Gotowe bibliografie tematyczne / Vietnam war, 1961-1975 – propaganda

Gotowa bibliografia na temat „Vietnam war, 1961-1975 – propaganda”

Autor: Grafiati
Data publikacji: 26 lipca 2024
Data aktualizacji: 28 lipca 2024

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Spis treści

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Vietnam war, 1961-1975 – propaganda”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "Vietnam war, 1961-1975 – propaganda"

1

Do, Bien Van. "The organization system of the Propaganda Unit of the Central Office for South Vietnam in the resistance war against America (1961-1975)". Science and Technology Development Journal 17, nr 2 (30.06.2014): 14–25. http://dx.doi.org/10.32508/stdj.v17i2.1322.

Pełny tekst źródła
Streszczenie:
The Communist Party's propaganda plays an important role and holds a special position for the development paths of the people's war. In the Southern revolutionary war, the Propaganda Unit of the Central Office for South Vietnam or the Southern Propaganda Unit is the specialized agency of the Central Office for South Vietnam, responsible for giving advise and assisting the Central Office for South Vietnam in directing political, ideological and cultural activities for the implementation of the political, ideological, cultural arts and education in the war against America in the south of Vietnam from 1961 to 1975 to implement the goal of liberating the Southern Vietnam to unify the country. This paper presents the organizational system of the Propaganda Unit through the development stages of the resistance war against America. Thereby, the paper highlights the process of formation, changes and development of the Propaganda Unit through different stages; at the same time, evaluating the important roles of the propaganda in the leadership of the Central Office for the South Vietnam in the resistance war against America.
Style APA, Harvard, Vancouver, ISO itp.
2

MAZYRIN, Vladimir M. "VIETNAM'S ECONOMY IN 2023 – THE CONSEQUENCES OF DEVELOPMENT UNDER NEOLIBERAL PARADIGM". Southeast Asia: Actual Problems of Development, nr 4(60) (2023): 110–23. http://dx.doi.org/10.31696/2072-8271-2023-4-3-60-110-123.

Pełny tekst źródła
Streszczenie:
The article presents an analysis of the results of Vietnam's economic development in 2023. There was found its weaknesses, the decline in growth dynamics to critically low level, vulnerability to negative phenomena in the global economy. This is regarded as evidence of increased external dependence, negative consequences of orientation to the West, following the neoliberal paradigm of reforming the transitional economy. Western sanctions against Russia, underestimation of their destructive impact on the world economy was recognized as a factor of negative development additional to the difficulties of the post-Covid recovery. It is noted that in the party-state documents and scholarly practice of Vietnam, these phenomena are covered sparingly, the propaganda of successes and achievements is flourishing, which relies on the support of Western media and governments. Vietnam is presented by them as a new "Asian tiger", a vivid example of the achievements of the neoliberal model of development, a model of capitalist progress propelled by the United States. In fact, Washington repeats the experiment of creating a showcase of prosperity in Southeast Asia in the face of Vietnam, which collapsed with the defeat of the United States in this country (in the war of 1964-1975). In order to minimize the consequences of this experiment and the loss of an important strategic partner like the SRV, Russia should recognize the objective situation and make serious efforts to change it in its favor.
Style APA, Harvard, Vancouver, ISO itp.
3

Pavlov, Yu A. "THE US ENVIRONMENTAL WAR IN VIETNAM (1961–1975): RESULTS AND LESSONS". Humanities And Social Studies In The Far East 18, nr 3 (2021): 89–93. http://dx.doi.org/10.31079/1992-2868-2021-18-3-89-93.

Pełny tekst źródła
Streszczenie:
In 1961-1975, the government of the United States performs an aggressive environmental war against Vietnam. Herbicides containing dioxins ("Orange agent", etc.) were used. The natural landscape of Vietnam was severely damaged. The flora and fauna of South Vietnam suffered greatly, and in some places were completely destroyed. The victims were many civil inhabitants. War veterans from the United States and Vietnam were injured, became disabled, and acquired chronic diseases. The reckless foreign policy of the United States led to the deterioration of the environmental situation on the Indochina Peninsula for many decades. Even today, the consequences of that war have not been completely overcome.
Style APA, Harvard, Vancouver, ISO itp.
4

Bullman, Tim A., Fatema Z. Akhtar, Sybil W. Morley, Julie C. Weitlauf, Yasmin S. Cypel, William J. Culpepper, Aaron I. Schneiderman, Peter C. Britton i Victoria J. Davey. "Suicide Risk Among US Veterans With Military Service During the Vietnam War". JAMA Network Open 6, nr 12 (28.12.2023): e2347616. http://dx.doi.org/10.1001/jamanetworkopen.2023.47616.

Pełny tekst źródła
Streszczenie:
ImportanceThere are persistent questions about suicide deaths among US veterans who served in the Vietnam War. It has been believed that Vietnam War veterans may be at an increased risk for suicide.ObjectiveTo determine whether military service in the Vietnam War was associated with an increased risk of suicide, and to enumerate the number of suicides and analyze patterns in suicides among Vietnam War theater veterans compared with the US population.Design, Setting, and ParticipantsThis cohort study compiled a roster of all Vietnam War–era veterans and Vietnam War theater veterans who served between February 28, 1961, and May 7, 1975. The 2 cohorts included theater veterans, defined as those who were deployed to the Vietnam War, and nontheater veterans, defined as those who served during the Vietnam War era but were not deployed to the Vietnam War. Mortality in these 2 cohorts was monitored from 1979 (beginning of follow-up) through 2019 (end of follow-up). Data analysis was performed between January 2022 and July 2023.Main Outcomes and MeasuresThe outcome of interest was death by suicide occurring between January 1, 1979, and December 31, 2019. Suicide mortality was ascertained from the National Death Index. Hazard ratios (HRs) that reflected adjusted associations between suicide risk and theater status were estimated with Cox proportional hazards regression models. Standardized mortality rates (SMRs) were calculated to compare the number of suicides among theater and nontheater veterans with the expected number of suicides among the US population.ResultsThis study identified 2 465 343 theater veterans (2 450 025 males [99.4%]; mean [SD] age at year of entry, 33.8 [6.7] years) and 7 122 976 nontheater veterans (6 874 606 males [96.5%]; mean [SD] age at year of entry, 33.3 [8.2] years). There were 22 736 suicides (24.1%) among theater veterans and 71 761 (75.9%) among nontheater veterans. After adjustments for covariates, Vietnam War deployment was not associated with an increased risk of suicide (HR, 0.94; 95% CI, 0.93-0.96). There was no increased risk of suicide among either theater (SMR, 0.97; 95% CI, 0.96-0.99) or nontheater (SMR, 0.97; 95% CI, 0.97-0.98) veterans compared with the US population.Conclusions and RelevanceThis cohort study found no association between Vietnam War–era military service and increased risk of suicide between 1979 and 2019. Nonetheless, the 94 497 suicides among all Vietnam War–era veterans during this period are noteworthy and merit the ongoing attention of health policymakers and mental health professionals.
Style APA, Harvard, Vancouver, ISO itp.
5

Cypel, Yasmin, Paula Schnurr, Robert Bossarte, William Culpepper, Aaron Schneiderman, Fatema Akhtar, Sybil Morley i Victoria Davey. "The Mental Health of Older Veterans Ages 58-99 Years: 2016-2017 VE-HEROeS Findings". Innovation in Aging 4, Supplement_1 (1.12.2020): 170. http://dx.doi.org/10.1093/geroni/igaa057.551.

Pełny tekst źródła
Streszczenie:
Abstract Mental health and its correlates were examined in U.S. Vietnam War veterans approximately fifty years after the War. The 2016-2017 VE-HEROeS (Vietnam Era Health Retrospective Observational Study) was a mail survey of the health of U.S. Vietnam War veterans who served between February 28, 1961 and May 7, 1975 and matched US non-veteran controls. ‘Veteran status’ represented wartime experience for three cohorts: ‘theater’ veterans with service in Vietnam, Cambodia, or Laos, non-theater veterans with service elsewhere, and non-veterans with no military service. Veterans and non-veterans, aged 58-99 years, were randomly selected from a veteran sampling frame (n=9.87 million) derived from the Department of Veterans Affairs’ USVETS dataset and a commercial address database, respectively. Questionnaires were mailed to 42,393 veterans and 6,885 non-veterans; the response rate for veterans was 45% (n=18,866) and 67% (n=4,530) for non-veterans. Weighted bivariate and multivariable analyses were conducted to examine poor overall mental health, via the SF-8TM Mental Health Component Summary score (MCS), and other mental health measures by veteran status and socioeconomic, health, and other military characteristics. Nearly 50% of all theater veterans reported poor overall mental health (MCS<50). Prevalence of mental health measures was greatest for theater veterans and successively decreased for non-theater veterans and non-veterans. Key correlates significantly (P< 0.02) associated with poor MCS included veteran status, race/ethnicity, income, physical health, health perception, trauma, distress, depression, posttraumatic stress disorder (Primary Care DSM-5 PTSD screen), and drug use. Results indicate a high burden of poor mental health among those who served in-theater.
Style APA, Harvard, Vancouver, ISO itp.
6

Moïse, Edwin E. "The Secret Vietnam War: The United States Air Force in Thailand, 1961–1975. By Jeffrey D. Glasser. Jefferson, N.C.: McFarland and Co., 1995. xxiv, 263 pp. $48.00 (cloth)." Journal of Asian Studies 56, nr 3 (sierpień 1997): 848–49. http://dx.doi.org/10.2307/2659672.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Bobowski, Sławomir. "Tematyka ukraińska w powojennym polskim filmie fabularnym do 1989 roku". Studia Filmoznawcze 37 (14.09.2016): 151–78. http://dx.doi.org/10.19195/0860-116x.37.7.

Pełny tekst źródła
Streszczenie:
UKRAINIAN THEMES IN POLISH CINEMA UNTIL 1989In postwar Poland three films were created that alluded directly to the fights of the Polish Communistic Army against the Ukrainian Uprising Army and the Polish Home Army, which took place in Bieszczady at the end of the Second War and in the following several months. These were: Sergeant Major Kaleń Ewa and Czesław Petelscy, 1961, The Ruptured Bridge Jerzy Passendorfer, 1962, Woolves’ Echos Aleksander Ścibor-Rylski, 1968. They were all made to create the myth of Bieszczady, to achieve a propaganda effect. They also all have a form close to that of the western which was a very popular genre in Poland in the time of their making. This form was to make the realization of the mythologizing and propaganda task easier. In Sergeant Major Kaleń the main topic is a military conflict between some troops of the Polish Communistic Army and Ukrainian insurgents just after the end of the Second World War. The movie was an attempt to show the complicated social-political situation of the period in the south-eastern edge of Poland — in Bieszczady. But it was an attempt strongly ideological and dishonest from the point of view of the historical and political truth. The movie has an interesting protagonist, it depicts quite suggestively some human types from Bieszczady of those times, but it is not just in showing “the Ukrainian question” as well as the Polish Home Army and its brave and tragic “cursed soldiers”. Although it should be pointed out that from the historical-political perspective the film is much more honest than the novel by Jan Gerhard Łuny w Bieszczadach [The Glow in Bieszczady] of which it was an adaptation. The Ukrainians and the soldiers of the Polish Home Army in the film by the Petelskis are cruel and ruthless, and only the soldiers of the Communist Polish army are good and honest people. The Ruptured Bridge is also an image touching upon the matter of Polish-Ukrainian struggles just before the end of the Second World War and shortly after that, but it is mainly a splendid film of adventure with some distinctive features of western and criminal-spy-sensational genre. It was based on the short story Śniegi płyną The Snows Are Flowing by Roman Bratny. This is a really good movie that is not as strongly soaked with communistic propaganda as the previous one that does not show the soldiers of UPA Ukrainian Uprising Army as monsters. It is rather universal in its message its epicenter is the beautiful — brave and heroic — attitude of a shire officer who is also an engineer. Similarly to Sergearnt Major Kaleń the literary prototype was much more historically and politically dishonest than its screen adaptation. In Bratny’s short story visible are some postcolonial accents. The Ukrainians are showed as a society culturally retarded, primitive, wild, while Passendorfer’s film seems to suggest that this possible cultural latency of Ukraine was caused by the historical faults of Russia and Poland that in the past had treated Ukraine as their colony. Besides Passendorfer shows this “wildness” of the Ukrainian soldiers in some romantic aura of “Ruthenian falcons”. In turn, Woolves’ Echos is an unpretentious adventure film, lacking political-historical ambitions, successfully shot from its beginning to an end in a western convention. The plot takes place in Bieszczady, a few years after the Second World War. When we measure the gravity of problems separating Poles and Ukrainians after WWII, problems which had never been solved or explored in the Polish People’s Republic, then Woolves’ Echos appears to be compromising for the director, producers and for the Polish People’s Republic’s film authorities of those times. Tadeusz Lubelski once wrote: “The authors [of the movie] did not see to any authentication of the complicated story matters, the most important of which was the real conflict on the Polish-Ukrainian frontier”. Two more movies with clear Ukrainian motives were made in the later years of film development in the Polish People’s Republic. Mr. Wołodyjowski Jerzy Hoffman, 1969 and Mazepa Gustaw Holoubek, 1975. The first one was an adaptation of a novel with the same title, written by Henryk Sienkiewicz. The second movie was a film adaptation of a romantic drama written by Juliusz Słowacki also with the same title. In Sienkiewicz’s novel, the last volume in his trilogy which is very significant for the shape of cultural and historical relations between Poles and Ukrainians, we can find a few very pro-Ukrainian-and-Polish motives e.g. a widely depicted beautiful story of a difficult Polish-Ukrainian relation between Muszalski and Dydiuk — from consuming hatred up to fervent friendship. In Holoubek’s Mazepa, in turn, the pro-Ukrainian/pro-Ruthenian accent is strongly visible. Eponymous Mazepa — in the time of the action of Słowacki’s play and — of course — film, being a pageboy of the Polish King Casimir — is along with the protagonist Zbigniew the most noble and upstanding character in the movie. They are both also the most tragic heroes of the play, personalizing the sacrifice of young people — the Poles and the Ruthenians — that the lordly Poland quite often made in its history to last in its colonial shape.Translated by Sławomir Bobowski
Style APA, Harvard, Vancouver, ISO itp.
8

Bobowski, Sławomir. "Українська тематика у повоєнному польському ігровому кіно до 1989 року". Studia Filmoznawcze 37 (14.09.2016): 179–206. http://dx.doi.org/10.19195/0860-116x.37.8.

Pełny tekst źródła
Streszczenie:
UKRAINIAN THEMES IN POLISH CINEMA UNTIL 1989In postwar Poland three films were created that alluded directly to the fights of the Polish Communistic Army against the Ukrainian Uprising Army and the Polish Home Army, which took place in Bieszczady at the end of the Second War and in the following several months. These were: Sergeant Major Kaleń Ewa and Czesław Petelscy, 1961, The Ruptured Bridge Jerzy Passendorfer, 1962, Woolves’ Echos Aleksander Ścibor-Rylski, 1968. They were all made to create the myth of Bieszczady, to achieve a propaganda effect. They also all have a form close to that of the western which was a very popular genre in Poland in the time of their making. This form was to make the realization of the mythologizing and propaganda task easier. In Sergeant Major Kaleń the main topic is a military conflict between some troops of the Polish Communistic Army and Ukrainian insurgents just after the end of the Second World War. The movie was an attempt to show the complicated social-political situation of the period in the south-eastern edge of Poland — in Bieszczady. But it was an attempt strongly ideological and dishonest from the point of view of the historical and political truth. The movie has an interesting protagonist, it depicts quite suggestively some human types from Bieszczady of those times, but it is not just in showing “the Ukrainian question” as well as the Polish Home Army and its brave and tragic “cursed soldiers”. Although it should be pointed out that from the historical-political perspective the film is much more honest than the novel by Jan Gerhard Łuny w Bieszczadach [The Glow in Bieszczady] of which it was an adaptation. The Ukrainians and the soldiers of the Polish Home Army in the film by the Petelskis are cruel and ruthless, and only the soldiers of the Communist Polish army are good and honest people. The Ruptured Bridge is also an image touching upon the matter of Polish-Ukrainian struggles just before the end of the Second World War and shortly after that, but it is mainly a splendid film of adventure with some distinctive features of western and criminal-spy-sensational genre. It was based on the short story Śniegi płyną The Snows Are Flowing by Roman Bratny. This is a really good movie that is not as strongly soaked with communistic propaganda as the previous one that does not show the soldiers of UPA Ukrainian Uprising Army as monsters. It is rather universal in its message its epicenter is the beautiful — brave and heroic — attitude of a shire officer who is also an engineer. Similarly to Sergearnt Major Kaleń the literary prototype was much more historically and politically dishonest than its screen adaptation. In Bratny’s short story visible are some postcolonial accents. The Ukrainians are showed as a society culturally retarded, primitive, wild, while Passendorfer’s film seems to suggest that this possible cultural latency of Ukraine was caused by the historical faults of Russia and Poland that in the past had treated Ukraine as their colony. Besides Passendorfer shows this “wildness” of the Ukrainian soldiers in some romantic aura of “Ruthenian falcons”. In turn, Woolves’ Echos is an unpretentious adventure film, lacking political-historical ambitions, successfully shot from its beginning to an end in a western convention. The plot takes place in Bieszczady, a few years after the Second World War. When we measure the gravity of problems separating Poles and Ukrainians after WWII, problems which had never been solved or explored in the Polish People’s Republic, then Woolves’ Echos appears to be compromising for the director, producers and for the Polish People’s Republic’s film authorities of those times. Tadeusz Lubelski once wrote: “The authors [of the movie] did not see to any authentication of the complicated story matters, the most important of which was the real conflict on the Polish-Ukrainian frontier”. Two more movies with clear Ukrainian motives were made in the later years of film development in the Polish People’s Republic. Mr. Wołodyjowski Jerzy Hoffman, 1969 and Mazepa Gustaw Holoubek, 1975. The first one was an adaptation of a novel with the same title, written by Henryk Sienkiewicz. The second movie was a film adaptation of a romantic drama written by Juliusz Słowacki also with the same title. In Sienkiewicz’s novel, the last volume in his trilogy which is very significant for the shape of cultural and historical relations between Poles and Ukrainians, we can find a few very pro-Ukrainian-and-Polish motives e.g. a widely depicted beautiful story of a difficult Polish-Ukrainian relation between Muszalski and Dydiuk — from consuming hatred up to fervent friendship. In Holoubek’s Mazepa, in turn, the pro-Ukrainian/pro-Ruthenian accent is strongly visible. Eponymous Mazepa — in the time of the action of Słowacki’s play and — of course — film, being a pageboy of the Polish King Casimir — is along with the protagonist Zbigniew the most noble and upstanding character in the movie. They are both also the most tragic heroes of the play, personalizing the sacrifice of young people — the Poles and the Ruthenians — that the lordly Poland quite often made in its history to last in its colonial shape.Translated by Sławomir Bobowski
Style APA, Harvard, Vancouver, ISO itp.
9

Nguyen, Hieu P. "Mobilizing a Nation: Persuasive Appeals in Vietnamese War Posters". Journal of Macromarketing, 27.02.2023, 027614672311587. http://dx.doi.org/10.1177/02761467231158753.

Pełny tekst źródła
Streszczenie:
How did the government of North Vietnam use propaganda posters during the Vietnam War (1955–1975) to rally Vietnamese people's support of its war efforts and successfully drive the Americans out of Vietnam? Through an interpretive analysis of the iconography and texts found in 141 posters, this study demonstrates four thematic appeals in Vietnamese posters during the Vietnam War: 1/ Emotional appeals (hate and sympathy; pride and indomitability); 2/ Social unity (dedication; allegiance and solidarity); 3/ Authority and leadership; and 4/ Idealized future. The study delivers fresh insights for research in social marketing, communication, art history, political science, and Asian studies.
Style APA, Harvard, Vancouver, ISO itp.
10

"Women war correspondents in the Vietnam War, 1961-1975". Choice Reviews Online 26, nr 03 (1.11.1988): 26–1721. http://dx.doi.org/10.5860/choice.26-1721.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Rozprawy doktorskie na temat "Vietnam war, 1961-1975 – propaganda"

1

Roberts, Mervyn Edwin III. "Let the Dogs Bark: The Psychological War in Vietnam, 1960-1968". Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849646/.

Pełny tekst źródła
Streszczenie:
Between 1960 and 1968 the United States conducted intensive psychological operations (PSYOP) in Vietnam. To date, no comprehensive study of the psychological war there has been conducted. This dissertation fills that void, describing the development of American PSYOP forces and their employment in Vietnam. By looking at the complex interplay of American, North Vietnamese, National Liberation Front (NLF) and South Vietnamese propaganda programs, a deeper understanding of these activities and the larger war emerges. The time period covered is important because it comprises the initial introduction of American PSYOP advisory forces and the transition to active participation in the war. It also allows enough time to determine the long-term effects of both the North Vietnamese/NLF and American/South Vietnamese programs. Ending with the 1968 Tet Offensive is fitting because it marks both a major change in the war and the establishment of the 4th Psychological Operations Group to manage the American PSYOP effort. This dissertation challenges the argument that the Northern/Viet Cong program was much more effective that the opposing one. Contrary to common perceptions, the North Vietnamese propaganda increasingly fell on deaf ears in the south by 1968. This study also provides support for understanding the Tet Offensive as a desperate gamble born out of knowledge the tide of war favored the Allies by mid-1967. The trend was solidly towards the government and the NLF increasingly depended on violence to maintain control. The American PSYOP forces went to Vietnam with little knowledge of the history and culture of Vietnam or experience conducting psychological operations in a counterinsurgency. As this dissertation demonstrates, despite these drawbacks, they had considerable success in the period covered. Although facing an experienced enemy in the psychological war, the U.S. forces made great strides in advising, innovating techniques, and developing equipment. I rely extensively on untapped sources such as the Foreign Broadcast Information Service transcripts, Captured Document Exploitation Center files, and access to the U.S. Army Special Operations Command Archives. Additionally, I have digitized databases such as the Hamlet Evaluation System and Terrorist Incident Reporting System for Geographic Information System software analysis. The maps provide examples of the possibilities available to the historian using these datasets.
Style APA, Harvard, Vancouver, ISO itp.
2

Hiddlestone, Janine Frances. "An uneasy legacy Vietnam veterans and Australian society /". Connect to this title online, 2004. http://eprints.jcu.edu.au/1113/.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Quek, Ser Hwee. "Before Tet : American bombing and attempts at negotiation with North Vietnam, 1964-1968 /". Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/10482.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Busch, Peter. "Britain and Kennedy's war in Vietnam, 1961-1963". Online version, 1999. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.311592.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Middleton, Alexis Turley. "A true war story : reality and fiction in the American literature and film of the Vietnam War /". Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2467.pdf.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Wilson, Anthony Wayne. "The Vietnam War and the press". Thesis, This resource online, 1990. http://scholar.lib.vt.edu/theses/available/etd-03032009-040753/.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Watkins, Sean. "War correspondents ellipses from within the bubble /". Fairfax, VA : George Mason University, 2009. http://hdl.handle.net/1920/4574.

Pełny tekst źródła
Streszczenie:
Thesis (M.F.A.)--George Mason University, 2009.
Vita: p. 72. Thesis director: Tom Ashcraft. Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Art and Visual Technology. Title from PDF t.p. (viewed Oct. 11, 2009). Includes bibliographical references (p. 70-71). Also issued in print.
Style APA, Harvard, Vancouver, ISO itp.
8

Whitt, Jacqueline Earline. "Conflict and compromise : American military chaplains and the Vietnam war /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1704.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Lor, Gjinn. "The Vietnam War Hmong soldiers' personal experiences in the secret war /". Menomonie, WI : University of Wisconsin--Stout, 2007. http://www.uwstout.edu/lib/thesis/2007/2007lorg.pdf.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Sahara, Ayako. "Operations new life/arrivals U.S. national project to forget the Vietnam War /". Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464673.

Pełny tekst źródła
Streszczenie:
Thesis (M.A.)--University of California, San Diego, 2009.
Title from first page of PDF file (viewed July 7, 2009). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 96-100).
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Książki na temat "Vietnam war, 1961-1975 – propaganda"

1

US official propaganda during the Vietnam War, 1965-1973: The limits of persuasion. London: Leicester University Press, 1996.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Page, Caroline. U.S. Official propaganda during the Vietnam War, 1965-1973: The limits of persuasion. London: New York, 1996.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

American rhetoric and the Vietnam War. Westport, Conn: Praeger, 1993.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Triseu, Hkai. Máu & nưwoc moat trên lưng Trưxong Sơn: Nhân đọc Nhuat ký Đqang Thùy Trâm do nhà xurat bkan Huoi nhà văn Hà Nuoi in ran và phát hành năm 2005. Vancouver BC: Tku sách Viuet Nam, 2007.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Triseu, Hkai. Blood & tears on Truong Son Mountain's back: Reading the Diary of Dang Thuy Tram. Vancouver BC: Vietnam, 2007.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Triè̂u, Hải. Blood & tears on Truong Son Mountain's back: Reading the Diary of Dang Thuy Tram. Vancouver BC: Vietnam, 2007.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Holbrook, Culbert David, Wood Richard E i Suid Lawrence H, red. Film and propaganda in America: A documentary history. New York: Greenwood Press, 1990.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Holbrook, Culbert David, red. Filmand propaganda in America: A documentary history. Westport, Conn: Greenwood, 1990.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Holbrook, Culbert David, red. Film and propaganda in America: A documentary history. Westport, Conn: Greenwood, 1990.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Santoli, Al. To bear any burden: The Vietnam War and its aftermath in the words of Americans and Southeast Asians. Bloomington: Indiana University Press, 1999.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł
Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Vietnam war, 1961-1975 – propaganda” dla poszczególnych typów źródeł:
Rozprawy doktorskie Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii