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Gotowa bibliografia na temat „Views on utopias”

Autor: Grafiati
Data publikacji: 25 lipca 2024
Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Views on utopias"

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Kuźmicz, Karol. "Utopia Without the Law – Why Is It Impossible?" Studia Iuridica Lublinensia 30, nr 2 (30.06.2021): 285. http://dx.doi.org/10.17951/sil.2021.30.2.285-304.

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<p class="Standard"><span lang="EN-GB">The academic character of the article is connected with the attempt to answer the question asked in the title: Utopia without the law – is it possible? The theoretical arguments provided by the author lead to an affirmative answer to this question and allow for formulating the following thesis: there is no utopia without the law. The law is not only present in utopias, both positive and negative ones (anti-utopias and dystopias) but also, to a great extent, determines their existence and functioning. As a result, it links utopian thinking to reality. Any answer to this question is possible and justifiable in the academic discourse. According to the author of this article not only the law is present in the utopia but the law in the utopia must exist. The essence of the law in utopias is justice, but there is not justice in utopias without wisdom. The Bible, Roman law and philosophical and legal reflection were the sources of an approach to law for the creators of utopia. Referring to the views of such thinkers as: Plato, Immanuel Kant, Rudolf von Ihering, Gustav Radbruch, Karl R. Popper, Bronisław Baczko, the author states that the law is an integral part of both worlds: the utopian world and real world. So, there is not utopia without the law as an idea of jusctice, implemented into the social life of the people who are intelligent beings.</span></p>
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Prosic, Tamara. "Utopian/Dystopian Dialectics in Christian Responses to the Ecological Crisis: Between Ethics and Ontology". Utopian Studies 33, nr 3 (listopad 2022): 460–78. http://dx.doi.org/10.5325/utopianstudies.33.3.0460.

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ABSTRACT Christianity is a religion with deep utopian undercurrents that find their articulation in narratives about a utopian past, a dystopian present and a utopian future. The natural world is also part of this utopian trend, most prominently in the form of the lost Garden of Eden. While both Western and Eastern Orthodox Christianity recognize nature as part of this past utopia, their views regarding its role in the dystopian present, the future utopian condition as well as the path toward it, significantly differ, leading to quite different responses to the current ecological crisis. For Western Christianity, ecological questions are a matter of ethics, while for the Eastern Orthodox they are an ontological issue. Utilizing Bloch’s ideas about “educated hope” and the distinction between abstract and concrete utopias, the article discusses these different positions and their possibility to change believers’ attitudes toward nature and align their behavior with that of environmentalism and ecology.
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Croll, Paul, i Diana Moses. "Ideologies and utopias: education professionals' views of inclusion". European Journal of Special Needs Education 15, nr 1 (marzec 2000): 1–12. http://dx.doi.org/10.1080/088562500361664.

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Markhinin, V. V. "“New Atlantis” – a technocratic utopia?" Siberian Journal of Philosophy 21, nr 1 (12.05.2023): 90–104. http://dx.doi.org/10.25205/2541-7517-2023-21-1-90-104.

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The paper brings the analysis of the peculiar features of Bacon’s utopianism, it’s linkage to and tensions with classical utopias, technocratic ideas, Christian humanism and Hobbesian ethics. The research is trying to revisit conventional views on the so-called Bacon’s technocratic perspective for the future of science, state and society. We argue that ethical framework of Bacon’s theory of science and it’s societal institutions has much in common with the Kenotic ethics of Christian humanism. His utopian novel follows this ethical pattern as well. The “limitation of science by religion” described in “New Atlantis” and in early tracts was on the other side a step in later Hobbesian direction towards the development of secular civic moral. In spite of this Baconian ethics was altruist & collectivist, unlike Hobbesian moral of selfishness & individualism.
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Korolyov, G. "Slavic Federation and “Free Union”, or Ukrainian Debates on Federalism in the “Long XIX Century”". Problems of World History, nr 4 (8.06.2017): 86–99. http://dx.doi.org/10.46869/2707-6776-2017-4-6.

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The article describes the development and perception of federalism by Ukrainian intellectuals in the “long XIX century”. The genesis of federalist ideas in East Central Europe is highlighted under the influence of the Great French Revolution and Napoleonic Wars. Federalist projects of Masonic and Decembrist organizations were analyzed, which had a decisive influence on the Ukrainian debate on federalism; considered the interpretation of federalist utopias of the Cyril and Methodius’ Brotherhood, particularly his ideologist M. Kostomarov. The thesis on the intellectual interactions between various federalist ideas of Ukrainian intellectuals was proved. The federalist views of M. Dragomanov, who became one of the most outstanding federalist speakers in Europe, are highlighted in the context of nation-building. His project “Vilna Spilka-Volny Soyuz” (“Free Union”) is regarded as a classical federalist utopia.
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Girinsky, A. A. "POLITICAL REALISM AS THE EMBODIMENT OF CHRISTIAN POLITICS: THE CONCEPT OF F.A. STEPUN". Вестник Пермского университета. Политология 17, nr 3 (2023): 5–11. http://dx.doi.org/10.17072/2218-1067-2023-3-5-11.

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This article analyzes the political and philosophical views of the Russian philosopher and sociologist F.A. Stepun. The study briefly outlines his views on the nature of politics, as well as the basic principles of building it in the era of ideocracies and the triumph of ''secular utopias''. Stepun's article "Christianity and Politics'' (1933), where he proclaims the basic principles of his political doctrine, forms the basis for this study. Stepun argues that Western modernity, due to its abandonment of Christian cultural foundations, is at risk of "sacralization" of the political, turning politics into a tool for radical correction of human life on secular grounds. Stepun believes this view is dangerous, as it leads to an increase in violence and the emergence of radical utopian ideologies. Instead, Stepun proposes a return to the principles of "political realism". The study presents the point of view that Stepun's idea is an organic continuation and development of the main line of Russian political philosophy. Its main objective used to be the "conservative legitimization" of the Western project of modernity, designed to find the necessary philosophical tools for the rehabilitation of the Christian foundations of culture in the world of "modernity".
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Lagunov, Aleksey A., Igor S. Baklanov i Svetlana Yu Ivanova. "Christian Eschatology and Social Utopias: To the 100th Anniversary of the Birth of Protopresbyter Alexander Schmemann". RUDN Journal of Philosophy 26, nr 1 (29.03.2022): 110–19. http://dx.doi.org/10.22363/2313-2302-2022-26-1-110-119.

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The relevance of the article is due to the fact that in the modern world, various utopian concepts do not lose their ideological strength, which for more than two centuries have significantly influenced public consciousness and have caused significant transformations in the socio-cultural life of mankind. The connection among social utopias and Christian eschatology has been noticed for a long time, and the thoughts expressed on this occasion by Protopresbyter Alexander Schmemann in articles and diary entries can contribute to a better understanding of deep cognitive processes that largely determine modern social realities. The purpose of the study was based on the analysis of the works of this worthy representative of the philosophy of the Russian diaspora, comparing the traditional religious eschatological "prototype" and later views on the "end of history". These views contributed to the development of utopianism and ideologism in the public mind. The authors focus attention on the antinomical nature of Christian eschatology, in contrast to the various socio-utopian modifications that define social ideals in a field transcendental to everyday human activities. The striving of religious thinking towards the "non-worldly" ideal, as Protopresbyter Alexander Schmemann believed, made it possible to form a Christian's attitude to earthly life, which inevitably required a qualitative transformation corresponding to the notion of the ultimate goal. However, over time, the Christian faith paid less and less attention to the eschatological dimension of human life, which contributed to the formation of new eschatologies seeking their social ideals in the immediate givenness of earthly life and affirming the belief in the possibility of their empirical achievement. The authors of the article come to the conclusion that the most important factor in the formation and development of the "ideological faith" in the public consciousness, the concept of which is defined in the most general terms in the works of Protopresbyter Alexander Schmemann, was the isolation of the dominant ideological structures based on social utopian ideas, from traditional faith grounds. Thus, ideologies ceased to be functional aspects of concrete historical religions, lost their official character and themselves became the foundation for pseudo-religious creativity.
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Konstan, David. "Post-Utopia: The Long View". Humanities 10, nr 2 (8.04.2021): 65. http://dx.doi.org/10.3390/h10020065.

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The present article is divided into three parts. The first discusses the nature of utopias and their hypothetical anti-type, dystopias, and also disaster scenarios that are sometimes assimilated to dystopias, with reference also to the idea of post-utopia. An argument is made for the continuity of the utopian impulse, even in an age when brutal wars and forms of oppression have caused many to lose faith in any form of collectivity. Representations of social breakdown and its apparent opposite, totalitarian rigidity, tend to privilege the very individualism that the utopian vision aspires to overcome. The second part looks at examples of each of these types drawn from classical Greek and Roman literature, with a view to seeing how utopias were conceived at a time before the emergence of the modern ideology of the pre-social self. Finally, the third part examines several stories from the collection A People’s Future of the United States which imagine life in the near future. While most illustrate the failure of confidence in the social that has encouraged the intuition that a utopian future is passé, one, it is suggested, reconceives the relation between the individual and the social in a way that points to the renewed possibility of the utopian.
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Stephenson, Jenn. "Hearing Hope: Metatheatrical Utopias in the ‘Staging’ of Radio Drama". New Theatre Quarterly 26, nr 1 (luty 2010): 49–60. http://dx.doi.org/10.1017/s0266464x10000059.

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The radio play has long survived the competition from television in Britain, and also has a long tradition in the German-speaking world in the form of the Hörspiel – but its strength has lain precisely in demanding a visual contribution from the listener's imagination. What happens when a radio play is ‘staged’ before a live audience? In 2005, under commission from the Royal Festival Hall, the composer Carter Burwell proposed writing a sound score for new plays; and under the banner of Theatre of the New Ear, he recruited his long-time collaborators on film, Charlie Kaufman and Joel and Ethan Coen, to write specifically for sound-only. In this article Jenn Stephenson describes the experience of ‘watching’ a radio play, and offers a theorization of its qualities and the effects on its audience. Jenn Stephenson received her PhD from the University of Toronto in 2003 and is now Associate Professor of Drama at Queen's University in Kingston, Canada. Her recent publications include articles in Theatre Journal, Journal of Dramatic Theory and Criticism, Studies in Theatre and Performance, and Theatre Research in Canada. She is co-editor of the ‘Views and Reviews’ section of Canadian Theatre Review.
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Mitina, Natalya G. "The Theme of Love in Russian Philosophical Utopias of the 1920s and 1930s (Andrei Platonov and Stepan Kalachov)". Vestnik Tomskogo gosudarstvennogo universiteta, nr 468 (2021): 69–74. http://dx.doi.org/10.17223/15617793/468/8.

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The article discusses the role of feelings in shaping the society of the future using two concepts created in the 1920s and 1930s in Russia. These are the projects of Andrei Platonov and Stepan Kalachov, which can be attributed to the philosophy of love. The concepts reflect the features of the post-revolutionary era and are linked to the transformation of the period. Despite some similarities between the projects, each has its own characteristics. Platonov's conception is characterized by a transformation we witness at the end of the 1930s, which was connected with the change of the philosopher's attitude to the development of society and the relationship between the sexes, and was due to the construction of communism in the country and the methods used for this purpose. There is no such change in the utopia of Kalachov's eroica, and the basic precepts laid down in the 1920s continue to evolve further into the concept of life wisdom. The first period in Platonov's work is connected with the ideas of technocracy and asceticism in the relationship between the sexes. In this regard, the sensual aspect is suppressed and destroyed as an impediment to the grand transformation of society; hence the new techniques of destroying sexual instinct, preaching chastity. In the society to be created, the mind suppresses feelings, which determines the attitude to the woman and the feminine that become of secondary importance. Gradually, the philosopher becomes disillusioned with the ongoing transformations of the Bolsheviks, and his attitude towards women and feelings changes. Kalachov's eroica conception refers to erotic utopia and represents the synthesis of eroticism and heroics of the era. Kalachov reveals the sensual and bodily aspect of the society of the future. He has the ideas of technocracy, which relates him to Platonov's conception. However, Kalachov does not abandon feelings in the new society, and the theme of love is central to him. Some features of the conception echo the views of some members of the Marxist ideology (Alexandra Kollontai), but generally do not reflect the views of the official authorities. Both projects reflect the characteristics of the era that created them, offer a solution to the problem of gender relations, and reveal the importance of love in society. Love in these projects is a transformative beginning that can change the human being and society, and lead the world to universal harmony. However, in the context of the communist project, in which the spirit of freedom of the first post-revolutionary years was destroyed, they could not be realized and remained utopias.
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Rozprawy doktorskie na temat "Views on utopias"

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Kuipers, Nicholas. "Planning Against Planning: Friedrich Hayek's Utopian Vision of The Good Society". Oberlin College Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1399985965.

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Abrahamson, Michael. "Browsing for Utopia". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1230663236.

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Hartig, Andrea S. "Literary Landscaping: Re-reading the Politics of Places in Late Nineteenth-Century Regional and Utopian Literature". Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1133485531.

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Thesis (Ph. D.)--Miami University, Dept. of English, 2005.
Title from second page of PDF document. Document formatted into pages; contains [3], iv, 143 p. Includes bibliographical references (p. 132-143).
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Agostino, Camara Frederico Ozanam. "Views of Paradise: A Photographic Atlas of the Artificial Environments of Zoological Gardens and Aquariums in Oceania". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17552.

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“Why photograph zoos?” is the question that guides the project Views of Paradise, a photographic atlas of artificial environments from 82 zoos and aquariums in Australia, Fiji, New Caledonia, New Zealand and Papua New Guinea. In Views of Paradise, the analyses of the resulting images identify aspects of landscape representations in zoos in relation to natural and cultural environments, situating zoos within the conceptual spaces of paradise, utopia, dystopia and heterotopia. Because people have a predisposition to only seeing animals, making them blind to the apparatus of the zoo, this research uses the absence of animals in the images as a method to shift the focus of vision away from animals and in the direction of their hybrid and lifeless living environments. Zoos occupy an ambiguous position in society, being perceived as places of imprisonment and protection. From menageries, meant to entertain the human curiosity, they are changing into institutions committed to conservation, research and education. Still, zoos reflect our need to care for the environment against our inability to re-create an environment as perfect as that found in nature, or to preserve it in the wild. The atlas highlights the importance of photography as a research method for the systematic collection of visual information and production of a criticism that is not only directed at zoos, but to humanity, for environmental practices that disregard the rights of non-humans. Its artistic visions of zoos and nature, utopian or dystopian, depending from which angle the absence of the animal is understood, are born from the transformative effect of photography on perception: by photographing zoo spaces and objects without the animals, they are transformed from insignificant artifices to subjects worth of inquiry, to signal the possibility of a meaningful existence for the empty zoo, either as image or as an actual site.
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Carroll, Jordan S. "Utopia, Kinship, and Desire". Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1213363990.

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Beyer, Chris. "Rythmes de vies, rythmes de villes : études des articulations temporelles dans les agglomérations moyennes". Thesis, Poitiers, 2014. http://www.theses.fr/2014POIT5017/document.

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Avec la crise des temps caractérisée par le délitement des rythmes sociaux et le sentiment d'accélération, penser les temporalités est devenu un nouvel enjeu des politiques publiques. Cependant, un hiatus demeure entre les problématiques liées à l'hypertension des rythmes des territoires et les méthodes existantes pour les représenter. Les outils et cadres de pensées qui permettent de saisir et de qualifier des territoires polychrones et asynchrones afin de les aménager sont peu complémentaires au regard des multiples dimensions temporelles et de leurs implications en termes de pratiques spatiales. Par conséquent, les politiques des temps sont encore peu prises en compte dans les pratiques d'aménagement. Cette thèse ambitionne de contribuer à combler le décalage entre les besoins en termes de connaissance des rythmes de la ville et les limites de l'existant afin de favoriser l'intégration des différents temps sociaux dans les stratégies de développement territorial. Pour ce faire, nous explorons, d'une part, deux méthodes innovantes : la cartographie des attracteurs temporels et la photographie panoramique en série afin d'alimenter le chronoaménagement. Et d'autre part, nous questionnons les notions d'espace protéiforme et de saisonnalité afin de penser les rythmes dans des cadres durables, mais mouvants intégrants à la fois société et nature. La dialectique en théorie et pratique nous amène également à réfléchir sur le besoin de nouveaux cadres philosophiques et juridiques afin de bâtir une nouvelle architecture temporelle, une utopie pour construire le futur
With the crisis of time, characterized by the crumbling of the social rhythms and the feeling of acceleration, thinking the temporalities through has become a new concern for the territorial public policies. However, a gap remains in the issues concerning the hypertension of the territorial rhythms and the existing methods to represent them. Tools and concepts witch qualify polychronous and asynchronous territories are not complementary in regard of the multiple time dimensions and their implications in terms of spatial practices. Therefore, the time policies are still not taken into account in management practices. This thesis aims to help bridge the gap between the needs in terms of knowledge of the rhythms of the city and the limitations of the existing in order to promote the integration of different social time in the territorial development strategies. To do this, we explore, first, two innovative methods: cartography of temporal attractors and serial panoramic snapping to improve the chronoplanning. And secondly, we question the notions of protean space and seasonal to think rhythms in sustainable management, but shifting integrating both society and nature. The dialectic between theory and practice also leads us to think that we need new philosophical and legal frameworks to construct a new temporal architecture, an utopia to build the future
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Katko, Justin Nathaniel. "Realizing the Utopian Longing of Experimental Poetry". Miami University Honors Theses / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1144688600.

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White, Avery F. "An Open Society: Robert Nozick’s Utopian Project". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1565805139549975.

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Chehab, Krystel. "A view onto the world: Tenochtitlan, travel and utopia in the early modern period". Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18461.

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This thesis examines the Cortés map of Tenochtitlan (1524) and its derivatives to explore the ways the map emerges in diverse forms, and in different contexts, throughout the sixteenth century. For nearly two hundred years, the only images of Tenochtitlan, or Mexico City, to be published in Europe were derived from the original Cortés map, which represented the city before its conquest by the Spanish in 1521. The maps of Tenochtitlan included in Benedetto Bordone's Libro di Benedetto Bordone nel quale si ragiona tutte l'Isole del mondo (1528) and Giovanni Battista Ramusio's Navigationi e Viaggi (1556) brought the city into dialogue with Venice, encouraging viewers to interpret the two together. As Venice shifted from its traditional maritime economy to land ventures on the mainland in the sixteenth century, its citizens looked to the island city of Tenochtitlan to rethink their city's own lagoonal environment. Tenochtitlan's insular topography invited new possibilities for re-imagining Venice in utopic terms. However, with the fall of Tenochtitlan, the printed imagery in Europe evoked a city that was rapidly being transformed into another, Mexico City, under Spanish rule. It was the visual experience of Tenochtitlan in images, rather than the real city they claimed to represent, that would prompt a re-envisioning of Venice.
Ce mémoire propose un examen de la carte géographique de Tenochtitlan élaborée par Cortés en 1524 et de ses dérivés afin d'évaluer comment cette carte s'est révélée sous diverses formes, et dans différents contextes au cours du seizième siècle. Pendant plus de deux cents ans, les seules images de Tenochtitlan, ou Mexico, à être publiées en Europe dérivent de la carte de 1524 qui représente la ville avant la conquête espagnole de 1520. Les cartes de Tenochtitlan incluses dans le Libro di Benedetto Bordone nel quale si ragiona tutte l'Isole del mondo de Benedetto Bordone (1528) et Navigationi e Viaggi de Giovanni Battista Ramusio (1556) mettent la capitale aztèque en dialogue avec Venise, encourageant ainsi les lecteurs à interpréter les deux parallèlement. Lorsque, au seizième siècle, l'économie vénitienne, traditionnellement maritime, se tourne vers le commerce continental, les Vénitiens se tournent à leur tour vers la ville insulaire de Tenochtitlan pour repenser l'environnement lagunaire de leur ville. La topographie insulaire de Tenochtitlan offre de nouvelles manières d'envisager Venise en des termes utopiques. Toutefois, après la chute de Tenochtitlan, l'imagerie imprimée circulant en Europe évoque d'ors et déjà une ville en devenir, Mexico, une ville sous le joug espagnol. Les images de Tenochtitlan, plutôt que la vraie ville qu'elles clament représenter, procurent une expérience visuelle qui entraîne une nouvelle visualisation de Venise.
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Malone, Travis B. "Crafting Utopia and Dystopia: Film Musicals 1970-2002". Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1162486037.

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Książki na temat "Views on utopias"

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Edgar, Slusser George, Alkon Paul K i Gaillard Roger 1947-, red. Transformations of Utopia: Changing views of the perfect society. New York: AMS Press, 1999.

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Giusti, Valentina. Il nuovo mondo amoroso di Fourier. Roma: Prospettiva, 2008.

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Queluz, Gilson Leandro. Rocha Pombo: Romantismo e utopias, 1880-1905. Curitiba, PR: Aos Quatro Ventos, 1998.

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Abiteboul, Maurice. William Morris, news from nowhere: Texte et contexte : la tradition utopique et l'esprit du temps. Nantes: Temps, 2004.

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Marquez, Gabriel Garcia. Elogio de la utopía. [Buenos Aires, Argentina]: El Cronista Ediciones, 1992.

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Buhl, Barbara. Bilder der Zukunft: Traum und Plan : Utopie im Werk Bertolt Brechts. Bielefeld: Aisthesis Verlag, 1988.

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Guldberg, Horacio Cerutti. Ensayos de utopía. Toluca: Universidad Autónoma del Estado de México, 1989.

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Maler, Henri. Convoiter l'impossible: L'utopie avec Marx, malgré Marx. Paris: Albin Michel, 1995.

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Pasquale, Falco, red. Utopia e realtà nell'opera di Corrado Alvaro. Cosenza: Edizioni Periferia, 1987.

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Amodio, Paolo. Diacronie: Arendt, Celan, Lévinas, Bloch. Napoli]: Giannini, 2001.

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Części książek na temat "Views on utopias"

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Kiilakoski, Tomi, i Mikko Piispa. "Facing the Climate Crisis, Acting Together: Young Climate Activists on Building a Sustainable Future". W Living Well in a World Worth Living in for All, 211–24. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7985-9_12.

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AbstractIn this article, we examine the constructive democratic practices of young climate activists and their views on how democracy should be improved. We study how the youth climate movement is expressing utopias of democracy. Utopias are thought to be central to imagining more just societies. Furthermore, they enable critical analysis of existing social structures and have a special function in surpassing dystopian reality. For young activists, living well refers to preserving a planet that can sustain decent and eco-socially just conditions for all. These conditions are endangered by the current way of life. According to our results, acting together is a source of hope. Besides criticising the current status quo, young people have combined everyday activism with efforts to influence decision-makers. Furthermore, they argue that while democracy is the best platform to approach the eco-crisis in a just manner, democracy needs improvement. The analysis is based on multi-sited ethnography and 18 interviews, gathered during 2020. Our emphasis is on the young as agents, not as recipients or objects of education. Analysis combines theoretical educational perspectives, which emphasise the significance of utopian thinking, with empirical youth research.
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Jarvie, I. C. "Utopia and the Architect". W Rationality: The Critical View, 227–43. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3491-7_15.

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Kaye, Bradley. "Utopia and the Parallax View". W Žižek and Freedom, 185–97. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42151-8_9.

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Windsor, Duane. "Political and Ethical Challenges of 2025: Utopian and Dystopian Views". W The Palgrave Handbook of Corporate Sustainability in the Digital Era, 213–36. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42412-1_12.

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Neves, Vítor. "The Utopia of Interdisciplinarity: A View from Economics". W Logic, Argumentation & Reasoning, 189–203. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20405-0_10.

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Carciaghi, Federico. "Un manifesto per la modernità: venti anni di Utopia e disincanto". W Biblioteca di Studi di Filologia Moderna, 373–83. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.28.

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The current essay aims to highlighting the importance of Magris’ Utopia e disincanto. The year of its first publication (1999) was a watershed moment in his career, as it paved the way to a new season of public engagement and historical analysis, which can be also seen in his later essays and novels. Twenty years later, Utopia e disincanto is still a manifesto for modernity, a deeply contemporary book where Magris’ analytical view is headed towards an idea of universal literature, an idea of Weltliteratur that should be a tool to understand the changes in which mankind is involved. Literature is meant to be a tool to investigate the dark sides hidden among the folds of History
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Zipes, Jack. "Ernst Bloch’s Enlightened View of the Fairy Tale and Utopian Longing". W Ernst Bloch, 103–18. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-21174-5_6.

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Pigalev, Alexander. "Reason and the Utopian Models of Culture: The Utopian Theme in Husserl’s Thought from a Theological Point of View". W Reason, Life, Culture, 245–54. Dordrecht: Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-011-1862-0_20.

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Gussago, Luigi. "Italy and George Gissing: A Geocritical Approach". W Biblioteca di Studi di Filologia Moderna, 113–27. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-597-4.10.

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Victorian novelist George Gissing (1857-1903) was a devotee of ancient Roman culture and visited Italy three times between 1888 and 1897. In spite of this admiration, his relationship with Italy was problematic, largely due to personal mishaps. In light of these conflicting views, my essay considers Gissing’s portrayals of mostly Southern Italian locations through his fiction, letters, and travelogues. The focus lies here not so much on the narrator but on the narrated space, with Bertrand Westphal’s notion of “geocriticism” at its theoretical core. Far from being a utopian haven, Gissing’s Italy emerges as a trans-cultural meeting point where the perception of an “interiorised place” can reshape reality, alter horizons, and redefine established values.
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Sweet, Ryan. "Mobilities: Physical and Social". W Prosthetic Body Parts in Nineteenth-Century Literature and Culture, 127–73. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78589-5_4.

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AbstractThis chapter focuses on the influence of prosthesis use on social mobility, challenging predominant utopian views regarding nineteenth-century prosthetics. It exposes the social restrictions underpinning prosthesis use, while showing how several writers challenged the status quo. Centring on a case study of Charles Dickens’s portrayal of the villainous wooden-leg user Silas Wegg in Our Mutual Friend (1864–1865), the chapter identifies how Dickens drew from anxieties surrounding the social position of amputees by presenting a wooden-leg user as a transgressive social climber. The chapter places Dickens’s representation of Wegg in context with his other depictions of prosthesis users and those found in his journals Household Words and All the Year Round. This chapter argues that stories such as Dickens’s ultimately problematize the logic of prosthesis use.
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Streszczenia konferencji na temat "Views on utopias"

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Malykhina, Yulia. "Utopia as Topos of Boundaries Erosion between Private & Public Sphere". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-15.

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The article covers ideas of public life in ancient Greek philosophy having given rise to discussion on the necessity of separation and rapprochement of public and private spheres. This study rests upon the analysis of ‘publicness’ and ‘privacy’ in the philosophical conceptions of such authors as J. Habermas who deems ‘publicness’ as communication, and H. Arendt who refers to ‘publicness’ as the polis-based worldview. Plato’s dialogue ‘The State’, which can be deemed as the first-ever example of a utopian text, provides us with the most detailed and consistent instance of criticism of the private sphere, the necessity to merge it into public life to create society. Only in this way could society become a model of an ideal polis leading to the common good. The utopism of Plato’s pattern determines characteristics of the entire utopian genre arising from the idea of the individual merging with the state, and the private sphere merging into the public sphere. Plato’s ideal polis is contrasted with the concepts of the state formed by Modern Age liberal thought, which have largely determined modern views on the division of these spheres, leading to a revision of the utopian projects and a change in the relationship between the private and the public therein. A comparison of various utopian texts results in finding out that the utopian idea of the refusal of the private sphere of life in favour of serving the common good contradicts the modern ideal of freedom, which is the reason for its criticism and for the increasing number of texts with an anti-utopian character.
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Petrović, Slobodan. "ON THE UNDERSTANDING OF THE STATE IN LEGAL THEORY AND DOCTRINE OF THE MODERN AGE". W 5th International Scientific Conference – EMAN 2021 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2021. http://dx.doi.org/10.31410/eman.2021.401.

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There is a large number of teachings about the state in legal philosophy and theory; however, even today in the 21st century, the idealistic and realistic view (teaching) about the state stands out. In the first, the essence of the state is contained in a surreal environment, and in this regard, this direction emphasizes what the state should be like. Three views of this direction still dominate today: utopian, natural, legal, and ethical-cultural. In realistic theories, the state is seen as a phenomenon of the real world in which the essence is contained in the experiential world, determined by laws. Considering that legal theories about the state are relatively young because their largest number originated in the 19th and 20th centuries, this contributes to determining the state as a logically regulated unity of legal norms that regulate the behavior of people in society. In this paper, the emphasis is placed on presenting the modern point of view of the utopian, natural law, ethical-cultural, sociological, and political point of view on the state today. The modern state is considered as an institution within which modern social theories operate.
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Clemente, Violeta, i Fátima Pombo. "From Utopia to Dystopia: Students Insights for the Development of Contemporary Societies through Design Fiction". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001421.

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This work describes an educational experience exploring the speculative essence of Design Fiction as a pedagogical tool to promote engineering students’ thinking skills within a Design Thinking course. The experience took place at a Portuguese University during the academic year 2021/2022. Students were challenged to speculate about the future of contemporary societies by developing a Design Fiction Scenario around the themes of Sustainability, Future and Technology. After describing the approach adopted and overall data about the intervention, some selected students ideas are presented. Then, students’ written essays content is analyzed regarding their awareness, concerns and hopes about the future of contemporary societies. Results show that while some of the teams followed the direction of utopia, envisioning desirable scenarios to the future, other teams adopted a less optimistic view and designed scenarios where contemporary societies and technology would lead to extreme situations or even chaos, a few of them even raising strong ethical issues. In some cases, it seems rather evident that students deliberately proceeded with these pessimistic scenarios intentionally trying to provoke reactions and stimulate debate among their peers. In other cases students appear to not be aware of those possible dangerous outcomes. Finally we discuss the value and limitations of our approach and conclude by suggesting some guidelines to apply in future interventions aiming to the role of Design as discipline in creating utopian and dystopian fictions regarding scenarios of future development.
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Micara, Ludovico. "Teorie urbane, ingegneria militare ed utopia nelle città mediterranee del XVI° secolo. I casi di Sabbioneta e della Medina di Tripoli". W FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.17908.

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Sabbioneta is one of the few new Italian cities created in the 16th century. Founded by Vespasiano Gonzaga (1531-1591) between 1560 and 1570, it brings together many of the aspects that will characterize the post-16th century urban development in Italy, in the Mediterranean countries, and in Europe. The new bastioned defensive systems, created after the invention of firearms based on the scientific logics of "military engineers", a professional category which emerged at that time, increasingly spread in the abovementioned countries. Such defensive technique introduced an innovative configuration of the urban structure compared to the ancient one, which was before concentrated on central places such as the square, the cathedral and the municipal buildings. The new defensive system, with its ramparts, bastions and moats was located at the border of the city, distant from central places and became so important as to radically change the shape and plan of the city. The new urban geometries could even evoke the pure, simple and regular shapes of the ideal cities conceived by utopian philosophers, which were generally represented as central forms, and symbolic expressions of Thomas More’s Utopia perfect society. But this historical reference just remains a theoretical one. Sabbioneta and other fortified cities in the Mediterranean world, like Tripoli’s Medina after the 16th century Spanish military intervention, are the expression of a new view of the city, in which the defensive aspect constitutes the dominant character due to the revolution of firearms.
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Kovalenko, A., i Jiarui Hu. "DYSTOPIANISM IN THE PROSE OF POSTMODERN WRITERS (V. PELEVIN)". W VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3686.rus_lit_20-21/23-26.

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The article explores the role and the place of Utopia and Dystopia in Victor Pelevin's novels. Traditions of “classical dystopia” in his novels disclosed, at the same time the presence of a Meta-genre modification observed. The novels may hardly attributed either to Utopia or to Dystopia in “pure form”. Actually, they are balancing in a space where a parody of Soviet Utopia coexists with a satirical depiction of bourgeois consumer Utopianism. The creative method of the writer reveals a special ideological complex of Distopianism in the absence of “canonical” samples of the Meta-genre. Principles of postmodern aesthetics bring new features to the concept of the Meta-genre. Pelevin's work exists in the range between private Dystopias (like alchemical marriage of the West and the East) and total Dystopianism, which perceives the world as a universal illusion. Illusion is not only possible (or impossible) social harmony, but the World in general as well. From this point of view, the image of Emptiness is interpreted because of mutual annihilation of two ideological vectors of the novel.
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Monisova, I. "FEATURES OF RETROUTOPIA IN THE DRAMATURGY OF BULAT GAVRILOV". W VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3733.rus_lit_20-21/227-230.

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The play of the Russian-speaking Buryat playwright B. Gavrilov “Genghis Khan” (2001) is considered from the point of view of its re-interpretation with an idealizing message of the personality and activities of the founder of the Mongol Empire. The ruler is shown as a sage, comprehending and realizing his mystical purpose. In this coordinate system, the capital of Khara-Khorin acquires the features of an ideal city, symbolizing the idea of the unity of peoples and cultures, and play genre is complicated by elements of retro-utopia.
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Wachutka, Gerhard. "Energy Harvesting Using Thermoelectric Microgenerators: Realistic Perspective or Utopian Idea? A Critical Analysis". W 16th International Seminar On Power Semiconductors. Czech Technical University in Prague, 2023. http://dx.doi.org/10.14311/isps.2023.001.

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Microstructured cell-arrayed thermoelectric power generators, which are able to convert (waste) heat into a few milliwatts or even watts of electrical energy, seem to be particularly attractive for the autonomous power supply of microelectronic circuitry and electronic or micromechatronic appliances without the use of batteries. However, the conversion efficiencies achieved so far are very small. A critical analysis shows that there is still a certain potential for improvements toward the theoretical limits, but that some expectations seem to be rather unrealistic and questionable in view of the physical and technological limitations.
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Kuznetsova, M. I. "UTOPIAN CITIES IN EXTREME CONDITIONS – THE ARCHITECTS VIEW IN THE THIRD QUARTER OF THE XX CENTURY". W Regionalnye arhitekturno-hudozhestvennye shkoly. Новосибирский государственный университет архитектуры, дизайна и искусств имени А.Д. Крячкова, 2022. http://dx.doi.org/10.37909/978-5-89170-315-5-2022-2016.

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Aude, Lucas. "UNREACHABLE IDEALS: BETWEEN SATIRE AND UTOPIA IN OTHER WORLDS OF LIAOZHAI ZHIYI". W 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.03.

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Luosha Haishi 羅殺海市 (Lz 132) is a very emblematic tale of Pu Songling’s (蒲松齡, 1640–1715), as it involves emblematic themes of Liaozhai zhiyi (聊齋誌異): a critical view of society, an adventure into enchanted lands, and a complex relationship to an independent, powerful woman. The tale tells about the journey of a man who, after having been lost at sea, visits two imaginary worlds. Luosha Haishi reveals its originality when comparing both these places. The first one, the Country of Rakshasas, is a state in which physical appearance determines one’s social status. This society is a satirical portrayal mirroring Pu’s vision of Qing China officialdom. Conversely, the City of the Sea, the character’s second place of stay, is a utopian undersea place where the character knows immediate success. Luosha Haishi thus makes the bitter statement of the impossibility to access glory and richness when one does not wish to hide behind appearances, while for it to occur it would require an ideal world that exists only in imagination.
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Weerakkody, Niranjala. "Technology and Marginalization: A Case Study of the Limited Adoption of the Intranet at a State-owned Organization in Rural Australia". W InSITE 2004: Informing Science + IT Education Conference. Informing Science Institute, 2004. http://dx.doi.org/10.28945/2755.

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Taking a critical theory approach and the pluralist view of technology, this paper examines the problems in organizational communication that arose due to the implementation of a limited intranet electronic mail system as the main channel of communication between a rural state-owned organization and its city-based Head Office, installed at the sole discretion of the latter. The intranet was provided only to the administration division and managers of some units due to financial constraints. This required others to receive information carried via the intranet through a gatekeeper who due to information and work overload, failed to disseminate the information effectively and efficiently. Using a combination of qualitative data collection methods, this study found that the intranet had marginalized those without access to it and reinforced the privileged position of those already with higher status within the organization, contrary to the utopian predictions of new technologies as leading to social equality.
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Raporty organizacyjne na temat "Views on utopias"

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Melnyk, Andriy. «Ареопагітика» Джона Мілтона і теорія вільного ринку ідей. Ivan Franko National University of Lviv, marzec 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11732.

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The article is dedicated to one of the most famous rationales for the right to free expression of views and opinions, the marketplace of ideas theory, as well as John Milton’s pamphlet “Areopagitica” which is considered the first example of systematic protection of freedom of speech and the primary source for the theory. The combination of the author of the 17th century and the thinking that was finally formed in the 20th century should not be surprising, because Milton is considered the forerunner of marketplace arguments. Given the fact that freedom of speech is threatened today by authoritarianism amplified by modern technologies, as well as identity politics and political correctness, the actualization of arguments in its favor seems more relevant than ever. When covering the main topics of “Areopagitica”, emphasis is placed on the historical conditioning of Milton’s arguments. His position on freedom is based on ancient Greek models and seems rather elitist today, and his perception of heresy is pagan rather than Christian. It’s also worth remembering that Milton opposed pre-publication censorship but did not object to the persecution of dangerous ideas and books after publication, and also definitely excluded Roman Catholicism from the free circulation of ideas. Today, this kind of restriction is considered unacceptable. A fundamentalist interpretation of the free market of ideas which excludes any regulation is obviously not conducive to such a discussion. Utopian ideas about absolute freedom of speech rather harm it, give rise to inflated expectations and, as a result, disappointment in its capabilities or demonization. In this context, reading John Milton’s “Areopagitica” can be extremely instructive today. Key words: freedom of speech; marketplace of ideas; “Areopagitica”; censorship; identity politics; political correctness.
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