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Artykuły w czasopismach na temat "Vaudeville"
Harmon, Jenna. "“It Is No Longer in Fashion—More's the Pity”". French Historical Studies 45, nr 2 (1.04.2022): 219–43. http://dx.doi.org/10.1215/00161071-9531968.
Pełny tekst źródłaBest, Janice. "Le vaudeville sous la Deuxième République : une arène ouverte aux passions politiques ?" Voix Plurielles 14, nr 2 (9.12.2017): 35–49. http://dx.doi.org/10.26522/vp.v14i2.1639.
Pełny tekst źródłaProu, Fanny. "Le vaudeville dans les nouvelles formes théâtrales foraines : privilège et censure". Voix Plurielles 14, nr 2 (9.12.2017): 4–18. http://dx.doi.org/10.26522/vp.v14i2.1637.
Pełny tekst źródłaRomey, John. "Songs That Run in the Streets". Journal of Musicology 37, nr 4 (2020): 415–58. http://dx.doi.org/10.1525/jm.2020.37.4.415.
Pełny tekst źródłaWoods, Leigh. "Two-a-Day Redemptions and Truncated Camilles: the Vaudeville Repertoire of Sarah Bernhardt". New Theatre Quarterly 10, nr 37 (luty 1994): 11–23. http://dx.doi.org/10.1017/s0266464x0000004x.
Pełny tekst źródłaMilchina, Vera A. "1817: Parisian Everyday Life in Vaudeville and in the Novel". LITERARY FACT, nr 1 (27) (2023): 131–56. http://dx.doi.org/10.22455/2541-8297-2023-27-131-156.
Pełny tekst źródłaJohnston, Joyce Carlton. "Taking Humour Seriously: Women and the Theatre of Virginie Ancelot". Nottingham French Studies 53, nr 3 (grudzień 2014): 267–84. http://dx.doi.org/10.3366/nfs.2014.0092.
Pełny tekst źródłaWoodside, Mary S. "Reflections in an Eastern Mirror, or Performance of a French Vaudeville in Russia". Canadian University Music Review 23, nr 1-2 (6.03.2013): 84–108. http://dx.doi.org/10.7202/1014519ar.
Pełny tekst źródłaWoods, Leigh. "Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895–1915. By Andrew L. Erdman. Jefferson, NC: McFarland, 2004; pp. 198. $39.95 cloth." Theatre Survey 46, nr 1 (maj 2005): 132–34. http://dx.doi.org/10.1017/s0040557405240097.
Pełny tekst źródłaHodin, Mark. "Class, Consumption, and Ethnic Performance in Vaudeville". Prospects 22 (październik 1997): 193–210. http://dx.doi.org/10.1017/s0361233300000107.
Pełny tekst źródłaRozprawy doktorskie na temat "Vaudeville"
Anderson, Evan. "Vaudeville: A How to Guide". VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/116.
Pełny tekst źródłaMuller, Mary Patricia. "Vaudeville and Bellow together at last /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 80 p, 2007. http://proquest.umi.com/pqdweb?did=1410678761&sid=10&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Pełny tekst źródłaMooney, Jennifer. "The Irish in vaudeville and early American cinema : 1865 - 1905". Thesis, Ulster University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646355.
Pełny tekst źródłaHauser, Mark. "Vaudeville, Popular Entertainment and Cultural Division in the Inland Empire, 1880-1914". Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cgu_etd/78.
Pełny tekst źródłaWilliams, Carl Glenwood. "No Sleep 'til Minsky's: A One-Man Tribute to Burlesque and Vaudeville". Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2099.
Pełny tekst źródłaSquire, Emma M. "Reexamining American Vaudeville: Male Impersonation, Baby Jane Hudson, and The Large Butch Crooner". Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1469017910.
Pełny tekst źródłaChahine, Loïc. "Louis Fuzelier, le théâtre et la pratique du vaudeville : établissement et jalons d'analyse d'un corpus". Nantes, 2014. http://www.theses.fr/2014NANT3039.
Pełny tekst źródłaLouis Fuzelier is an essential figure in the French theatre of the first half of 18th century : he is an author of 181 plays (129 alone, 52 in collaboration), a provider of all parisian stages (Opera, Comédie-Française, Comédie-Italienne, Fairs), a theatre manager, a cantatas lyricist, and a musician himself. I propose here the first large study about him, gathering every known fact of his biography, then recounting his dramatic author career. I draw up a detailed list of his works. The most important part of his work is devoted to opéra comique ; I therefore give an edition of all plays in this form which still exist. I also use this corpus as a field to analyze vaudeville-linked practices, beginning with a study of vaudeville itself. I study the writing of the verses of “sur l’air de”, with respect to both the text-setting and choosing the vaudevilles. Finally, I propose some elements of dramaturgic analysis of the couplets
Louis Fuzelier is an essential figure in the French theatre of the first half of 18th century : he is an author of 181 plays (129 alone, 52 in collaboration), a provider of all parisian stages (Opera, Comédie-Française, Comédie-Italienne, Fairs), a theatre manager, a cantatas lyricist, and a musician himself. I propose here the first large study about him, gathering every known fact of his biography, then recounting his dramatic author career. I draw up a detailed list of his works. The most important part of his work is devoted to opéra comique ; I therefore give an edition of all plays in this form which still exist. I also use this corpus as a field to analyze vaudeville-linked practices, beginning with a study of vaudeville itself. I study the writing of the verses of “sur l’air de”, with respect to both the text-setting and choosing the vaudevilles. Finally, I propose some elements of dramaturgic analysis of the couplets
Inacio, Denise Scandarolli 1982. "Cenas esquecidas ou Vaudeville, ópera-comique e a transformação do teatro no Rio de Janeiro, dos anos de 1840 = Scénes négligés ou Vaudeville, ópera-comique et la transformation du théâtre à Rio de Janeiro dnas les annéss 1840". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280278.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Nos anos de 1840, chegaram ao Rio de Janeiro duas companhias francesas de teatro, se instalaram em teatros da corte e começaram a apresentar um repertório bastante específico, vaudevilles e opéra-comiques. É da Compagnie Dramatique Française e da Compagnie Lyrique Française que esta tese vai se ocupar. Apesar de haver um verdadeiro silêncio sobre a trajetória desses dois grupos de artistas, o impacto que sua atuação causou nas práticas teatrais da corte brasileira é fundamental no processo de desenvolvimento de vários eixos ligados a essa arte, como a crítica artística, os regimentos das salas de espetáculos, o discurso que buscava a estruturação de um teatro nacional, a censura, o confronto com os significados do "civilizado" e dos valores franceses, etc. Dessa forma, compreender os mecanismos de atuação desses artistas franceses no Rio de Janeiro e as relações que eles estabeleceram entre as diversas instâncias ligadas à arte, possibilita entender os processos de formação cultural da corte e os diálogos estabelecidos com a arte francesa, os quais envolvem muito mais o estranhamento que o reconhecimento
Abstract: In the 1840s, the French theater companies Compagnie Française Dramatique, and Compagnie Française Lyrique arrived in Rio de Janeiro. They settled in the Brazilian court with a specific repertoire composed mostly by vaudeville and opéra-comiques, and even though little was known about the story of these two group, their actions impacted theatrical practices of the court. This thesis addresses the story of these French companies. They were fundamental in the development of multiple axes, and remarkably connected with regiments of spectacle rooms, artistic criticism, and censorship, to structure a national theater and confronted with the meanings of "civilized" and French values. One can therefore understand the cultural dialogues established with French art by the mechanisms of action of these artists in Rio de Janeiro, and the relationships established among the different entities related to the Art
Doutorado
Politica, Memoria e Cidade
Doutora em História
Carvalho, Maria Lúcia da Silva Oliveira. "A II Guerra Mundial no teatro de revista português (1939-1945)". Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras -- -Departamento de História, 1995. http://dited.bn.pt:80/30210.
Pełny tekst źródłaHerget, Danielle. "The vaudeville wars : William Morris, E. F. Albee, the White Rats, and the business of entertainment, 1898-1932 /". Thesis, Connect to Dissertations & Theses @ Tufts University, 2004.
Znajdź pełny tekst źródłaAdviser: Barbara W. Grossman. Submitted to the Dept. of Drama. Includes bibliographical references (leaves 214, 221). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
Książki na temat "Vaudeville"
Wertheim, Arthur Frank. Vaudeville Wars. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73450-4.
Pełny tekst źródłaAnthony, Slide, red. Selected vaudeville criticism. Metuchen, N.J: Scarecrow Press, 1988.
Znajdź pełny tekst źródłaSlide, Anthony. The encyclopedia of vaudeville. Jackson: University Press of Mississippi, 2012.
Znajdź pełny tekst źródłaRoss, Stuart. Our days in vaudeville. Toronto, Ontario: Mansfield Press, 2013.
Znajdź pełny tekst źródłaMarks, Brian. Where lightning dances vaudeville. Cheshire: Legacy Publications, 2002.
Znajdź pełny tekst źródłaSlide, Anthony. The encyclopedia of vaudeville. Westport, Conn: Greenwood Press, 1994.
Znajdź pełny tekst źródłaRobert, Abirached, red. La cagnotte: Comédie-vaudeville. [Paris]: Librairie Larousse, 1990.
Znajdź pełny tekst źródła1923-, Thibault Jean-Marc, i Marc Henri, red. Laissez-nous rire. [Paris]: Lattès, 1986.
Znajdź pełny tekst źródłaW, Stein Charles, red. American vaudeville as seen by its contemporaries. New York, N.Y: Da Capo Press, 1985.
Znajdź pełny tekst źródłaFields, Armond. Tony Pastor, father of vaudeville. Jefferson, N.C: McFarland & Co., 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Vaudeville"
Günther, Ernst. "Vaudeville". W Handbuch Populäre Kultur, 465–66. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05001-4_101.
Pełny tekst źródłaBradley, Patricia. "Vaudeville". W Making American Culture, 11–26. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100473_2.
Pełny tekst źródłaGrosch, Nils. "Vaudeville". W Enzyklopädie der Neuzeit, 5–6. Stuttgart: J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-00063-7_3.
Pełny tekst źródłacanemaker, john. "vaudeville". W winsor mccay, 138–47. [Revised edition]. | Boca Raton : Taylor & Francis, 2018.: CRC Press, 2018. http://dx.doi.org/10.1201/b22526-6.
Pełny tekst źródłaWertheim, Arthur Frank. "From Farm Boy to Museum Owner". W Vaudeville Wars, 3–20. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73450-4_1.
Pełny tekst źródłaWertheim, Arthur Frank. "Morris Challenges the Combine". W Vaudeville Wars, 134–48. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73450-4_10.
Pełny tekst źródłaWertheim, Arthur Frank. "The Vaudeville Machine". W Vaudeville Wars, 151–69. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73450-4_11.
Pełny tekst źródłaWertheim, Arthur Frank. "A Host of Grievances". W Vaudeville Wars, 170–80. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73450-4_12.
Pełny tekst źródłaWertheim, Arthur Frank. "Broadway Sime and the British Lion". W Vaudeville Wars, 181–93. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73450-4_13.
Pełny tekst źródłaWertheim, Arthur Frank. "How Albee Stole the Palace". W Vaudeville Wars, 197–210. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73450-4_14.
Pełny tekst źródłaStreszczenia konferencji na temat "Vaudeville"
Kantrowitz, Arthur. "Space beyond Vaudeville". W AIP Conference Proceedings Volume 148. AIP, 1986. http://dx.doi.org/10.1063/1.36016.
Pełny tekst źródłaHeyraud, Violaine. "Feydeau, les derniers feux du vaudeville et le déclin de l’hystérie". W « L’anatomie du cœur humain n’est pas encore faite » : Littérature, psychologie, psychanalyse. Fabula, 2012. http://dx.doi.org/10.58282/colloques.1649.
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