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Artykuły w czasopismach na temat "Vyāsa, in fiction, drama, poetry"
Hesse, Douglas. "EJ in Focus: Imagining a Place for Creative Nonfiction". English Journal 99, nr 2 (1.11.2009): 18–24. http://dx.doi.org/10.58680/ej20099160.
Pełny tekst źródłaY, Lalitha. "Postmodernism in the Fiction Synchology Summary of Kumaraselvas Fiction". International Research Journal of Tamil 3, S-1 (14.06.2021): 132–37. http://dx.doi.org/10.34256/irjt21s121.
Pełny tekst źródłaLevay, Matthew, Francesca Bratton, Caroline Krzakowski, Andrew Keese, Sophie Corser, Catriona Livingstone, Mark West i in. "XIV Modern Literature". Year's Work in English Studies 98, nr 1 (2019): 858–1020. http://dx.doi.org/10.1093/ywes/maz011.
Pełny tekst źródłaFernandes, Lilly. "A Survey of Contemporary African American Poetry, Drama, & Fiction". International Journal of Applied Linguistics & English Literature 2, nr 3 (1.05.2013): 134–37. http://dx.doi.org/10.7575/aiac.ijalel.v.2n.3p.134.
Pełny tekst źródłaReyes, Soledad S., Mila Garcia, Marra Pl Lanot i Lilia Santiago. "Filipina I: Poetry, Drama, Fiction by Women Writers in Media Now". World Literature Today 59, nr 4 (1985): 661. http://dx.doi.org/10.2307/40142176.
Pełny tekst źródłaFilewod, Alan. "The Hand that Feeds". Canadian Theatre Review 51 (czerwiec 1987): 9–16. http://dx.doi.org/10.3138/ctr.51.002.
Pełny tekst źródłaEarthman, Elise Ann. "The Siren Song That Keeps Us Coming Back: Multicultural Resources for Teaching Classical Mythology". English Journal 86, nr 6 (1.10.1997): 76–81. http://dx.doi.org/10.58680/ej19973435.
Pełny tekst źródłaLong, Maxine M., Cynthia Lewiecki-Wilson i Linda Houston. "REVIEWS". Teaching English in the Two-Year College 29, nr 3 (1.03.2002): 317–25. http://dx.doi.org/10.58680/tetyc20022018.
Pełny tekst źródłaFishman, Ethan. "The Moral of the Story: Literature and Public Ethics. Edited by Henry T. Edmondson III. Lanham, MD: Lexington Books, 2000. 272p. $75.00 cloth, $24.95 paper. Shakespeare's Political Realism: The English History Plays. By Tim Spiekerman. Albany: State University of New York Press, 2001. 208p. $16.95 paper." American Political Science Review 96, nr 1 (marzec 2002): 177–78. http://dx.doi.org/10.1017/s0003055402274316.
Pełny tekst źródłaHirth, Paul. "From the Secondary Section: What's the Truth about Nonfiction?" English Journal 91, nr 4 (1.03.2002): 20–22. http://dx.doi.org/10.58680/ej2001900.
Pełny tekst źródłaRozprawy doktorskie na temat "Vyāsa, in fiction, drama, poetry"
Mueller, Thomas. "Historizität-Aktualität-Intertextualität : Kohlhaas in der deutschsprachigen Literatur". Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/29038.
Pełny tekst źródłaArts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
Foster, Benjamin Thomas. "HISTORICAL INTIMACY: CONTEMPORARY RECLAMATIONS OF AFRICAN AMERICAN HISTORY IN THE DRAMA, POETRY, AND FICTION OF SUZAN-LORI PARKS, NATASHA TRETHEWAY, AND COLSON WHITEHEAD". OpenSIUC, 2015. https://opensiuc.lib.siu.edu/dissertations/1066.
Pełny tekst źródłaMastag, Horst Dieter. "The transformations of Job in modern German literature". Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30647.
Pełny tekst źródłaArts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
Kärn, Lina. "‘Creative Writing’: An Efficient Supplementary Tool for Teaching English at Swedish High Schools". Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-117674.
Pełny tekst źródłaVladimir, Kirda Bolhorves. "Utopija u delu Herberta Džordža Velsa i Gabrijela Kosteljnika". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. https://www.cris.uns.ac.rs/record.jsf?recordId=101178&source=NDLTD&language=en.
Pełny tekst źródłaThis thesis researches numerous forms of utopia in several, primarilyliterary segments from complex and comprehensive opus of H. G. Wells, aswell as in several, primarily literary segments of not so comprehensive, butalso complex opus of G. Kosteljnik.The study consists of thirteen chapters.The first chapter is introductory, where the subject matter, aim andmethodology of the research are explained, and the most frequent notionsare considered: general fantasy and science fiction, and, above all, the mainnotion, utopia. Some light is being shed on its genesis, its characteristicsand its functions.In the second chapter, the factors for its emergence, existence anddisappearance are presented, along with exhaustive typology of utopias.The tird and fourth chapter deals with formation of creativepersonalities of H. G. Wells and G. Kosteljnik.The following six chapters include the extracts through which Ithrow light on romanesque, narrative and discursive (essayistic,sociological, politicological, popular scientific and publicistic) artisticcreation of H. G. Wells, as well as poetic, narrative, dramatic anddiscursive (essayistic, theological, literary-critical, linguistic andpublicistic) artistic creation of G. Kosteljnik.The eleventh chapter is conclusion. It once again considers thenotion of utopia in general, and particularly in the works of the twoprotagonists of this thesis: H. G. Wells and G. Kosteljnik.
Cameron, Margaret. "I shudder to think: performance as philosophy". Thesis, 2012. https://vuir.vu.edu.au/25677/.
Pełny tekst źródłaMncube, Gedion Juba George. "Weather symbolism in DBZ Ntuli's literature". Thesis, 2006. http://hdl.handle.net/10500/2349.
Pełny tekst źródłaAfrican Languages
M.A. (African Languages)
Książki na temat "Vyāsa, in fiction, drama, poetry"
Bogarad, Carley Rees. Legacies: Fiction, poetry, drama, nonfiction. Wyd. 2. Fort Worth, TX: Harcourt College Publishers, 2002.
Znajdź pełny tekst źródłaLynne, Crockett, i Bogarad Carley Rees, red. Legacies: Fiction, poetry, drama, nonfiction. Wyd. 4. Boston: Wadsworth Cengage Learning, 2009.
Znajdź pełny tekst źródła1936-, Duncan Barry, red. Transformations: Fiction, poetry, non-fiction, and drama. Toronto: Harcourt Brace Canada, 1996.
Znajdź pełny tekst źródłaSchmidt, Jan Zlotnik. Portable legacies: Fiction, poetry, drama, nonfiction. Wyd. 4. Boston, MA: Wadsworth Cengage Learning, 2009.
Znajdź pełny tekst źródła1928-, Hall Donald, red. To read literature, fiction, poetry, drama. Wyd. 2. New York: Holt, Rinehart, and Winston, 1987.
Znajdź pełny tekst źródłaE, Scholes Robert, red. Elements of literature: Poetry, fiction, drama. Wyd. 3. Don Mills, Ont: Oxford University Press, 2004.
Znajdź pełny tekst źródłaDiYanni, Robert. Literature: Reading fiction, poetry, and drama. Boston: McGraw-Hill College, 2000.
Znajdź pełny tekst źródłaL, Rico Gabriele, red. Discovering literature: Fiction, poetry, and drama. Englewood Cliffs, NJ: Prentice-Hall, 1993.
Znajdź pełny tekst źródłaDiYanni, Robert. Literature: Reading fiction, poetry, and drama. Wyd. 5. Boston, Mass: McGraw-Hill, 2002.
Znajdź pełny tekst źródłaSylvan, Barnet, Berman Morton i Burto William, red. An Introduction to literature: Fiction, poetry, drama. Wyd. 8. Boston: Little, Brown and Company, 1985.
Znajdź pełny tekst źródłaCzęści książek na temat "Vyāsa, in fiction, drama, poetry"
Hipolito, Jeffrey. "And I in Me". W Owen Barfield’s Poetry, Drama, and Fiction, 155–99. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-6.
Pełny tekst źródłaHipolito, Jeffrey. "Time Is, Time Was". W Owen Barfield’s Poetry, Drama, and Fiction, 122–54. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-5.
Pełny tekst źródłaHipolito, Jeffrey. "A Life of Sane Despair". W Owen Barfield’s Poetry, Drama, and Fiction, 96–121. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-4.
Pełny tekst źródłaHipolito, Jeffrey. "A Maze of Awakening". W Owen Barfield’s Poetry, Drama, and Fiction, 41–95. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-3.
Pełny tekst źródłaHipolito, Jeffrey. "Introduction". W Owen Barfield’s Poetry, Drama, and Fiction, 1–4. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-1.
Pełny tekst źródłaHipolito, Jeffrey. "A Figured Zodiac". W Owen Barfield’s Poetry, Drama, and Fiction, 5–40. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032701479-2.
Pełny tekst źródłaMullett, Margaret. "No Drama, No Poetry, No Fiction, No Readership, No Literature". W A Companion to Byzantium, 225–38. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444320015.ch17.
Pełny tekst źródłaShivel, Gail. "Poetry, Drama, and Fiction". W Encyclopedia of International Media and Communications, 483–93. Elsevier, 2003. http://dx.doi.org/10.1016/b0-12-387670-2/00089-3.
Pełny tekst źródła"1. Fiction, Poetry and Drama". W American Culture in the 1920s, 35–70. Edinburgh University Press, 2009. http://dx.doi.org/10.1515/9780748630851-006.
Pełny tekst źródła"Exploring poetry and non-fiction through drama conventions". W Jumpstart! Drama, 64–94. Routledge, 2009. http://dx.doi.org/10.4324/9780203878255-7.
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