Gotowe bibliografie tematyczne / Woman

Gotowa bibliografia na temat „Woman”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 29 lipca 2024

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Artykuły w czasopismach na temat "Woman"

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Radstone, S. "'Woman' to Women". Screen 26, nr 3-4 (1.05.1985): 111–15. http://dx.doi.org/10.1093/screen/26.3-4.111.

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Hill, Myrtle, Maria Luddy, Cliona Murphy i Margaret Ward. "Invisible Women, Visible Woman". Irish Review (1986-), nr 9 (1990): 133. http://dx.doi.org/10.2307/29735564.

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Stuard, Susan Mosher. "From Women to Woman". Thought 64, nr 3 (1989): 208–19. http://dx.doi.org/10.5840/thought198964310.

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Njambi, Wairimũ NgarũIya, i William E. O'Brien. "Revisiting ?Woman-Woman Marriage?: Notes on G?k?y? Women". NWSA Journal 12, nr 1 (kwiecień 2000): 1–23. http://dx.doi.org/10.2979/nws.2000.12.1.1.

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Njambi, Wairimu Ngaruiya, i William E. O'Brien. "Revisiting "Woman-Woman Marriage": Notes on Gikuyu Women". NWSA Journal 12, nr 1 (2000): 1–23. http://dx.doi.org/10.1353/nwsa.2000.0015.

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Prieto, Leon C. "Women issues to Wonder Woman". Journal of Management History 18, nr 2 (6.04.2012): 166–77. http://dx.doi.org/10.1108/17511341211206834.

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Cervantes-Guzmán, Jovanna Nathalie. "Woman STEMpreneurs vs women BioEmpreneurs". Scientia et PRAXIS 3, nr 06 (27.12.2023): 20–45. http://dx.doi.org/10.55965/setp.3.06.a2.

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Context: This study explores women's entrepreneurship in STEM (Science, Technology, Engineering, and Mathematics) and biotech, addressing the underrepresentation and unique challenges they face. Despite increased attention, a research gap exists in comparing the entrepreneurial experiences of women in these fields. Purpose: Aligned with the transdisciplinary emphasis, the research integrates knowledge across disciplines to deepen the understanding of women's entrepreneurship in STEM and biotech, fostering sustainable practices. Problem: The identified underrepresentation of women in STEM and biotech entrepreneurship and the need for more specific comparative studies form the basis of the research problem. The overarching question centers on unraveling the distinct challenges faced by women in these two fields to provide insights that can inform supportive measures and policies. Methodology: Through a bibliometric analysis, this article identifies key differences. The VOSviewer platform is used to analyze the relationships among the nodes in the word clusters. Theoretical and Practical Findings: Theoretical contributions arise from synthesizing insights, adding to the body of knowledge in entrepreneurship, particularly for women in STEM and biotech. Practical contributions are evident in the recommendations from the study, aimed at fostering sustainable practices and transdisciplinary collaboration in these sectors. Transdisciplinary and Sustainable Innovation Originality: Lies in its focus on the intersection of transdisciplinarity and sustainable innovation within the context of women entrepreneurship in STEM and biotech. By addressing this unique intersection, the study adds value to the existing literature and offers novel perspectives on supporting women in these fields. Conclusions and Limitations: The study underscores the need for targeted support mechanisms, emphasizing transdisciplinary collaboration and sustainable practices for gender equity. Acknowledging limitations opens opportunities for future research into gender disparities in entrepreneurship in scientific and biotechnological domains.
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Arnason, Carolyn. "Woman to Woman". British Journal of Music Therapy 20, nr 1 (czerwiec 2006): 13–21. http://dx.doi.org/10.1177/135945750602000104.

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Rahman, Jacquelyn. "Woman to woman". English World-Wide 32, nr 3 (25.10.2011): 309–37. http://dx.doi.org/10.1075/eww.32.3.03rah.

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Professional female comedians frequently face harassment from male fellow performers and from male audience members who take a sexist attitude, essentializing women as psychologically and temperamentally unsuited to the profession of comedy. This paper examines a strategy that African American female comedians employ to overcome the obstacles they face in performing before mixed gender African American audiences. While implementing features that emphasize their African American and female identity, the comedians direct their performances toward women in the audience, employing features and practices comparable to those researchers associate with close female friends in conversation. Intensive use of a strategy that includes taking stances such as confidence sharing and using gendered terms to directly address female audience members establishes solidarity with the women who are listening. Having a large portion of the audience as allies discourages the occurrence of sexist harassment.
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Will, Constance I., i Willa Fowles. "Woman to Woman". Journal of Holistic Nursing 21, nr 4 (grudzień 2003): 368–82. http://dx.doi.org/10.1177/0898010103258605.

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Rozprawy doktorskie na temat "Woman"

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Defrancis, Theresa M. "Women-writing-women : three American responses to the woman question /". Saarbrucken, Germany : Verlag Dr. Muller, 2005. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/3186902.

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Barnes, Rebecca. "Woman-to-woman partner abuse : a qualitative analysis". Thesis, University of Nottingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486710.

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Partner abuse m women's same-sex intimate relationships IS characterised by invisibility and often misconceptions and disbelief. A dominant focus upon men's violence towards women - necessary as that has been and continues to be - has made little space for woman-to-woman partner abuse to be addressed and understood. This is particularly the case in the UK, where same-sex domestic violence has been slow to appear on the public domestic violence agenda. This thesis is one of the first contributions to a British body of literature about woman-towoman partner abuse. By sharing data from qualitative interviews with 40 women who self-define as having been abused by female partners, I demonstrate the severity ofthe types, dynamics and impacts ofthe abuse reported. This thesis addresses three key issues, all of which engage with the complexities of woman-to-woman partner abuse and the challenges which woman-to-woman partner abuse poses to dominant constructions of gender, domestic violence and woman-to-woman relationships. Firstly, in demonstrating the striking similarities between participants' accounts and knowledge about women's experiences of heterosexual partner abuse, I identify some of the limitations of gendered constructions of violence and abuse which predominantly posit men as perpetrators and women as victims. Secondly, I examine the implications of the social contexts of women's minority sexual identities for the accessibility of support, and the constraints posed by stigma, 'the closet', homophobia and heteronormativity. I fuse this analysis together with women's reports of barriers to seeking support which share parallels with knowledge about heterosexual women's help-seeking, and I thus draw attention to the double jeopardy which women in abusive same-sex relationships often face. Thirdly, I examine the negative connotations which women associated with 'abused women', and how women subsequently projected self-presentations which helped them to manage and make sense ofan experience which potentially threatens their identities.
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Zylberberg, Sonia. "Woman to woman : relationships in the Hebrew Bible". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq25961.pdf.

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Malinen, Kelley Anne. "Woman-to-woman sexual assault : a situational analysis". Doctoral thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25436.

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Selon la méthode d’analyse situationnelle élaborée en théorie ancrée, cette thèse explore l’expérience d’agression sexuelle entre femmes telle que vécue par les survivantes et abordée dans la théorie, les discours et la prestation de services. Ce travail examine les enjeux de reconnaissance et de déni et leurs impacts sur les vies de survivantes d’agression sexuelle entre femmes. Les deux premiers chapitres étudient l’invisibilisation de cette violence sexuelle par les théories datant des années 1970 jusqu’à aujourd’hui. Suivant Butler, je propose une perspective théorique sur l’agression sexuelle permettant la coexistence des normes de genre et de leurs transgressions. Je soutiens que les normes de genre appliquées à la violence sexuelle ont une incidence sur ces actes et sur leur reconnaissance. Dans le chapitre trois, des récits de survivantes sont interprétés en mobilisant la théorie phénoménologique; je souligne en quoi les émotions et l’espace sont co-impliqués dans les expériences d’agression sexuelle des participantes. Je présente un parcours commun aux participantes décrivant la transformation du sentiment d’être pris dans un piège vers un certain degré de liberté dans les espaces de guérison. Inspiré par Becker, le chapitre quatre déploie une analyse des « mondes sociaux » qui fournit un contexte institutionnel à ces agressions sexuelles. Je décris comment les pratiques et discours liés à l’agression sexuelle et aux milieux de prestation de services évoluent d’un paradigme genré vers une version non genrée. J’identifie les fournisseurs de services et les survivantes qui reconnaissent les agressions sexuelles entre femmes comme membres de l’« Anti-Violence Project Subworld » (« sous-monde du projet anti-violence »). Les personnes qui comprennent l’agression sexuelle comme forme de violence uniquement perpétrée par les hommes contre les femmes sont identifiées comme membres du « Violence Against Women Subworld » (« sous-monde de violence contre les femmes »). Dans le chapitre cinq sont identifiées quatre approches discursives appliquées aux agressions sexuelles entre femmes. Elles sont : « Gendered Silencing » (« silence genrée »), « Gendered Contextualizing » (« contextualisation genrée »), « Degendered Agentification » (« agentivité dégenrée ») et « Degendered Agentified Contextualization » (« contextualisation dégenrée avec agentivité »).
Based on the Grounded Theory Method of Situational Analysis, this dissertation examines woman-to-woman sexual assault as experienced by survivors, and as negotiated in theory, discourse, and service provision. It illuminates dynamics of recognition and denial that influence the lives of woman-to-woman sexual assault survivors. It begins in Chapters One and Two by looking at ways woman-perpetrated sexual violence is obscured by theories dating from the 1970s to present. Drawing on Butler, I advance a theoretical perspective which accommodates the coexistence of gender norms and their transgressions in thinking about sexual assault. I suggest that gendered norms for sexual violence influence acts on the one hand, and recognition on the other. In Chapter Three, survivor narratives are framed by phenomenological theory as I focus on how space and emotion are co-implicated in participant experiences of sexual assault. I present a common trajectory in which survivor participants describe going from feeling trapped to finding some degree of freedom in healing spaces. The fourth chapter deploys a “social worlds” analysis, in the tradition of Becker, to provide an institutional context for woman-to-woman sexual assault. I describe the ways practices and discourses in sexual assault and related contexts of service provision are moving from a rigidly gendered paradigm toward a de-gendered one. I conceptualize providers and survivors who recognize woman-to-woman sexual assault as members of the “Anti-Violence Project Subworld.” Those who understand sexual assault as a fundamentally man-on-woman form of violence are conceptualized as members of the “Violence Against Women Subworld.” Finally, in Chapter Five, this dissertation identifies four discursive approaches to woman-to-woman sexual assault. They are referred to as “Gendered Silencing, ” “Gendered Contextualizing, ” “Degendered Agentification, ” and “Degendered Agentified Contextualization.”
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Pitcher, Sarah Marie. "Risky women: The everyday life of an allergic woman". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2002. http://wwwlib.umi.com/cr/syr/main.

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Howe, Kristin Deanne. "Invisible Woman". The University of Montana, 2010. http://etd.lib.umt.edu/theses/available/etd-01132010-104629/.

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The aim of this paper is to illuminate the ways in which working class women are invisible within the feminist and ecofeminist movements. Using the faces and forces of oppression as presented by Iris Marion Young and Hilde Lindemann, I show how the working class experiences oppression. I also show how oppression based on class differs from that based on gender and how these differences contribute to the invisibility of working class women within feminism. In the second section, I use Val Plumwood and Karen J. Warrens versions of ecofeminist philosophy to show how working class women are again absent. Were ecofeminists to include working class women, specifically rural folks and farmers, the idea of attunedness to the land could be both better understood and incorporated within the environmental movement at large.
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Fullerton, Kristi. "Respectable Woman". Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1459261307.

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Adams, Allison. "Woman Standing". TopSCHOLAR®, 2017. https://digitalcommons.wku.edu/theses/2061.

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This is a feature-length screenplay following Farren Cane, a young woman living in a rural Appalachian town, as she struggles with the intersections of gender, class, and the tension between her own ambition and her familial obligation.
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O'Reilly, Kerry. "Woman to woman a missionary's letter to a friend /". Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Skoog, K. "The 'responsible' woman : the BBC and women's radio 1945-1955". Thesis, University of Westminster, 2010. https://westminsterresearch.westminster.ac.uk/item/98wyw/the-responsible-woman-the-bbc-and-women-s-radio-1945-1955.

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The BBC's women's radio in the British post-war period (1945 – 1955) is still a very much neglected area of historical research, although the BBC after the Second World War continued to produce many talks and programmes that were specifically aimed at women, such as the factual Woman’s Hour (1946) and the fictional Mrs. Dale’s Diary (1948). By building on archival research conducted mainly at the BBC Written Archives Centre, and further work carried out at the Mass Observation Archive, this thesis addresses the production side, as well as the text, and the audience; in a sense a very multifaceted approach. Focus has been laid on women's programmes such as Woman’s Hour and Mrs. Dale’s Diary. But other talks and discussions have also been considered not necessarily with just a focus on women. Throughout the research the editorial process has been of major interest; the thinking behind; the production process. The thesis will demonstrate the importance played by BBC women's programmes in this period but also in the general development of British broadcasting. The thesis also offers a detailed insight into the internal culture of the BBC, and its women's programmes, at a time when questions about culture and taste were surfacing. The thesis will therefore be an original contribution to knowledge to British broadcasting history, but due to its interdisciplinary nature using radio as a 'Historian', this work is further challenging previous assumptions about the post-war housewife, and the perception of the immediate post-war years as a particular stifling and conservative period, with no feminism.
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Książki na temat "Woman"

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Julia, Gilden, i Friedman Mark 1951-, red. Woman to woman: Entertaining and enlightening quotes by women about women. New York: Dell, 1994.

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Promotion, Rotherham Health Authority Department of Health. Woman to woman: Cervical screening pack for minority women. Rotherham: Department of Health Promotion, Rotherham Health Authority, 1998.

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Tynes, Maxine. Woman talking woman. Lawrencetown Beach, N.S: Pottersfield Press, 1990.

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Marguerite, Duras. Woman to Woman. Lincoln, Neb: University of Nebraska Press, 2005.

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Marguerite, Duras. Woman to woman. Lincoln: University of Nebraska Press, 1987.

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Tynes, Maxine. Woman talking woman. Porterś Lake, N.S: Pottersfield, 1990.

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Stoppard, Miriam. Woman to woman. London: Dorling Kindersley, 1988.

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Roper, Anne. Woman to woman: A health care handbook and directory for women. Dublin: Attic Press, 1986.

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Alta, red. Woman to woman: A book of poems and drawings by women. [San Francisco, Calif: s.n., 1985.

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Hodge, C. Esther. A woman-oriented woman. West Sussex: Gooday Publishers, 1989.

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Części książek na temat "Woman"

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Njambi, Wairimu Ngaruiya, i William E. O’Brien. "Revisiting “Woman-Woman Marriage”: Notes on Gikuyu Women". W African Gender Studies A Reader, 145–65. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-09009-6_9.

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Elías Méndez, Cristina. "Woman". W Dictionary of Statuses within EU Law, 637–44. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-00554-2_81.

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Berg, Charles, i A. M. Krich. "Woman to woman: homosexual letters". W Homosexuality, 81–83. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003252443-4.

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Hazzard, Shirley. "Excellent Woman". W The Life and Work of Barbara Pym, 3. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08538-5_1.

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Ma, Li. "Strong Woman". W Christianity, Femininity and Social Change in Contemporary China, 183–91. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31802-4_15.

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Semetsky, Inna. "Becoming-Woman". W The Edusemiotics of Images, 123–51. Rotterdam: SensePublishers, 2013. http://dx.doi.org/10.1007/978-84-6209-055-2_6.

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Semetsky, Inna. "Becoming-Woman". W The Edusemiotics of Images, 123–51. Rotterdam: SensePublishers, 2013. http://dx.doi.org/10.1007/978-94-6209-055-2_6.

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Stockstill, Ellen J. "Fallen Woman". W The Palgrave Encyclopedia of Victorian Women's Writing, 1–4. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_188-1.

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Blamires, Alcuin, Karen Pratt i C. W. Marx. "A Woman Defends Women". W Woman Defamed and Woman Defended, 278–302. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198119715.003.0010.

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Abstract Christine de Pizan was born in Italy but brought up in cultured circles at the court of Charles V of France, where her father was appointed as astrologer. He was a well-read man, and according to Christine he took an unusually positive view (for its time) of her own wish to develop her intellectual gifts; her mother on the other hand sought in vain to mould her more convention with spinning and silly girlishness’ . Married at fifteen, Christine was fortunate that her husband further encouraged her literary talents, for these were to stand her in good stead when she lost both him and her father and had to support her three children after 1389. Her literary output covered some forty years. It was immense and wide-ranging, and it was rather remarkable for the extent to which some of it took issue with the disparagement of women. People have argued that she cannot properly be regarded as a forbear of modern feminism, because she was too committed to conservative, quiescent ideals of womanly decorum.’
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Eckert, Penelope. "The Good Woman". W Language and Woman’s Place, 165–70. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195167573.003.0009.

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Abstract So who is this woman who inhabits the pages of Language and Womans Place? Is she me? Is she women? Clearly not. She is an ideological artifact—a stereotype. And what makes the book important is that this stereotype is there to invoke. It is not a stereotype of women, but of a particular kind of woman —a woman who strives to be refined and superpolite, who mitigates her stances and exaggerates positive affect. The simple existence of that kind of woman at one end of the array of kinds of woman one can be is definitional —it is the main thing that makes women different from men.
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Streszczenia konferencji na temat "Woman"

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Rauluševičienė, Raimonda. "The change of the woman beauty standards in Lithuanian culture". W Applied Scientific Research. Šiaulių valstybinė kolegija / Šiauliai State Higher Education Institution, Lithuania, 2023. http://dx.doi.org/10.56131/tmt.2023.2.1.103.

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The article analyses the concepts of a woman external beauty in the scientific literature. The research shows differences in the stereotypes of the external beauty of women who lived in rural and urban Lithuania in the beginning of the 20th century in Lithuanian culture: the ethnic stereotype of the external beauty of rural women was strongly influenced in cities by western fashion trends. Empirical research carried out of analysis of the women beauty standards, based on the 2000-2020 publications of the women journal "Moteris". In these publications, new standards of beauty were formed over the course of two decades: women are encouraged to create their own beauty, using various tools of the beauty industry, but at the same time, women are encouraged to create inner values, human relationships and career achievements. Key words: beauty, woman, standards of beauty, external beauty of a woman, external facial features, appearance.
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Stroh, Junelle, i Blessing Mbonambi. "I rock woman/woman beats drum installation". W the 13th Participatory Design Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2662155.2662215.

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Selimov, Mazay. "THE IMAGE OF THE IDEAL WOMAN IN TANIZAKI JUN’ICHIRŌ’S NOVEL BLUE FLOWER". W 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.42.

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This paper is about the Tanizaki Jun’ichirō’s (1886–1965) experience of creating a 1920–1950s Japanese woman image inspired by the urban environment of Yokohama — the city as a mirror of the Western culture in Japan. The writer who had combined the images of European and Oriental women in order to obtain the architype of new Japanese woman in his early works no longer wanted to do this. He began to portray a new-age woman — his new ideal, which writer observed in Hollywood movies. Tanizaki Jun’ichirō anticipated the appearance of Modan gāru on the Japanese stage, women who became objects of public attention because they followed Western fashion trends and lifestyle. Precisely this kind of woman occupied Tanizaki’s mind for the first half of the 1920s. The novel Blue Flower (Aoi hana, 青い花, 1921) was the first Tanizaki Jun’ichirō’s work, in which we meet the modan garu, a new type of Japanese woman of the first half of the XX c. In this novel, he presents the West as a source of femininity, and western attributes now as being able to change both the exterior and interior of a human. Blue Flower is the result of Tanizaki Jun’ichirō’s research of these new women in his quest for their physical perfection.
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Vukičević, Ana, i Anja Celić. "WOMAN ENTREPRENEURSHIP". W Fifth International Scientific-Business Conference LIMEN Leadership, Innovation, Management and Economics: Integrated Politics of Research. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2019. http://dx.doi.org/10.31410/limen.2019.135.

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Tomassoni, Rosella, Stefania Liburdi i Annalisa Marsella. "THE ROLE OF WOMEN IN THE HISTORY OF ROMAN RELIGION: FROM VESTALE TO MADONNA". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs06.07.

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Introduction: Within the concept of women in the archaic Roman era, the present paper will attempt a believable reconstruction of the passage of the vestal woman figure, subjected to the male �potestas� of the �pontfex maximus� in which Eros was sacrificed to the Civitas due to the blackmail of equal rights, to the recovery of the woman as an object of Christian contemplation. Objective and Method: The aim of this article, through the analysis of recognized sources, is to study the axiom according to which the Roman woman was considered equal to the man in society (for roles, reputation, legal capacity, and public image), only playing the religious role of vestal, which denied her femininity.Throughout history, male domination was revealed in all fields, still in the religious field, until the advent of Christianity which re-evaluated the woman through the figure of the Madonna, attributing to her the role of mother of the creator. Topic: The figure and role of women in ancient Rome did not disregard religion. In that period, the various female personalities could be identified in the figures of: matrons, prostitutes, commoners, vestals, all of which were characterized by enslavement to the particular patriarchal figure (pater, husband or pontifex). Only the vestal priestesses would seem to be excluded from the list of figures subject to male protagonists. The woman, considered tender and soft (�mollis, �mulier�, the most fragile) was completely excluded from important roles in Roman society.The juridical position of the Roman woman is obtained in the law of the XII tables (451-450 BC): "Feminas, etsi perfectae aetatis sint, in tutela esse, exceptis virginibus Vestalibus" - "The women are all to be under protection, although they are adults, except the Vestal virgins". Vestal women could juridically act like a man only if subjected to the temple of the goddess Vesta; in a psychoanalytic analysis, therefore, the counterpart was the renunciation of femininity, which was imposed by the thirty-year chastity they had to abide by. Throughout history, male domination was revealed in all fields, still in the religious field, until the advent of Christianity which re-evaluated the woman through the figure of the Madonna, attributing to her the role of mother of the creator. Conclusion: In conclusion, with this article, we will analyse how the Roman religions (polytheistic and monotheistic) have contributed, throughout history, to subjecting women to male domination and to attributing a negative and sinful image to them, until the advent of Christianity. The psychologist feels the need to address a question: what of this primordial essence of the feminine scares the man of every age?
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Whitaker, Corinne. "The other woman". W ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281523.

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Almeida, Teresa, Marie Louise Juul Søndergaard, Sarah Homewood, Kellie Morrissey i Madeline Balaam. "Woman-Centred Design". W Design Research Society Conference 2018. Design Research Society, 2018. http://dx.doi.org/10.21606/drs.2018.795.

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Montenegro, Sonja Tomović-Šundić University of, i Kristina Gvozdenović University of Montenegro. "Conceptual Metaphors in Political Discourse: State is Woman – Woman is Construction". W – The Asian Conference on Language 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2435-7030.2020.5.

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Hidayati, Nurul, Budi Darma i Ali Mustofa. "Violence against Women and Resistance in Nawal El Saadawi's Woman at Zero Point and Alberto Moravia's The Woman of Rome". W Social Sciences, Humanities and Economics Conference (SoSHEC 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/soshec-17.2018.39.

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Jacobs, Hannah L. "Visualising the New Woman". W Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.23.

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Raporty organizacyjne na temat "Woman"

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Ellington, Tameka. The Nyangatom woman. Ames: Iowa State University, Digital Repository, listopad 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1256.

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Saeidi, Elahe. The Powerful Woman. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1650.

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Levy, Vicki. Volunteering and Today's Woman. AARP Research, lipiec 2019. http://dx.doi.org/10.26419/res.00265.004.

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Beard, Diana. Anonymous was a Woman. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-553.

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Benkovitz, Carmen, Nicole Bernholc, Anita Cohen, Susan Eng, Rosario Enriquez-Leder, Barbara Franz, Patricia Gorden i in. A woman like you: Women scientists and engineers at Brookhaven National Laboratory. Office of Scientific and Technical Information (OSTI), styczeń 1991. http://dx.doi.org/10.2172/5993922.

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Merrow, Kathleen. Nietzsche's "woman" : a metaphor without brakes. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.5983.

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McDonald, Richard A. Women in Combat -- When the Best Man for the Job is a Woman. Fort Belvoir, VA: Defense Technical Information Center, maj 1991. http://dx.doi.org/10.21236/ada249514.

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Shi, Tao. One woman, one child : the implications of the one-child-family policy for Chinese women. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6169.

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Southward, Leigh, Karol Blaylock, Sharon Pate, Melinda K. Adams i JoAnne Hargraves. Do Clothes Really Make the Man or Woman? Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1821.

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Bucher-Koenen, Tabea, Rob Alessie, Annamaria Lusardi i Maarten van Rooij. Fearless Woman: Financial Literacy and Stock Market Participation. Cambridge, MA: National Bureau of Economic Research, kwiecień 2021. http://dx.doi.org/10.3386/w28723.

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