Artykuły w czasopismach na temat „VIJAY TENDULKAR”
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Tiwari, Dr Devendra Kumar. "Tradition and Modernity in the plays of Vijay Tendulkar’s". SMART MOVES JOURNAL IJELLH 7, nr 12 (28.12.2019): 14. http://dx.doi.org/10.24113/ijellh.v7i12.10222.
Pełny tekst źródłaPanguni Malar, R. "The Theme of Misogyny: A Study of the Select Plays of Vijay Tendulkar". Shanlax International Journal of English 9, S1-i2-Dec (22.12.2020): 40–46. http://dx.doi.org/10.34293/english.v9is1-i2-dec.3692.
Pełny tekst źródłaIslam, Md Alemul. "Parallel Interplay between Tradition and Folk Theatre: A Study of select works of Vijay Tendulkar". International Journal of English Literature and Social Sciences 8, nr 5 (2023): 210–14. http://dx.doi.org/10.22161/ijels.85.34.
Pełny tekst źródłaDr. Neetu Kumar. "Social and Sexual Exploitation of Women in Vijay Tendulkar’s Sakharam Binder". Creative Launcher 8, nr 5 (31.10.2023): 113–19. http://dx.doi.org/10.53032/tcl.2023.8.5.12.
Pełny tekst źródłaM. Gayatri, Dr. "Revisiting Sarita as Sita: A Comparative Study of Vijay Tendulkar’s Kamala". International Journal of English Literature and Social Sciences 7, nr 4 (2022): 379–81. http://dx.doi.org/10.22161/ijels.74.57.
Pełny tekst źródłaJOHARI, DR SANJAY. "Caste Conflict In Vijay Tendulkar’s Play ‘Kanyadan’". Journal of Language and Linguistics in Society, nr 12 (18.11.2021): 7–11. http://dx.doi.org/10.55529/jlls.12.7.11.
Pełny tekst źródłaKumar, Ranjeev, i Indu Prabha. "MALE HEGEMONY IN THE PLAYS OF VIJAY TENDULKAR". SCHOLARLY RESEARCH JOURNAL FOR HUMANITY SCIENCE AND ENGLISH LANGUAGE 9, nr 46 (1.08.2021): 11218–22. http://dx.doi.org/10.21922/srjhsel.v9i46.1526.
Pełny tekst źródłaKumar, Dr Santosh. "Tendulkar’s Kanyadaan: A Critical Representation of Caste, Class and Gender". International Journal for Research in Applied Science and Engineering Technology 11, nr 12 (31.12.2023): 2294–96. http://dx.doi.org/10.22214/ijraset.2023.57833.
Pełny tekst źródłaRajeev Yadav i Dr. V. P. Singh. "Decoding Caste and Power-Structure in Tendulkar’s Kanyadaan". Creative Launcher 7, nr 1 (4.03.2022): 16–21. http://dx.doi.org/10.53032/tcl.2022.7.1.03.
Pełny tekst źródłaSinghal, Dr Kamini. "Major Themes in the plays of Vijay Tendulkar". International Journal of Applied Research 6, nr 10 (1.10.2020): 1086–88. http://dx.doi.org/10.22271/allresearch.2020.v6.i10p.9817.
Pełny tekst źródłaThakar, Rishi A. "Social Concern In The Select Plays Of Vijay Tendulkar". IOSR Journal of Humanities and Social Science 22, nr 2 (luty 2017): 20–22. http://dx.doi.org/10.9790/0837-2202052022.
Pełny tekst źródłaSirjii, Ramen Goswami. "Symbols of the songs by Leela Benare in Vijay Tendulkar’s play Silence! The court is in session". SMART MOVES JOURNAL IJELLH 9, nr 7 (28.07.2021): 77–84. http://dx.doi.org/10.24113/ijellh.v9i7.11124.
Pełny tekst źródłaMr. Nagesh Lakhanlal Sable. "Feminine and Feminist Sensibilities in the Select Plays of Vijay Tendulkar". Creative Launcher 4, nr 4 (31.10.2019): 57–61. http://dx.doi.org/10.53032/tcl.2019.4.4.10.
Pełny tekst źródłaPatra, Mintu. "POWER POLITICS IN GIRISH KARNAD’S HAYAVADANA AND TUGHLAQ". JOURNAL OF ENGLISH LANGUAGE AND LITERATURE 10, nr 04 (2023): 17–21. http://dx.doi.org/10.54513/joell.2023.10404.
Pełny tekst źródłaSingh, Aditya. "Evaluating Patriarchy in Select Works of Mahesh Dattani, Girish Karnad and Vijay Tendulkar". International Journal for Research in Applied Science and Engineering Technology 11, nr 5 (31.05.2023): 5169–75. http://dx.doi.org/10.22214/ijraset.2023.52412.
Pełny tekst źródłaShukla, Sudhir Krishna, Rashi Srivastava i Kum Kum Ray. "Translating Land into Stage: Observations on the Patterns and Presentations in Girish Karnad’s ‘Hayavadana’ and ‘Nagamandala’". International Journal of English Literature and Social Sciences 9, nr 2 (2024): 218–26. http://dx.doi.org/10.22161/ijels.92.32.
Pełny tekst źródłaJha, Dr Suprita. "Tendulkar’s ‘Ghashiram Kotwal: An Illustration of Socio-Political Opportunism". International Journal of English Literature and Social Sciences 3, nr 5 (2018): 927–30. http://dx.doi.org/10.22161/ijels.3.5.38.
Pełny tekst źródłaMohan, Aishwarya. "The Paradox of Women as Victims in the selected plays of Tennessee Williams and Vijay Tendulkar". International Journal of English Literature and Social Sciences 6, nr 3 (2021): 201–4. http://dx.doi.org/10.22161/ijels.63.28.
Pełny tekst źródłaKumar, Suresh. "Voicing the Suppressed Female Voices in a Male-Chauvinistic Society: A Study of Vijay Tendulkar’s Silence! The Court is in Session". SMART MOVES JOURNAL IJELLH 9, nr 7 (28.07.2021): 119–29. http://dx.doi.org/10.24113/ijellh.v9i7.11129.
Pełny tekst źródłaGupta, Kanchana, i Mrinal Srivastava. "A Comparative Study of Vijay Tendulkar’s Kamala and Henrik Ibsen’s A Doll’s House". IRA International Journal of Education and Multidisciplinary Studies (ISSN 2455-2526) 4, nr 3 (3.10.2016): 397. http://dx.doi.org/10.21013/jems.v4.n3.p6.
Pełny tekst źródłaDr. Abha Tripathi. "Sakharam Binder: A Narrative of Intrigues and Idiosyncrasies Eventuating in Devastation". Creative Launcher 7, nr 4 (30.08.2022): 17–26. http://dx.doi.org/10.53032/tcl.2022.7.4.03.
Pełny tekst źródłaPriyadharshini, L. "Portrayal of Women and their Mental Trauma in the Patriarchal Society through the Play ‘Kamala’ by Vijay Dhondopant Tendulkar". International Journal of English Literature and Social Sciences 5, nr 6 (2020): 2182–84. http://dx.doi.org/10.22161/ijels.56.52.
Pełny tekst źródłaSaxena, Ritu. "Girish Karnad : A Tribute". Dialogue: A Journal Devoted to Literary Appreciation 15, nr 1-2 (30.12.2019): 1–4. http://dx.doi.org/10.30949/dajdtla.v14i1-2.1.
Pełny tekst źródłaArya, Kavita. "Karnad's Yayati : A Study in the Eternal Conflicts of Mankind." Dialogue: A Journal Devoted to Literary Appreciation 15, nr 1-2 (11.12.2019): 23–29. http://dx.doi.org/10.30949/dajdtla.v14i1-2.4.
Pełny tekst źródłaDayal, Dr Ashok. "Social Hypocrisies in Vijay Tendulkar’s The Vultures". International Journal for Research in Applied Science and Engineering Technology 9, nr 9 (30.09.2021): 618–21. http://dx.doi.org/10.22214/ijraset.2021.38028.
Pełny tekst źródłaBansal, Dr Shivali. "Portrayal of Oedipal Desires in Vijay Tendulkar’s The Cyclist". International Journal of English Literature and Social Sciences 3, nr 5 (2018): 746–50. http://dx.doi.org/10.22161/ijels.3.5.8.
Pełny tekst źródłaSingh, Rameshwer. "Vijay Tendulkar’s Bestial Vision and Animal Imagery in Ghashiram Kotwal". VEETHIKA-An International Interdisciplinary Research Journal 8, nr 2 (30.06.2022): 29–31. http://dx.doi.org/10.48001/veethika.2022.08.02.007.
Pełny tekst źródłaDr. Parul Tyagi et al.,, Dr Parul Tyagi et al ,. "Vijay Tendulkar's Kamala, Jibe at Value System of Yellow Journalism". International Journal of English and Literature 11, nr 2 (2021): 41–46. http://dx.doi.org/10.24247/ijeldec20216.
Pełny tekst źródłaJha, Dr Suprita. "Vijay Tendulkar’s ‘Ghashiram Kotwal: A creation of socio-political forces". International Journal of Advanced Academic Studies 4, nr 1 (1.01.2022): 92–94. http://dx.doi.org/10.33545/27068919.2022.v4.i1b.688.
Pełny tekst źródłaYeole, Rajesh Vishnu. "Vijay Tendulkar’s Ghashiram Kotwal as an Epitome of Critique on Protagonist Ghashiram and Antagonist Nana". Journal of Advances and Scholarly Researches in Allied Education 15, nr 4 (1.06.2018): 189–92. http://dx.doi.org/10.29070/15/57410.
Pełny tekst źródłaParikh., GirishRameshchandra. "DRAMATIC TECHNIQUE IN VIJAY TENDULKAR’S SILENCE! THE COURT IS IN SESSION". International Journal of Advanced Research 4, nr 12 (31.12.2016): 924–26. http://dx.doi.org/10.21474/ijar01/2473.
Pełny tekst źródłaDharwadker, Aparna. "Modernism, “Tradition,” and History in the Postcolony: Vijay Tendulkar’s Ghashiram kotwal (1972)". Theatre Journal 65, nr 4 (2013): 467–87. http://dx.doi.org/10.1353/tj.2013.0111.
Pełny tekst źródłaGhsoh, Tamal. "Questions of Female Gaze: Males Through Eyes of Females in Vijay Tendulkar’s Select Plays". SMART MOVES JOURNAL IJELLH 9, nr 7 (28.07.2021): 151–59. http://dx.doi.org/10.24113/ijellh.v9i7.11140.
Pełny tekst źródłaRani, S. Sulekha, i Prof P. Padma. "The Status of Woman in the plays of Vijay Tendulkar’s Ghashiram Kotwal and Kamala". International Journal of English Literature and Social Sciences 4, nr 2 (2019): 531–34. http://dx.doi.org/10.22161/ijels.4.2.51.
Pełny tekst źródłaDevi, T. Sri. "Portrayal of Gender Egalitarianism as an Elusive Dream for Women: A Study of Vijay Tendulkar’s Silence! The Court is in Session". Bioscience Biotechnology Research Communications 14, nr 8 (25.06.2021): 184–87. http://dx.doi.org/10.21786/bbrc/14.8.42.
Pełny tekst źródłaGupta, Anamika. "“Gender and Violence in Vijay Tendulkar’s Sakharam Binder (1972)”". SMART MOVES JOURNAL IJELLH, 28.05.2019, 8. http://dx.doi.org/10.24113/ijellh.v7i5.8489.
Pełny tekst źródłaAnuragi, Laxmi Prasad, i Prof Sanjoy Saksena. "Gender and Power Politics in Vijay Tendulkar’s Sakharam Binder". SMART MOVES JOURNAL IJELLH, 28.06.2022, 18–31. http://dx.doi.org/10.24113/ijellh.v10i6.11319.
Pełny tekst źródłaMilind Patil i Vinod Waghmare. "Male Dominance in Vijay Tendulkar’s Plays". International Journal of Advanced Research in Science, Communication and Technology, 27.05.2022, 378–81. http://dx.doi.org/10.48175/ijarsct-4261.
Pełny tekst źródłaSurete, Dr. "Harsh Reality of Chauvinistic Patriarchial World : Ambivalence of Objectified Second Sex After Rebellious Self-Assertion". SMART MOVES JOURNAL IJELLH, 5.10.2021, 84–95. http://dx.doi.org/10.24113/ijellh.v9i9.11171.
Pełny tekst źródłaSurete, Dr. "Harsh Reality of Chauvinistic Patriarchial World : Ambivalence of Objectified Second Sex After Rebellious Self-Assertion". SMART MOVES JOURNAL IJELLH, 5.10.2021, 84–95. http://dx.doi.org/10.24113/ijellh.v9i9.11171.
Pełny tekst źródłaThusoo, Umang. "Violence in Vijay Tendulkar’s The Vulture: An Existential Phenomenon". MINDSHARE: International Journal of Research and Development, 25.12.2021, 126–41. http://dx.doi.org/10.55031/mshare.2019.33.li.7.
Pełny tekst źródłaChatterjee, Shukla. "The ‘Safar’ of a common man: Vijay Tendulkar’s travel play The Cyclist". Rupkatha Journal on Interdisciplinary Studies in Humanities 12, nr 3 (5.06.2020). http://dx.doi.org/10.21659/rupkatha.v12n3.28.
Pełny tekst źródłaBhattacharyya, Joydeep. "Datta Bhagat’s Routes and Escape Routes and Vijay Tendulkar’s Kanyadaan: Critiquing the Dalit". Contemporary Voice of Dalit, 19.04.2021, 2455328X2199573. http://dx.doi.org/10.1177/2455328x21995737.
Pełny tekst źródłaTiwari, Sandhya. "SOCIO-CULTURAL COMPLEXITIES AND LESBIAN LOVE AND ATTRACTION IN VIJAY TENDULKAR’S A FRIEND’S STORY". SSRN Electronic Journal, 2023. http://dx.doi.org/10.2139/ssrn.4637148.
Pełny tekst źródłaVijayarani, A., i Catherine Edward. "FAMILY PATHOLOGY IN VIJAY TENDULKAR’S SILENCE! THE COURT IS IN SESSION AND MAHESH DATTANI’S THIRTY DAYS IN SEPTEMBER". GEDRAG & ORGANISATIE REVIEW 33, nr 02 (12.05.2020). http://dx.doi.org/10.37896/gor33.02/125.
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