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Artykuły w czasopismach na temat "Women artists – history – 20th century"
Bell, Janis C., i Wendy Slatkin. "Women Artists in History: From Antiquity to the 20th Century". Woman's Art Journal 7, nr 2 (1986): 50. http://dx.doi.org/10.2307/1358308.
Pełny tekst źródłaPark, Hyesung. "Rethinking the 20th-Century Korean Embroidery from Gender Perspectives". Korean Journal of Art History 320 (31.12.2023): 65–98. http://dx.doi.org/10.31065/kjah.320.202312.003.
Pełny tekst źródłaŠeparović, Ana. "Feministički iskazi u kritičkoj recepciji skupnih izložbi hrvatskih umjetnica". Ars Adriatica 8, nr 1 (28.12.2018): 195–210. http://dx.doi.org/10.15291/ars.2762.
Pełny tekst źródłaSirica, Inese. "Art Academy of Latvia Graphic Arts Alumnae Who Established the Principles of Latvian National Textile Art, 1931–1943". Acta Academiae Artium Vilnensis, nr 112 (9.01.2024): 314–49. http://dx.doi.org/10.37522/aaav.112.2024.206.
Pełny tekst źródłaSun, Dian. "The Awakening of Feminist Artistic Expression: A Comparative Study of the Self-Portrait of Frida Kahlo and the Self-Portrait of Élisabeth Vigée Le Brun". Journal of Education, Humanities and Social Sciences 27 (5.03.2024): 337–42. http://dx.doi.org/10.54097/fgmhf957.
Pełny tekst źródłaAcsády, Judit. "Construction of the Modern Woman Thinker’s Identity: Valéria Dienes (1879-1987), the Philosopher and Founder of the Art of Movement School and her Contribution to Women’s Emancipation". Radovi Zavoda za hrvatsku povijest Filozofskoga fakulteta Sveučilišta u Zagrebu 55, nr 1 (20.12.2023): 199–221. http://dx.doi.org/10.17234/radovizhp.55.12.
Pełny tekst źródłaLabi, Kanni. "Muuseumikogudes ja suulises ajaloos säilib ajalik looming / Transient treasures are kept in museums and memories". Studia Vernacula 13 (18.11.2021): 198–209. http://dx.doi.org/10.12697/sv.2021.13.198-209.
Pełny tekst źródłaLabi, Kanni. "Muuseumikogudes ja suulises ajaloos säilib ajalik looming / Transient treasures are kept in museums and memories". Studia Vernacula 13 (18.11.2021): 198–209. http://dx.doi.org/10.12697/sv.2021.13.198-209.
Pełny tekst źródłaVincent, Aude. "Reclaiming the memory of pioneer female geologists 1800–1929". Advances in Geosciences 53 (4.08.2020): 129–54. http://dx.doi.org/10.5194/adgeo-53-129-2020.
Pełny tekst źródłaMartynova, Daria O. "Formation and Development of the Iconography of the Mesmeric Seance in the Second Half of the 18th — Late 19th Centuries". Vestnik of Saint Petersburg University. Arts 11, nr 2 (2021): 224–42. http://dx.doi.org/10.21638/spbu15.2021.204.
Pełny tekst źródłaRozprawy doktorskie na temat "Women artists – history – 20th century"
Tvardovskas, Luana Saturnino 1983. "Dramatização dos corpos : arte contemporânea de mulheres no Brasil e na Argentina". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280015.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-22T21:58:15Z (GMT). No. of bitstreams: 1 Tvardovskas_LuanaSaturnino_D.pdf: 48560551 bytes, checksum: 319fe4c4f559ca8407db46edd5d574eb (MD5) Previous issue date: 2013
Resumo: Esta tese aborda a poética visual de artistas brasileiras e argentinas, cujas obras de arte empreendem um discurso critico a violência material e simbólica de gênero, por meio de imagens do corpo. São focalizadas, a partir de uma perspectiva feminista, as artistas contemporâneas brasileiras Ana Miguel, Rosana Paulino e Cristina Salgado, e também as argentinas Silvia Gai, Claudia Contreras e Nicola Costantino que se utiliza de transfigurações, dramatizações e manipulações sobre imagens corporais como manobras transgressivas e de resistência. O trabalho será norteado teórica e metodologicamente pelos estudos feministas e pelo "pensamento da diferença", sobretudo por Michel Foucault e Gilles Deleuze
Abstract: This research approaches the visual poetics of Brazilian and Argentinian artists whose artworks undertake a critical discourse of violence of gender (material and symbolic) through images of the body. From a feminist perspective, we focus on the Brazilian contemporary artists Ana Miguel, Rosana Paulino and Cristina Salgado and also the Argentinian Silvia Gai, Claudia Contreras and Nicola Costantino. Their work deals with transfigurations, dramatizations and manipulations on body's images as transgressive maneuvers of resistance. The methodology of this work will be guided by the Feminist studies and by the Difference theory, especially by Michel Foucault and Gilles Deleuze
Doutorado
Historia Cultural
Doutora em História
Lewis, Joanne Rebecca. "Women artists in Botswana in the late 20th century". Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525246.
Pełny tekst źródłaFrantz, Susanne K. "ARTISTS AND GLASS: A HISTORY OF INTERNATIONAL STUDIO GLASS (SCULPTURE)". Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/291668.
Pełny tekst źródłaBaguley, Margaret Mary. "The deconstruction of domestic space". Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35896/1/35896_Baguley_1998.pdf.
Pełny tekst źródłaSharp, Leslie N. "Women shaping shelter". Diss., Georgia Institute of Technology, 2004. http://hdl.handle.net/1853/7268.
Pełny tekst źródłaWillis, Avery Tinch. "Euripides' Trojan women : a 20th century war play in performance". Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:bb57e1d3-b560-45f2-8cd9-64befab97bba.
Pełny tekst źródłaMartyn, Elizabeth 1968. "Gender and nation in a new democracy : Indonesian women's organisations in the 1950s". Monash University, Dept. of Politics, 2001. http://arrow.monash.edu.au/hdl/1959.1/9112.
Pełny tekst źródłaChoi, Hoi-sze Elsie. "Working women in China and Japan in 20th century history : a comparative analysis /". Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23425556.
Pełny tekst źródła葉翠蓮 i Chui-lin Yip. "Women's movement in Tianjin during the May Fourth Era=". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31641453.
Pełny tekst źródłaWernitznig, Dagmar. "No documents, no history : a political biography of Rosika Schwimmer (1877-1948)". Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711810.
Pełny tekst źródłaKsiążki na temat "Women artists – history – 20th century"
Uta, Grosenick, i Becker Ilka, red. Women artists in the 20th and 21st century. Köln: Taschen, 2003.
Znajdź pełny tekst źródłaSlatkin, Wendy. Women artists in history: From antiquity to the 20th century. Englewood Cliffs, N.J: Prentice-Hall, 1985.
Znajdź pełny tekst źródłaSlatkin, Wendy. Women artists in history: From antiquity to the 20th century. Wyd. 2. Englewood Cliffs, N.J: Prentice Hall, 1990.
Znajdź pełny tekst źródłaSlatkin, Wendy. Women artists in history: From antiquity to the 20th century. New Jersey: Prentice Hall, 1985.
Znajdź pełny tekst źródła1972-, Brown Karen, red. Women's contributions to visual culture, 1918-1939. Aldershot, Hants, England: Ashgate Pub, 2008.
Znajdź pełny tekst źródłaGillian, Perry, red. Difference and excess in contemporary art: The visibility of women's practice. Oxford: Blackwell, 2004.
Znajdź pełny tekst źródłaLahs-Gonzales, Olivia. Defining eye: Women photographers of the 20th century : selections from the Helen Kornblum collection. St. Louis, MO: Saint Louis Art Museum, 1997.
Znajdź pełny tekst źródłaBlum, Paul Von. Other visions, other voices: Women political artists in greater Los Angeles. Lanham, Md: University Press of America, 1994.
Znajdź pełny tekst źródłaThree artists (three women): Modernism and the art of Hesse, Krasner, and O'Keeffe. Berkeley: University of California Press, 1996.
Znajdź pełny tekst źródłaPerry, Gillian. Women artists and the Parisian avant-garde: Modernism and feminine art, 1900 to the late 1920s. Manchester [England]: Manchester University Press, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Women artists – history – 20th century"
Marcinkeviciene, Dalia. "Gabriele Petkevicaite-Bite and Social Work of Women in Lithuania at the End of 19th and the Beginning of the 20th Century". W History of Social Work in Europe (1900–1960), 65–69. Wiesbaden: VS Verlag für Sozialwissenschaften, 2003. http://dx.doi.org/10.1007/978-3-322-80895-0_7.
Pełny tekst źródłaLerner, Gerda. "The 20th Century: A Watershed Jor Women". W Why History Matters, 93–102. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195046441.003.0007.
Pełny tekst źródła"Pliny the Elder’s Natural History (First Century A.D.): Excerpt on Women Painters". W Life stories of women artists, 1550–1800, 23–27. Routledge, 2020. http://dx.doi.org/10.4324/9781315091815-3.
Pełny tekst źródłaCreef, Elena Tajima. "Looking at Japanese Picture Brides". W Shadow Traces, 41–68. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044403.003.0003.
Pełny tekst źródłaLe Court, Isabelle De. "Squares of Colour". W Under the Skin, 87–100. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.003.0007.
Pełny tekst źródłaKraševac, Irena, i Petra Šlosel. "Networking of Central European Artists’ Associations via Exhibitions. The Slovenian Art Association, Czech Mánes and Polish Sztuka in Zagreb in the Early 20th Century". W Modern and Contemporary Artists' Networks. An Inquiry into Digital History of Art and Architecture, 16–36. Institute of Art History, 2018. http://dx.doi.org/10.31664/9789537875596.02.
Pełny tekst źródłaEmison, Patricia. "After Eve". W Moving Pictures and Renaissance Art History. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036_ch04.
Pełny tekst źródłaPavelieva, Yulia Е. "Literary Critics of ‛Grani’ on the Works of Ivan Bunin". W I.A. Bunin and his time: Context of Life — History of Work, 357–64. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-357-364.
Pełny tekst źródła"Out of the Depths: Synthetic Colors From the Coal Tar Industry". W March of the Pigments, 341–64. The Royal Society of Chemistry, 2022. http://dx.doi.org/10.1039/9781837671403-00341.
Pełny tekst źródłaSkehill, Caroline. "Women in the History of Social Work in the Early to Mid-20th Century in the Republic of Ireland:". W Amid Social Contradictions, 21–34. Verlag Barbara Budrich, 2009. http://dx.doi.org/10.2307/j.ctvddzkn9.4.
Pełny tekst źródłaStreszczenia konferencji na temat "Women artists – history – 20th century"
Zhuykova, E. "COMICS AND LITERATURE: THE HISTORY OF FRIENDSHIP". W VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3761.rus_lit_20-21/353-358.
Pełny tekst źródłaSanti, Matej. "Was erzählt Fritz Kreislers Geige?" W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.109.
Pełny tekst źródłaStrizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.
Pełny tekst źródłaCarneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.
Pełny tekst źródłaDremel, Anita. "BOURDIEU ON POWER, CULTURE AND SOCIOLOGY OF TASTE: THE CASE OF MARIJA JURIĆ ZAGORKA". W European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/lbxg3157.
Pełny tekst źródłaRaporty organizacyjne na temat "Women artists – history – 20th century"
Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt i Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), czerwiec 2023. http://dx.doi.org/10.21079/11681/47184.
Pełny tekst źródłaTwo Visions of El Salvador. Inter-American Development Bank, wrzesień 2000. http://dx.doi.org/10.18235/0006436.
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