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Artykuły w czasopismach na temat "Visual vernacular"
Butsykina, Y. O. "VERNACULAR DESIGN AS VISUAL PRACTICE OF URBAN SPACE ORGANIZATION". UKRAINIAN CULTURAL STUDIES, nr 1 (6) (2020): 5–8. http://dx.doi.org/10.17721/ucs.2020.1(6).01.
Pełny tekst źródłaGodson, Lisa. "Vernacular". Design and Culture 8, nr 1 (2.01.2016): 135–38. http://dx.doi.org/10.1080/17547075.2016.1142352.
Pełny tekst źródłaHwang sae bom i 정보민. "Study on vernacular expression of visual humor". Journal of Digital Design 7, nr 4 (październik 2007): 241–48. http://dx.doi.org/10.17280/jdd.2007.7.4.025.
Pełny tekst źródłaCleland, Jennifer, i Anna MacLeod. "The visual vernacular: embracing photographs in research". Perspectives on Medical Education 10, nr 4 (2.06.2021): 230–37. http://dx.doi.org/10.1007/s40037-021-00672-x.
Pełny tekst źródłaAsmal, Atiyah, i Michiko Kaneko. "Visual Vernacular in South African Sign Language". Sign Language Studies 20, nr 3 (2020): 491–517. http://dx.doi.org/10.1353/sls.2020.0010.
Pełny tekst źródłaKnorr, Karen. "Vernacular Masquerades". Photography and Culture 3, nr 1 (marzec 2010): 107–10. http://dx.doi.org/10.2752/175145110x12615814378478.
Pełny tekst źródłaChavez, Mercedes. "Vernacular Landscapes". Afterimage 48, nr 1 (1.03.2021): 37–53. http://dx.doi.org/10.1525/aft.2021.48.1.37.
Pełny tekst źródłaVellinga, Marcel. "The noble vernacular". Journal of Architecture 18, nr 4 (sierpień 2013): 570–90. http://dx.doi.org/10.1080/13602365.2013.819813.
Pełny tekst źródłaMaghsoudi Nia, Elham, Titi Hajihasani, Mohd Yazid Mohd Yunos i Nordin Abdul Rahman. "Daylighting Strategies in Iranian Vernacular Residential Buildings in Hot and Dry Climate". Applied Mechanics and Materials 747 (marzec 2015): 329–32. http://dx.doi.org/10.4028/www.scientific.net/amm.747.329.
Pełny tekst źródłaTharu, Susie. "Notes for a grammar of the visual vernacular". Critical Quarterly 56, nr 3 (październik 2014): 76–91. http://dx.doi.org/10.1111/criq.12139.
Pełny tekst źródłaRozprawy doktorskie na temat "Visual vernacular"
Ayers, Drew R. "Vernacular Posthumanism: Visual Culture and Material Imagination". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/34.
Pełny tekst źródłaChoi, Sung Hun. "Graffiti a visual vernacular as graphic design source /". [Ames, Iowa : Iowa State University], 2007.
Znajdź pełny tekst źródłaDones, Vera Lúcia. "A estética vernacular como retórica visual da publicidade gráfica". Pontifícia Universidade Católica do Rio Grande do Sul, 2012. http://hdl.handle.net/10923/2120.
Pełny tekst źródłaThis thesis aims at understanding the role of the vernacular aesthetics as a rhetorical element in advertising messages. We have proposed a reflection on what we has been called 'vernacular', which is characterized as an aesthetical dimension of contemporary culture. In Chapter I, we have both gathered information that contribute to the presentation of the concept of 'vernacular', and presented the contexts and conditions that have given way to its production in graphical communication, based on what has been noticed in graphical pieces, brands, typography, advertisements and visual arts. In Chapter II, we have problematized rhetoric in the field of visual communication in order to find out the persuasive aspects of visual language in advertising. In Chapter III, we have analyzed three advertisements with the aim of determining the type of communicative function of the vernacular in advertising messages, and rhetorical-visual arguments between the different message agents. The appropriations of the vernacular in visual communication have been inserted into the culture of reproduction and copy, and they are related both to the simulacrum that characterizes our time, and to the indexation of forms that have been despised or that are allegedly naïve. We have concluded that the vernacular aesthetics, as visual rhetoric of graphical advertising, is a “metaphor of authenticity”. This occurs when images, letterings, writings constructed with improbable materials, and native graphical expressions, among others, end up fostering a kind of economy of arguments, since the symbolisms presented by the referents say more and convince better than the conventional iconograms used in advertising communication.
Esta tese objetiva compreender o papel da estética vernacular como elemento retórico nas mensagens publicitárias. Propõe-se uma reflexão sobre o que chamamos aqui de vernacular, caracterizado como uma dimensão estética da cultura contemporânea. No Capítulo I, reunimos informações que colaboram para a apresentação do conceito "vernacular" e apresentamos os contextos e as condições que deram lugar à sua produção na comunicação gráfica, com base no que vem sendo observado em peças gráficas, marcas, tipografia, anúncios publicitários e nas artes visuais. O Capítulo II problematiza a retórica no campo da comunicação visual para chegar aos aspectos persuasivos da linguagem visual em anúncios publicitários. No Capítulo III, analisamos três anúncios, a fim de estabelecer o tipo de função comunicativa do vernacular nas mensagens publicitárias e os argumentos retórico-visuais entre os diferentes agentes das mensagens. As apropriações do vernacular na comunicação visual inserem-se na cultura da reprodução, da cópia, e dizem respeito tanto ao simulacro que caracteriza nossos tempos, quanto à indexação de formas desprezadas ou supostamente ingênuas. Concluímos que a estética vernacular como retórica visual da publicidade gráfica vem a ser uma “metáfora da autenticidade". Tal ocorre quando imagens, letreiramentos, escritas construídas com materiais improváveis e expressões gráficas nativas, entre outras, acabam promovendo um tipo de economia de argumentos, já que os simbolismos apresentados pelos referentes dizem melhor e convencem com mais qualidade do que os iconogramas convencionais da comunicação publicitária.
Bainbridge, Jason. "Visual law : an exegesis of vernacular jurisprudence in popular media /". [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18608.pdf.
Pełny tekst źródłaPEREIRA, Natália Cristina Rodrigues. "Design vernacular: a comunicação visual informal no cotidiano da Amazônia". Universidade Federal do Pará, 2018. http://repositorio.ufpa.br/jspui/handle/2011/10019.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Esta pesquisa busca refletir sobre o design vernacular como uma experiência comunicacional na Amazônia. Trata-se de uma forma de comunicação materializada em desenhos de letras (lettering) pintados manualmente em placas, fachadas, faixas e outras superfícies espalhadas pela região que, baseados na cultura popular, objetivam suprir as necessidades comunicacionais do comércio informal onde se originam. O foco da investigação partiu da seguinte pergunta: quais as inspirações, particularidades e estratégias que permeiam o universo material e simbólico dessa forma de comunicação visual informal, sem perder de vista o seu potencial mercadológico e suas relações com a comunidade? Para isso, o trabalho apoiou-se em conceitos de Benjamin (1987), Braga (2011), Canevacci (1997), Schutz (2012), Dewey (1980), Durand (1996), Flusser (2013), Kant (2012), Maffesoli (1998) e Paes Loureiro (2008; 2001), dentre outros. A hipótese defendida nesta dissertação é a de que a comunicação visual informal, permeada pelo universo da cultura amazônica, contribui no âmbito simbólico e econômico diretamente para a realidade da comunidade na qual está inserido. A metodologia teve um foco qualitativo a partir de pesquisas de campo, sendo que a coleta de material (registro fotográfico e entrevistas) aconteceu de agosto de 2015 a janeiro de 2018, compreendendo duas visitas em cada uma das três ilhas do município de Belém escolhidas: Cotijuba, Caratateua (Outeiro) e Mosqueiro. Acredita-se que a importância deste trabalho se centra na possibilidade de contribuir com estudos que vão além dos aspectos tecnológicos da comunicação, voltadas assim para o homem em sociedade, assim como, em longo prazo, poder colaborar para uma possível desmistificação de estereótipos sobre a Amazônia.
This research reflects on the vernacular design as a communication experience in the Amazon region. The analyzed object in the study is the draws of letters (lettering) painted manually on boards, facades, banners, and other surfaces widespread across the region that, based on the popular culture, aim to supply the communicational necessities of the informal commerce where they originate. The focus of the investigation came from the following question: what are the inspirations, particularities, and strategies that permeate the material and symbolic universe of this type of informal visual communication, without losing sight of its market potential and its relationship to the community? Therefore, this research used concepts of Benjamin (1987), Braga (2011), Canevacci (1997), Schutz (2012), Dewey (1980), Durand (1996), Flusser (2013), Kant (2012), Maffesoli (1998) e Paes Loureiro (2008; 2001), among others. Accordingly, the hypothesis presented here pointed that the informal visual communication, permeated by the universe of the Amazonian culture, contributes in the symbolic and economic scope directly to the reality of the community in which it is inserted. The methodology was based on the qualitative descriptive analysis, starting from field research, being that the collection of material (photography registration and interviews) started from August 2015 to January 2018, including two visits in each one of the three islands of the Municipality of Belém chosen for the study: Cotijuba, Caratateua (Outeiro) e Mosqueiro. It's believed that the importance of this research is focused on the possibility of contributing with studies that go beyond the technical aspects of communication, therefore based on the men in society, as well as, long-term, to be able to collaborate for a possible demystification of stereotypes about the Amazon.
Liu, Shanshan. "Visual Social Media and Vernacular Responses to Environmental Issues in China". Thesis, Curtin University, 2019. http://hdl.handle.net/20.500.11937/79905.
Pełny tekst źródłaDones, Vera L?cia. "A est?tica vernacular como ret?rica visual da publicidade gr?fica". Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2013. http://tede2.pucrs.br/tede2/handle/tede/4522.
Pełny tekst źródłaThis thesis aims at understanding the role of the vernacular aesthetics as a rhetorical element in advertising messages. We have proposed a reflection on what we has been called 'vernacular', which is characterized as an aesthetical dimension of contemporary culture. In Chapter I, we have both gathered information that contribute to the presentation of the concept of 'vernacular', and presented the contexts and conditions that have given way to its production in graphical communication, based on what has been noticed in graphical pieces, brands, typography, advertisements and visual arts. In Chapter II, we have problematized rhetoric in the field of visual communication in order to find out the persuasive aspects of visual language in advertising. In Chapter III, we have analyzed three advertisements with the aim of determining the type of communicative function of the vernacular in advertising messages, and rhetorical-visual arguments between the different message agents. The appropriations of the vernacular in visual communication have been inserted into the culture of reproduction and copy, and they are related both to the simulacrum that characterizes our time, and to the indexation of forms that have been despised or that are allegedly na?ve. We have concluded that the vernacular aesthetics, as visual rhetoric of graphical advertising, is a metaphor of authenticity . This occurs when images, letterings, writings constructed with improbable materials, and native graphical expressions, among others, end up fostering a kind of economy of arguments, since the symbolisms presented by the referents say more and convince better than the conventional iconograms used in advertising communication.
Esta tese objetiva compreender o papel da est?tica vernacular como elemento ret?rico nas mensagens publicit?rias. Prop?e-se uma reflex?o sobre o que chamamos aqui de vernacular, caracterizado como uma dimens?o est?tica da cultura contempor?nea. No Cap?tulo I, reunimos informa??es que colaboram para a apresenta??o do conceito "vernacular" e apresentamos os contextos e as condi??es que deram lugar ? sua produ??o na comunica??o gr?fica, com base no que vem sendo observado em pe?as gr?ficas, marcas, tipografia, an?ncios publicit?rios e nas artes visuais. O Cap?tulo II problematiza a ret?rica no campo da comunica??o visual para chegar aos aspectos persuasivos da linguagem visual em an?ncios publicit?rios. No Cap?tulo III, analisamos tr?s an?ncios, a fim de estabelecer o tipo de fun??o comunicativa do vernacular nas mensagens publicit?rias e os argumentos ret?rico-visuais entre os diferentes agentes das mensagens. As apropria??es do vernacular na comunica??o visual inserem-se na cultura da reprodu??o, da c?pia, e dizem respeito tanto ao simulacro que caracteriza nossos tempos, quanto ? indexa??o de formas desprezadas ou supostamente ing?nuas. Conclu?mos que a est?tica vernacular como ret?rica visual da publicidade gr?fica vem a ser uma met?fora da autenticidade". Tal ocorre quando imagens, letreiramentos, escritas constru?das com materiais improv?veis e express?es gr?ficas nativas, entre outras, acabam promovendo um tipo de economia de argumentos, j? que os simbolismos apresentados pelos referentes dizem melhor e convencem com mais qualidade do que os iconogramas convencionais da comunica??o publicit?ria.
James, Sule. "Tracing the Idea of African Vernacular-Rooted Art: A Critical Analysis of Selected Contemporary South African and Nigerian Artists (2007-2016)". Thesis, University of Pretoria, 2019. http://hdl.handle.net/2263/72462.
Pełny tekst źródłaThesis (PhD)--University of Pretoria, 2019.
Visual Arts
PhD
Unrestricted
Edwards, Jamie Lee. "Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'". Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7703/.
Pełny tekst źródłaArdinghi, Maria Beatriz. "Glossário visual popular paulista: artefatos memoráveis presentes em residências de famílias de origem rural no estado de São Paulo". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-07032016-190553/.
Pełny tekst źródłaThe purpose of this research is to contribute to the study of popular material Brazilian culture in relation to the possibility of regional identities of the popular artifact, from the perspective of design. In order to do so, it was identified and analyzed aspects of perception, use and meaning of a number of domestic artifacts considered memorable that can be found in rural origin family homes in the state of São Paulo Considering that these artifacts correspond to the materiality present in affective memories of a significant part of São Paulo\'s population, it was analyzed their formal, functional and symbolic attributes in order to identify their language - documented in the form of a visual glossary, which can be reference and inspiration to contemporary designers concerned with cultural identities issues. The method used in this study is based on interviews and the collection of informal testimonials to characterize what we call memorable artifacts, which are objects that participated in childhood affective experiences of the selected adult population. After that, a field survey was carried out to identify these artifacts present in São Paulo residences of elderly rural origin, spread across seven regions of the state of São Paulo, through photographic records and interviews. Then, it was analyzed their formal and plastic attributes in order to identify a possible regional language of popular household objects and the meanings given to them by their users. The theme of this research results from the discussion about cultural identity in the design field and its relation with memories and material culture. Another reason for that is due to the lack of similar studies in design to address issues usually discussed in researches from the social sciences. Finally, it represents a new object of interest in the study of folklore: the ordinary household artifacts of everyday use, commonly found in elderly homes of rural origin in the state of São Paulo. At the end of this study, it was concluded that it is possible to characterize the identity of popular São Paulo artifact according to their usage characteristics, perception and meaning. In addition, it is possible to state that this identity is related to their social, cultural and historical origin.
Książki na temat "Visual vernacular"
Couto, Nasbahry. Budaya visual seni tradisi Minangkabau. Padang: Universitas Negeri Padang Press, 2008.
Znajdź pełny tekst źródłaCouto, Nasbahry. Budaya visual seni tradisi Minangkabau. Padang: Universitas Negeri Padang Press, 2008.
Znajdź pełny tekst źródłaAlzate, Adriana Gómez. Expresión visual en las ciudades del bahareque. Manizales, Colombia: Universidad de Caldas, 1994.
Znajdź pełny tekst źródłaUniversity of California, Berkeley. Center for Environmental Design Research, red. Theoretical models for visual and textual representation. Berkeley, CA: Center for Environmental Design Research, University of California at Berkeley, 1991.
Znajdź pełny tekst źródłaA visual dictionary of Chinese architecture. Mulgrave, Vic: Images, 2002.
Znajdź pełny tekst źródłaPangarsa, Galih Widjil. Arsitektur untuk kemanusiaan: Teropong visual culture atas karya-karya Eko Prawoto. Surabaya: Wastu Lanas Grafika, 2008.
Znajdź pełny tekst źródłaVanakyurā modanizumu to shite no eizō bunka: Vernacular modernism in visual cultures / Hase Masato. Tōkyō: Tōkyō Daigaku Shuppankai, 2017.
Znajdź pełny tekst źródłaGuo, Qinghua. [Zhongguo jian zhu Ying Han shuang jie ci dian] =: A visual dictionary of Chinese architecture. Mulgrave, Vic., Australia: Images Pub., 2002.
Znajdź pełny tekst źródłaSajin ŭro p'urŏbon Han-Il chŏnt'ong kŏnch'uk: Architectural visual comparison between Korea and Japan. Sŏul-si: Koryŏ, 2009.
Znajdź pełny tekst źródłaPowell, M. C. The re-use of vernacular farm buildings with reference to visual character and the rural economy. Oxford: Oxford Brookes University, 1997.
Znajdź pełny tekst źródłaCzęści książek na temat "Visual vernacular"
Jha, Sadan. "Vernacular Visual". W Seeing South Asia, 27–47. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003276753-3.
Pełny tekst źródłaHaltman, Kenneth. "Cartographic Representation in the Age of Vernacular Landscape". W Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas, 60–75. Other titles: Cartographic expeditions and visual culture in the 19th century Americas Description: First Edition. | New York: Routledge Taylor & Francis Group, 2020. | Series: Routledge studies in the history of the Americas; volume 17: Routledge, 2020. http://dx.doi.org/10.4324/9780429319211-5.
Pełny tekst źródłaKrase, Jerome, i Timothy Shortell. "Story-Making and Photography: The Visual Essay and Migration". W IMISCOE Research Series, 141–59. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_8.
Pełny tekst źródłaBrown, Neil C. M. "Distinguishing Artistic from Vernacular Performances in the Visual Arts: A Classroom Perspective". W Studies in Philosophical Realism in Art, Design and Education, 179–87. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-42906-9_13.
Pełny tekst źródłaIshisaka Yreijo, Estefania Alexandra Ami, i Byungkeun Oh. "Application of Vernacular Design for Emotional Communication: Focus on Visual Arts of Ancient Peruvian Inca". W [ ] With Design: Reinventing Design Modes, 216–37. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4472-7_15.
Pełny tekst źródłaVandi, Loretta. "The Visual Vernacular: The Construction of Communal Literacy at the Convent of Santa Maria in Pontetetto (Lucca)". W Medieval Women: Texts and Contexts, 171–89. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.mwtc-eb.5.105530.
Pełny tekst źródłaBerry, Marsha. "Playing with Visual Vernaculars". W Creating with Mobile Media, 25–43. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65316-7_2.
Pełny tekst źródła"Vernacular". W The Visual Dictionary of Typography, 264. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2010. http://dx.doi.org/10.5040/9781474293488.0248.
Pełny tekst źródła"Vernacular". W The Visual Dictionary of Illustration, 249. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0237.
Pełny tekst źródła"Vernacular". W The Visual Dictionary of Graphic Design, 265. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: Ingram Publisher Services Inc. AVA Publishing (UK) Ltd., 2007. http://dx.doi.org/10.5040/9781474293761.0252.
Pełny tekst źródłaStreszczenia konferencji na temat "Visual vernacular"
Cardoso, Fernanda de Abreu. "An analysis of the translation of the vernacular graphic design’s symbolisms through their visual representations". W 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-72.
Pełny tekst źródłaAli, S. Omar. "Collective Domestic: Theorizing the Intermediate Commons". W 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.64.
Pełny tekst źródłaFerrer Forés, Jaime J. "Binibeca Vell. Interpreting tradition". W HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15325.
Pełny tekst źródłaZavidovskaia, Ekaterina, i Dmitrii Maiatskii. "COMPARATIVE STUDY OF THE ILLUSTRATIONS OF THE NOVEL INVESTITURE OF THE GODS BASED ON WOODBLOCK EDITIONS AND POPULAR PRINTS NIANHUA". W 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.13.
Pełny tekst źródłaNaik, Niyati S., i Ihab Elzeyadi. "External Dynamic Screens for Thermal Delight and ‘Alliesthesia’". W 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.12.
Pełny tekst źródłaMartinez Cousinou, Pablo. "El archivo fotográfico Atín Aya, claves para una interpretación." W I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6895.
Pełny tekst źródłaWhelan, Debbie. "Light Touch on the land – continued conversations about architectural change, informality and sustainability". W HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15043.
Pełny tekst źródłaSandipan Mandal, Biswajit Das i Pabitra Mitra. "Shruti-II: A vernacular speech recognition system in Bengali and an application for visually impaired community". W 2010 IEEE Students Technology Symposium (TechSym). IEEE, 2010. http://dx.doi.org/10.1109/techsym.2010.5469156.
Pełny tekst źródłaRaval, Vishwas, i Apurva Shah. "iCu□e — An IoT application for Indian currency recognition in vernacular languages for visually challenged people". W 2017 7th International Conference on Cloud Computing, Data Science & Engineering - Confluence (Confluence). IEEE, 2017. http://dx.doi.org/10.1109/confluence.2017.7943217.
Pełny tekst źródłaMarques, Patrícia Sousa, Filemon Alves Tiago i Fabíolla Xavier Rocha Ferreira Lima. "Architecture, Permaculture and Bioconstruction". W ENSUS2023 - XI Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/2596-237x.ensus2023.v11.n1.p97-109.
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