinidades com o Movimento Hip-Hop. Orientada pelas reflexões dos Estudos de Gênero, partimos do referencial teórico proposto pela historiadora e pesquisadora brasileira Lélia Gonzalez, que se constitui no desenvolvimento de estudos debruçados a compreender as mulheres negras enquanto agentes do processo de construção e transformação cultural.
Resumen: Esta disertación tiene como objetivo comprender cómo actúan las mujeres negras actúan en el mundo del graffiti y cuáles son las posibles transformaciones presentes en ese campo mayoritariamente ocupado por representaciones masculinizadas. Buscamos verificar cómo las relaciones de género se presentan en la práctica de graffiti, bajo la perspectiva de las categorías de raza/etnia, a fin de comprender el lugar de las mujeres negras en este universo. Nos atemos a la producción cultural de dos grafiteras negras: la Negahamburguer, de São Paulo / SP y la NeneSurreal, de Diadema / SP. Ambas son referencias en el universo del graffiti y iniciaron la práctica por medio de afinidades con el Movimiento Hip-Hop. Orientada por las reflexiones de los Estudios de Género, partimos del referencial teórico propuesto por la historiadora e investigadora brasileña Lélia González, que se constituye en el desarrollo de estudios dedicados a comprender a las mujeres negras como agentes del proceso de construcción y transformación cultural.
Mestre
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Cochran, Shannon M. Phd. "Corporeal (isms): Race, Gender, and Corpulence Performativity in Visual and Narrative Cultures". The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281917081.

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Hahlin, Sanna. ""This is my father and he's a woman" : En undersökning av framställningar av transpersoner i tv-serierna Orange Is the New Black och Transparent". Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-134684.

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The purpose of this essay is to examine how transgender people are represented in modern day popular fiction. To do this, I have analyzed two tv-programmes, Orange Is the New Black and Transparent. To do this, I have used thematic analysis as well as analyzed the images produced within the programs. The theories that I base my analysis on is largely based on the theories of representation as coined by Stuart Hall as well as queer theory and Judith Butler’s take on gender. I find that they share many common themes such as the process of “coming out” and a clear focus on what transgender peoples’ bodies look like and how they interact with gender. It is mainly trans women who are the subject of fictional movies and tv-programmes and this is perhaps because they are believed to be more approachable and hu-morous than other transgender people. The key to representation is variation and overlook-ing the fact that trans women are somewhat overrepresented, Orange Is the New Black and Transparent portray transgender people in a realistic and intersectional fashion.
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Howell, Danielle Marie. "Cloning the Ideal? Unpacking the Conflicting Ideologies and Cultural Anxieties in "Orphan Black"". Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460059315.

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Harris, John Rogers. "The performance of black masculinity in contemporary black drama". Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054742668.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains vii, 233 p. Includes abstract and vita. Advisor: Stratos E. Constantinidis, Dept. of Theatre. Includes bibliographical references (p. 214-233).
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Kajikawa, Loren Yukio. "Centering the margins black music and American culture, 1980-2000 /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930277371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Robinson, Penelope A. "A postfeminist generation : young women, feminism and popular culture". Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/37397.

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The under-theorisation of the concept of generation within feminism has led to negative and unproductive disputes. In the heated generational exchanges of the 1990s, feminists were cast according to age into opposing sides: old or young, mothers or daughters, second wave or third wave. These categories are limiting and the conflict harmful for feminist politics. In order to avoid these pitfalls, a theoretical framework is developed that draws on the work of Karl Mannheim and post feminist cultural analyses to elucidate the significance of popular culture in marking a generation. This framework then enables an examination of the way feminist discourses are played out in popular culture and helps explain young women’s complex engagement with feminism. This thesis brings together interviews with young Australian women and an analysis of two television programmes that exhibit post feminist characteristics: Sex and the City and Desperate Housewives. It examines the ways in which young women critically engage with these texts and explores popular culture as an arena where feminist discourses are contested. The era is characterised as post feminist because of the entanglement of feminism with popular culture, but it is also marked by the intersection of equality feminism with a neoliberal emphasis on individualism. Within this context, second wave feminist discourses of equality have slipped into the rhetoric of choice, which has important implications for feminist theory. The pervasive sense of choice and opportunity circulated by these discourses obscures the structural limitations that continue to affect women’s lives and demand that women make the “right” choices, build a successful career, find a suitable long-term partner, and become a good mother. This thesis mobilises post feminism as a valuable analytical concept that can be used to characterise the current generation of young women, not simply because they have grown up after the height of second wave feminism, but because the prevailing discourses of this historical moment reflect both continuity with, and a challenge to, earlier feminist debates. The mainstreaming of many feminist ideas and their reflection in popular culture provides the conditions for new forms of feminism to emerge.
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Robinson, Penelope A. "A postfeminist generation young women, feminism and popular culture /". View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/37397.

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Thesis (Ph.D) -- University of Western Sydney, 2008.
A thesis submitted to the University of Western Sydney, College of Arts, School of Social Sciences, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
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Książki na temat "Women, Black, in popular culture"

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Assumpção, Michelle de. Lia de Itamaracá: Nas rodas da cultura popular. Recife: Cepe Editora, 2020.

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Parks, Sheri. Fierce angels: The strong black woman in American life and culture. New York: One World Books, 2010.

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Greene, Jasmin S. Beyond money, cars and women: Examining black masculinity in hip hop culture. Newcastle: Cambridge Scholars, 2008.

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1962-, Wallace-Sanders Kimberly, red. Skin deep, spirit strong: The Black female body in American culture. Ann Arbor: University of Michigan Press, 2002.

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Borges, Stephanie. Talvez precisemos de um nome para isso: [ou o poema de quem parte]. Recife, PE: Cepe Editora, 2019.

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Hobson, Janell. Venus in the dark: Blackness and beauty in popular culture. New York, NY: Routledge, 2005.

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Brown, Jayna. Babylon girls: Black women performers at the threshold of the modern. Durham: Duke University Press, 2008.

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Sharpley-Whiting, T. Denean. Black Venus: Sexualized savages, primal fears, and primitive narratives in French. Durham, N.C: Duke University Press, 1999.

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Young, Courtney. From Madea to Michelle. New York: The Feminist Press, 2010.

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Lee, Shayne. Erotic Revolutionaries: Black Women, Sexuality, and Popular Culture. Hamilton Books, 2010.

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Części książek na temat "Women, Black, in popular culture"

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Griffiths, John. "'Women in India'". W Empire and Popular Culture, 324–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351024747-40.

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Griffiths, John. "'Women Organising for an Active Part'". W Empire and Popular Culture, 322–23. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351024747-39.

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Bowker, Kelly. "Plasticity in Lexus's Black Panther Commercial". W Dance in US Popular Culture, 91–93. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003011170-16.

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Roberts, Shearon. "Naomi Osaka, Racial Hybridity, and Black Femininity in Tennis". W East Asian Popular Culture, 319–42. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97780-1_13.

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Anderson, Ronya-Lee. "#Burberry and the Utility of Black Femininity". W Dance in US Popular Culture, 151–54. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003011170-26.

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Taylor, Anthea. "Blogging Solo: Women Refiguring Singleness". W Single Women in Popular Culture, 179–209. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_7.

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Henry, Britney. ""Red, White, and Black 1 "". W Black Popular Culture and Social Justice, 181–91. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003308089-16.

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Mathers, Kathryn. "Becoming American in Wakanda or Black is Queen". W White Saviorism and Popular Culture, 70–98. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003223818-4.

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Horn, Katrin. "Beyond Gay Men and After the Closet: Camp’s New Politics and Pleasures". W Women, Camp, and Popular Culture, 1–13. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64846-0_1.

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Horn, Katrin. "The History and Theory of Camp". W Women, Camp, and Popular Culture, 15–33. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64846-0_2.

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Streszczenia konferencji na temat "Women, Black, in popular culture"

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Zhou, Ting-ting. "On the Status and Effect of Women in Popular Entertainment Culture". W 3d International Conference on Applied Social Science Research (ICASSR 2015). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icassr-15.2016.177.

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Yulianto, Nanang, Narsen Afatara, Bani Sudardi i Warto Warto. "Various Images of Contemporary Women in Popular-Culture Perspectives on Luna Dian Setya's Painting". W Proceedings of the Third International Conference of Arts, Language and Culture (ICALC 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icalc-18.2019.8.

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Sewell, Christopher. "Representations of Black Male Collegiate Activism at Predominantly White Institutions in Popular Culture (Poster 15)". W AERA 2022. USA: AERA, 2022. http://dx.doi.org/10.3102/ip.22.1888683.

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Sewell, Christopher. "Representations of Black Male Collegiate Activism at Predominantly White Institutions in Popular Culture (Poster 15)". W 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1888683.

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Oliveira, Cynthya Letícia Teles de, i Isadora Garcia Ferrão. "Help Me: Evaluation of Applications to Support Women Victims of Domestic Violence". W Women in Information Technology. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/wit.2024.2628.

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Brazil, the fifth country with the most cases of femicide in the world, faces challenges both in its culture and in its public policies about supporting women who are victims of domestic violence. There are assistance programs, such as granting protective measures to ensure a minimum distance between the aggressor and the victim. Thus, different complementary initiatives emerged, such as applications that allow reporting incidents of violence and support for access. In this sense, this article proposes a technical evaluation of the five most popular brazilian applications on the Play Store dedicated to combating gender-based violence, considering technical metrics of usability and security.
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Medar, Filip. "The Woman in the Bathtub: Elderly Women and Sexuality as a Horror Trope". W 10th Annual Conference of the Croatian Association for American Studies: Breaking Stereotypes in American Popular Culture. University of Zagreb Faculty of Humanities and Social Sciences; Croatian Association for American Studies, 2023. http://dx.doi.org/10.17234/9789533791258.06.

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Šesnić, Jelena. "How to Nurture (Little) Men and (Little) Women: New Directions in Louisa May Alcott’s Educational Novels". W 10th Annual Conference of the Croatian Association for American Studies: Breaking Stereotypes in American Popular Culture. University of Zagreb Faculty of Humanities and Social Sciences; Croatian Association for American Studies, 2023. http://dx.doi.org/10.17234/9789533791258.02.

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Paulo, Avner, Carlos Eduardo Oliveira De Souza, Bruna Guimarães Lima e Silva, Flávio Luiz Schiavoni i Adilson Siqueira. "Black Lives Matter". W Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10459.

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The Brazilian police killed 16 people per day in 2017 and 3/4 of the victims were black people. Recently, a Brazilian called Evaldo Rosa dos Santos, father, worker, musician, and black, was killed in Rio de Janeiro with 80 rifle bullets shot by the police. Everyday, the statistics and the news show that the police uses more force when dealing with black people and it seems obvious that, in Brazil, the state bullet uses to find a black skin to rest. Unfortunately, the brutal force and violence by the state and the police to black people is not a problem only in this country. It is a global reality that led to the creation of an international movement called Black Lives Matter (BLM), a movement against all types of racism towards the black people specially by the police and the state. The BLM movement also aims to connect black people of the entire world against the violence and for justice. In our work, we try to establish a link between the reality of black people in Brazil with the culture of black people around the world, connecting people and artists to perform a tribute to the black lives harved by the state force. For this, the piece uses web content, news, pictures, YouTube’s videos, and more, to create a collage of visual and musical environment merged with expressive movements of a dance, combining technology and gestures. Black culture beyond violence because we believe that black lives matter. such as the Ku Klux Klan, which bring the black population of the world into concern for possible setbacks in their rights. In Brazil, it is not different. Brazil is the non African country with the biggest afro descendant population in the world and one of the last country in the world to abolish slavery. Nowadays, a black person is 3 times more propense to be killed and most part of the murders in the country happened to afro Brazilians. Marielle Franco, a black city councillor from Rio, the only black female representative and one of seven women on the 51-seat council was killed in 2018. The killers were two former policeman. According to Human Rights Watch, the police force in the state of Rio de Janeiro, Brazil, killed more than 8,000 people between 2005 and 2015, 3/4 of them were black men. At the same time, the African culture strongly influenced the Brazilian culture and most part of the traditional Brazilian music and rhythms can be considered black music.
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Khorramrouz, Adel, Mahbeigom Fayyazi i Ashiqur R. KhudaBukhsh. "A Survival Guide for Iranian Women Prescribed by Iranian Women: Participatory AI to Investigate Intimate Partner Physical Violence in Iran". W Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. California: International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/808.

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Intimate Partner Violence (IPV) is a global problem affecting more than 2 billion women worldwide. Our paper makes two key contributions. First, via a substantial corpus of 53,220 comments to 1,563 Intimate Partner Physical Violence (IPPV) posts gleaned from more than 10 million comments posted on 523,232 posts on a popular parental health website in Iran, we present the first-ever computational analysis of user comments on accounts of IPPV in Iran. We harness large language models and participatory AI and tackle extreme class imbalance and other linguistic challenges that arise from tackling low-resource languages to shed light on the gender struggles of a country with documented stark gender inequality. With active input from a woman with a history of advocacy for social rights and grounded in Iranian culture, we characterize comments on IPPV into three broad categories: empathy, confront, and conform, and analyze their distribution. Second, we release an important dataset of 3,400 comments on IPPV posts.
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Dremel, Anita. "BOURDIEU ON POWER, CULTURE AND SOCIOLOGY OF TASTE: THE CASE OF MARIJA JURIĆ ZAGORKA". W European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/lbxg3157.

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Refraining from reasoning in support of the universal taste and the experience of the beautiful, cultural sociology treats taste as socially contingent and constructed. The objective of this paper is to outline a social critique of different judgements of taste when it comes to different types of literary production based on the theoretical framework established by Pierre Bourdieu and on the example of the reception of popular literature, mainly historical romances written by Marija Jurić Zagorka. The methodological approach thereby applied includes the deconstruction of common distinctions based on Bourdieu’s concepts of habitus, field and doxa, genealogy of highbrow taste in the era of so called highly textual modernism, critical analysis of gender discourse underlying cultural evaluations of literary production by women and for women, and the practicing of the ethnographic shift towards the reader in her context. This empirically contextualized analysis of literary tastes expressed by various recipients in Croatian cultural history has led to the results that reveal a long persistence of popularity and adoration of Zagorka’s novels on the one hand and harsh, almost visceral, disgust with her production by official discourse on the other, confirming the thesis that judgments of taste are based on society (and class). However, these results do not suggest a linear (let alone causal) relationship between the class system and the system of cultural classifications as well as between consumerist desire and taste. Historical novels by Marija Jurić Zagorka, mainly written in the first half of the 20th century, contain a foundationally strong inscription of opposed social strata, thus providing a useful and relevant empirical basis for the analysis of complex processes of cultural modernization and accompanying changing forms of social power.
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Raporty organizacyjne na temat "Women, Black, in popular culture"

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Berrian, Brenda F. Chestnut Women: French Caribbean Women Writers and Singers. Inter-American Development Bank, lipiec 2001. http://dx.doi.org/10.18235/0007945.

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