Rozprawy doktorskie na temat „Women artists”
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Alkhudair, Maha. "Unveiling Artists: Saudi Female Artists Life Stories". Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37502.
Pełny tekst źródłaMcLaughlin, Pamela Ann. "Mapping an identity how women artists develop an artistic identity /". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.
Pełny tekst źródłaMantooth, Jennifer R. "Muse as artist : selected artists past and present /". Online version of thesis, 1992. http://hdl.handle.net/1850/11227.
Pełny tekst źródłaBolzt, Kerstin. "Women as artists in contemporary Zimbabwe /". Eckersdorf, Germany : Breitinger, 2007. http://www.loc.gov/catdir/toc/fy0804/2008400471.html.
Pełny tekst źródłaMcKenna, Libby. "Audience interpretations of the representation of women in music videos by women artists". [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001670.
Pełny tekst źródłaAddison, Rosemary Catharine. "Women artists and book illustration in Edinburgh, 1886-1945". Thesis, Heriot-Watt University, 2004. http://hdl.handle.net/1842/26313.
Pełny tekst źródłaMcNeal, Joanne Carolyn. "Western Arctic women artists' perspectives on education and art". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25113.pdf.
Pełny tekst źródłaLewis, Joanne Rebecca. "Women artists in Botswana in the late 20th century". Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525246.
Pełny tekst źródłaDeepwell, Catherine Naomi. "Women artists in Britain between the two world wars". Thesis, Birkbeck (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282800.
Pełny tekst źródłaLow, Yvonne Yanmei. "Women Artists: Becoming Professional in Singapore, Malaya and Indonesia". Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13843.
Pełny tekst źródłaTolley, Rebecca. "Review of Life Stories of Women Artists 1550-1800". Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etsu-works/5654.
Pełny tekst źródłaByrne, Debra J. "Feminine identities and the structuring of postmodern portraiture /". free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3164493.
Pełny tekst źródłaAdley, Allyson Sarah. "Re-presenting diasporic difference, images of immigrant women by Canadian women artists, 1912-1935". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.
Pełny tekst źródłaMcEwin, Florence Rebecca. "American women artists and the female nude image (1969-1983)". Thesis, North Texas State University, 1986. http://catalog.hathitrust.org/api/volumes/oclc/23638110.html.
Pełny tekst źródłaTypescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 367-404).
Lee, Andrea Kathleen Wahlman Maude. "Envisioning the sacred expressions of spirituality by contemporary women artists /". Diss., UMK access, 2006.
Znajdź pełny tekst źródła"A dissertation in art history and religious studies." Advisor: Maude Southwell Wahlman. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Jan. 29, 2007. Includes bibliographical references (leaves 354-398). Online version of the print edition.
Memarzia, Mitra. "Contemporary Iranian women artists : a practice based analysis of identity". Thesis, Sheffield Hallam University, 2006. http://shura.shu.ac.uk/20054/.
Pełny tekst źródłaMontgomery, Janet Elise. "Women contemporary Western-style artists in Japan : Ethnographic case studies /". The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487862399449621.
Pełny tekst źródłaThornton, Meghan Schwain Kristin. "The impression of humor Mary Cassatt and her rendering of wit /". Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6530.
Pełny tekst źródłaGamelin, Anastasia Kamanos. "Home and away : the female artist in academia". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36933.
Pełny tekst źródłaInquiries into creativity and feminist, critical and cultural theory provide the framework for examining how the identity of the female artist is shaped within the patriarchal institution of academia, an institution originally created by, and for, men and still strongly influenced by this history. These inquiries allow a deeper understanding of the impact of this institution on the life and work of the female artist both within and beyond the academy. As a self-study, the distinctive voice of this dissertation is developed through autobiographical narratives, journals, letters and a development of personal metaphors, as well as through a dialogue with others. This is therefore a performative text in which narratives map a process of transformation that traces the artist's path from silence to voice.
This work has important implications for women in higher education as self-study is revealed to be an essential methodological instrument for the articulation of alternative, authentic perspectives of marginalized and under-represented women. Moreover, the acknowledgement of the academic/artist paradigm in teacher education opens the path for a re-viewing of the metaphors of self-denial, impersonation and masks that are part of the landscape of teacher knowledge.
Franklin, Serena. "Ill beats : black women rap artists and the representations of women in hip hop culture". Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/336.
Pełny tekst źródłaBachelors
Arts and Sciences
Anthropology
Leung, Mei-yin. "The Chinese Women's Calligraphy and Painting Society the first women's art society in modern China /". Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628697.
Pełny tekst źródłaDudley, Jennifer Ann. "Traversing the boundaries? : art and film in Indonesia with particular reference to Perbatasan/Boundaries : Lucia Hatini, paintings from a life /". Murdoch University Digital Theses Program, 2006. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20090716.145044.
Pełny tekst źródłaMissia, Frano G. "Painting the nude by male artists in Western art /". Access Digital Full Text version, 1993. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11396210.
Pełny tekst źródłaTypescript; issued also on microfilm. Sponsor: Justin Schorr. Dissertation Committee: Rene Arcilla. Includes bibliographical references (leaves 112-113).
Meskimmon, Marsha Gretta. "Women artists and the Neue Sachlichkeit : Grethe Jürgens and Gerta Overbeck". Thesis, University of Leicester, 1992. http://hdl.handle.net/2381/35698.
Pełny tekst źródłaBroadhurst, Maura Lesley. "Strategic spaces : towards a genealogy of women artists' groups in Canada". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0002/MQ40226.pdf.
Pełny tekst źródłaWalker, Parker Sharon LaVon. "Embodied Exile: Contemporary Iranian Women Artists and the Politics of Place". Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1432%5F1%5Fm.pdf&type=application/pdf.
Pełny tekst źródłaPerkins, Gillian Hugman. "Issues in the construction of identity of some contemporary women artists". Thesis, University of Northampton, 1999. http://nectar.northampton.ac.uk/2979/.
Pełny tekst źródłaDalgleish, S. H. R. "'Utopia' redefined : Aboriginal women artists in the Central Desert of Australia". Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365051.
Pełny tekst źródłaKidder, Alana D. "Women Artists in Pop: Connections to Feminism in Non-Feminist Art". Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1388760449.
Pełny tekst źródłaMedema, Kara N. "Chiyo-ni and Yukinobu: History and Recognition of Japanese Women Artists". FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3914.
Pełny tekst źródłaTyreman, Katie. "Between Women: Visualizing Victorian Women Artists’ Identities through Art Movements, Media and Scale, c. 1848-1898". Thesis, University of York, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.594222.
Pełny tekst źródłaMa, Nancy. "Woman•Horse: Identifying Chinese Women Artists’ Attitudes Towards Feminism Through a Reclamation of Chinese Women’s History". Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16568.
Pełny tekst źródłaIggulden, Annette, i mikewood@deakin edu au. "Women's silence: In the space of words and images". Deakin University. School of Contemporary Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.120456.
Pełny tekst źródłaCavagnaro, Loretta Maureen. "Eva Hesse in exhibition : contexts and categories /". Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
Pełny tekst źródłaBateman, Genevieve. "Creative misreadings: allegory in Tracey Rose's Ciao Bella". Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1009506.
Pełny tekst źródłaJacquin, M. C. "Narrative unrest : the politics of narrative in women artists' film and video". Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1396991/.
Pełny tekst źródłaPhotiou, Maria. "Rethinking the history of Cypriot art : Greek Cypriot women artists in Cyprus". Thesis, Loughborough University, 2013. https://dspace.lboro.ac.uk/2134/12139.
Pełny tekst źródłaKim, Gumsun. "A question of equality : women and women's art under patriarchal society /". View thesis, 1995. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030801.151817/index.html.
Pełny tekst źródłaQueiros, Doralice Alves de. "Mulheres cordelistas : percepções do universo feminino na literatura de cordel /". Belo Horizonte : Faculdade de Letras da UFMG, 2006. http://www.bibliotecadigital.ufmg.br/dspace/bitstream/1843/ALDR-6WEK7J/1/disserta__o.pdf.
Pełny tekst źródłaSkelly, Julia. "No strangers to beauty : contemporary black female artists, Saartje Baartman and the Hottentot Venus body". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97824.
Pełny tekst źródłaLee, Sharon Yih-Chih. "The career development of Asian American female visual artists". Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/4869.
Pełny tekst źródłaPoole, Tanya Katherine. "An exploration of female physicality and psyche and how these inform art-making". Thesis, Rhodes University, 2000. http://hdl.handle.net/10962/d1002215.
Pełny tekst źródłaMalone, Kelsey Frady. "Sisterhood as Strategy| The Collaborations of American Women Artists in the Gilded Age". Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13877154.
Pełny tekst źródłaThis dissertation employs four case studies—illustrator Alice Barber Stephens in Philadelphia; Louisville-born sculptor Enid Yandell; photographer Frances Benjamin Johnston in Washington, D.C.; and the Newcomb College Pottery in New Orleans—to show how individual women artists from a variety of media utilized collaborative strategies to advance their professional careers. These strategies included mentoring, teaching, and sharing commissions with one another; establishing art organizations; sharing studio and living spaces; organizing and participating in all-female art exhibitions; and starting businesses to market their work. At a historical moment when expectations and ideas towards gender roles and feminine performance were shifting, these women artists negotiated these changes as well as those of a fine art world that was redefining itself in an increasingly consumer-based culture that challenged traditional definitions of the “professional” artist.
“Sisterhood as Strategy” intersects with important work in the fields of American History, Women’s and Gender Studies, and Art History. It bridges a gap between broad, cultural histories of women’s artistic production and more focused scholarly studies on women’s labor and organized womanhood. Indeed, this dissertation brings more specificity to these areas by focusing on particular artists who were highly acclaimed during their lifetime but who have since fallen through the cracks of the art historical canon and by attending to the wide array of genres and media that all artists, men and women, worked with during the era: illustration, photography, public sculpture, and the decorative arts. By analyzing the art produced as a result of collaboration; the artists’ letters, photographs, and personal papers; and contemporary mass media, particularly art journals and popular ladies’ magazines, this dissertation recovers the voices of artists who served as professional role models and creates a far more diverse picture of the people and art forms that constituted early modern American visual culture.
Abowd, Gabriele Therese. "Making room for art case studies of midwestern women artists and their studios /". [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3324529.
Pełny tekst źródłaTitle from home page (viewed on May 12, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 2990. Adviser: Lara Lackey.
Bancroft, Bronwyn Maree. "Passion, Power, Politics: Does Inequality exist for New South Wales Aboriginal Women Artists?" Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20356.
Pełny tekst źródłaTolley, Rebecca. "Review of A Studio of Her Own: Women Artists in Boston 1870-1940". Digital Commons @ East Tennessee State University, 2001. https://dc.etsu.edu/etsu-works/5705.
Pełny tekst źródłaCarpes, Mariza. "Fragments of a life : constructing a personal story". Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935918.
Pełny tekst źródłaDepartment of Art
Neal, Christine Crafts. "The life and works of Claude Hirst (1855-1942) /". free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901264.
Pełny tekst źródłaGentry, Erin. "Girls' Night Out: Female Graffiti Artists in a Gendered City". Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206212108.
Pełny tekst źródłaBradley, Jessica. "Postmodern bodies and feminist art practice". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69635.
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