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Książki na temat „Women’s writing”

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Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 31 stycznia 2023

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1

Wisker, Gina, red. Black Women’s Writing. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22504-0.

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2

Fallaize, Elizabeth. French Women’s Writing. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-23002-0.

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3

Offen, Karen, Ruth Roach Pierson i Jane Rendall, red. Writing Women’s History. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21512-6.

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4

Cook, Daniel, i Amy Culley, red. Women’s Life Writing, 1700–1850. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137030771.

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5

Kistnareddy, Ashwiny O. Migrant Masculinities in Women’s Writing. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82576-8.

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6

Spongberg, Mary, Ann Curthoys i Barbara Caine, red. Companion to Women’s Historical Writing. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1007/978-1-349-72468-0.

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7

Wisker, Gina, red. Teaching African American Women’s Writing. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9781137086471.

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8

Jackson, Elizabeth. Feminism and Contemporary Indian Women’s Writing. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230275096.

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9

Culley, Amy. British Women’s Life Writing, 1760–1840. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137274229.

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10

Newey, Katherine. Women’s Theatre Writing in Victorian Britain. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230554900.

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11

Edmundson, Melissa. Women’s Colonial Gothic Writing, 1850-1930. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76917-2.

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12

Das, Devaleena, i Sanjukta Dasgupta, red. Claiming Space for Australian Women’s Writing. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50400-1.

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13

Spongberg, Mary. Writing Women’s History since the Renaissance. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-20307-5.

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14

Laflen, Angela. Confronting Visuality in Multi-Ethnic Women’s Writing. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137413048.

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15

Hawkesworth, Celia, red. A History of Central European Women’s Writing. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985151.

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16

Foster, Thomas. Transformations of Domesticity in Modern Women’s Writing. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230510005.

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17

Hammill, Faye, Esme Miskimmin i Ashlie Sponenberg, red. Encyclopedia of British Women’s Writing 1900–1950. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230379473.

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18

Heilmann, Ann, i Mark Llewellyn, red. Metafiction and Metahistory in Contemporary Women’s Writing. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206281.

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19

Pender, Patricia, i Rosalind Smith, red. Material Cultures of Early Modern Women’s Writing. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137342430.

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20

Daybell, James, red. Early Modern Women’s Letter Writing, 1450–1700. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230598669.

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21

Wisker, Gina. Post-Colonial and African American Women’s Writing. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-0-333-98524-3.

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22

Labbe, Jacqueline M., red. The History of British Women’s Writing, 1750–1830. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230297012.

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23

Joannou, Maroula, red. The History of British Women’s Writing, 1920–1945. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137292179.

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24

Eberle, Roxanne. Chastity and Transgression in Women’s Writing, 1792–1897. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230509740.

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25

McAvoy, Liz Herbert, i Diane Watt, red. The History of British Women’s Writing, 700–1500. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230360020.

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26

Ballaster, Ros, red. The History of British Women’s Writing, 1690–1750. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230298354.

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27

Suzuki, Mihoko, red. The History of British Women’s Writing, 1610–1690. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305502.

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28

Batchelor, Jennie, i Cora Kaplan, red. British Women’s Writing in the Long Eighteenth Century. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230595972.

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29

Hartley, Lucy, red. The History of British Women’s Writing, 1830–1880. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-58465-6.

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30

Eagleton, Mary, i Emma Parker, red. The History of British Women’s Writing, 1970-Present. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-29481-4.

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31

Hanson, Clare, i Susan Watkins, red. The History of British Women’s Writing, 1945–1975. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1007/978-1-137-47736-1.

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32

Pender, Patricia. Early Modern Women’s Writing and the Rhetoric of Modesty. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137008015.

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33

Leetsch, Jennifer. Love and Space in Contemporary African Diasporic Women’s Writing. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67754-1.

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34

Arons, Wendy. Performance and Femininity in Eighteenth-Century German Women’s Writing. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230600737.

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35

Mehta, Brinda. Notions of Identity, Diaspora, and Gender in Caribbean Women’s Writing. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100503.

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36

Wootton, Sarah. Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-57934-8.

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37

Wiesner-Hanks, Merry, red. Challenging Women's Agency and Activism in Early Modernity. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729321.

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Streszczenie:
Examining women’s agency in the past has taken on new urgency in the current moment of resurgent patriarchy, Women’s Marches, and the global #MeToo movement. The essays in this collection consider women’s agency in the Renaissance and early modern period, an era that also saw both increasing patriarchal constraints and new forms of women’s actions and activism. They address a capacious set of questions about how women, from their teenage years through older adulthood, asserted agency through social practices, speech acts, legal disputes, writing, viewing and exchanging images, travel, and community building. Despite family and social pressures, the actions of girls and women could shape their lives and challenge male-dominated institutions. This volume includes thirteen essays by scholars from various disciplines, which analyze people, texts, objects, and images from many different parts of Europe, as well as things and people that crossed the Atlantic and the Pacific.
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38

Mordaunt, Elinor. The Villa and The Vortex: Supernatural Stories, 1914-1924. Bath, England: Handheld Press, 2021.

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39

Sue, Roe, red. Women reading women's writing. Brighton, Sussex: Harvester Press, 1987.

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40

Gifra Adroher, Pere, i Jacqueline Hurtley. Hannah Lynch and Spain. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-292-5.

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For the first time the current volume brings together a fully annotated edition of Hannah Lynch’s articles on Spain – many of which are devoted to travel – together with a critical study of her connections with the country. Lynch, a cosmopolitan New Woman, viewed Spain with ambivalence, impatient of its resistance to change yet seduced by its landscapes and peoples. Her writing, revealing of her commitment to women’s emancipation, warrants attention from those wishing to further explore women’s contributions to the cultural and literary relations between Ireland and the Iberian Peninsula.
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41

Watz, Anna, red. Surrealist women’s writing. Manchester University Press, 2021. http://dx.doi.org/10.7765/9781526132031.

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42

Riley, Catherine, i Lynne Pearce. Feminism and Women’s Writing. Edinburgh University Press, 2018. http://dx.doi.org/10.1515/9781474415613.

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43

Hannam, June, i Katherine Holden, red. Suffrage and Women’s Writing. Routledge, 2020. http://dx.doi.org/10.1201/9780429331206.

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44

Rye, Gill, i Michael Worton, red. Women’s writing in contemporary France. Manchester University Press, 2018. http://dx.doi.org/10.7765/9781526137999.

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45

Franklin, Caroline, red. Women’s Travel Writing: 1750–1850. Routledge, 2020. http://dx.doi.org/10.4324/9780429349812.

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Pilz, Anna, i Whitney Standlee, red. Irish women’s writing, 1878–1922. Manchester University Press, 2016. http://dx.doi.org/10.7765/9781526100740.

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47

Aaron, Jane. Women’s Writing from Wales before 1914. Taylor & Francis, 2019.

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48

Aaron, Jane, red. Women’s Writing from Wales before 1914. Routledge, 2020. http://dx.doi.org/10.4324/9780429330865.

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Dasgupta, Sanjukta, i Devaleena Das. Claiming Space for Australian Women’s Writing. Palgrave Macmillan, 2018.

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Campbell, Donna. Women’s Rights, Women’s Lives. Redaktor Jay Williams. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199315178.013.34.

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In his fiction, London insisted that his women are not mere “puppet[s] of Dame Nature,” for they live apart from their capacity to reproduce. They are rarely mothers, or even daughters, and when they are tagged as daughters they are daughters of natural forces or totemic entities. They exist in an uneasy tension between the demands of the body and those of the social order, a tension arising from the narrative’s attempts to square the biological nature of woman, traditionally conceived, with her place in political, social, and technological modernity, the classic conflict of the naturalistic novel. The repeated presence of women who embody a “post-Darwinian, technologized modernity” balances London’s reputation for writing a hypermasculine version of naturalism.
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