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Książki na temat „VOICE SIGNALS”

Autor: Grafiati

Data publikacji: 11 września 2023

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1

Manfredi, Claudia, red. Models and analysis of vocal emissions for biomedical applications: 5th International Workshop: December 13-15, 2007, Firenze, Italy. Florence: Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-5518-027-6.

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The MAVEBA Workshop proceedings, held on a biannual basis, collect the scientific papers presented both as oral and poster contributions, during the conference. The main subjects are: development of theoretical and mechanical models as an aid to the study of main phonatory dysfunctions, as well as the biomedical engineering methods for the analysis of voice signals and images, as a support to clinical diagnosis and classification of vocal pathologies. The Workshop has the sponsorship of: Ente Cassa Risparmio di Firenze, COST Action 2103, Biomedical Signal Processing and Control Journal (Elsevier Eds.), IEEE Biomedical Engineering Soc. Special Issues of International Journals have been, and will be, published, collecting selected papers from the conference.

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2

VoIP voice and fax signal processing. Hoboken, NJ: Wiley, 2008.

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3

Manfredi, Claudia, red. Models and Analysis of Vocal Emissions for Biomedical Applications. Florence: Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-470-7.

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The MAVEBA Workshop proceedings, held on a biannual basis, collect the scientific papers presented both as oral and poster contributions, during the conference. The main subjects are: development of theoretical and mechanical models as an aid to the study of main phonatory dysfunctions, as well as the biomedical engineering methods for the analysis of voice signals and images, as a support to clinical diagnosis and classification of vocal pathologies.

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4

Manfredi, Claudia, red. Models and Analysis of Vocal Emissions for Biomedical Applications. Florence: Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-6453-096-3.

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The MAVEBA Workshop proceedings, held on a biannual basis, collect the scientific papers presented both as oral and poster contributions, during the conference. The main subjects are: development of theoretical and mechanical models as an aid to the study of main phonatory dysfunctions, as well as the biomedical engineering methods for the analysis of voice signals and images, as a support to clinical diagnosis and classification of vocal pathologies.

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5

Manfredi, Claudia, red. Models and Analysis of Vocal Emissions for Biomedical Applications. Florence: Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6655-011-2.

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The MAVEBA Workshop proceedings, held on a biannual basis, collect the scientific papers presented both as oral and poster contributions, during the conference. The main subjects are: development of theoretical and mechanical models as an aid to the study of main phonatory dysfunctions, as well as the biomedical engineering methods for the analysis of voice signals and images, as a support to clinical diagnosis and classification of vocal pathologies.

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6

Juang, Jer-Nan. Signal prediction with input identification. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1999.

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7

Martin, Ann. VOICE - a spectrogram computer display package. Woods Hole, Mass: Woods Hole Oceanographic Institution, 1990.

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8

1954-, Lawlor Leonard, red. Voice and phenomenon: Introduction to the problem of the sign in Husserl's phenomenology. Evanston, Ill: Northwestern University Press, 2011.

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9

Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. Berkeley: University of California Press, 1989.

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10

Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. New York: Vintage Books, 2000.

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11

Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. Don Mills, Ont: Stoddart, 1989.

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12

Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. London: Pan Books, 1991.

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13

Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. London: Picador, 1990.

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14

Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. Berkeley: University of California Press, 1989.

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15

Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. New York: HarperCollins, 1990.

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16

Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. London: Picador, published by Pan Books, 1991.

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17

Frühholz, Sascha, i Pascal Belin, red. The Oxford Handbook of Voice Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198743187.001.0001.

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The past decades have seen an explosion of research into the psychological, cognitive, neural, biological, and technical mechanisms of voice perception. These mechanisms refer to the general ability to extract information from voices expressed by other living beings or by technical systems. Voice perception research is now a lively area of research, which is studied from many different perspectives ranging from basic research on the acoustic analysis of vocalizations and the neural and cognitive mechanisms, to comparative research across ages, species, and cultures, up to applied research in the field of machine-based generation and decoding of voices, telecommunication, psychiatry, and neurology. This handbook provides a comprehensive and authoritative overview on all the major research fields related to voice perception, in an accessible form, for a broad readership of students, scholars, and researchers. The handbook is divided into seven major parts, each of which deals with a central perspective on voice perception, including what makes the voice special compared to other acoustic signals, the evolutionary and ontogenetic conditions of voice perception, the social cues extracted from voice signals, the machine-based recognition of voices, and the clinical disorders that affect voice perception.

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18

Human Factors and Voice Interactive Systems (Signals and Communication Technology). Springer, 2007.

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19

(Editor), Daryle Gardner-Bonneau, i Harry E. Blanchard (Editor), red. Human Factors and Voice Interactive Systems (Signals and Communication Technology). Springer, 2007.

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20

Reading, Sweet Sounds of. Instant Letter Sounds Student Workbook #16 : Punctuation Marks: Voice Change Signals. CreateSpace Independent Publishing Platform, 2016.

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21

Jekosch, Ute. Voice and Speech Quality Perception: Assessment and Evaluation (Signals and Communication Technology). Springer, 2005.

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22

Nagireddi, Sivannarayana. VoIP Voice and Fax Signal Processing. Wiley & Sons, Incorporated, John, 2008.

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23

Nagireddi, Sivannarayana. VoIP Voice and Fax Signal Processing. Wiley & Sons, Incorporated, John, 2010.

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24

Reveillac, Jean-Michel. Recording and Voice Processing, Volume 1: History and Generalities. Wiley & Sons, Incorporated, John, 2021.

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25

Reveillac, Jean-Michel. Recording and Voice Processing, Volume 1: History and Generalities. Wiley & Sons, Incorporated, John, 2021.

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Reveillac, Jean-Michel. Recording and Voice Processing, Volume 1: History and Generalities. Wiley & Sons, Incorporated, John, 2021.

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27

Recording and Voice Processing, Volume 1: History and Generalities. Wiley & Sons, Incorporated, John, 2022.

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28

Findlay, Alison. ‘Make My Image but an Alehouse Sign’. Redaktor Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0010.

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Queen Margaret’s words ‘Make my image but an alehouse sign’ in 2 Henry VI (III. ii. 81) offer an appropriate metaphor for the female voice in Shakespeare’s texts because they advertise the ways female characters strive to speak out within a discursive environment that silences them as images. The chapter explores how women in Shakespeare’s plays negotiate a space to speak within a poetic discourse that repeatedly objectifies them as signs, focusing on Catherine’s role in Henry V and the blason, and the Jailer’s Daughter’s self-inscription into a ballad tradition in Two Noble Kinsmen. A second section uses the analytic tools provided by corpus-linguistics to explore the poetic voices of tragic female characters: Lady Macbeth, Cleopatra, and the women of Richard III. The essay concludes by tracing the growth of an independent, poetic female voice in the role of Queen Margaret who offers an ironic commentary on Shakespeare's growing sense of his own identity as national bard.

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29

Taking Charge of My Life (New Writers' Voices (Signal Hill Publications)). New Readers Press, 1990.

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30

Voice, Voice. Voice from the Signal-Box : Or, Railway Accidents and Their Causes: By a Signalman. Creative Media Partners, LLC, 2018.

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Voice, Voice. Voice from the Signal-Box : Or, Railway Accidents and Their Causes: By a Signalman. Creative Media Partners, LLC, 2018.

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Voice, Voice. Voice from the Signal-Box : Or, Railway Accidents and Their Causes: By a Signalman. Creative Media Partners, LLC, 2018.

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33

Guide To Voice And Video Over Ip For Fixed And Mobile Networks. Springer London Ltd, 2013.

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34

Voice, Voice. A Voice from the Signal-Box : Or, Railway Accidents and Their Causes: By a Signalman. Franklin Classics Trade Press, 2018.

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35

Seeing Voices. University of California Press, 1989.

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36

Sacks, Oliver W. Seeing Voices. Vintage, 2000.

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37

Mullins, Christopher. History of the 82nd Signal Battalion World War I and World War II: The Commander's Voice. Independently Published, 2020.

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History of the 82nd Signal Battalion World War I and World War II: The Commander's Voice. Independently Published, 2021.

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39

Sacks, Oliver W. Seeing Voices (Picador Books). Picador, 1991.

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40

Thompson, Adam, i Adrian Beale. God's Prophetic Symbolism in Everyday Life: The Divinity Code to Hearing God's Voice Through Natural Events and Divine Occurrences. Destiny Image Publishers, 2017.

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41

Roth, Sid, James W. Goll, Steve Shultz, Mark Virkler, Brian Simmons, Adam F. Thompson, Lana Vawser, Jeff Jansen, Adrian Beale i Dr Charity Virkler Kayembe. God's Prophetic Symbolism in Everyday Life: The Divinity Code to Hearing God?s Voice Through Natural Events and Divine Occurrences. Destiny Image Publishers, 2017.

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42

Roach, Levi. Forgery and Memory at the End of the First Millennium. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691181660.001.0001.

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This book takes a fresh look at documentary forgery and historical memory in the Middle Ages. In the tenth and eleventh centuries, religious houses across Europe began falsifying texts to improve local documentary records on an unprecedented scale. As the book illustrates, the resulting wave of forgery signaled major shifts in society and political culture, shifts which would lay the foundations for the European ancien régime. Spanning documentary traditions across France, England, Germany and northern Italy, the book examines five sets of falsified texts to demonstrate how forged records produced in this period gave voice to new collective identities within and beyond the Church. Above all, the book indicates how this fad for falsification points to new attitudes toward past and present — a developing fascination with the signs of antiquity. These conclusions revise traditional master narratives about the development of antiquarianism in the modern era, showing that medieval forgers were every bit as sophisticated as their Renaissance successors. Medieval forgers were simply interested in different subjects — the history of the Church and their local realms, rather than the literary world of classical antiquity. As a comparative history of falsified records at a crucial turning point in the Middle Ages, the book offers valuable insights into how institutions and individuals rewrote and reimagined the past.

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43

0330 320904 Seeing Voices Sacks Oliver. Pan Books, 1996.

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44

Carvalho, Régis de. A voz de cabeça na voz de barítono. Editora ARtemis, 2022. http://dx.doi.org/10.37572/edart_100522538.

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This book has a very specific target audience: singers and teachers in the vocal field. As a result of his experience as a singing teacher and researcher, he presents readers with an alternative vocal training model aimed at working the high region of male medium voices. To follow this path, we approached issues such as the main common technical difficulties encountered by baritones, aspects of vocal classification, aspirated vocal parameters and vocal physiology. Finally, we discussed possible signs of effectiveness of using a vocalize model that works with falsetto emission to facilitate access to head register notes in male middle voices.

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45

Fishbane, Eitan P. The Art of Mystical Narrative. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199948635.001.0001.

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This book studies the Zohar as a work of literature. While the Zohar has long been recognized as a signal achievement of mystical theology, myth, and exegesis, this monograph presents a poetics of zoharic narrative, a morphology of mystical storytelling. Topics examined include mysticism and literature; fiction and pseudepigraphy; diaspora and exile; dramatic monologue and the representation of emotion; voice, gesture, and the theatrics of the zoharic tale; the wandering quest for wisdom; anagnorisis and the poetics of recognition; encounters with the natural world as stimuli for mystical creativity; the dynamic relationship between narrative and exegesis; magical realism and the fantastic in the representation of experience and Being; narrative ethics and the exemplum of virtuous piety in the Zohar; the place of the zoharic frame-tale in the comparative context of medieval Iberian literature, both Jewish and non-Jewish.

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Sacks, Oliver W. Seeing voices: A journey into the world of the deaf. New York, 1998.

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Sacks, Oliver W. Seeing Voices: A Journey Into the World of the Deaf. Picador USA, 2011.

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48

Sacks, Oliver W. Seeing Voices: A Journey Into the World of the Deaf. Pan MacMillan, 2009.

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49

Bucy, Erik P., i Patrick Stewart. The Personalization of Campaigns: Nonverbal Cues in Presidential Debates. Oxford University Press, 2018. http://dx.doi.org/10.1093/acrefore/9780190228637.013.52.

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Nonverbal cues are important elements of persuasive communication whose influence in political debates are receiving renewed attention. Recent advances in political debate research have been driven by biologically grounded explanations of behavior that draw on evolutionary theory and view televised debates as contests for social dominance. The application of biobehavioral coding to televised presidential debates opens new vistas for investigating this time-honored campaign tradition by introducing a systematic and readily replicated analytical framework for documenting the unspoken signals that are a continuous feature of competitive candidate encounters. As research utilizing biobehavioral measures of presidential debates and other political communication progresses, studies are becoming increasingly characterized by the use of multiple methodologies and merging of disparate data into combined systems of coding that support predictive modeling.Key elements of nonverbal persuasion include candidate appearance, communication style and behavior, as well as gender dynamics that regulate candidate interactions. Together, the use of facial expressions, voice tone, and bodily gestures form uniquely identifiable display repertoires that candidates perform within televised debate settings. Also at play are social and political norms that govern candidate encounters. From an evaluative standpoint, the visual equivalent of a verbal gaffe is the commission of a nonverbal expectancy violation, which draws viewer attention and interferes with information intake. Through second screens, viewers are able to register their reactions to candidate behavior in real time, and merging biobehavioral and social media approaches to debate effects is showing how such activity can be used as an outcome measure to assess the efficacy of candidate nonverbal communication during televised presidential debates.Methodological approaches employed to investigate nonverbal cues in presidential debates have expanded well beyond the time-honored technique of content analysis to include lab experiments, focus groups, continuous response measurement, eye tracking, vocalic analysis, biobehavioral coding, and use of the Facial Action Coding System to document the muscle movements that comprise leader expressions. Given the tradeoffs and myriad considerations involved in analyzing nonverbal cues, critical issues in measurement and methodology must be addressed when conducting research in this evolving area. With automated coding of nonverbal behavior just around the corner, future research should be designed to take advantage of the growing number of methodological advances in this rapidly evolving area of political communication research.

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50

Ho, Jennifer. Southern Eruptions in Asian American Narratives. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037832.003.0009.

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This chapter discusses the emergence of Asian American literature and film about the South as they disrupt multiple narratives about race relations and racial subjectivity. It particularly studies Susan Choi's novel The Foreign Student (1998), Mira Nair's feature-length film Mississippi Masala (1992), and Paisley Rekdal's creative nonfiction collection of autobiographical essays, The Night My Mother Met Bruce Lee: Observations on Not Fitting In (2000). Asian American stories set in the South erupt the myth of imaginary lines between the past and present, arguing that the inclusion of Asian American voices signals not simply a pluralistic affirmation of racial harmony but the complications of understanding race beyond a black–white paradigm. Indeed, a true understanding of southern race relations crosses the geographic borders of the American South into not only Europe and Africa but the Caribbean, Latin America, and Asia as well, because the South is a space that is implicated in larger transnational and global flows.

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