Rozprawy doktorskie na temat „Victorian era”
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Peplow, Stephen. "Agricultural rent in the early Victorian era". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43507.
Pełny tekst źródłaGooday, G. J. N. "Precision measurement and the genesis of physics teaching laboratories in Victorian Britain". Thesis, University of Kent, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234952.
Pełny tekst źródłaPusapati, Teja Varma. "Model presswomen : 'high-minded' female journalism in the mid-Victorian era". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8af9c31b-bf92-4fb3-95f9-e5d6f8f46b83.
Pełny tekst źródłaFowler, Michael Anthony. "Rosa Bonheur the Amazon? Victorian-era Fashion, Female Masculinity, and the Horse Fair (1855)". Digital Commons @ East Tennessee State University, 2022. https://dc.etsu.edu/etsu-works/8903.
Pełny tekst źródłaDavidson, Kathleen Margaret. "Exchanging views : empire, photography and the visualisation of natural history in the Victorian era". Phd thesis, Dept. of Art History and Theory, Faculty of Arts and Social Sciences, 2011. http://hdl.handle.net/2123/13157.
Pełny tekst źródłaTaber, Emily Celene. "Using Archival and Archaeofaunal Records to Examine Victorian-era Fish Use in the Pacific Northwest". PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4393.
Pełny tekst źródłaJoseph, Marrisa Dominique. "Literary businesses : the British publishing industry and its business practices 1843-1900". Thesis, Queen Mary, University of London, 2016. http://qmro.qmul.ac.uk/xmlui/handle/123456789/13080.
Pełny tekst źródłaGarwood, Christine. "The British state and the natural environment : with special reference to the Alkali Inspectorate, circa 1860-1906". Thesis, University of Northampton, 1998. http://nectar.northampton.ac.uk/2793/.
Pełny tekst źródłaBatista, Rachel UchÃa. "A modalidade deÃntica como expressÃo de valores vitorianos na peÃa Lady Windermere's fan". Universidade Federal do CearÃ, 2015. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=14744.
Pełny tekst źródłaThis research has tried to investigate the relashionship between linguistic expressions of deontic modality and the construction of speeches which reveal values of the Victorian age. The study was developed under the functionalist linguistic theory once it allows us to go through both linguistic expressions and meaning in a specific context in order to analyze the effects in meaning expressed by means of deontic modality. In this sense, the investigation was based on Palmer (1986), Dik (1997), Verstraete (2004), Neves (2006), among other authors who helped us understand the linguistic modality, specially the deontic type, and the features related to its occurrence. We have analyzed 299 deontically modalized pieces of enunciation from both male and female characters from the play Lady Windermereâs fan, by Oscar Wilde, concerning all the acts of the play. Deontic modality is related to the possibility or necessity of acts executed by morally responsible agents and was analyzed under the manifestation of syntactic, semantic and pragmatic aspects as a whole. The data we analyzed have shown us that the âAuxiliary verbsâ category corespond to the linguistic means of expression of modality more frequently used and was registred in 51% of the cases. Within this category we have considered both modal auxiliaries and the âhave to + infinitiveâ expression. The âAuxiliary verbsâ category was followed by âVerbal Modesâ (26,4) and âMain verbsâ (16%) categories. As for deontic values, obligation corresponded to 58% of the cases, that is, 174 occurrences. Among these, 139 were internal obligation, not corresponding to our expectations. One can also observe the high frequency of the type of deontic source âEnunciatorâ (234 cases). We believed the frequency of the source âInstitutionâ would be the highest. About the inclusion of the deontic source in the deontic target, we have registred the non-inclusion in 68% of the cases. This last aspect caused an effect of distance between deontic source and target in the play and helped establishing boundaries between boss and employee, or reinforcing the social class division, which is a characteristic of the Victorian period. Contrary to what we believed, female characters were responsible for 65,6% pieces of enunciation (196 cases), which means they produced more deontic values than male characters. Among these cases, 120 occurrences corresponded to an obligation, 31 occurrences corresponded to a permission, and 21 cases were a prohibition. In this sense, we have concluded that the deontic modals in the pieces of enunciation from the characters from the play Lady Windermereâs fan do not serve to express exclusively victorian values.
O presente trabalho buscou investigar a relaÃÃo entre as expressÃes linguÃsticas da modalidade deÃntica e a construÃÃo de discursos que revelam valores da era vitoriana. Nossa pesquisa foi desenvolvida sob a Ãtica funcionalista, visto que, para analisarmos os efeitos de sentidos expressos por meio daquela modalidade, faz-se necessÃrio transitar entre forma linguÃstica e sentido em um determinado contexto especÃfico. Assim, a investigaÃÃo foi desenvolvida com base em Palmer (1986), Dik (1997), Verstraete (2004), Neves (2006), dentre outros autores que nos auxiliaram na compreensÃo da modalidade linguÃstica, em especial a deÃntica, e dos aspectos relacionados à sua ocorrÃncia. Analisamos 299 enunciados modalizados deonticamente, de personagens dos gÃneros masculino e feminino, presentes em todos os atos da peÃa Lady Windermereâs fan, de Oscar Wilde. A modalidade deÃntica diz respeito à possibilidade ou necessidade de atos executados por agentes moralmente responsÃveis e foi analisada, em cada um desses enunciados, sob o ponto de vista sintÃtico, semÃntico e pragmÃtico, integradamente. A partir de anÃlise dos dados obtidos, constatamos que os meios linguÃsticos de expressÃo da modalidade de maior produtividade foram aqueles agrupados na categoria âVerbos auxiliaresâ, categoria na qual inserimos os auxiliares modais e a expressÃo âhave to + infitiniveâ (ter que/de + infinitivo), que corresponderam à 51% das ocorrÃncias analisadas, seguidos do modo verbal (26,4% dos casos) e do verbo pleno (16%). Jà o valor deÃntico mais instaurado foi o de obrigaÃÃo, correspondendo a 58% de todas as ocorrÃncias, ou seja, 174 ocorrÃncias, dentre as quais, 139 foram do tipo interna, contrariamente ao que esperÃvamos. O tipo de fonte deÃntica mais recorrente foi âEnunciadorâ, com 234 ocorrÃncias. AcreditÃvamos que a fonte âInstituiÃÃoâ seria a de maior frequÃncia. Quanto à inclusÃo da fonte no alvo deÃntico, observamos que, em 68% dos casos, o valor deÃntico nÃo recaiu sobre a fonte, causando um efeito de distanciamento entre fonte e alvo deÃntico que estabeleceram limites entre patrÃo e empregado, por exemplo, ou reforÃaram a divisÃo social de classes, caracterÃstica do perÃodo vitoriano. Contrariamente ao que acreditÃvamos, as personagens do gÃnero feminino instauraram um maior nÃmero de valores deÃnticos, sendo responsÃveis por 65,6% dos enunciados analisados (196 casos), dentre os quais, em 120 ocorrÃncias, uma obrigaÃÃo foi instaurada; em 31, o valor de permissÃo foi registrado; e, em 21, uma proibiÃÃo foi instaurada. Desse modo, concluÃmos que os os modalizadores deÃnticos presentes nos enunciados dos personagens da peÃa Lady Windermereâs fan nÃo se prestam, exclusivamente, à expressÃo de valores vitorianos.
Pektas, Nilifer. "The importance of blood during the Victorian era. : Blood as a sexual signifier in Bram Stoker's Dracula". Thesis, Södertörn University College, School of Language and Culture, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-500.
Pełny tekst źródłaZeske, Karen Marie. "Browning and Dickens: Religious Direction in Victorian England". Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500704/.
Pełny tekst źródłaRobinson, Katherine Reilly. "Negotiating Identity: Culturally Situated Epideictic in the Victorian Travel Narratives of Isabella Bird". Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3213.pdf.
Pełny tekst źródłaWineinger, Rachel E. "Raised by the Book| What Ellen, Jo, and Anne Teach Us about Reading and Girlhood in the Victorian Era". Thesis, Southern Illinois University at Edwardsville, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10129939.
Pełny tekst źródłaI present a study of the female protagonists of The Wide, Wide World; Little Women; and Anne of Green Gables in terms of reading and play. I posit that the lives of the girls depend on what and how they read, and insight to their reading can be gained by examining when their play interacts with their books. I also employ the use of mise en abyme to understand the overall purpose of their reading (and playing) and the contribution these characters make to the lives of their own potential readers.
Baylis, Philippa J. "Andrew Lang and the study of religion in the Victorian era, with special reference to his High God theory". Thesis, University of Aberdeen, 1987. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU009019.
Pełny tekst źródłaRidgwell, Stephen John. "'On a shiny night' : the representation of the English poacher, c.1830-1920". Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/69667/.
Pełny tekst źródłaDavis, Rachel Andrea. "If I forget you, it doesn't mean I didn't love you". Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1501461061076469.
Pełny tekst źródłaBailey, Lucy A. "The village shop and rural life in nineteenth-century England : cultural representations and lived experience". Thesis, University of Northampton, 2015. http://nectar.northampton.ac.uk/8824/.
Pełny tekst źródłaStearn, Roger Thomas. "War images and image makers in the Victorian era : aspects of British visual and written portrayal of war and defence c.1866-1906". Thesis, King's College London (University of London), 1987. https://kclpure.kcl.ac.uk/portal/en/theses/war-images-and-image-makers-in-the-victorian-era--aspects-of-british-visual-and-written-portrayal-of-war-and-defence-c18661906(54a3ff6c-de58-4fec-8cc3-672f6f0f4f47).html.
Pełny tekst źródłaDaily, Ruby Ray. "The Victorian Governess as Spectacle of Pain: A Cultural History of the British Governess as Withered Invalid, Bloody Victim and Sadistic Birching Madam, From 1840 to 1920". ScholarWorks @ UVM, 2014. http://scholarworks.uvm.edu/graddis/291.
Pełny tekst źródłaMoore, Laurence James, i res cand@acu edu au. "Sing to the Lord a New Song: a Study of changing musical practices in the Presbyterian Church of Victoria, 1861-1901". Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp49.29082005.
Pełny tekst źródłaStrauchen, Elizabeth Bradley. "Giovanni Puzzi : his life and work : a view of horn playing and musical life in England from 1817 into the Victorian era (c.1855)". Thesis, University of Oxford, 2000. http://ora.ox.ac.uk/objects/uuid:e42fa98b-daf6-454b-9f54-2a79588d5120.
Pełny tekst źródłaWilliams, Mark Anthony. "Encountering the French : a new approach to national identity in England in the Eighteenth Century". Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7088/.
Pełny tekst źródłaLima, NatÃlia Sampaio Alencar. "Alice in Wonderland da literatura para o cinema: um estudo da traduÃÃo da era vitoriana e do nonsense literÃrio de Lewis Carroll para o cinematogrÃfico no estilo burtoniano". Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=17909.
Pełny tekst źródłaEsta pesquisa busca analisar os elementos utilizados por Tim Burton para representar a Era Vitoriana atravÃs do figurino, meio de transporte e decoraÃÃo. Trabalharemos tambÃm com a traduÃÃo em imagens do nonsense em sua adaptaÃÃo fÃlmica Alice in Wonderland (2010). Nessa perspectiva, o presente trabalho resulta de um estudo comparativo entre o filme e a obra na qual se baseia, o cÃnone da literatura infantil Aliceâs Adventures in Wonderland de Lewis Carroll (1865). Para tanto, faremos um cotejo entre as duas obras à luz das teorias de Elizabeth Sewell (2015), Wim Tigges, (1988) e Susan Stewart (1980) que alicerÃam o gÃnero literÃrio nonsense. LanÃaremos mÃo da versÃo literÃria Lewis Carroll: The Complete Fully Illustrated Works de 1995 da editora Gramercy, contendo toda a obra de Lewis Carroll com ilustraÃÃes originais. Isso, a fim de viabilizar e facilitar a comparaÃÃo com as figuras presentes no texto literÃrio, quando necessÃrio, para investigar se houve aproximaÃÃo na representaÃÃo visual feita pelo diretor.
Rosa, Débora Souza da. "Silenced angels: an obscure Saint Theresa in George Eliots Middlemarch". Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4018.
Pełny tekst źródłaA presente dissertação objetiva a comparação proposta no Prelúdio do romance Middlemarch por sua autora George Eliot entre a protagonista da obra, Dorothea Brooke, e a figura histórica Teresa dÁvila. A partir de tal estudo, busca-se compreender de que modo a situação específica da mulher na Era Vitoriana é articulada no romance de modo a espelhar a crise ontológica e epistemológica do próprio ser humano diante das transformações consolidadas com o Iluminismo e as revoluções liberais do século XVIII que culminariam na morte de Deus. Dorothea mostra-se uma cristã tão fervorosa quanto a Teresa quinhentista, mas faltam-lhe certezas e a resolução para concretizar as reformas sociais que defende, pois ela encarna o mito de feminilidade oitocentista batizado de Anjo do Lar ideal de sujeição feminina à ordem falocêntrica cujas funções são a proteção e difusão da moralidade burguesa e a substituição de elementos cristãos no universo do sagrado a uma sociedade cada vez mais materialista e insegura de valores absolutos. As aflições de Dorothea representam as aflições da mulher vitoriana, mas o momento crítico desta mulher reflete, em Middlemarch, uma crise muito maior do Ocidente, que teve início com a Era da Razão
The present dissertations purpose is the comparison proposed by George Eliot in the Prelude of the novel Middlemarch between its protagonist, Dorothea Brooke, and the historical character Teresa of Avila. Such study endeavors to understand in which way the specific situation of the Victorian woman is articulated within the novel as to mirror the ontological and epistemological crisis of the human being itself during the transformations consolidated by the Enlightenment and the liberal revolutions of the eighteenth century which culminated in the death of God. Dorothea is as ardent a Christian as the fifteenth century Teresa, but she lacks the certainties and the resolution to concretize the social reforms she defends, because she incarnates the nineteenth century myth of womanhood known as the Angel in the House an ideal of feminine subjection to the phalocentric order whose functions are the protection and diffusion of the bourgeois morality and the replacement of Christian elements within the imaginary universe of the sacred to a society progressively more materialistic and insecure of absolute values. The afflictions of Dorothea represent the afflictions of the Victorian woman, but the critical moment of this woman reflects, in Middlemarch, a much greater crisis in the Western thought, which began with the Age of Reason
Spencer, Sandra L. "The Angel in the House and The Woman in White: The Unfolding and Decoding of a Victorian Stereotype". Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500620/.
Pełny tekst źródłaRessetar, Tatyana. "The seaside resort towns of Cape May and Atlantic City, New Jersey development, class consciousness, and the culture of leisure in the mid to late Victorian era". Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4826.
Pełny tekst źródłaID: 030646179; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 118-133).
M.A.
Masters
History
Arts and Humanities
History; Public History Track
Dykman, Jennifer Becker. "Gentlewomen: The Westernizing of Chinese American Prostitutes in San Francisco, 1870-1940 A History on Chinese American Prostitution, Missionaries and the Law". Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/history_theses/38.
Pełny tekst źródłaNorrie, Philip Anthony. "An Analysis of the Causes of Death in Darlinghurst Gaol 1867-1914 and the Fate of the Homeless in Nineteenth Century Sydney". Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/1862.
Pełny tekst źródłaNorrie, Philip Anthony. "An Analysis of the Causes of Death in Darlinghurst Gaol 1867-1914 and the Fate of the Homeless in Nineteenth Century Sydney". University of Sydney, 2007. http://hdl.handle.net/2123/1862.
Pełny tekst źródłaThis thesis examines a ledger which listed all the causes of death in Darlinghurst Gaol, Sydney’s main gaol, from 1867 to 1914 when the gaol was closed and all the prisoners were transferred to the new Long Bay Gaol at Maroubra. The ledger lists the name of the deceased prisoner, the date of their death, the age of the prisoner at the time of their death and the cause of death along with any special comments relevant to the death where necessary. This ledger was analysed in depth and the death rates and diseases causing the deaths were compared to the general population in New South Wales and Australia as well as to another similar institution namely Auburn Prison, the oldest existing prison in New York State and the general population of the United States of America (where possible). Auburn Prison was chosen because it was the only other prison in the English speaking world (British Empire and United States of America) that had a similar complete list of deaths of prisoners in the same time frame – in this case beginning in 1888. The comparison showed that the highest death rates were in the general population of the United States of America (statistics on New York State alone could not be found) followed by Auburn Prison followed by the general population of Australia then the general population of New South Wales (the latter two were very similar) and the lowest death rates were in Darlinghurst Gaol. The analysis showed that individuals were less likely to die in the main prison, compared to the relevant general population in New South Wales and New York State despite the fact that 8 – 9% of these prison deaths were due to executions, a cause of death not encountered in the general population. This thesis explores the reasons why mortality rates were lower in prison despite the popular perception was that Victorian era gaols were places of harshness, cruelty and death (think of the writings of Charles Dickens, the great moralist writer who was the conscience of the era) compared to the general free population.
Werger, Laura Elizabeth. "Morbid Curiosity Shop". Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1311188744.
Pełny tekst źródłaTurner, Stephanie. "Serving the Storyline of the Novel: The Powerful Role of the Feudal Servant-Narrator". Scholarship @ Claremont, 2009. http://scholarship.claremont.edu/pitzer_theses/10.
Pełny tekst źródłaColman, Maya Pearl. "Community, Connection, and Conflict; The Liminal Spaces of the Regents Canal and the Industrial Transition of London (1812-1900)". Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1625484195241175.
Pełny tekst źródłaKleffner, Katherine. "Seething Cauldron of Crime: Criminals and Detectives in Historical and Fictional London". Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1429017193.
Pełny tekst źródłaCorvini, Helena de Lima. "Quem tem medo de Oscar Wilde? vida como obra-de-arte". Pontifícia Universidade Católica de São Paulo, 2012. http://tede2.pucsp.br/handle/handle/2322.
Pełny tekst źródłaConselho Nacional de Desenvolvimento Científico e Tecnológico
This present dissertation intends to accompany Oscar Wilde's steps through late Victorian London, the booming center of an already decadent Empire. At this time being, positivist and imperialist discourses explain the reality. Both the medical science and the law fight over the theme of homosexuality. In a time when the symbolic authority to name homosexual desire is being questioned, Wilde is brave enough to state the precedence of the artist in naming the world. His life and works cause exalted reactions. His excentricities outrage London's high-society, of which Wilde becomes the arbiter of elegance, despite being a complete outsider: Irish and homosexual. He lives Aestheticism and dandism to the fullest, he lives a purposedly gay lifestyle and excites the fear of exerting some sort of "corruption" or "influence" over young men of the British society. His writing, through the use of paradoxes and symbolic invertions, shows the underpinnings of the aparently neutral text of normative reality. In his judgment, he is turned into the scapegoat of a severely repressed and puritan society. His works have founded the camp sensibility and a decidedly homosexual aesthetics
A presente dissertação busca acompanhar os passos de Oscar Wilde pela Londres da era vitoriana tardia, o centro pujante de um Império já em decadência. Nesse momento, o status quo produz um discurso positivista e imperialista sobre o mundo. A homossexualidade é disputada pelos discursos da ciência médica e da jurisprudência. Numa época em que a autoridade simbólica para nomear o desejo homoerótico se encontra questionada, Wilde tem a ousadia de afirmar a primazia do artista em nomear o mundo. Com sua vida e sua obra, Wilde provoca reações exaltadas. Suas excentricidades chocam a alta sociedade londrina, da qual se torna o árbitro da elegância, apesar de sua posição de outsider: irlandês e homossexual. Vivendo plenamente os ideários do Esteticismo e do dandismo, tem um estilo de vida acintosamente gay e suscita o medo da "corrupção" e da "influência" sobre os homens jovens por parte da sociedade inglesa. As masculinidades estão sendo elaboradas nesse momento e há o medo de que os homens jovens deixem de ser viris cavalheiros para se tornarem afeminados dândis. Em seus escritos, por meio de paradoxos e inversões simbólicas, Wilde também mostra a costura por baixo do texto aparentemente neutro da realidade normativa. Em seu julgamento, é transformado em bode expiatório de uma sociedade severamente reprimida e puritana. Suas obras permanecem hoje como fundadoras da sensibilidade camp e de uma estética decididamente homossexual
Wetterstroem, Kathryn. "Sucks to Be a Woman: Shifting Responses to Feminism from Dracula to The Historian". Wittenberg University Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617982997535422.
Pełny tekst źródłaAndriot, Antonin. "Entre héritage national et influences britanniques : une histoire croisée du libéralisme et des libéraux français entre 1859 et 1929". Electronic Thesis or Diss., Université Clermont Auvergne (2021-...), 2022. http://theses.bu.uca.fr/nondiff/2022UCFAL026_ANDRIOT.pdf.
Pełny tekst źródłaIs France, as the founder of the École libre des sciences politiques Émile Boutmy wrote in 1901, more inclined by its history to demand “state supervision” than its British neighbor? If this commonplace dies hard, it is essentially because Anglophile liberals in the 19th century, particularly during their opposition to the Second Empire, nurtured a certain admiration for what they considered to be a British model, with a deeply rooted liberal culture, and from which it would be appropriate to be inspired in order to reach a form of political maturity. Beyond appearances, the aim is to understand that French liberalism was the object of a cross-construction, between transnational influences and national hybridizations, particularly from the 1860s to the 1920s, when a liberal-republican culture asserted itself; how did the French liberals work for this constitutional, partisan, cultural transition called for, what were their successes and failures in the face of other competing aspirations, and within the framework of changing contemporary societies in political and social spheres? Through a Franco-British perspective, it is a set of cultural transfers around liberalism that are to be rediscovered, to better understand the development of the regime that is liberal democracy
Gould, Glenice. "A history of the Royal National Throat, Nose and Ear Hospital 1874-1982". Thesis, Open University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336982.
Pełny tekst źródłaMalherbe, Johanna Francina. "Die rol van neentiende-eeuse fotografie in eietydse bewaring : William Roe en Graaff-Reinet". Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95870.
Pełny tekst źródłaENGLISH ABSTRACT: This study aims to understand the role that 19th century photography can play in the reconstruction of an era and in the conservation of cultural heritage in the 21st century. The photo collection of William Roe, a photographer from Graaff-Reinet, is used as an example. The origin and development of Graaff-Reinet is used as background information and major events such as the Great Trek, the arrival of the railway, the Anglo-Boer War, the First World War and the Great Flu are touched upon. Aspects such as education, churches, the library and the hospital in Graaff-Reinet complement the study. An overview of the development of photography covers several early photo-making processes. These include the daguerreotype process, Talbot's paper negative process, collotype and the popular carte de visite photographs. Photography specifically in South Africa is also conferred, with particular reference to the first photographers working in the country. Reference is made to the important influences major events like the discovery of diamonds and gold as well as the Anglo-Boer War had on photography. The discussion of William Roe as human being and his legacy as a photographer forms an integral part of the study. The Victorian period is discussed since this was the period in which Roe worked and lived. It had a formative influence on his workmanship. An overview of the Victorian period in England is followed by specific focus on South Africa during this time. The rush to the diamond fields, issues with language and the trends of the times are pointed out. Many of these trends are specifically indicated and discussed as they appear in Roe’s photos. The photos have been categorized to clarify analysis of the different cultural phenomena. The architecture and historical background of Graaff-Reinet’s churches and public buildings are discussed. Streetscapes and images of the town as a whole show the development and daily activities that took place. Photos of clothing represent a reconstruction of the fashions of the concurrent Victorian era and those of public events such as sporting events, celebrations, plays and a gathering during the Anglo-Boer War, display the social life of the community. The role of human memory in the writing of cultural history is compared with the “memory” role of photographs. At the same time the ability of photographs to reflect not only physical culture, but also abstract concepts, receives attention. The use of these abilities of photography in the preservation of culture is a challenge for conservationists of the 21th century.
AFRIKAANSE OPSOMMING: Hierdie studie het ten doel om die rol wat 19de-eeuse fotografie kan vervul in die rekonstruksie van ’n era en in die bewaring van kultuurgoedere vir die 21ste eeu, aan te spreek. Die fotoversameling van William Roe van Graaff-Reinet word as voorbeeld gebruik. Die ontstaan en ontwikkeling van Graaff-Reinet word as agtergrond behandel en belangrike gebeurtenisse soos onder meer Die Groot Trek, die koms van die spoorlyn, die Anglo- Boereoorlog, die Eerste Wêreldoorlog en die Groot Griep word uitgewys. Aspekte soos opvoeding, kerke, die biblioteek en hospitaal is aanvullend bestudeer om ’n volledige beeld van Graaff-Reinet daar te stel. ’n Oorsig oor die ontwikkeling van fotografie dek verskeie vroeë fotoprosesse soos die daguerreoproses, Talbot se papiernegatief, die calotipe-fotoproses en die gewilde carte-devisite- foto's. Fotografie in Suid-Afrika word bespreek met spesifieke verwysing na die eerste fotograwe wat in die land werksaam was. Daar word verwys na die invloed wat belangrike gebeurtenisse soos die ontdekking van diamante en goud, asook die Anglo-Boereoorlog, op fotografie in Suid-Afrika gehad het. Die ondersoek na William Roe as mens sowel as sy nalatenskap as fotograaf vorm ’n belangrike onderdeel van die studie. Die Victoriaanse era word bespreek aangesien dit die tydperk was waarin Roe geleef en gewerk het, en dus ’n vormende invloed op sy werk gehad het. ’n Oorsig oor die Victoriaanse era in Engeland word gevolg deur ’n beskouing van dié era in Suid-Afrika. Die stormloop na die diamantvelde, taalkwessies en heersende modeneigings word uitgewys. Baie van die modeneigings word tydens die ontleding van die kultuurverskynsels op die Roe-foto’s opgemerk en bespreek. Die foto’s vir die ontleding van kultuurverskynsels is in kategorieë ingedeel. Die argitektuur en historiese agtergrond van kerke en openbare geboue word bespreek. Straat- en dorpsbeelde dui die ontwikkeling van en bedrywighede op die dorp aan. Kleredragfoto’s bied ’n rekonstruksie van die modes van die Victoriaanse era terwyl die foto’s van openbare geleenthede soos sportbyeenkomste, feesvieringe, toneelopvoerings asook ’n samekoms tydens die Anglo-Boereoorlog die sosiale lewe van die inwoners van die dorp aandui. Die rol van die menslike geheue in kultuurgeskiedskrywing word vergelyk met die rol van foto’s as “geheue”. Terselfdertyd word die vermoë van foto’s om nie net fisiese kultuur te weerspieël nie, maar ook abstrakte konsepte te verteenwoordig, behandel. Die aanwending van hierdie eienskappe van fotografie in kultuurbewaring is ’n uitdaging vir bewaringskundiges van die 21ste eeu.
Villaine, Hortense de. "Peut-on échapper à l'épiphénoménisme ? : une immersion dans la psychophysiologie britannique de la seconde moitié du XIX° siècle". Thesis, Paris 10, 2020. http://faraway.parisnanterre.fr/login?url=http://bdr.parisnanterre.fr/theses/intranet/2020/2020PA100050/2020PA100050.pdf.
Pełny tekst źródłaDuring the second half of the nineteenth century in Great Britain, a substantial number of articles, conferences and books were dedicated to the mind-body problem. This period was indeed marked by the Darwinian theory, the development of brain sciences, together with the fight for intellectual leadership between some scientists and traditional authorities. A certain number of scientists rejected the theological tutelage of science as well as the metaphysical studies of the mind. They defended an experimental approach to the mind-body problem. Therefore, they started developing their own philosophy of mind. The most controversial thesis debated in this overall context was the thesis of epiphenomenalism formulated by Thomas Huxley in 1874. He argued that mind was causally inefficient, thus saying that the conscious will was an illusion. The defence of this astonishing position is related to two other main ideas: metaphysical agnosticism and the mechanical conception of the world. Even though it was widely accepted among Huxley’s close colleagues, this thesis was criticised by some people who also defended a scientific study of the mind. The mind-body problem thus appeared to us as a new way to enter the controversies of this time. Its study enabled us to identify a philosophical movement, which we labelled “Victorian psycho-physiological philosophy” and which this work aims at providing a global and systematic exploration of. The main authors of this study are the following: Thomas Henry Huxley, John Tyndall, William Clifford, Henry Maudsley, Alexander Bain, William B. Carpenter, George Henry Lewes and George Romanes
Rigal, Raphaël. "Combler la faille : Dante Gabriel Rossetti, les Préraphaélites, et la modernité". Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL128.pdf.
Pełny tekst źródłaIn reaction to a dull, never-changing Royal Academy, and announcing movements focused on sheer aesthetic beauty, the Pre-Raphaelite Brotherhood is often seen as wrapped in a long, hazy, melancholy reverie. William Morris’s political commitment spares him such labelling, but Dante Gabriel Rossetti and his disciples are often associated with past-obsessed aesthetics. Taking a stand against such a bias, this dissertation emphasises the political aspects of their work, and the scope of their philosophical and ideological commitments. By interweaving a cultural and historicist perspective with the formal and aesthetic sides of their art, this study of a representative set of Pre-Raphaelite paintings and poems seeks to identify the political attitudes underlying their art. Through the prisms of 19th century theoretical texts and reflections by thinkers of modernity, counter-modernity, and alter-modernity, this analysis probes the idea that rifts and faultlines represent both displacements and a creative principle, while simultaneously opening the way to a permanent challenging of dominant ideology and offering an alternative to subversion. The artistic twist on the faultline concept makes the Pre-Raphaelites craftsmen of a quiet revolution, meant to effect a deep transformation of Victorian society and art
Toscano, Dennis. "Carthago Indiarum Obsessa, Sed Non Expugnata: Praefatio, Editio Critica, Commentarius, Paraphrasis Versuum Quibus Celebratur Victoria Hispanorum a Britannis Anno 1741 Reportata". UKnowledge, 2016. http://uknowledge.uky.edu/mcllc_etds/5.
Pełny tekst źródłaDonoho, Emily S. "Appeasing the saint in the loch and the physician in the asylum : the historical geography of insanity in the Scottish Highlands and Islands, from the early modern to Victorian eras". Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3315/.
Pełny tekst źródłaKerutt, Josephine Victoria [Verfasser], Lutz [Akademischer Betreuer] Wisotzki, Philipp [Akademischer Betreuer] Richter, Lutz [Gutachter] Wisotzki, Philipp [Gutachter] Richter i Dawn [Gutachter] Erb. "The high-redshift voyage of Lyman alpha and Lyman continuum emission as told by MUSE / Josephine Victoria Kerutt ; Gutachter: Lutz Wisotzki, Philipp Richter, Dawn Erb ; Lutz Wisotzki, Philipp Richter". Potsdam : Universität Potsdam, 2019. http://d-nb.info/122077412X/34.
Pełny tekst źródłaHopkins, Alison Julie. "Convenient fictions : the script of lesbian desire in the post-Ellen era : a New Zealand perspective : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy [in Gender and Women's Studies] /". ResearchArchive@Victoria e-thesis, 2009. http://hdl.handle.net/10063/1108.
Pełny tekst źródłaVillalobos, Alvarez Grace Ornella. "Evaluación del presupuesto programado en la instalación de una losa deportiva en el Caserío Nueva Victoria, distrito La Peca, provincia Bagua, para medir su incidencia en el estado de resultado de la Empresa Constructora y Servicios Múltiples EKA SRL en el periodo 2015". Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2017. http://tesis.usat.edu.pe/handle/usat/1036.
Pełny tekst źródłaTesis
Doussot, Audrey. "A la croisée des genres : masculin et féminin dans la littérature et l'iconographie féériques victoriennes et édouardiennes". Thesis, Dijon, 2011. http://www.theses.fr/2011DIJOL028.
Pełny tekst źródłaUnder the reign of Victoria, the fairy genre, after many years of banishment, is back on the literary scene and introduced as a major source of inspiration for the visual arts. Artists and authors create texts and pictures that turn the depiction of a fantasy world disregarding current cultural and social norms into an opportunity for the exploration of the ideals, anxieties and contradictions of the time. Original texts written for the adult and juvenile readerships keep the age-old tradition of the fairy tale alive, renewing its themes and representations in accordance with the current British tastes. Simultaneously, paintings and illustrations, at a time when pictures take an increasingly prominent place in everyday life and culture, provide the fairy genre with a specific iconography. At the crossroads of text and picture, illustrated literature goes through an unprecedented phase of popularity marked by two periods of golden age, in the 1860s and the 1890s. With its hybrid form, its inspiration derived from the social context and its privileged association with the feminine, the nineteenth-century and early twentieth century illustrated fairy literature is a cultural form most appropriate for the analysis of text/image relationships as well as the gender notions of the feminine and the masculine. Sexuality – the greatest taboo of the period – and gender matters are indeed key-topics at that time and they are all the more relevant in the fairy genre since, not only does it inspire both male and female creators, but, being a minor genre, it is traditionally and symbolically considered to be feminine. And so is illustration, for the same reason. In many respects, Victorian and Edwardian fairy creation is then at the crossroads of a number of notions, both complementary and antagonistic : masculine/feminine, text/image, painting/illustration, art/craftsmanship, high culture/low culture, adulthood/childhood, conformism/subversion, tradition/innovation…. Structured around the idea of an ‘in-between’ status, the present study shall therefore examine the field of literary and pictorial fairy creation as a space in which all these ideas meet through the analysis of fairy paintings, texts and illustrated books. Gender and fairy genre shall be considered jointly as an attempt to define and explore their relationships during the Victorian and Edwardian eras
Gabriel, Schenk. "A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:6c284cea-e72c-49b0-ba87-29cf7b960ba9.
Pełny tekst źródłaLai, Hui-Chieh, i 賴慧潔. ""Jack the Ripper" in the Late Victorian Era". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/41279874248373663936.
Pełny tekst źródła輔仁大學
歷史學系碩士班
101
News spread in a faster pace during the Victorian era than before due to improvement in printing technologies, increase in literacy, and expansion in newspaper production. It was this emerging news culture, which contributed to the increasing notoriety of Jack the Ripper. The news coverage of Jack the Ripper that increased sales in newspaper and made Jack the Ripper better known. The extensive coverage instigated fear into the general public by showing the arrogance of Jack the Ripper and incompetence of the police. This thesis will focus on the usage of newspaper reports of Jack the Ripper to discuss how the news media shaped the image of Jack the Ripper, the impact of Jack the Ripper on the image of the police force, and the social settings in London during the nineteenth century.
Donaldson, Jennifer. "An enduring spirit of the Victorian Era of Doubt". Diss., 2003. http://hdl.handle.net/10500/851.
Pełny tekst źródłaENGLISH STUDIES
M.A. (ENGLISH)
Ying, Yu-ning, i 應聿甯. "Beyond Shakespeare: The Transformation of Fairy Paintings in Victorian Era". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/5thtvu.
Pełny tekst źródła國立中央大學
藝術學研究所
103
Victorian fairy painting is a peculiar genre in British art, but it has yet received little attention from art historians. Since origins of fairy painting have strong relations with the Shakespeare revival, and most themes of fairy paintings before 1850 were inspired by A Midsummer Night’s Dream and The Tempest, fairy painting was initially an offshoot of history painting. Shakespearean fairy painting has reached its peak of popularity in the late 1840s; however, after 1850, the two Shakespeare’s fairy works were no longer the primary sources of fairy painting, and fairy painters chose themes instead from folklore, or realms of eroticism and private imagination, even though other Shakespearean paintings remain popular until the 20th century. This thesis explores the transformation of fairy painting in the mid-19th century. If the Shakespeare revival as well as the Victorians’ fascination with the supernatural flourished during the entire 19th century, why did fairy painters stop interpreting Shakespeare’s fairies after 1850? For most Victorian fairy painters attempted to combine fantasy with “truth to nature”, how did they mediate between fairyland and reality? How did they materialize supernatural creatures without making them simply pale, visual translations of the narrative? Did these problems or solutions relate to the transformation of fairy painting? Or, did any new factor or new interest emerge in the mid-19th century, which may have brought about the change of themes in fairy painting? Since Shakespeare’s fairies derive from folklore, and fairy painters would refer to folklore as well as predecessors, in the first chapter, I examine fairies both in folklore and in Shakespeare’s works; then, I explore the formation of the popularity of fairy painting, and discuss the achievements of early fairy painters, including Henry Fuseli, Daniel Maclise and Richard Dadd. In the second chapter, I analyze Sir Joseph Noël Paton’s two fairy paintings, The Reconciliation of Oberon and Titania and The Quarrel of Oberon and Titania, which brought Shakespearean fairy painting to the highest point in the late 1840s. In the third chapter, I discuss Sir John Everett Millais’s Ferdinand Lured by Ariel, which was exhibited in the same year with The Quarrel of Oberon and Titania in 1850. However, the former did not acquire any recognition from art critics while the latter obtained great admiration. I will analyze the difference between them, and discuss how Paton’s and Millais’s works might reveal that Shakespearean fairy painting was in a dilemma in the mid-19th century. As Millais’s work is the only fairy painting of the Pre-Raphaelite Brotherhood, I will explore the reason why the Pre-Raphaelite Brotherhood were not interested in fairy painting. In addition, how the new factors which appeared in the 1850s impacted on the views of fairy and on the ways fairy painters interpreted fairies, is also an important issue that I will discuss in this chapter.