Gotowe bibliografie tematyczne / Visual semiotics

Gotowa bibliografia na temat „Visual semiotics”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 7 lipca 2024

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Spis treści

Artykuły w czasopismach
Rozprawy doktorskie
Książki
Części książek
Streszczenia konferencji

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Visual semiotics”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "Visual semiotics"

Temirbekova, M. Y., A. Ventsel i A. Zh Myrzakhmetova. "Visual history and semiotics". Bulletin of the Karaganda university History.Philosophy series 112, nr 4 (30.12.2023): 149–58. http://dx.doi.org/10.31489/2023hph4/149-158.

Pełny tekst źródła

Streszczenie:

This paper investigates the reflection of “visual turn”in semiotic research, the relationship between visual history and semiotics. The aim of the research is to investigate the relationship between visual history and semiotics and to reflect this relationship in scholarly research. The English-language works of such famous researchers and cultural theorists as Ferdinand de Saussure, Michel Foucault, Algirdas Julius Greimas, Jean Francois Lyotard, Jacques Lacan, Ludwig Wittgenstein, Jacques Derrida Jacques Derrida, Umberto Eco, Mi-chael Halliday, Charles Peirce, Noam Chomsky, and others were analyzed in this paper. History does not speak for itself, so the work of аhistorian is always interpretive. The appeal to the visual here is not a turn away from other ways, other meanings of making history. The visual is seen here as a special form of knowledge, requiring its own ways of apprehending it. This engagement with the visual will undoubtedly have a significant impact on our understanding of archives and historiography in general but does not claim to privilege the visual domain as offering a special kind of access to the past

Style APA, Harvard, Vancouver, ISO itp.

Jiuhanteng, Markus, Acep Iwan Saidi i R. Drajatno Widi Utomo. "ANALISIS SEMIOTIKA POS STRUKTURAL PADA FOTO RHEIN II (A POST-STRUCTURAL SEMIOTICS ANALYSIS OF THE PHOTOGRAPH RHEIN II)". Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 4, nr 1 (1.08.2021): 37. http://dx.doi.org/10.25105/jsrr.v4i1.10095.

Pełny tekst źródła

Streszczenie:

Abstract This paper is a study of Andreas Gursky’s photo Rhein II. In this study, the post-structural semiotic analysis method is used to interpret meaning based on signs on the Rhein II. The post-structural semiotic analysis becomes the basis for interpreting meanings using related references. In the study of Rhein II photo objects, visual text analysis is expected to provide positive benefits for the development of photography, especially academically. Rhein II is a photo by Andreas Gursky. In Rhein II’s photograph, a contemporary photo is presented as a multi-reality representation analyzed using the post-structural semiotic method. The object of research is interpreted as a text that has a layer of meaning that is squeezed out of its essence by semiotics. The deconstruction of the signification system in the visual element is identified by reading the structural postal semiotic theory codes: text analysis process, creation process. The results of semiotic extraction produce an interpretive study of Rhein II which is full of meaning.Keyword: imagery, photography, semioticaAbstrak Makalah ini merupakan kajian dari foto Rhein II karya Andreas Gursky. Dalam kajian ini digunakan metode analisis semiotika post struktural untuk menginterpretasikan makna berdasarkan tanda-tanda pada Rhein. Analisis semiotika post struktural menjadi landasan dalam menginterpretasikan makna-makna dengan menggunakan referensi terkait. analisis teks visual, dalam kajian objek foto Rhein II diharapkan dapat memberikan kebermanfaatan yang positif bagi perkembangan fotografi khususnya secara akademis. Rhein II adalah foto karya Andreas Gursky. Dalam karya Rhein II, sebuah foto kontemporer dihadirkan sebagai representasi multi realitas yang dianalisis menggunakan metode semiotika post struktural. Objek penelitian dimaknai sebagai teks yang memiliki lapisan makna yang terperas esensinya oleh semiotika. Dekonstruksi sistem penandaan dalam elemen visual diidentifikasikan dengan pembacaan kode-kode teori semiotika pos struktural. Proses analisis teks, proses penciptaan. Hasil ekstraksi semiotika menghasilkan kajian interpretatif Rhein II yang sarat makna.Kata kunci: citra imaji, fotografi, semiotika

Style APA, Harvard, Vancouver, ISO itp.

Dondero, Maria Giulia. "Visual semiotics and automatic analysis of images from the Cultural Analytics Lab: How can quantitative and qualitative analysis be combined?" Semiotica 2019, nr 230 (25.10.2019): 121–42. http://dx.doi.org/10.1515/sem-2018-0104.

Pełny tekst źródła

Streszczenie:

AbstractIn this article we explore the relationship between semiotic analysis of images and quantitative analysis of vast image corpora, in particular the work produced by Lev Manovich and the Cultural Analytics Lab, called “Media Visualization.” Media Visualization has been chosen as corpus because of its metavisual operation (images are visualized and analyzed by images) and its innovating way of conceiving analysis: by visual instruments. In this paper semiotics is used as an approach to Media Visualization and taken as an object of study as well, especially visual semiotics. In this sense, a comparison between visual semiotics (close reading of small corpora) and quantitative analyses of images (distant reading of vast collections) are conducted from a semiotic point of view. Post-Greimassian semiotics guides this study with respect to the issue of the image-within-an-image and metavisual visualization; Peircean semiotics is employed to explain and develop the notion of diagram.

Style APA, Harvard, Vancouver, ISO itp.

Liu, Zhongchen, i Guyong Lee. "Signification of Contemporary Chinese Art through a Semiotic Aspect: Focusing on the Visual Symbols Shown in the Work". Korean Society of Culture and Convergence 45, nr 11 (30.11.2023): 711–26. http://dx.doi.org/10.33645/cnc.2023.11.45.11.711.

Pełny tekst źródła

Streszczenie:

This study employs semiotic theory to explore the visual symbols and their meanings in contemporary Chinese art. By analyzing the visual symbols of specific artworks through case studies and interpreting their meanings centered around Roland Barthes's theory of myth, the research delves into the association between art and semiotics in various artistic forms including two-dimensional, three-dimensional, and digital visual symbols. Focusing on works created after the 1979 'Star Art Exhibition', it provides a nuanced understanding of the semiotics and visual symbols in contemporary Chinese art, demonstrating semiotics as a valuable framework for in-depth analysis. The findings reveal that through semiotic analysis, contemporary Chinese art can be seen as a 'text' with profound socio-cultural meanings, enhancing our comprehension of the intricate interplay and deeper significations between contemporary art and signs.

Style APA, Harvard, Vancouver, ISO itp.

Ramadhani, Sri, i Ratna Sari Dewi. "Semiotic Analysis of Smoking Prohibition Poster". Jurnal Pendidikan dan Konseling (JPDK) 5, nr 4 (16.08.2023): 465–71. http://dx.doi.org/10.31004/jpdk.v5i4.17832.

Pełny tekst źródła

Streszczenie:

This study provided a semiotic analysis of smoking prohibition poster. This research was recommended for future researcher who want to do semiotic sign research. In addition, English Department students were advised to read this research to understand and increase their knowledge of semiotics. All semiotic signs were analyzed based on the type of semiotics proposed by Michael Kroeger for visual signs such as color, shape, line and Agus M. Hardjana for verbal signs, namely written text. The steps taken were to look carefully at the contents of the poster, clarify the contents of the poster and finally look for semiotic signs contained on the poster. The purpose of this research was to find out the types of semiotic signs contained in smoking prohibition poster. In this study using qualitative method. The source of this smoking prohibition poster was taken from the internet. In data collection, the posters were retrieved by searching through internet services as well as several other journal scientific works. In analyzing the data verbally and visually it consists of 3 data from 3 posters, 15 colors, 6 shapes, 5 lines and 11 written texts. Keyword: Verbal and Visual Sign, Smoking Prohibition Poster, Semiotic Analysis. Abstrak Penelitian ini memberikan analisis semiotika poster larangan merokok. Penelitian ini direkomendasikan untuk peneliti selanjutnya yang ingin melakukan penelitian tanda semiotik. Selain itu, mahasiswa Jurusan Bahasa Inggris disarankan untuk membaca penelitian ini untuk memahami dan menambah pengetahuan mereka tentang semiotika. Semua tanda semiotik dianalisis berdasarkan jenis semiotika yang dikemukakan oleh Michael Kroeger untuk tanda visual seperti warna, bentuk, garis dan Agus M. Hardjana untuk tanda verbal yaitu teks tertulis. Langkah-langkah yang dilakukan adalah mencermati isi poster, memperjelas isi poster dan terakhir mencari tanda-tanda semiotik yang terdapat pada poster. Tujuan dari penelitian ini adalah untuk mengetahui jenis-jenis tanda semiotika yang terdapat dalam poster larangan merokok. Dalam penelitian ini menggunakan metode kualitatif. Sumber poster larangan merokok ini diambil dari internet. Dalam pengumpulan data, poster diambil dengan mencari melalui layanan internet serta beberapa karya ilmiah jurnal lainnya. Dalam menganalisis data secara verbal dan visual terdiri dari 3 data dari 3 poster, 15 warna, 6 bentuk, 5 garis dan 11 teks tertulis. Kata Kunci: Tanda Verbal dan Visual, Poster Larangan Merokok, Analisis Semiotika

Style APA, Harvard, Vancouver, ISO itp.

Travere, Alard. "The Interplay of Signs and Visuals: Unveiling the Symbiotic Relationship Between Semiotics and Visual Communication". Journal of Linguistics and Communication Studies 2, nr 3 (wrzesień 2023): 28–40. http://dx.doi.org/10.56397/jlcs.2023.09.05.

Pełny tekst źródła

Streszczenie:

This article explores the symbiotic relationship between semiotics and visual communication. Semiotics provides the framework for understanding the meanings and interpretations of signs and symbols within visuals, while visuals act as signs themselves, conveying messages and eliciting responses from viewers. The article discusses how semiotics enhances visual communication by guiding the selection and arrangement of visual elements, considering cultural codes and conventions, and leveraging symbolism and metaphor. It also explores emerging trends in semiotics and visual communication, the potential of technology in enhancing this relationship, and ethical considerations in visual communication. By understanding and embracing this symbiotic relationship, visual communicators can create impactful and ethical visual messages that effectively engage audiences.

Style APA, Harvard, Vancouver, ISO itp.

Kurokhtina, Sofia R. "The Visual Space of a City: A Semiotic Approach". Izvestiya of Saratov University. New Series. Series: Philosophy. Psychology. Pedagogy 20, nr 4 (23.11.2020): 364–68. http://dx.doi.org/10.18500/1819-7671-2020-20-4-364-368.

Pełny tekst źródła

Streszczenie:

The article deals with the problem of visuality in the context of space from the point of view of visual semiotics. The choice of the problem determined the methodology, which is based on a semiotic approach. Visual semiotics uses induction as the main tool: analyzing individual elements of space, i.e. signs, it moves to the generalization of the results at the level of semiotics as a whole. The author believes that visual images captured in various architectural structures play an important role in shaping the social structure, the space of everyday communication, and the interaction practices of observing subjects. The purpose of the article is to characterize the basic principles of visual semiotics which reflect the theoretical understanding of urban architecture as a sign system. It is established that the main theoretical principles of visual semiotics in relation to space consist in the following provisions: first, visual artifacts which flood the city space are facts of communication, since they have a linguistic orientation and are perceived as signs. Secondly, the main property for a visual message is capacity – in a short period of time, the subject is able to perceive a much larger amount of information than from the text. And third, it is established that reading and generating new interpretations of urban space occur through everyday practices, during which the surrounding visual space is appropriated and personalized.

Style APA, Harvard, Vancouver, ISO itp.

Santhiya, C. "Visuals Semiotics in the novel Coraline". International Journal of English Literature and Social Sciences 8, nr 3 (2023): 218–21. http://dx.doi.org/10.22161/ijels.83.35.

Pełny tekst źródła

Streszczenie:

“Visuals Semiotics in the novel Coraline”, presents the definition of semiotics and visual semiotics. It also discusses the theory of heteroglosia used in graphic novel. This paper also includes components and terminology of graphic novel with examples of visual symbols from Coraline novel by P.Craig Russell.

Style APA, Harvard, Vancouver, ISO itp.

Makmun, Indrawan, i Muhammad Isnaini. "Pola Komunikasi Visual Lembaga Pemerintah dalam Penanganan Pandemi Covid 19: Kajian Arketipe dan Kepribadian Merek". ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 9, nr 02 (12.06.2023): 261–81. http://dx.doi.org/10.33633/andharupa.v9i02.7489.

Pełny tekst źródła

Streszczenie:

AbstrakPenelitian ini bertujuan untuk menganalisis kepribadian merek Kementerian Kesehatan Republik Indonesia (Kemenkes RI) melalui akun media sosial Instagram dengan menggunakan perspektif Semiotika Multimodal dan menghubungkannya dengan arketipe merek untuk menentukan level The Caregiver lembaga tersebut. Dalam penelitian ini, dilakukan pendekatan kualitatif dengan fokus pada analisis pola komunikasi Kemenkes RI terkait COVID-19 melalui media sosial Instagram. Teknik analisis data yang digunakan adalah semiotika multimodal dan pendekatan metafungsi. Temuan penelitian menunjukkan bahwa Kemenkes RI memiliki karakteristik The Caregiver level tiga: altruisme, yang menunjukkan kepedulian terhadap dunia yang lebih besar dan memprioritaskan kepentingan masyarakat Indonesia. Tema-tema seperti mengayomi dan melindungi muncul dalam analisis semiotika multimodal. Selain itu, Kemenkes RI juga menggunakan storytelling dengan pendekatan visual seperti komik untuk mengurangi ketakutan dan kebingungan pada masyarakat. Kata kunci: Arketipe Merek, Covid-19, Kemenkes, Keperibadian Merek, Pola Komunikasi, Semiotika Multimodal AbstractThis research aims to analyze the brand personality of the Ministry of Health of the Republic of Indonesia (Kemenkes RI) through its Instagram social media account using the Multimodal Semiotics perspective and linking it to the brand archetype to determine the level of The Caregiver of the institution. This qualitative research focuses on analyzing Kemenkes RI's communication patterns related to COVID-19 through Instagram social media. The data analysis technique used is multimodal semiotics and the metafunction approach. The findings show that Kemenkes RI exhibits The Caregiver level three characteristics: altruism, indicating concern for the larger world and prioritizing the interests of the Indonesian community. Themes such as nurturing and protecting emerge in multimodal semiotic analysis. Additionally, Kemenkes RI uses visual storytelling, such as comics, to reduce fear and confusion among the public. Keywords: Brand Archetype, Brand Personality, Communication Patterns, Covid-19, Kemenkes, Multimodal Semiotics

Style APA, Harvard, Vancouver, ISO itp.

Behera, Priyaranjan. "A Framework of Semiotics Theory to Understand the Signs and Their Meaning in Society". International Journal of Arts Architecture & Design 2, nr 1 (31.01.2024): 77–83. http://dx.doi.org/10.62030/2024januaryarticle6.

Pełny tekst źródła

Streszczenie:

The main objective of the study of semiotic theory provides a framework for understanding how humans use signs to make sense of their environment. Semiotic theory holds that signs do not convey meaning that is inherent in the object being represented. Semiotics is a method of studying communication that focuses on all types of communication rather than just spoken or written language. Semiotics, also known as Sign, is any object that can communicate meaning to a sign interpreter. The meaning could be intentional or accidental. The sign may also convey feelings that are reflected on the mind by any of these senses, such as visual, tactile, auditory, imaginary, and others. Signs and sign processes, symbolism, metaphor, indication, designation, and communication are all relevant subjects to explore as well as investigate the systems of nonverbal communication. The logical dimension of visuals as semiotics will be the focus of this paper.

Style APA, Harvard, Vancouver, ISO itp.

Więcej źródeł

Rozprawy doktorskie na temat "Visual semiotics"

Paglamidis, Konstantinos. "Semiotics of Humanitarian Photography". Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22424.

Pełny tekst źródła

Streszczenie:

Communication campaigns by major organizations in the field of development have been heavily dependent on humanitarian photography to motivate and attract donors. This genre of photography serves its purpose by informing, surprising and attracting the attention of a broad audience. It captures real life and real problems people in need have to deal with in remote areas of the world. This paper delves into the use of visual semiotics in the context of humanitarian photography and for the purpose of fund-raising by case study research of recent communication campaigns as implemented by major players in the field such as the International Committee of the Red Cross, the Global Fund to Fights AIDS, Tuberculosis and Malaria, Doctors without Border, CARE and Save the Children. The purpose is to identify key issues which allow for the elicitation of a sign framework specific to the fund-raising genre and its idiosyncratic use of visual signs in photography based on a broad theoretical basis of semiotics. The analysis focuses on the content and methods of signification of photography in each case study. The effectiveness of humanitarian photography and important aspects of its function is discussed in the scope of its use as a communication medium for development.

Style APA, Harvard, Vancouver, ISO itp.

Fan, Jiang-Ping Brasseur Lee E. "Semiotics and advertising". Normal, Ill. : Illinois State University, 2003. http://wwwlib.umi.com/cr/ilstu/fullcit?p3115178.

Pełny tekst źródła

Streszczenie:

Thesis (Ph. D.)--Illinois State University, 2003.
Title from title page screen, viewed Jan. 11, 2005. Dissertation Committee: Lee Brasseur (chair), James Kalmbach, Gerald Savage. Includes bibliographical references (leaves 211-218) and abstract. Also available in print.

Style APA, Harvard, Vancouver, ISO itp.

Lakanen, Mariia. "Branded Windows : The Semiotics of a Window Display". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-10719.

Pełny tekst źródła

Streszczenie:

The objective of this study was to analyze the visual communication of fashion brand identity through the concept of window displays. Window displays are often categorized as an aspect of a much larger concept of visual merchandising that should be seen as a crucial part of the entire marketing communications. Although the concept of window displays is not new, their effect on the overall brand image creation remains relatively unexplored. The interpretation of communication in a visual form is complex in nature, and this research approaches the matter from a semiotic perspective. The approach was selected due to its capability to explore deeper meanings behind visual objects. In this study, window display is understood as a crucial part of the sign system of a fashion store. Window display is commonly regarded as the starting point of the entire shopping experience, and therefore in the lack of previous research, it is a logical starting point for this study. The analytical framework of the study follows the thee metafunctions of semiotic modes as discussed in the Theory of the Grammar of Visual Design by Kress and van Leeuwen (2006). The analytical framework is then applied to analyze six different window displays produced by the same fashion brand. Findings of the research are discussed in terms of the three metafunctions of ideational, interpersonal and textual, and the purpose is to increase the knowledge of how window displays can be used to depict different relations between brand, people, places and things. In terms of brand identity communication, the most important contribution is to understand the complex relationship that is formed between the window (the brand) and its viewer (the customer). As a result, this research finds that the window displays are loaded with multiple visual cues all of which intend to serve the same purpose of brand identity communication. Clothing and accessories are the most salient elements used and they can be understood as the embodiment of the brand identity. Images of models and mannequins are used to address the viewers and create a specific relationship with them. The less salient elements in the window displays are used to support the message the brand is conveying through the display.

Style APA, Harvard, Vancouver, ISO itp.

Oyama, Rumiko. "Visual semiotics : a study of images in Japanese advertisements". Thesis, University College London (University of London), 1999. http://discovery.ucl.ac.uk/10019140/.

Pełny tekst źródła

Streszczenie:

The thesis begins an exploration of the way in which Japanese visual semiotics works. In this it focuses on the formal representations of visual elements: visual syntax. Specifically, this thesis examines the way in which visual representations are realisations of three types of semiotic metafunctions: the Ideational, Textual and Interpersonal. In order to gain a clear idea about Japanese visual semiotics, I compare them with British counterparts in a relatively minor way. There is some consideration of Japanese and British cultural value systems as revealed through an analysis of the visual. It is widely accepted that language is rule-governed, and that the rules of this system are closely related to the social and cultural environment in which they are produced. This is the basis of most work in sociolinguistics, of a very wide variety. The same assumption, however, is not normally made of other semiotic modes such as the visual. This study uses advertisements as the data; and it is through that data that the issue of visual semiotics is considered. Advertisements are examples par excellence of the connection of cultural values and visual semiotics; they are also a rich source for the study of visual communication, and are widely available and comparable across Japanese and British cultures. To some small extent it shows how similarly and differently they are manifested in Japanese and British examples. The findings of the thesis point to quite specific organizations of visual representations in Japanese culture, and to differences between the two cultures. Such differences give rise to different kinds of reading with different meanings, and are therefore of great significance in a cross-cultural semiotic environment.

Style APA, Harvard, Vancouver, ISO itp.

Royce, Terry. "Visual-verbal intersemiotic complementarity in the Economist magazine". Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301898.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Sundell, Alexandra, i Ida Karlsson. "Färgkonnotationer i spel : Hur val av färg påverkar hur vi upplever en spelkaraktär". Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-25187.

Pełny tekst źródła

Streszczenie:

The purpose of this bachelor thesis is to identify the relationship between color and semiotics and how a person’s opinon, regarding a game character’s different characteristics, can be affected by the use of various colors. Prior to this study people were asked, through an online survey, to write down words that they associated with different colors. The colors were then divided into four different groups depending on whether they had been associated with positive-strong words, positive-weak words, negative-strong words or negative-weak words. In order to further shed light on the effect of colors, the four palettes, consisting of the colors associated with the different words, were then used separately to give color to two characters: a man and a woman. People were then asked to describe what kind of characteristics they felt that the different color versions of the characters portrayed and if they believed that there was a link between colors and how we view different characters’ personalities. The results showed that all of the respondents believed that such link existed and showed different reactions towards the characters’ images depending on what colors were used while creating them. The majority associated an intensive shade of red with powerful and slightly negative personality traits while bright pastel colors such as light green, pink and sky blue had a tendency to make the characters appear more naive and childish. The results also showed that darker, dusty shades of grey and brown gave the characters a more negative and weak expression.

Style APA, Harvard, Vancouver, ISO itp.

Economou, Dorothy. "Photos in the News: appraisal analysis of visual semiosis and verbal-visual intersemiosis". University of Sydney, 2009. http://hdl.handle.net/2123/5740.

Pełny tekst źródła

Streszczenie:

Doctor of Philosophy (PhD)
This thesis concerns the intersection of social semiotic theory and critical discourse analysis (CDA), applying systemic-functional (SF) theory to verbal-visual news media texts. The aim of the thesis is to develop social semiotic descriptions of visual meaning in order to facilitate analyses of evaluative stance in visual-verbal text. The texts studied are ‘factual’ daily broadsheet news photos and prominent visual-verbal ‘displays’ that incorporate these photos alongside headlines and captions. Such displays introduce investigative stories on the front page of broadsheet weekly news reviews and are referred to in the thesis as ‘standout’ texts. They are significant because they may also be read as independent texts and play a critical role in positioning a wide readership on the issues investigated in the story. The SF system of verbal appraisal was used in this thesis to develop a corresponding system of visual appraisal. The process involved applying general appraisal options to a corpus of news photos and proceeding to further delicacy in a repeated cycle of analysis and system-building. Once refined in this way the system was applied alongside the verbal appraisal system to account for evaluation in verbal-visual standouts. In the thesis four Australian and four Greek standouts introducing stories on asylum seekers were analysed in order to explore the potential for variation and the impact of context on evaluative meaning choices. The thesis contributes insights into SF theory, media discourse and CDA. The visual systems developed allow appraisal analysis to be extended to images and to verbalvisual texts. Visual appraisal analysis in the thesis provides new evidence for the ideological and evaluative power of news photos. Verbal-visual appraisal analysis shows how each semiotic contributes to evaluative meaning, and to its accumulation and spread across a text. In respect to media discourse, the thesis also provides evidence for the ‘standout’ as an orbital verbal-visual news genre. The comparison of evaluative stance in two sets of standouts demonstrates consistent editorial choices in texts within each context and contrasts across the two sites. The Australian texts display more evaluative complexity, greater emphasis on entertainment and offer two different stances, aligning a diverse target audience. The Greek texts are more straightforward and construct a single stance, aligning a narrower audience. By identifying the semiotic choices involved in the evaluative positioning of readers by visual-verbal texts, the thesis can contribute to more informed and reflective practice. Thus, as well as making theoretical advances, the findings have relevance for journalism and education at a time when the impact of images is changing our conception of literacy.

Style APA, Harvard, Vancouver, ISO itp.

Norwood, Jennifer Lynn. "A semiotic analysis of biotechnology and food safety photographs". Texas A&M University, 2005. http://hdl.handle.net/1969.1/3353.

Pełny tekst źródła

Streszczenie:

This study evaluated photographs used in Time, Newsweek, and U.S. News and World Report in stories about biotechnology and food safety issues from the years 2000 and 2001. This study implemented a semiotic methodology to determine if the messages conveyed by the photographs positively or negatively communicated agricultural issues. This research found that the news magazines had a balanced number of positive and negative photographs. Data indicated that many of the photographs involved similar subjects and, therefore, could be promoting stereotypes. This research also examined the technical methods used by photographers and found that the majority of the photographs were taken with very similar camera settings. This study also found that magazines use a large number of staged shots as opposed to a more documentary style. This staging indicates that photographers have control in the messages communicated to the viewer of the photograph.

Style APA, Harvard, Vancouver, ISO itp.

au, m. muller@murdoch edu, i Martina Müller. "A Semiotic Investigation of the Digital: What Lies Beyond the Pixel". Murdoch University, 2008. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20080717.92700.

Pełny tekst źródła

Streszczenie:

This dissertation explores the implications of new photographic and computer technologies that offer the transduction of modalities. The fundamental argument, here, is that such technologies change the process of sense-making resulting in a new asymmetry that informs the visual language of the creative work. I argue that the processes of language analysis can assist us in the interpretation of multimodal texts and that a digital illustration can be analysed via the theoretical framework built from the first linguistic concepts such as those to be found in the texts of Plato, Aristotle, Augustine and Locke. A semiotic method applied in the context of digital artwork, and developed from the linguistic-semiotic stand-point, is well suited for an examination of the intermodal relations (the relations between layers in a multi-layered image file). By examining the layered structures of my images I demonstrate the evident similarity between the disconnection of the components of the linguistic sign on the one hand and the visual sign on the other hand. The analysis of a digital image, especially created for this purpose, is expanded by an investigation that offers a partial reading from an insiders point of view that involves an image being analysed on the conceptual level. This involves the examination of the primary internal relations between the layers of the image, and on the level of expression, the examination of the primary external relations between the layers and the narrative of the image. In its deployment the semiotic method I use investigates the existence and the conditions of a space in which the individual readings from the perspective of outsider and insider might be conceptualized and presents a partial reading derived from an outsiders interpretation of the same image. After comparing both readings I arrive at the conclusion that the different texts modalities have an impact on the degree of the sign components disconnection. My conclusion, then, is that an outsider who cannot view the image in its multimodal form assigns sign components in a higher degree of disconnection than an insider who has access to the intermodal relations of the image file.

Style APA, Harvard, Vancouver, ISO itp.

Minkley, Hannah Smith. "Photographing other selves: collecting, collections and collaborative visual identity". Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/12669.

Pełny tekst źródła

Streszczenie:

This study is situated in a social documentary photography context, and is concerned to explore whether the collaborative interaction between photographer, subject (as collector) and material object (as collection) might enable a practice that presents a more mutual and subject-centred visual identity emerge. In particular, photographers Jim Goldberg and Gideon Mendel have focused more on the subject themselves, using collaborative processes such as photo-voice and photo elicitation, as well as the use of peoples’ handwritten captions on photographic prints themselves. Claudia Mitchell’s overview of visual methodologies is drawn on, together with Ken Plummer’s Documents of Life 2 (2001) and Gillian Rose’s Visual Methodologies (2001) to extend on these possibilities of conducting collaborative visual research.The practical component of this study focuses on personal collections and follows a number of theorists, including Susan Pearce, and John Elsner and Roger Cardinal. It follows Pearce’s identification of three major modes of collecting, and suggests that collections are essentially narratives of the self, and reveal experiences and expressions of personal desire. By drawing on these approaches and the various ways the twelve collectors were photographed, as well as implementing collaborative research processes (handwritten text, archival photographs and the re-staging of the collections), the study confirms Pearce’s three primary modes of collecting, and acknowledges that they are often interlinked or overlap one another. The study further found that a more subject voiced visual identity did indeed become apparent through the collaborative methods applied and discussed. The collaborative research equally demonstrated that these narratives of identity are not singular, but rather narratives of multiple, personal identities of the self.

Style APA, Harvard, Vancouver, ISO itp.

Więcej źródeł

Książki na temat "Visual semiotics"

Sebeok, Thomas A., i Jean Umiker-Sebeok, red. Advances in Visual Semiotics. Berlin, Boston: DE GRUYTER, 1995. http://dx.doi.org/10.1515/9783110874259.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Semiotics of visual language. Bloomington: Indiana University Press, 1990.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

1942-, Brown James W., i Mollica Anthony, red. Essays in applied visual semiotics. Toronto: Toronto Semiotic Circle, Victoria College in the University of Toronto, 1989.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

The semiotics of visual languages. Boulder, Colo: East European Monographs, 2002.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Tomaselli, Keyan G. Appropriating images: The semiotics of visual representation. Højbjerg, Denmark: Intervention Press, 1996.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

M, Henny Leonard, red. Semiotics of advertisements. Aachen: Edition Herodot, 1987.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Semiotica e comunicazione visiva. Pisa: ETS, 1985.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Semiotics at the circus. Berlin: De Gruyter Mouton, 2010.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Visual identities. London: Continuum, 2000.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Tinarbuko, Sumbo. Semiotika komunikasi visual: Metode analisis tanda dan makna pada karya desain komunikasi visual. Yogyakarta: Jalasutra, 2008.

Znajdź pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Więcej źródeł

Części książek na temat "Visual semiotics"

Mengoni, Angela. "Visual Semiotics". W The Palgrave Handbook of Image Studies, 641–54. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71830-5_39.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Dunleavy, Dennis. "Visual Semiotics Theory". W Handbook of Visual Communication, 155–70. Second edition. | New York, NY: routledge, 2020. | Series: Routledge communication series: Routledge, 2020. http://dx.doi.org/10.4324/9780429491115-14.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Lorenzo-Eiroa, Pablo. "Computational Visual Semiotics". W Digital Signifiers in an Architecture of Information, 140–86. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003292036-8.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Andersen, Rune Saugmann. "Visual politics and material semiotics". W Digital Photography and Everyday Life, 141–59. London; New York : Routledge, [2016] | Series: Routledge studies in European communication research and education.: Routledge, 2016. http://dx.doi.org/10.4324/9781315696768-10.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Bainbridge, Jason. "Visual Law: The Changing Signifiers of Law in Popular Visual Culture". W Prospects of Legal Semiotics, 193–215. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-9343-1_7.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Malcolm, Grant, i Joseph A. Goguen. "Signs and Representations: Semiotics for User Interface Design". W Visual Representations and Interpretations, 163–72. London: Springer London, 1999. http://dx.doi.org/10.1007/978-1-4471-0563-3_17.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Kiryushchenko, Vitaly. "Maps, Diagrams, and Signs: Visual Experience in Peirce’s Semiotics". W International Handbook of Semiotics, 115–23. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9404-6_3.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Lublin, Robert I. "Shakespearean Visual Semiotics and the Silver Screen". W Reinventing the Renaissance, 242–54. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137319401_15.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Aiello, Giorgia. "Visual Semiotics: Key Concepts and New Directions". W The SAGE Handbook of Visual Research Methods, 367–80. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications, Inc., 2020. http://dx.doi.org/10.4135/9781526417015.n23.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Shonekan, Stephanie. "Semiotics and Songs: Visual and Oral Meanings". W Soul, Country, and the USA, 121–31. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137378101_6.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Streszczenia konferencji na temat "Visual semiotics"

Kochukhova, E. S. "Semiotics in Studies of Soviet Films: Limitations of the Approach". W VIII Information school of a young scientist. Central Scientific Library of the Urals Branch of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.32460/ishmu-2020-8-0039.

Pełny tekst źródła

Streszczenie:

The subject of the article is the key ways of applying semiotics to analysis of the Soviet films. It is shown that semiotic analysis is a common method in film studies. In Russian issues on the Soviet cinema, the problem of the lack of integration between the visual semiotics and semiotics of literature was revealed. The analysis of the video is not always carried out together with the analysis of the plot, and vice versa. The most heuristic are the issues that pay attention to both the visual and text, as well as, supplement semiotics by other methodologies.

Style APA, Harvard, Vancouver, ISO itp.

Skarpelos, Yannis. "TOWARDS A QUANTITATIVE VISUAL SEMIOTICS?" W New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-042.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Kruk, Julia, Caleb Ziems i Diyi Yang. "Impressions: Visual Semiotics and Aesthetic Impact Understanding". W Proceedings of the 2023 Conference on Empirical Methods in Natural Language Processing. Stroudsburg, PA, USA: Association for Computational Linguistics, 2023. http://dx.doi.org/10.18653/v1/2023.emnlp-main.755.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Attri, Shalini, i Yogesh Chander. "Reproducing Meaning: A Dialogic Approach to Sports and Semiotics". W GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-3.

Pełny tekst źródła

Streszczenie:

The wide variety of the components of signs stems from verbal communication to visual gestures, ciphers, images, music, and Morse code. Barthes’ Semiotic Theory restructured the theory of analyzing signs and allowed for a new understanding and interpretation of signs through seeing diverse cultures and societies. Saussure’s definition of the sign as a combination of signifier and signified led Barthes to further elucidate sign as connotative (cultural) and denotative (literal) processes. Semiotics can be applied to all aspects of life, as meaning is produced not in isolation but in totality, establishing multiple connotations and denotations. In the article “The World of Wrestling” published in Mythologies (1957), Barthes focused on images portrayed by the wrestler resulting in understanding of the wrestler’s image and the image of spectator. In Morse code, gestures can make any sport a spectacle of suffering, defeat and justice, representation of morality, symbols, anger, smile, passion etc., from which derive denotative and connotative meanings. Similarly, Thomas Sebeok identifies sign as one of six factors in communication, and which makes up the rich domain of semiotic research. These are message, source, destination, channel, code, and context. The present paper will focus on a dialogic relation between semiotics and sports, thus making it a text that reproduces meaning and represents certain groups. It focuses on various aspects of semiotics and their relation to sports. The paper also contemplates the versions and meanings of signs in sports that establish sport as an act of representation.

Style APA, Harvard, Vancouver, ISO itp.

Zhodani, Iryna. "POLISEMIOTICITY OF VISUAL POETRY BY VIKTOR ZHENCHENKO". W New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-046.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Hongqing, Gu, i Xiaoling Fang. "The Application and Trends of semiotics in design". W 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005433.

Pełny tekst źródła

Streszczenie:

Semiotics is the study of symbol systems, first proposed at the beginning of this century by the Swiss linguist Saussure, the American philosopher and founder of the philosophy of pragmatism Pierce. Semiotics is the study of the theory of symbols, and its scope of study involves the nature, characteristics, and meaning of the symbols of things, as well as the relationship between symbols and human beings. Design is a discipline closely related to "meaning", so the theory of semiotics is bound to have a strong guiding effect on design.Objectives This paper mainly researches the application of Semiotics in design by answering the following three questions: (1) Which countries and institutions are the application subjects of Semiotics in design? (2) What are the hotspot research topics of Semiotics in design? What are the future frontier trends? (3) What are the topics and paradigms of Semiotics in design high-impact literature research?Methods This paper uses the methods of bibliometrics and information visualization. To obtain more rigorous and comprehensive data indicators, VOS viewer and Cite Space (two pieces of bibliometric visualization software) were used to draw a map of scientific knowledge such as cooperative countries co-occurrence network, keywords co-occurrence clustering network and reference co-citation clustering network so as to conduct an empirical analysis on the retrieved data. In this paper, the Web of Science database is selected to retrieve the journal and paper data related to Design semiotics. In order to ensure the authority and research value of literature data, only SCI, SSCI and A&HCI were selected as the search source, with (Topic= (" semiotics ") AND Title= ("design")) as the search criteria and an unlimited time span. Finally, 407 retrieved papers published from 2000 to 2023 were exported as TXT files in the format of "fully recorded and cited references" to generate a visual knowledge map for quantitative analysis.Results (1) The output of papers related to design semiotics is generally on the rise, with the main output countries are China, Brazil, the United States, the United Kingdom, Italy, and Australia. Among them, China has the largest share of relevant research volume, indicating that China attaches great importance to research in this field and has a wide range of application areas. In addition, Research related to design semiotics is distributed, i.e. many schools and organizations are doing related research, but there are no very prominent institutions yet. (2) Nowadays, the research hotspots of Design semiotics include Computer Science, Engineering, Education Educational Research, Social Sciences, Business Economics, etc., which are mainly applied to "Provide a semiotic methodology primarily for problem solving", thus demonstrating its theoretical value. We can see that the combination of design semiotics with other approaches mainly involves sensory experience and cognitive science, user interface design, affective design and psychology, making design semiotics an interdisciplinary property.(3) At present, a bulk of influential and highly-cited literature on Design semiotics has been generated. For example, some literature has examined Gender and design cultures in information and communication technologies. Some literature has examined the Semiotic Approach to Information Systems Design. They constitute the classic cases and knowledge base of the application of Design semiotics and provide a research basis for the subsequent application of Design semiotics.

Style APA, Harvard, Vancouver, ISO itp.

Riley, Howard. "INTERPRETING PICTURES: A SYSTEMIC-FUNCTIONAL SEMIOTIC MODEL FOR VISUAL IMAGERY". W New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-047.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Mahardika Putra, Wira. "Visual Illustration Analysis on Dreadout Game Poster Through Semiotics". W Proceedings of the International Conference on Business, Economic, Social Science and Humanities (ICOBEST 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icobest-18.2018.91.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Edem Adzovie, Daniel, Rita Holm Adzovie i Enoch Boateng. "Gender in Audio-visual Advertisements in Ghana: A Semiotics Analysis". W World Conference on Social Sciences. Acavent, 2019. http://dx.doi.org/10.33422/worldcss.2019.09.542.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Damaskinidis, George, i Anastasia Christodoulou. "THE VALUE OF EDUCATION IN INTERNATIONAL ORGANIZATIONS’ ADVERTISEMENTS: A VISUAL SEMIOTICS-BASED MIXED METHOD RESEARCH APPROACH." W New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-109.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!