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Artykuły w czasopismach na temat „Victor Turner”

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Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 24 stycznia 2023

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1

Dawsey, John C. "VICTOR WITTER TURNER, KAVULA!" Sociologia & Antropologia 11, nr 3 (grudzień 2021): 1107–11. http://dx.doi.org/10.1590/2238-38752021v11317.

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Darnell, Regna. "Victor Turner Prize Awarded". Anthropology News 49, nr 2 (luty 2008): 28. http://dx.doi.org/10.1525/an.2008.49.2.28.1.

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Turner, Edith. "Exploring the Work of Victor Turner". Suomen Antropologi: Journal of the Finnish Anthropological Society 33, nr 4 (1.01.2008): 26–44. http://dx.doi.org/10.30676/jfas.v33i4.116460.

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Victor Turner broke anthropology free from cultural determinism when it was anchored in the reductionist theories of Durkheim. Like Tolstoy in his recognition of the origin of violence in government, Turner recognized the origin of the denaturing of cultures in culture’s own penchant for the building of social structures in order to perpetuate itself. He saw in the cracks between structures, and in the liminal gaps necessary for changes in structure, the revival of the lost immediacy of social relationships and the communitas that is its mark. Nowadays one may include signs of spirituality in those gaps, although that spirituality has been a topic previously tabooed in anthropological circles or hidden under structural analysis. Turner saw the inconvenient truth that if structuralism as a value and philosophy (plus what we now see as the violence inseparable from the political state, along with neoconservatism and neoliberalism—business doctrines multiplied by themselves ad infinitem) were to continue as the world’s philosophy, we would continue with wars and the smothering of the natural flexibility of social intercourse (see Robert Putnam 2000, who shows in stark figures how sociality in general is losing ground in our era). Keywords: Victor Turner, social process, rites of passage, liminality, communitas, anthropologyof experience, brain studies
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4

Bigger, Stephen. "Victor Turner, liminality, and cultural performance". Journal of Beliefs & Values 30, nr 2 (sierpień 2009): 209–12. http://dx.doi.org/10.1080/13617670903175238.

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Pritchett, James A. "Victor Turner and contemporary cultural performance". Journal of the Royal Anthropological Institute 15, nr 3 (wrzesień 2009): 636–37. http://dx.doi.org/10.1111/j.1467-9655.2009.01577_6.x.

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Darnell, Regna. "Basso Wins 1997 Victor Turner Prize". Anthropology News 38, nr 8 (listopad 1997): 21–22. http://dx.doi.org/10.1111/an.1997.38.8.21.4.

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Wels, Harry, Kees van der Waal, Andrew Spiegel i Frans Kamsteeg. "Victor Turner and liminality: An introduction". Anthropology Southern Africa 34, nr 1-2 (styczeń 2011): 1–4. http://dx.doi.org/10.1080/23323256.2011.11500002.

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Kapferer, Bruce. "Victor Turner and The ritual process". Anthropology Today 35, nr 3 (czerwiec 2019): 1–2. http://dx.doi.org/10.1111/1467-8322.12502.

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Dawsey, John C. "Victor Turner e antropologia da experiência". Cadernos de Campo (São Paulo, 1991) 13, nr 13 (30.03.2005): 163. http://dx.doi.org/10.11606/issn.2316-9133.v13i13p163-176.

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Em 1980, no encontro anual da AmericanAnthropological Association, Victor WitterTurner, Edward Bruner e Barbara Myerhofforganizaram um simpósio sobre antropologiada experiência. Deste simpósio resultaria TheAnthropology of Experience (1986), com o arti-go, “Dewey, Dilthey, and Drama: An Essay inthe Anthropology of Experience”, de Turner(1986).
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10

McLaren, Peter L. "A Tribute to Victor Turner (1920-1983)". Anthropologica 27, nr 1/2 (1985): 17. http://dx.doi.org/10.2307/25605173.

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Barnard, Henry G. "Victor Witter Turner: A Bibliography (1952-1975)". Anthropologica 27, nr 1/2 (1985): 207. http://dx.doi.org/10.2307/25605183.

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Manning, Frank E. "Bibliography of Victor Witter Turner (1975-1986)". Anthropologica 27, nr 1/2 (1985): 235. http://dx.doi.org/10.2307/25605184.

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Cavalcanti, Maria Laura Viveiros de Castro. "DRAMA, RITUAL E PERFORMANCE EM VICTOR TURNER". Sociologia & Antropologia 3, nr 6 (grudzień 2013): 411–40. http://dx.doi.org/10.1590/2238-38752013v363.

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Resumo Este estudo da obra de Victor Turner toma como ponto de partida seu profundo interesse pelos símbolos e por sua ação na experiência social. Ritual é o tema que abarca esse interesse, desdobrando-se de diversos modos nas sucessivas fases de sua trajetória intelectual. Nesta incursão, Chihamba, um ritual de cura Ndembu, e o personagem mítico Kavula - que emergem já em seu primeiro livro Schism and continuity in an African society (1996 [1957]) - são tomados como fio condutor para a apreensão dos conceitos de drama social, de símbolo ritual e de performance, três fulcros das contribuições centrais de Victor Turner à teoria antropológica.
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14

Grauer, Harald. "Hillermann, Hendrik: Victor Witter Turner. Eine Biografie". Anthropos 113, nr 2 (2018): 733–34. http://dx.doi.org/10.5771/0257-9774-2018-2-733.

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15

Wagner, Roy. "Victor Turner Prize for Ethnographic Writing, 1995". Anthropology Humanism 21, nr 1 (czerwiec 1996): 3–4. http://dx.doi.org/10.1525/ahu.1996.21.1.3.

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Darnell, Regna. "Victor Turner Prize for Ethnographic Writing, 1998". Anthropology Humanism 24, nr 1 (czerwiec 1999): 3–4. http://dx.doi.org/10.1525/ahu.1999.24.1.3.

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Michrina, Barry, Van Reidhead i Ann Kingsolver. "Victor Turner Prize for Ethnographic Writing, 2000". Anthropology and Humanism 25, nr 2 (grudzień 2000): 103. http://dx.doi.org/10.1525/ahu.2000.25.2.103.

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18

Michrina, Barry, Cheryl Mattingly i Unni Wikan. "Victor Turner Prize for Ethnographic Writing, 2001". Anthropology Humanism 26, nr 2 (grudzień 2001): 111–12. http://dx.doi.org/10.1525/ahu.2001.26.2.111.

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19

Metcalf, Peter. "Unravelling Ritual". Suomen Antropologi: Journal of the Finnish Anthropological Society 33, nr 4 (1.01.2008): 62–70. http://dx.doi.org/10.30676/jfas.v33i4.116462.

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As a pioneer in the interpretation of ritual, Victor Turner showed us how to access other peoples’ deepest understandings about the nature of life. In the process, he encountered problems of presentation that ethnographers still have to confront. This paper explores Turner’s solutions to these problems, and how subsequent authors have modified them. Keywords: ritual, ethnography, Victor Turner
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20

Dawsey, John C. "TONANTZIN: VICTOR TURNER, WALTER BENJAMIN E ANTROPOLOGIA DA EXPERIÊNCIA". Sociologia & Antropologia 3, nr 6 (grudzień 2013): 379–410. http://dx.doi.org/10.1590/2238-38752013v362.

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Resumo A partir dos escritos de Victor Turner sobre antropologia da experiência e da performance, revisitamos o seu ensaio sobre Hidalgo e a Revolução Mexicana de Independência. Nas margens interiores dessa antropologia encontramos algumas das afinidades entre Turner e Walter Benjamin. Três delas se evidenciam: 1) ao realizarem uma arqueologia da experiência, Turner encontra a experiência do liminar, e Benjamin a grande tradição narrativa; 2) ao discutirem transformações que acompanham o capitalismo industrial, Turner fala de um sparagmos, ou desmembramento das formas de ação simbólica; Benjamin da ruína da experiência e do estilhaçamento da tradição; e 3) na busca por formas de reconstituir uma experiência, as atenções de Turner se dirigem às formas liminóides de ação simbólica, e as de Benjamin às novas formas narrativas. Emergem questões. No fundo de cada uma delas, lampeja a imagem de Tonantzin. E a força de alguns dos elementos mais surpreendentes do pensamento de Turner.
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21

Turner, Edith L. B. "THE GENESIS OF AN IDEA: REMEMBERING VICTOR TURNER". Zygon� 21, nr 1 (marzec 1986): 7–8. http://dx.doi.org/10.1111/j.1467-9744.1986.tb00731.x.

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22

Darnell, Regna. "The Victor Turner Prize for Ethnographic Writing, 1999". Anthropology Humanism 25, nr 1 (czerwiec 2000): 3–5. http://dx.doi.org/10.1525/ahu.2000.25.1.3.

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23

Kapferer, Bruce. "Crisis and communitas: Victor Turner and social process". Anthropology Today 35, nr 5 (październik 2019): 1–2. http://dx.doi.org/10.1111/1467-8322.12525.

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Ranquetat Júnior, Cesar. "TURNER, VICTOR. DRAMAS, CAMPOS E METÁFORAS. NITERÓI: EdUFF , 2008. 278 P." Debates do NER 1, nr 17 (6.11.2010): 169–76. http://dx.doi.org/10.22456/1982-8136.17169.

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25

Barbara, Rodrigo Peixoto, i Renata Valério Póvoa Curado. "RIZO-LIMINARIDADE: PERFORMANCES DO ‘ENTRE’". Arte da Cena (Art on Stage) 4, nr 1 (31.07.2018): 197. http://dx.doi.org/10.5216/ac.v4i1.51579.

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O presente texto objetiva discorrer sobre duas performances do ‘entre’: uma em Victor Turner e outra em Gilles Deleuze e Félix Guattari. Em Turner, discorrer-se-á sobre a primeira, a ‘Liminaridade’, levando em consideração a extensão que este termo abarca: communitas, margem, status e ritos de passagem (este último, ancorado na teoria de Arnold Van Gennep). Em Deleuze e Guattari, dissertar-se-á acerca da segunda, o ‘Rizoma’, e, consequentemente, a sua condição de fluxo e corte, de desterritorialização, de nomadismo e multiplicidade. Este texto também está fundamentado teoricamente em Richard Schechner, importante teórico na área das Performances Culturais e de influência nos escritos de Victor Turner.
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26

Fernandez, James. ": Blazing the Trail: Way Marks in the Exploration of Symbols . Victor Turner, Edith Turner." American Anthropologist 96, nr 3 (wrzesień 1994): 767–68. http://dx.doi.org/10.1525/aa.1994.96.3.02a00690.

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Starkloff, Carl F. "Church as Structure and Communitas: Victor Turner and Ecclesiology". Theological Studies 58, nr 4 (grudzień 1997): 643–68. http://dx.doi.org/10.1177/004056399705800403.

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Cavalcanti, Maria Laura Viveiros de Castro. "Drama social: notas sobre um tema de Victor Turner". Cadernos de Campo (São Paulo, 1991) 16, nr 16 (30.03.2007): 127. http://dx.doi.org/10.11606/issn.2316-9133.v16i16p127-137.

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Nichols, J. Randall. "Worship as Anti-Structure: The Contribution of Victor Turner". Theology Today 41, nr 4 (styczeń 1985): 401–9. http://dx.doi.org/10.1177/004057368504100405.

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30

WAGNER, ROY. "On the Edge of the Bush: Anthropology as Experience . VICTOR TURNER. Edith L. B. Turner". American Ethnologist 14, nr 3 (sierpień 1987): 565–66. http://dx.doi.org/10.1525/ae.1987.14.3.02a00130.

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Bastien, Joseph. ": On the Edge of the Bush: Anthropology as Experience . Victor Turner, Edith L. B. Turner." American Anthropologist 89, nr 2 (czerwiec 1987): 476–77. http://dx.doi.org/10.1525/aa.1987.89.2.02a00470.

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HANDELMAN, DON. "Blazing the Trail: Way Marks in the Exploration of Symbols. VICTOR TURNER. EDITH TURNER, ed". American Ethnologist 23, nr 4 (listopad 1996): 933–34. http://dx.doi.org/10.1525/ae.1996.23.4.02a00420.

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Douglas, Mary. ": The Anthropology of Experience . Victor W. Turner, Edward M. Bruner." American Anthropologist 92, nr 1 (marzec 1990): 252–54. http://dx.doi.org/10.1525/aa.1990.92.1.02a00650.

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Oring, Elliott. "Victor Turner, Sigmund Freud, and the Return of the Repressed". Ethos 21, nr 3 (wrzesień 1993): 273–94. http://dx.doi.org/10.1525/eth.1993.21.3.02a00020.

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35

PAUL, ROBERTA. "The Anthropology of Experience . VICTOR W. TURNER and EDWARD M. BRUNER". American Ethnologist 14, nr 3 (sierpień 1987): 564–65. http://dx.doi.org/10.1525/ae.1987.14.3.02a00120.

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36

Peacock, James. ": From Ritual to Theatre: The Human Seriousness of Play . Victor Turner." American Anthropologist 87, nr 3 (wrzesień 1985): 685–86. http://dx.doi.org/10.1525/aa.1985.87.3.02a00320.

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Fernández, Celia. "La Acción Simbólica de Günter Brus". Pangea. Revista de Red Académica Iberoamericana de Comunicación 6, nr 1 (3.06.2015): 49–80. http://dx.doi.org/10.52203/pangea.v6i1.114.

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Simbólica aplicada, analiza los símbolos y las metáforas que crean los artistas en sus obras, como reflejo de las condiciones sociales, políticas, ideológicas y psicológicas de la sociedad a la que pertenecen. Cada cultura y cada persona dentro de ella, utiliza todo el repertorio sensorial para comunicar mensajes: gesticulaciones manuales, expresiones faciales, posturas corporales, lágrimas y movimientos coordinados con los demás. Desde la perspectiva de Victor Turner, antropólogo simbólico, no se debe conceptualizar a los símbolos como objetos, sino como instrumentos para la acción, dentro de un contexto, en el marco de los procesos sociales (entre ellos los rituales) y de los procesos culturales. Los símbolos aparecen, entonces, como componentes de la acción social, vinculados a los intereses humanos, propósitos, fines, medios, aspiraciones, ideales individuales y colectivos y como recursos de creación artística. Gracias al procesualismo simbólico de Turner, centramos nuestro objetivo de estudio en el análisis de los símbolos que utiliza Günter Brus para articular sus obras más representativas, así como en el proceso de ritualización que muestran estas obras. Nuestra conclusión principal manifiesta que, el análisis simbólico que expone Turner es aplicable a la obra de Günter Brus. Además, en las conclusiones se plantea que las acciones de este artista son acciones rituales, para Victor Turner, ‘performance ritual’, ya que las acciones son ritualizadas.
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RUMELILI, BAHAR. "Liminal identities and processes of domestication and subversion in International Relations". Review of International Studies 38, nr 2 (21.02.2012): 495–508. http://dx.doi.org/10.1017/s0260210511000830.

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In the course of his ethnographic study of the Ndembu tribes, the renowned anthropologist Victor Turner focused on the elaborate rituals that marked various phases of social transition, such as puberty and marriage. Also drawing on the work of Arnold van Gennep on rites of passage, Turner identified the entities going through social transitions as liminals, that ‘are neither here nor there; they are betwixt and between the positions assigned and arrayed by law, custom, convention, and ceremonial’. According to Turner, the defining attribute of liminal positions is their ambiguity and indeterminacy because they ‘elude or slip through the network of classifications that normally locate states and positions in cultural space’.
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Cavalcanti, Maria Laura Viveiros de Castro. "Luzes e sombras no dia social: o símbolo ritual em Victor Turner". Horizontes Antropológicos 18, nr 37 (czerwiec 2012): 103–31. http://dx.doi.org/10.1590/s0104-71832012000100005.

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O tema do ritual é marcante na obra de Victor Turner, em especial nos trabalhos diretamente baseados em sua experiência de campo entre os lunda-ndembus realizada nos anos 1950. O artigo examina as formulações do autor nessa fase de sua obra, tomando como fio condutor o conceito de símbolo ritual, que condensa aspectos centrais da abordagem dos rituais. O conceito de símbolo ritual é examinado "em ação", ou seja, é enfocado através de diferentes textos e visto como um dos lugares da obra turneriana onde o esforço de teorização se associou à apreensão etnográfica dos sentidos do ritual. Com essa noção, ao articular reflexões sobre as dimensões cognitivas e experienciais da vida social, Turner buscou abranger dimensões inconscientes do pensamento e da ação. O exame de sua hermenêutica do símbolo indica uma solução de compromisso entre duas direções de pensamento turneriano: a tendência metafísica e religiosa e sua aproximação de formulações psicanalíticas freudianas.
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Richardson, Miles, i Kathleen M. Ashley. "Victor Turner and the Construction of Cultural Criticism: Between Literature and Anthropology". Anthropological Quarterly 66, nr 1 (styczeń 1993): 49. http://dx.doi.org/10.2307/3317097.

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Manning, Frank E. "The Performance of Politics: Caribbean Music and the Anthropology of Victor Turner". Anthropologica 27, nr 1/2 (1985): 39. http://dx.doi.org/10.2307/25605175.

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Babcock, Barbara. "Introduction: Subject to Writing: The Victor Turner Prize and the Anthropological Text". Anthropology Humanism 24, nr 2 (grudzień 1999): 91–94. http://dx.doi.org/10.1525/ahu.1999.24.2.91.

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Dawsey, John C. "O teatro dos "bóias-frias": repensando a antropologia da performance". Horizontes Antropológicos 11, nr 24 (grudzień 2005): 15–34. http://dx.doi.org/10.1590/s0104-71832005000200002.

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Os escritos de Victor Turner referentes à antropologia da performance são sugestivos para a análise do que poderíamos chamar de "teatro dos bóias-frias". Mas esse teatro de canaviais e carrocerias de caminhões também é sugestivo: trata-se de um lugar privilegiado para se repensar um conjunto de questões que emergem nas interfaces da performance e antropologia. Tendo-se em vista a especificidade da "prática de calcular o lugar olhado das coisas" que caracteriza esse teatro, os seguintes tópicos pontuam o texto que vem a seguir: 1) dramas sociais; 2) relações entre dramas sociais e dramas estéticos; 3) símbolos e montagens; e 4) paradigmas do teatro na antropologia. Uma observação: nesse exercício de repensar algumas contribuições "clássicas" de Victor Turner, Erving Goffman e Richard Schechner, encontro "afinidades eletivas" entre, por um lado, o pensamento de Walter Benjamin e a dramaturgia de Bertolt Brecht, e, por outro, os princípios dramatúrgicos dos "bóias-frias".
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Turkle, Sherry. "Living the In-Between with Victor Turner's The Ritual Process: The Ritual Process: Structure and Anti-Structure, Victor Turner". Social Research: An International Quarterly 89, nr 2 (czerwiec 2022): 483–90. http://dx.doi.org/10.1353/sor.2022.0034.

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Engelke, Matthew. "O PROBLEMA DA CRENÇA: EVANS PRITCHARD E VICTOR TURNER SOBRE A “VIDA INTERIOR”". Último Andar, nr 30 (7.10.2017): 338. http://dx.doi.org/10.23925/1980-8305.2017.i30p338-352.

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Engelke, Matthew. "The problem of belief: Evans–Pritchard and Victor Turner on ‘the inner life’". Anthropology Today 18, nr 6 (grudzień 2002): 3–8. http://dx.doi.org/10.1111/1467-8322.00146.

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Costa, Grasielle Aires da. "O Conceito de Ritual em Richard Schechner e Victor Turner: Análises e Comparações". Revista aSPAs 3, nr 1 (1.12.2013): 49. http://dx.doi.org/10.11606/issn.2238-3999.v3i1p49-60.

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48

Kapferer, Bruce. "Beyond Ritual as Performance. Towards Ritual as Dynamics and Virtuality". Paragrana 19, nr 2 (grudzień 2010): 231–49. http://dx.doi.org/10.1524/para.2010.0036.

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AbstractThe essay addresses Victor Turner′s radical approach to the study of ritual and in particular the creative and generative potential of liminal processes. Two objectives guide the analysis. The first is to develop an approach that is not over-constrained by the dramatic or theatrical metaphor of performance that dominates much discussion of ritual. The second is to reorient an approach to the liminal as a stage in a process in itself and to explore it in terms of the concept of the virtual. In other words, the liminal as thoroughly an opening of potential and innovative emergence, a major direction of Turner′s approach.
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49

Pramayoza, Dede. "Dramaturgi Bakaua dalam Masyarakat Minangkabau: Studi atas Ritual Tolak Bala Dengan Perspektif Victor Turner". Bercadik: Jurnal Pengkajian dan Penciptaan Seni 5, nr 1 (6.04.2022): 67. http://dx.doi.org/10.26887/bcdk.v5i1.2493.

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This article discusses the Bakaua ritual in the Minangkabau community, which is held in several places in the Sijunjung area. The Bakaua ritual is a ritual of expressing gratitude, as well as a ritual of rejecting reinforcements. Using a qualitative approach, the aim of this research is to find the structure as well as the anti-structure of the Bakaua ritual, in order to find out its symbolic meaning. The ritual structure is understood as a dramaturgy, by viewing ritual as a form of social drama. Research data were collected from various written sources for further analysis using an interpretive approach, based on the ritual concepts of Victor Turner. The results showed that the Bakaua ritual as a ritual of rejecting reinforcements had a meaning as a symbol of mutual cooperation and harmony. A symbol, which reflects the belief of the supporting communitas in a shared identity that is still preserved, as a community, existentially, normatively, and ideologically.Keywords: Bakaua; ritual; tolak bala; Minangkabau; dramaturgyAbstrakArtikel ini membahas tentang ritual Bakaua dalam Masyarakat Minangkabau, yang tergelar di beberapa tempat di kawasan Sijunjung. Ritual Bakaua merupakan suatu ritual ungkapan rasa syukur, sekaligus ritual tolak bala. Menggunakan pendekatan kualitatif, tujuan penelitian adalah untuk menemukan struktur sekaligus anti struktur dari ritual Bakaua tersebut, untuk seterusnya menemukan makna simboliknya. Struktur ritual dipahami sebagai suatu dramaturgi, dengan memandang ritual adalah suatu bentuk drama sosial. Data penelitian dikumpulkan dari berbagai sumber tertulis untuk selanjutnya dianalisis dengan pendekatan interpretatif, berdasarkan pada konsep-konsep ritual dari Victor Turner. Hasil penelitian menunjukkan bahwa ritual Bakaua sebagai suatu ritual tolak bala memiliki makna sebagai suatu simbol gotong royong dan kerukunan. Suatu simbol, yang mencerminkan keyakinan masyarakat pendukungnya pada identitas bersama yang masih terpelihara, sebagai suatu communitas, baik secara eksistensial, normatif, maupun ideologis.Kata Kunci: Bakaua; ritual; tolak bala; Minangkabau; dramaturgi
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ABRAHAMS, ROGER D. "Victor Turner and the Construction ofCulturai Criticism: Between Literature and Anthropology . KATHLEEN M. ASHLEY". American Ethnologist 21, nr 4 (listopad 1994): 944–45. http://dx.doi.org/10.1525/ae.1994.21.4.02a00580.

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